G-Unit

All Music Guide:

Though he would later struggle with the nature of his fame as well as market expectations, 50 Cent endured substantial obstacles throughout his young yet remarkably dramatic life before becoming the most discussed figure in rap, if not pop music in general, circa 2003. Following an unsuccessful late-'90s run at mainstream success (foiled by an attempt on his life in 2000) and a successful run on the New York mixtape circuit (driven by his early-2000s bout with Ja Rule), Eminem signed 50 Cent to a seven-figure contract in 2002 and helmed his quick rise toward crossover success in 2003. The product of a broken home in the rough Jamaica neighborhood of Queens and, in turn, the storied hood's hustling streets themselves, 50 Cent lived everything most rappers write rhymes about but not all actually experience: drugs, crimes, imprisonments, stabbings, and most infamously of all, shootings. Of course, such experiences became 50 Cent's rhetorical stock-in-trade. He reveled in his oft-told past, he called out wannabe gangstas, and he made headlines. He even looked like the ideal East Coast hardcore rapper: big-framed with oft-showcased biceps, abs, and tattoos as well as his trademark bulletproof vest, pistol, and iced crucifix. But all-importantly, 50 Cent may have fit the mold of a prototypical hardcore rapper, but he could also craft a catchy hook. As a result, his music crossed over to the pop market, appealing to both those who liked his roughneck posturing and rags-to-riches story as well as those who liked his knack for churning out naughty singalong club tracks. And too, 50 Cent didn't forget about his posse. He helped his G-Unit crew grow into a successful franchise, spawning platinum-selling solo albums for his group members, lucrative licensing deals for the brand name, and sell-out arena tours to promote the franchise internationally. By the time of his third album (Curtis, 2007), however, 50 Cent faced a formidable backlash, particularly among hip-hop purists, who were displeased by his turn toward crossover pop-rap and thus away from street-level credibility.

Born Curtis James Jackson III on July 6, 1975, and raised in Southside Jamaica, Queens, New York City, 50 Cent grew up in a broken home. His hustler mother passed away when he was only eight, and his father departed soon after, leaving his grandmother to parent him. As a teen, he followed the lead of his mother and began hustling. The crack trade proved lucrative for 50 Cent, until he eventually encountered the law, that is, and got arrested repeatedly in 1994. It's around this point in time that he traded crime for hip-hop. His break came in 1996 when he met Run-D.M.C.'s Jam Master Jay, who gave him a tape of beats and asked him to rap over it. Impressed by what he heard, Jay signed the aspiring rapper to his JMJ Records label. Not much resulted from the deal, though, and 50 Cent affiliated himself with Trackmasters, a commercially successful New York-based production duo known for their work with such artists as Nas and Jay-Z. Trackmasters signed the rapper to their Columbia sublabel and began work on his debut album, Power of the Dollar. A trio of singles preceded the album's proposed release: "Your Life's on the Line," "Thug Love" (featuring Destiny's Child), and "How to Rob." The latter generated a significant buzz, attracting a lot of attention for its baiting lyrics, which detail how 50 Cent would rob specific big-name rappers. This willingness to rap openly and brashly and the attention it attracted came back to haunt him, however. His first post-success brush with death came shortly after the release of "How to Rob," when he was stabbed at the Hit Factory studio on West 54th Street in Manhattan. Shortly afterward came his most storied incident. On May 24, 2000, just before Columbia was set to release Power of the Dollar, an assassin attempted to take 50 Cent's life on 161st Street in Jamaica, Queens (near where Jam Master Jay would later be fatally shot two and half years later), shooting him nine times with a 9mm pistol while the rapper sat helpless in the passenger seat of a car. One shot pierced his cheek, another his hand, and the seven others his legs and thighs, yet he survived, barely. Even so, Columbia wanted nothing to do with 50 Cent when they heard the news, shelving Power of the Dollar and parting ways with the now-controversial rapper.

