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Django Reinhardt was the first hugely influential jazz figure to emerge from Europe -- and he remains the most influential European to this day, with possible competition from Joe Zawinul, George Shearing, John McLaughlin, his old cohort Stephane Grappelli and a bare handful of others. A free-spirited gypsy, Reinhardt wasn't the most reliable person in the world, frequently wandering off into the countryside on a whim. Yet Reinhardt came up with a unique way of propelling the humble acoustic guitar into the front line of a jazz combo in the days before amplification became widespread. He would spin joyous, arcing, marvelously inflected solos above the thrumming base of two rhythm guitars and a bass, with Grappelli's elegantly gliding violin serving as the perfect foil. His harmonic concepts were startling for their time -- making a direct impression upon Charlie Christian and Les Paul, among others -- and he was an energizing rhythm guitarist behind Grappelli, pushing their groups into a higher gear. Not only did Reinhardt put his stamp upon jazz, his string band music also had an impact upon the parallel development of Western swing, which eventually fed into the wellspring of what is now called country music. Although he could not read music, with Grappelli and on his own, Reinhardt composed several winsome, highly original tunes like "Daphne," "Nuages" and "Manoir de Mes Reves," as well as mad swingers like "Minor Swing" and the ode to his record label of the '30s, "Stomping at Decca." As the late Ralph Gleason said about Django's recordings, "They were European and they were French and they were still jazz."
A violinist first and a guitarist later, Jean Baptiste "Django" Reinhardt grew up in a gypsy camp near Paris where he absorbed the gypsy strain into his music. A disastrous caravan fire in 1928 badly burned his left hand, depriving him of the use of the fourth and fifth fingers, but the resourceful Reinhardt figured out a novel fingering system to get around the problem that probably accounts for some of the originality of his style. According to one story, during his recovery period, Reinhardt was introduced to American jazz when he found a 78 RPM disc of Louis Armstrong's "Dallas Blues" at an Orleans flea market. He then resumed his career playing in Parisian cafes until one day in 1934 when Hot Club chief Pierre Nourry proposed the idea of an all-string band to Reinhardt and Grappelli. Thus was born the Quintet of the Hot Club of France, which quickly became an international draw thanks to a long, splendid series of Ultraphone, Decca and HMV recordings.
The outbreak of war in 1939 broke up the Quintette, with Grappelli remaining in London where the group was playing and Reinhardt returning to France. During the war years, he led a big band, another quintet with clarinetist Hubert Rostaing in place of Grappelli, and after the liberation of Paris, recorded with such visiting American jazzmen as Mel Powell, Peanuts Hucko and Ray McKinley. In 1946, Reinhardt took up the electric guitar and toured America as a soloist with the Duke Ellington band but his appearances were poorly received. Some of his recordings on electric guitar late in his life are bop escapades where his playing sounds frantic and jagged, a world apart from the jubilant swing of old. However, starting in Jan. 1946, Reinhardt and Grappelli held several sporadic reunions where the bop influences are more subtly integrated into the old, still-fizzing swing format. In the 1950s, Reinhardt became more reclusive, remaining in Europe, playing and recording now and then until his death from a stroke in 1953. His Hot Club recordings from the `30s are his most irresistible legacy; their spirit and sound can be felt in current groups like Holland's Rosenberg Trio.
Jean "Django" Reinhardt (French pronunciation: [dʒɑ̃ɡo ʁenɑʁt]; 23 January 1910 – 16 May 1953) was a pioneering virtuoso jazz guitarist and composer.
Reinhardt is often regarded as one of the greatest guitar players of all time and is the first important European jazz musician who made major contributions to the development of the idiom. Using only the index and middle fingers of his left hand on his solos (his third and fourth fingers were paralyzed after an injury in a fire), Reinhardt invented an entirely new style of jazz guitar technique (sometimes called 'hot' jazz guitar) that has since become a living musical tradition within French gypsy culture. With violinist Stéphane Grappelli, he co-founded the Quintette du Hot Club de France, described by critic Thom Jurek as "one of the most original bands in the history of recorded jazz." Reinhardt's most popular compositions have become jazz standards, including "Minor Swing", "Daphne", "Belleville", "Djangology", "Swing '42", and "Nuages".
Early life 
Jean "Django" Reinhardt was born 23 January 1910 in Liberchies, Pont-à-Celles, Belgium, into a family of Manouche Romani descent. His father's name was Jean Eugene Weiss, but he used the alias "Jean-Baptiste Reinhard" on the birth certificate to hide from French military conscription. His mother, Laurence Reinhardt, was a dancer. The birth certificate mentions: « Jean Reinhart, son of Jean Baptiste Reinhart, artist, and Laurence Reinhart, housewife, domiciled in Paris ». Reinhardt's nickname "Django", in the Romani language, means "I awake." Reinhardt spent most of his youth in Romani (Gypsy) encampments close to Paris, playing banjo, guitar and violin from an early age. His family made cane furniture for a living, but included several keen amateur musicians.
Reinhardt was attracted to music at an early age, playing the violin at first. At the age of 12, he received a banjo-guitar as a gift. He quickly learned to play, mimicking the fingerings of musicians he watched. His first known recordings (in 1928) were of him playing the banjo. During this period he was influenced by two older gypsy musicians, the banjoist Gusti Mahla and the guitarist Jean "Poulette" Castro. By the age of 13, Reinhardt was able to make a living playing music. As a result, he received little formal education and acquired the rudiments of literacy only in adult life.
The injury 
At the age of 18, Reinhardt was injured in a fire that ravaged the caravan he shared with Florine "Bella" Mayer, his first wife. They were very poor, and to supplement their income Bella made imitation flowers out of celluloid and paper. Consequently, their home was rich in highly flammable material. Returning from a performance late one night, Reinhardt apparently knocked over a candle on his way to bed. While his family and neighbours were quick to pull him to safety, he received first- and second-degree burns over half his body. His right leg was paralysed and the third and fourth fingers of his left hand were badly burned. Doctors believed that he would never play guitar again and intended to amputate one of his legs. Reinhardt refused to have the surgery and left the hospital after a short time; he was able to walk within a year with the aid of a cane.
His brother Joseph Reinhardt, an accomplished guitarist himself, bought Django a new guitar. With rehabilitation and practice he relearned his craft in a completely new way, even as his third and fourth fingers remained partially paralysed. He played all of his guitar solos with only two fingers, and used the two injured digits only for chord work.
In 1929, Reinhardt's estranged wife Florine gave birth to a son named Henri "Lousson" Reinhardt (aka Lousson Baumgartner).
Discovery of jazz 
The years between 1929 and 1933 were formative for Reinhardt. One development was his abandonment of the banjo-guitar in favour of the guitar. He also first heard American jazz during this period, when a man called Emile Savitry played him a number of records from his collection: he was particularly impressed with Louis Armstrong, whom he called "my brother". Shortly afterwards he made the acquaintance of a young violinist with very similar musical interests—Stéphane Grappelli. In the absence of paid work in their radical new music, the two would jam together, along with a loose circle of other musicians. Finally, Reinhardt would acquire his first Selmer guitar in the mid-1930s. The volume and expressiveness of the instrument were to become an integral part of his style.
Formation of the quintet 
In 1934, Hot Club de France secretary Pierre Nourry invited Reinhardt and Parisian violinist Grappelli to form the "Quintette du Hot Club de France" with Reinhardt's brother Joseph and Roger Chaput on guitar, and Louis Vola on bass. Occasionally Chaput was replaced by Reinhardt's best friend and fellow Gypsy Pierre "Baro" Ferret. The vocalist Freddy Taylor participated in a few songs, such as "Georgia On My Mind" and "Nagasaki". Jean Sablon was the first singer to record with him more than 30 songs from 1933. They also used their guitars for percussive sounds, as they had no true percussion section. The Quintette du Hot Club de France (in some of its versions at least) was one of the few well-known jazz ensembles composed only of string instruments.
In Paris on 14 March 1933, Reinhardt recorded two takes each of "Parce que je vous aime" and "Si, j'aime Suzy", vocal numbers with lots of guitar fills and guitar support, using three guitarists along with an accordion lead, violin, and bass. In August of the following year recordings were also made with more than one guitar (Joseph Reinhardt, Roger Chaput, and Django), including the first recording by the Quintette. In both years, it should be noted, the great majority of their recordings featured a wide variety of horns, often in multiples, piano, and other instruments. Nonetheless, the all-string format is the one most often adopted by emulators of the Hot Club sound.