During the next two years, 50 Cent returned to the rap underground where he began. He formed a collective (G-Unit, which also featured Lloyd Banks and Tony Yayo), worked closely with producer Sha Money XL (who had also been signed to JMJ around the same time that 50 Cent had), and began churning out mixtapes (selections from which were later compiled on Guess Who's Back? in 2002). These mixtape recordings (many of which were hosted by DJ Whoo Kid on CDs such as No Mercy, No Fear and Automatic Gunfire), earned the rapper an esteemed reputation on the streets of New York. Some of them featured 50 Cent and his G-Unit companions rapping over popular beats, others mocked popular rappers (namely Ja Rule, who quickly became an arch-rival), and a few discussed his shooting. This constant mixtape presence throughout 2000-2002 garnered industry attention as well as street esteem, particularly when Eminem declared on a radio show his admiration for 50 Cent. A bidding war ensued, driving up the signing price into the million-plus figures in the process and slowly moving the rapper into the up-and-coming spotlight once again as word spread. Despite the bidding war, Eminem indeed got his man, signing 50 Cent to a joint deal with Shady/Aftermath -- the former label Em's, the latter Dr. Dre's. During the successive months, 50 Cent worked closely with Eminem and Dre, who were both credited as executive produced on his upcoming debut, Get Rich or Die Tryin', each of them producing a few tracks for the highly awaited album. Before Get Rich dropped, though, Eminem debuted 50 Cent on the 8 Mile soundtrack. The song "Wanksta," previously released on the No Mercy, No Fear mixtape, became a runaway hit in late 2002, setting the stage for "In da Club," the Dre-produced lead single from Get Rich. The two singles became sizable crossover hits -- the former peaking at number 13 on Billboard's Hot 100 chart, the latter at number one -- and Interscope (Shady/Aftermath's parent company) consequently had to move up Get Rich's release date to combat bootlegging.

Amid all this, 50 Cent made headlines repeatedly. Most notably, he was tied to Jam Master Jay's shooting in October 2002, the F.B.I.'s investigation of Murder Inc's relationship to former drug dealer Kenneth "Supreme" McGriff, and a shooting incident at the offices of Violator Management. Furthermore, he made more headlines when he was jailed on New Year's Eve 2002 for gun possession. The media recounted his life story ad nauseam, particularly his storied brush with death -- and not just the expected media outlets like MTV -- even such unlikely mainstream publications as The New York Times ran feature stories ("Amid Much Anticipation, a Rapper Makes a Debut"). By the time Get Rich finally streeted on February 6, 2003, 50 Cent had become the most discussed figure in the music industry, and bootlegged or not, his initial sales figures reflected this (a record-breaking 872,000 units moved in five days, the best-selling debut album since SoundScan started its tracking system in May 1991), as did his omnipresence in the media. Late in the year, following another round of popular hits, "21 Questions" (which charted number one on the Hot 100) and "P.I.M.P." (number three), 50 Cent made his group debut with G-Unit, Beg for Mercy. The album charted at number two and spawned a couple Top 15 hits, "Stunt 101" and "Wanna Get to Know You." In 2004, 50 Cent stayed on the sidelines for the most part as G-Unit affiliates Lloyd Banks and Young Buck released popular solo albums. Another G-Unit affiliate, the Game, released his debut in January 2005, and it proved the most successful among these solo spin-offs, in particular the singles "How We Do" and "Love It or Hate It," both Top Five hits that prominently featured 50 Cent. As these singles were riding high on the charts, however, 50 Cent and the Game were feuding, and the latter was acrimoniously booted out of G-Unit. There were also feuds with Fat Joe and Jadakiss (instigated by the song "Piggy Bank") during the run-up to the March 2005 release of The Massacre, 50 Cent's second album. Nearly as popular as Get Rich or Die Tryin', The Massacre debuted at number one, sold millions (over ten million worldwide), and spawned a series of smash hits ("Disco Inferno," "Candy Shop," "Just a Lil Bit").