Reinhardt also played and recorded with many American jazz musicians such as Adelaide Hall, Coleman Hawkins, Benny Carter, Rex Stewart (who later stayed in Paris), and participated in a jam-session and radio performance with Louis Armstrong. Later in his career he played with Dizzy Gillespie in France. Reinhardt and the Hot Club of France used the Selmer Maccaferri, the first commercially available guitars with a cutaway and later with an aluminium-reinforced neck. In 1937, the American jazz singer Adelaide Hall opened a nightclub in Montmartre along with her husband Bert Hicks and called it 'La Grosse Pomme.' She entertained there nightly and hired the Quintette du Hot Club de France as one of the house bands at the club.
World War II 
When World War II broke out, the original quintet was on tour in the United Kingdom. Reinhardt returned to Paris at once, leaving his wife behind. Grappelli remained in the United Kingdom for the duration of the war. Reinhardt reformed the quintet, with Hubert Rostaing on clarinet replacing Grappelli's violin. In 1943, Reinhardt married Sophie "Naguine" Ziegler in Salbris, with whom he had a son, Babik Reinhardt, who became a respected guitarist in his own right.
Reinhardt survived the war unscathed, unlike many Gypsies who perished in the Porajmos, the Nazi regime's systematic murder of several hundred thousand European Gypsies. He was well aware of the dangers he and his family faced, and made several unsuccessful attempts to escape occupied France. Part of the explanation of his survival is that he enjoyed the protection of (surreptitiously) jazz-loving Nazis such as Luftwaffe officer Dietrich Schulz-Köhn, nicknamed "Doktor Jazz".
Reinhardt's problems were compounded by the fact that the Nazis also officially disapproved of jazz. Reinhardt became interested in other musical directions, attempting to write a Mass for the Gypsies and Symphony (since he could not write music, he would perform improvisations to be notated by an assistant). His modernist piece Rhythm Futur was intended to be acceptably unjazzlike.
United States tour 
After the war, Reinhardt rejoined Grappelli in the UK, and then went on in the autumn of 1946 to tour the United States as a special guest soloist with Duke Ellington and His Orchestra, when he got to play with many notable musicians and composers such as Maury Deutsch. At the end of the tour he played two nights at Carnegie Hall; he received a great ovation and took six curtain calls on the first night. Despite Reinhardt's great pride in touring with Ellington (one of his two letters to Grappelli relates this excitement), he was not really integrated into the band, playing only a few tunes at the end of the show, backed by Ellington, with no special arrangements written for him. After the tour he secured an engagement at Café Society Uptown, where he did four solos a day backed by the resident band. These performances drew large audiences.
Reinhardt was reportedly given an untuned guitar to play (discovered after strumming a chord) which took him five minutes to tune. Having failed to take along a Selmer Modèle Jazz, the guitar he made famous, he had to play on a haphazardly borrowed electric guitar, which failed to bring out the delicacy of his style.
Django Reinhardt was among the first people in France to appreciate the music of Charlie Parker and Dizzy Gillespie, whom he sought when he arrived in New York. They were both on tour at the time, however.
He had been promised some jobs in California but these failed to materialize and he tired of waiting. He returned to France in February 1947.
After the quintet 
After returning to France, Reinhardt spent the remainder of his days re-immersed in Gypsy life, having found it difficult to adjust to the modern world. He would sometimes show up for concerts without a guitar or amp, or wander off to the park or beach, and on a few occasions he refused even to get out of bed. Reinhardt was known by his band, fans, and managers to be extremely unpredictable. He would often skip sold-out concerts to simply "walk to the beach" or "smell the dew". During this period he did, however, frequently attend an artistic salon in Montmartre known as R-26, improvising with his devoted collaborator, Stéphane Grappelli.
In Rome in 1949, Reinhardt recruited three Italian jazz players (on bass, piano, and snare drum) and recorded his final (double) album, "Djangology". He was once again united with Grappelli, and returned to his acoustic Selmer-Maccaferri. The recording was discovered and issued for the first time in the late 1950s.
Final years 
In 1951, he retired to Samois-sur-Seine, near Fontainebleau, where he lived until his death. He continued to play in Paris jazz clubs and began playing electric guitar (often a Selmer fitted with an electric pickup), despite his initial hesitation towards the instrument. His final recordings made with his "Nouvelle Quintette" in the last few months of his life show him moving in a new musical direction; he had assimilated the vocabulary of bebop and fused it with his own melodic style.