By this point in time, 50 Cent's fame overshadowed his music, thereby predicating "street" credibility issues that would haunt him in the years to follow. For instance, the marketing rollout of The Massacre carried over into ventures such as the video game 50 Cent: Bulletproof, the semi-autobiographical film Get Rich or Die Tryin', and the soundtrack to that film -- all released in 2005, along with other product. The fallout from 50 Cent's overexposure was evident via the singles from the film soundtrack ("Hustler's Ambition," "Window Shopper," "Best Friend," "Have a Party"), which failed to gain much traction in the marketplace, charting modestly relative to past singles. The next round of G-Unit solo releases (Tony Yayo's Thoughts of a Predicate Felon, 2005; Mobb Deep's Blood Money, 2005; Lloyd Banks' Rotten Apple, 2006; Young Buck's Buck the World, 2007) didn't perform commercially well, either, and it's wasn't entirely surprising when plans for another, Olivia's Behind Closed Doors, were shelved. The grim outlook didn't bode well for 50 Cent's next album, which was pushed back repeatedly and retitled a couple times. The final title, Curtis, was inspired by yet another feud, this one with Cam'ron, who taunted 50 Cent, somewhat oddly, by addressing him by his born name. After a pair of lead singles, "Straight to the Bank" and "Amusement Park," failed to connect in the marketplace, Curtis was reworked one last time and pushed back from a summer release date to a fall one (i.e., the memorable date September 11, which -- to the glee of industry observers -- pitted the album against Kanye West's Graduation). A second round of singles, "I Get Money" and "Ayo Technology," was released in the latter half of the summer, while the video for a fifth single, "Follow My Lead," was leaked to the Internet -- to the frustration of 50 Cent, who reportedly cursed out Interscope for endangering the commercial prospects of his album -- over a month before street date.

Wikipedia:

G-Unit is an American hip hop group originating from South Jamaica, Queens, New York formed by East Coast rappers 50 Cent, Lloyd Banks and Tony Yayo. The name of the group is short for Guerrilla Unit.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Contents

History[edit]

Early years and formation[edit]

The group's founding members, 50 Cent, Lloyd Banks and Tony Yayo all grew up in the same neighborhood rapping together.

Rise to fame[edit]

Rapper 50 Cent signed to Interscope Records. Due to the success of his commercial debut album, Get Rich or Die Tryin', he was granted his own record label. This was when G-Unit Records was created.

The group continued to work hard and released several mixtape series which earned them a lot of attention in the rap industry. The most prominent of these being 50 Cent Is the Future, God's Plan, No Mercy, No Fear and Automatic Gunfire. G-Unit has also started a mixtape series with their DJ, DJ Whoo Kid, called G-Unit Radio. G-Unit gained more popularity when a remix to 50 Cent's "P.I.M.P." was released, featuring Snoop Dogg and G-Unit.

But before the group had a chance to record its debut album, Tony Yayo was sentenced to prison for a gun-possession charge as well as bail-jumping. During Tony Yayo's prison sentence, the group signed Tennessee rapper Young Buck.

At Tony Yayo's prison sentence, G-Unit recorded their debut album, Beg for Mercy. The album was quickly released on November 14, 2003 to combat bootlegging and had significant commercial success. Tony Yayo made only two appearances on the album, both on songs that were recorded before his arrest.

Former affiliates[edit]

Bang'em Smurf was very closely affiliated with them before they signed to Interscope Records. He claimed that before 50 Cent saw mainstream success, the two recorded a mixtape from which they would earn $5 each, they sold 400,000 copies. 50 Cent allegedly never gave Bang'em Smurf his share. In addition to this Bang'em Smurf claimed that 50 Cent did not contact or bail him out while he was in jail. This led to him and his close friend, Domination, no longer wanting to be affiliated with the group. Domination was never an official member of G-Unit but was a close friend of Bang'em Smurf during his G-Unit days. After the two had a brief feud with 50 Cent and G-Unit in 2003, Domination and Bang'em Smurf were no longer associated with G-Unit. Snoop Dogg was as well featured in one song called P.I.M.P.

Former members[edit]

The Game was originally placed into G-Unit by Dr. Dre and Jimmy Iovine. However after a while, tensions began to rise between The Game and 50 Cent. 50 Cent claimed that The Game was being disloyal to the group because he did not want to get involved with the feuds with Fat Joe, Nas, and Jadakiss even going as far as to say that he wished to work with them. 50 Cent also felt that he did not receive proper credit for co-writing some of the songs on Game’s debut album. For more information see G-Unit vs. The Game feud.

On April 7, 2008, in an interview with Shanna Leviste on New York's Hot 97 FM, 50 Cent stated that Young Buck was no longer a member of G-Unit but he is still signed to G-Unit Records. 50 Cent cited problems involving excessive spending and Young Buck's public claim to not being paid royalty checks.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Albums[edit]

Debut album[edit]

In 2003, the group's debut album, Beg for Mercy, was released. However, while the album was being recorded, Tony Yayo was sentenced to jail on charges of gun possession. Therefore, he only makes two appearances both on pre-recorded tracks. His face is seen on the brick wall of the album cover because he could not be photographed on account of his jail sentence. Beg for Mercy sold 2.3 million copies in the U.S. and 4 million copies worldwide. The only featured guests on the album were R&B singers, Joe & Butch Cassidy. Production came from Hi-Tek, Dr. Dre, Scott Storch as well as others. 50 Cent also produced the record.

Second album[edit]

Their second album, T.O.S: Terminate on Sight, was released on July 1, 2008. While the album was being recorded, internal conflicts arose between Young Buck and 50 Cent, which resulted in Young Buck being kicked out of the group, but still signed to G-Unit Records. Young Buck still appeared on songs previously recorded with the group, but was credited as a featured artist. As of August 8, 2008, the album has sold 185,000 copies in the United States. Along with Young Buck, Mavado guests on the album, while production came from Swizz Beatz, Street Radio, Tha Bizness, Rick Rock, Polow da Don and others.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Labels[edit]

After fulfilling their contract with Interscope Records it was announced EMI Label Services has signed a deal with 50 Cent’s label, G-Unit Records, in which EMI will distribute and promote releases on the G-Unit roster in North America.

Various ventures[edit]

Clothing line[edit]

The G-Unit Clothing Company was established in 2003, when 50 Cent teamed up with Marc Ecko (the founder of Eckō Unlimited), to create a line of clothing and accessories inspired by 50 Cent and fellow members of G-Unit.

G-Unity Foundation[edit]

G-Unit has founded G-Unity Foundation Inc. (often called simply G-Unity), a public foundation that provides grants to nonprofit organizations that focus on improving the quality of life for low-income and underserved communities.

Contents

Controversy[edit]

The Game[edit]

In early 2005, a feud between The Game and G-Unit began. Even before The Game's first album was released and their feud became public, there was tension between The Game and 50 Cent. Soon after The Documentary's release, 50 Cent felt that the rapper was disloyal for saying he did not want to participate in G-Unit's feud with other rappers, and even wanting to work with artists with whom G-Unit were feuding, such as Nas and Jadakiss.

50 Cent also claimed that he was not getting his proper credit for the creation of the album. He also claimed that he wrote five of the songs, but The Game denied that. During that dispute, a member of The Game's entourage was shot after a confrontation at the Hot 97 studio in New York City. After the situation between them escalated, 50 Cent and The Game held a press conference to announce their reconciliation. Fans had mixed feelings as to whether the rappers created a publicity stunt to boost the sales of the two albums the pair had just released. Nevertheless, even after the situation had apparently deflated, G-Unit continued to feud with The Game who responded during a performance at Summer Jam and launched a boycott of G-Unit called "G-Unot". The phrase G-Unot is a pun on the group's name, and a pejorative term to refer to the group. It is short for "G (Gangster) You Not". 50 Cent has since registered the G-Unot trademark for himself which has in turn prevented The Game from using it anymore.