While walking from the Avon railway station after playing in a Paris club he collapsed outside his house from a brain hemorrhage. It was a Saturday and it took a full day for a doctor to arrive, and Reinhardt was declared dead on arrival at the hospital in Fontainebleau at the age of 43.
Reinhardt's second son, Babik, was a guitarist in the contemporary jazz style. His first son, Lousson, was more of a traditionalist, but followed the Romani lifestyle and rarely performed in public. Reinhardt's brother Joseph had initially sworn to abandon music on hearing of Django's death, but was persuaded to start performing and recording again. Joseph's son Markus is a gypsy violinist. There is now a third generation of direct descendants: Reinhardt's grandson (by his son Babik), David Reinhardt, leads his own trio; his grandson by Lousson, Dallas Baumgartner, is a guitarist who follows in his father's footsteps by traveling and keeping a low public profile.
Django had a cousin, Schnuckenack Reinhardt, who was a violinist. Schnuckenack lived in Germany, and the two never met. Many of his descendants are also involved in gypsy music, such as his grandson Lulo Reinhardt.
For about a decade after Reinhardt's death, interest in his musical style was minimal, with the fifties seeing bebop superseding swing in jazz, the rise of rock and roll, and electric instruments taking over from acoustic ones in popular music. Reinhardt's friends and sidemen Pierre Ferret and his brothers continued to perform their own version of gypsy swing.
There was a revival of interest in Reinhardt's music from the mid sixties, with acoustic music having become popular through the folk movement. Several of Reinhardt's near-contemporaries recorded for the first time in the sixties and seventies, for instance Paul "Tchan Tchou" Vidal
In 1973 Stéphane Grappelli formed a successful Quintette-style band with British guitarists Diz Disley and Denny Wright. Grappelli would go on to form many other musical partnerships, including John Etheridge, Nigel Kennedy and David Grisman. He was also to acquire his own emulators, for instance Dutch violinist Tim Kliphuis.
New generations began to emerge, for instance, Jimmy and Stochelo Rosenberg, Paulus Schäfer and their relatives from the Netherlands. Another musical clan is the Reinhardt brothers and cousins from Germany, distant relatives of Reinhardt's. Boulou Ferré, son of "Matelot" Ferret, was a child prodigy who entered the Paris Conservatoire at the age of 13, and studied under Olivier Messiaen. He continues to perform, with his brother Elios, and can mix bebop and even classical music with gypsy swing. Biréli Lagrène and Angelo Debarre were other prodigies.
Most of the above-mentioned are Roma who learned music by the 'gypsy method', involving intense practice, direct imitation of older musicians (often family members) and playing by ear, with little formal musical study (or, indeed, formal education of any kind). Since about the late 1970s, study materials of a more conventional kind such as workshops, books and videos have become available, allowing musicians worldwide to master the style.
An early non-Roma gypsy-style guitarist was René Didi Duprat (b. 1926). Contemporary ones include John Jorgenson, Jon Larsen (and his Hot Club de Norvège, established 1979), Joscho Stephan, Andreas Öberg, Frank Vignola, George Cole, Stephane Wrembel and Reynold Philipsek. Their music is sometimes jokingly referred to as "Gadjo jazz", where Gadjo is the Romani term for a non-Romani. Young players such as Adrien Moignard and Gwenole Cahue represent the rising generation. Another sign of the rising popularity of gypsy jazz is the increasing number of festivals, such as the Samois-sur-Seine festival (started about 1980), and the various DjangoFests held in the USA.
Reinhardt in popular culture 
Reinhardt has been portrayed in several films, such as in the opening sequence of the 2003 animated film Les Triplettes de Belleville. The third and fourth fingers of the cartoon Reinhardt are considerably smaller than the fingers used to play the guitar. Reinhardt's legacy dominates in Woody Allen's 1999 Sweet and Lowdown. This spoof biopic focuses on fictional American guitarist Emmet Ray's obsession with Reinhardt, with soundtrack featuring Howard Alden. He is also portrayed by guitarist John Jorgenson in the movie Head in the Clouds.