After the performance at Summer Jam, The Game responded with "300 Bars and Runnin'", an extended track aimed at G-Unit as well as members of Roc-A-Fella Records on the mixtape You Know What It Is Vol. 3. 50 Cent responded through his "Piggy Bank" music video, which features The Game as a Mr. Potato Head doll and also parodies other rivals. Since then both groups continued to attack each other. The Game released two more mixtapes, Ghost Unit and a mixtape/DVD called Stop Snitchin, Stop Lyin.

50 Cent's rebuttal was "Not Rich, Still Lyin'" where he mocks The Game. In addition, G-Unit started to respond on numerous mixtapes and new G-Unit member Spider Loc began insulting The Game in various songs. The Game responded with "240 Bars (Spider Joke)", a song mainly aimed at Spider Loc, but also addressing Tony Yayo and rap group M.O.P., and on the song "The Funeral 100 Bars".

In October 2006, The Game extended a peace treaty to 50 Cent, which was not immediately replied to. However, a couple days later, on Power 106, he stated that the treaty was only offered for one day. On The Game's album, Doctor's Advocate, he claims that the feud is over on a few of the songs. The feud seemed to have gained steam after Tony Yayo allegedly slapped the fourteen year old son of Czar Entertainment CEO, Jimmy Rosemond. The Game responded with "Body Bags" on his mixtape, You Know What It Is Vol. 4. G-Unit have released a song named "We On Some @#!*% " which is aimed at Czar Entertainment as well as Cam'ron and Fat Joe. In June 2010 Game expressed that he would not object to a G-Unit reunion. After the G-Unit reunion idea circulated around the internet a Facebook group was launched to help encourage the G-Unit comeback.

Ja Rule[edit]

Before signing with Interscope Records, 50 Cent had been in disputes with rapper Ja Rule and his label Murder Inc. Records. 50 Cent claimed that the feud began in 1999 after Ja Rule spotted him with a man who took his chain. However, Ja Rule claimed the conflict stemmed from a video shoot in Queens because 50 Cent did not like Ja Rule "getting so much love" from the neighborhood. A confrontation occurred in a New York studio where rapper Black Child, a Murder Inc. artist, stabbed 50 Cent, which resulted in him having three stitches.

Since then, Black Child made a diss towards 50 Cent, called "You the Wanksta". In the song, Black Child talks about shooting 50 Cent, stabbing him, and other things, "I got a lot of living to do before I die, and I ain't got time to waste, shoot this @#!*% in his face. How you call your self ferrari you dont ride like me in da hood every day ready to die like me." "50 you had a gun, I had a knife, you didnt pop one shot i poked you and u called 911.".

Cadillac Tah can also be heard dissing 50 Cent, on "Snitch in Da Club".

The exchange of insult tracks released from both parties culminated into Ja Rule releasing Blood in My Eye, which was an album that mostly insulted 50 Cent. Ja Rule eventually tried to squash the feud with 50 Cent by using minister Louis Farrakhan in a televised interview. However, the attempt at peace lost credibility as the interview was scheduled a day before Blood in My Eye was released. As a result, most fans, along with 50 Cent, dismissed the interview as a blatant publicity stunt. Because of the ongoing feud between the two, 50 Cent's labelmates Eminem, Dr. Dre, Obie Trice, D12 and Busta Rhymes have also become involved and have also released tracks which insult Ja Rule.

Ja Rule later released R.U.L.E. with the successful single, "New York", featuring Jadakiss and Fat Joe in which Ja Rule took subliminal shots at 50 Cent. This single prompted 50 Cent to enter a feud with the two featured artists (see article on "Piggy Bank" for details).

Although it seemed that the feud was over, Ja Rule returned with a track entitled "21 Gunz". In response, Lloyd Banks and 50 Cent released the track "Return of Ja Fool" on Lloyd Banks' mixtape Mo Money in the Bank Pt. 4, Gang Green Season Starts Now.

In an interview with MTV, Ja Rule has stated that his new album, The Mirror, will not be continuing any past feuds that he has engaged in. He said:

Fat Joe[edit]

50 Cent pointed out that Fat Joe painted a target on himself for partnering up with Ja Rule in a song where Ja Rule insulted 50 Cent. 50 Cent recorded the track "Piggy Bank" in which he attacked Fat Joe. Fat Joe responded with a track entitled "My Fofo" and although he said that he would not respond, he made three more tracks, "Massacre of Fifty", "Victim", and "Whip Your Head". 50 Cent and Tony Yayo took more shots at him on "I Run NY". Even though things died down, at the 2005 MTV Video Music Awards, Fat Joe mentioned that all of the police presence in the venue was "courtesy of G-Unit" which related to his lyrical accusations that 50 Cent was a "snitch". 50 Cent and Tony Yayo retaliated on set later in the show at the end of their performance by shouting obscenities towards Fat Joe and Terror Squad, which were censored by MTV. Tony Yayo claimed Fat Joe ran from them at the VMAs. Also, Pistol Pete (a non-rapping member of Terror Squad) appeared on The Game's "Stop Snitchin, Stop Lyin" DVD and disrespected Tony Yayo, Chris Lighty (owner of Violator Records who had ties with 50 Cent), and James Cruz (50 Cent's manager) and claims he chased Tony Yayo near a jewelry store. Lloyd Banks, Spider Loc, and Young Buck have also been insulted by Fat Joe. In 2007, the feud was continued in interviews and by affiliates from both parties. The feud has begun once again in 2008 with songs and videos being released from both parties. 50 Cent also released a mixtape entitled Elephant In The Sand, which is a mock title of Fat Joe's album Elephant In The Room. The front and back covers contain photos of Fat Joe on a beach. This wasn't taken lightly by two of Fat Joe's closest brothers in MC Lyrical Master C and Grandmaster T, who had previously collaborated with 50 Cent on his hit record "Money in the Bank".

Cam'ron[edit]

A feud between 50 Cent and Cam'ron began when 50 Cent was on Hot 97 giving an interview and Cam'ron called in. Cam’ron asked 50 Cent whether he had the power to stop records from being released on Koch Records and 50 Cent said that he does in some respects. As the conversation escalated into an argument, 50 Cent called Koch Records the "industry graveyard". Cam'ron pointed out that Jim Jones' newest album sold just as much as Lloyd Banks' album did, despite the fact that Dipset is on an independent label while G-Unit is on a major label. 50 Cent took offense to this and said that Lloyd Banks has more money than Lil Wayne and Jim Jones, which makes record sales irrelevant. Cam'ron became upset and rebutted 50 Cent's statements. Most notably, he brought up the poor record sales of the Mobb Deep album, Blood Money. Eventually the debate became so heated that the radio station was forced to end the call. On February 9, 2007, the video of 50 Cent's "Funeral Music" premiered on DJ Kay Slay's Myspace. The video attacked the leader of Dipset. This is not seen as an attack on other members of Dipset, as 50 Cent says "From now on, Jimmy's the boss of Dipset. And Juelz is the Capo. Cam is demoted to soldier. We like Jimmy better anyway". At the end of the video, there is a poster showing a fictional drawing of Cam'ron with a gun saying "50 Cent" on the burial, along with his date of death; being February 8 when the video was released. Cam'ron recently responded with a track called "Curtis" titled after 50 Cent's first name. Cam'ron doesn't state too much, other than claiming he enjoys 50 Cent's shoutouts to Dipset members Juelz Santana and Jim Jones, then goes on to discuss Santana's and Jim Jones' sales on their recent albums. 50 Cent and Young Buck made the song "Hold On" together with a video in which 50 Cent takes shots at Cam'ron. Cam'ron responded with "Curtis Pt.2", which he shot a video for.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Awards[edit]