Reinhardt is the idol of the character Arvid in the movie Swing Kids, where the character's left hand is smashed by a member of the Hitler Jugend, but is inspired by Reinhardt's example to keep playing. Similarly, in real life, Black Sabbath guitarist Tony Iommi suffered an industrial accident at 17, where the tips of his right middle and ring fingers were amputated on the last day of his job at a sheet metal factory. His boss, in an effort to encourage Iommi to follow his dream of being a professional guitarist, played a Django Reinhardt record for him for inspiration.
Reinhardt's music has been used in the soundtrack of many films, including in The Matrix; Rhythm Futur, Daltry Calhoun, Metroland, Chocolat, The Aviator, Alex and the Gypsy, Kate and Leopold and Gattaca; the score for Louis Malle's 1974 movie, Lacombe Lucien; the background for the Steve Martin movie L.A. Story; and the background for a number of Woody Allen movies, including Stardust Memories. (He also appeared as a character in Allen's Sweet and Lowdown. Reinhardt's music has also been featured in the soundtracks of several video games, such as the 2002 game Mafia: The City of Lost Heaven, Mafia II and several times in the 2007 game BioShock. Notably, not only was Reinhardt's music used in the 1978 film King of the Gypsies, his long-time friend and violinist Stéphane Grappelli appeared in the film in a cameo performing as part of one of the gypsy bands.
In the Martin Scorsese film, Hugo, 2011, a character who appears to be, and is credited as, Reinhardt plays guitar in a combo in the station cafe and a closeup shows him making chords without the use of his 3rd and 4th fingers. Other Paris artistic notables of the day are depicted as well.
Reinhardt has been the subject of several songs, most notably "Django" (1954), a gypsy-flavoured piece that jazz pianist John Lewis of the Modern Jazz Quartet wrote in honour of Reinhardt; numerous versions of the song have been recorded, including one on the 1973 Lindsey Buckingham/Stevie Nicks self-titled debut album; it also appears on Joe Bonamassa's 2006 LP You & Me. The lyrics of the Norwegian song "Tanta til Beate" by Lillebjørn Nilsen mentions Reinhardt several times.
He is mentioned in Jump Little Children's song "Mexico": "I won't let you leave, not with all my Django, Emmylou and Steve".
He is mentioned in Sarmalele Reci's song "N-ai nimic pe sub tricou" (You Don't Wear a Thing Under Your T-shirt): "You are talking about the book of Steinhardt and about the style of Django Reinhardt"
In the novel Century Rain by Alastair Reynolds, the characters Wendell Floyd and André Custine mention having played music with Reinhardt.
At the end of the 2009 NCIS episode "Hide and Seek," Dr. Mallard mentions that Agent McGee's prized autographed Django Reinhardt album "Crazy Rhythm" was mysteriously destroyed.
In 2010 the French and Belgian Google homepages displayed a logo commemorating the centenary of his birthday on 23 January 2010.
Star Trek: Deep Space Nine actors Alexander Siddig and Nana Visitor named their son after Reinhardt.
Reinhardt is loosely suggested as the main character in the music video for "Boulevard of Broken Dreams" by Brian Setzer.
The Django web framework is named after him, as is version 3.1 of the blog software WordPress.
"Twango", a track on Duane Eddy's album Road Trip, is a tribute to Reinhardt.
"Tango For Django", a track on Robbie Robertson's album How To Become Clairvoyant, is a tribute.
The Belgian government issued a commemorative coin in 92.5% sterling silver in 2010 coinciding with his 100th birth anniversary. It is a silver 10 Euro coin with a color image of Django Reinhardt on the reverse side.
Many guitar players, and musicians, have expressed admiration for Django Reinhardt, or have cited him as a major influence. These include British rock guitarists Jimmy Page, Jeff Beck, and Eric Clapton. In fact, Jeff Beck has described Reinhardt as "By far the most astonishing guitar player ever..." and "...quite superhuman..." Other notable guitar players influenced by Reinhardt, include Bob Dunn, Leon McAuliffe, Jimmy McCulloch, classical guitarist Julian Bream; country artist Chet Atkins, who placed Reinhardt No. 1 on a list of the ten most influential guitarists of the 20th century; Latinrocker Carlos Santana; blues legend B.B. King; Pete Townshend of The Who; Australian acoustic guitar player Tommy Emmanuel; The Wiggles' Murray Cook; Pierre Bensusan; Phish's Trey Anastasio; The Libertines' Carl Barat, Shawn Lane; Hank Marvin; Stevie Ray Vaughan; Derek Trucks; Chuck Hammer; Mark Knopfler; Keith Richards of the The Rolling Stones; Les Paul; Joe Pass; Peter Frampton; Denny Laine; Bill Nelson; Jon Larsen; Steve Howe; Charlie Christian; Frank Vignola; Barney Kessel; George Benson; Wes Montgomery; Jack Marshall; Martin Taylor; Michael Angelo Batio; Richard Thompson; Robert Fripp; René Thomas; Ray Condo; Big John Bates and Jeff Martin. Willie Nelson wore a Django Reinhardt T-shirt on tour in Europe in 2002, stating in an interview that he admired Reinhardt's music and ability. Willie pointed out how Reinhardt's Hot Club quintet paralleled the hot jazz & country fiddle sound of 1930's Western Swing bands Milton Brown and His Musical Brownies and Bob Wills and His Texas Playboys. As well as individual guitarist Django's music has inspired numerous groups to form, including countless "Hot Clubs" as well as more diverse groups such as Swing Je T'aime, and the David Grisman Quintet.
Jose Feliciano attributes his unique style to, in part, that of Reinhardt's. In 2009 he composed an album inspired by those musical influences and entitled it Djangoisms.
Cuban composer and guitarist Leo Brouwer composed Variations on a Theme of Django Reinhardt for solo guitar (1984). It is based on Nuages, by Reinhardt.
The Grateful Dead's Jerry Garcia and Black Sabbath's Tony Iommi, both of whom lost fingers in accidents, were particularly inspired by Reinhardt's ability to become an accomplished guitar player/musician, despite the diminished use of his own permanently injured hand following an accident. Jerry Garcia as quoted in June 1985 in Frets Magazine ; "His technique is awesome! Even today, nobody has really come to the state that he was playing at. As good as players are, they haven’t gotten to where he is. There’s a lot of guys that play fast and a lot of guys that play clean, and the guitar has come a long way as far as speed and clarity go, but nobody plays with the whole fullness of expression that Django has. I mean, the combination of incredible speed – all the speed you could possibly want – but also the thing of every note have a specific personality. You don’t hear it. I really haven’t heard it anywhere but with Django".
A number of musicians have even named their sons Django in honour of, or respect for, Reinhardt. They include Dawelie Reinhardt, David Crosby, Frankie Emerson of The Brian Jonestown Massacre, former Slade singer Noddy Holder, Jerry Jeff Walker, Richard Durrant, as well as actors Nana Visitor, Alexander Siddig and Raphael Sbarge. Jazz musician Django Bates and singer-songwriter Django Haskins were also named after him.
Songs written in Reinhardt's honour include "Django," an instrumental guitar piece by renowned blues-rock guitarist Joe Bonamassa. The piece was influenced by the violin introduction of "Vous et Moi" (Blues et Mineur 1942, Brussels) where Reinhardt himself played the violin. Vous et Moi (You and Me) became the title of Bonamassa's sixth album where the track first appeared in 2006. Slightly longer live versions appear on LIVE...From Nowhere In Particular (2009), and in DVD from the 4 May concert at Royal Albert Hall. "Django," composed by John Lewis, which has become a jazz standard performed by musicians such as Miles Davis. The Modern Jazz Quartet titled one of their albums Django in honour of him. The Allman Brothers Band song "Jessica" was written by Dickey Betts in tribute to Reinhardt — he wanted to write a song that could be played using only two fingers. This aspect of the artist's work also motivated Black Sabbath guitarist Tony Iommi, who was inspired by Reinhardt to keep playing guitar after a factory accident that cost him two fingertips. Composer Jon Larsen has composed several crossover concerts featuring Reinhardt-inspired music together with symphonic arrangements, most famous are "White Night Stories" (2002) and "Vertavo" (1996).
Not only did Reinhardt put his stamp upon jazz, his "hot" string band music also had an impact upon the parallel development of Texas's western swing string bands, which eventually fed into the wellspring of what is now called country music.
In 2005, Django Reinhardt took 66th place in the election of The Greatest Belgian (De Grootste Belg) in Flanders and 76th place in the Walloon version of the same competition Le plus grand Belge.
Each year the village of Liberchies (Belgium) where Django was born celebrate a festival.