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George Benson is simply one of the greatest guitarists in jazz history, but he is also an amazingly versatile musician, and that frustrates to no end critics who would paint him into a narrow bop box. He can play in just about any style -- from swing to bop to R&B to pop -- with supreme taste, a beautiful rounded tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing. His inspirations may have been Charlie Christian and Wes Montgomery -- and he can do dead-on impressions of both -- but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush, soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proved to be more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole -- a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace -- but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.
Benson actually started out professionally as a singer, performing in nightclubs at eight, recording four sides for RCA's X label in 1954, forming a rock band at 17 while using a guitar that his stepfather made for him. Exposure to records by Christian, Montgomery, and Charlie Parker got him interested in jazz, and by 1962, the teenaged Benson was playing in Brother Jack McDuff's band. After forming his own group in 1965, Benson became another of talent scout John Hammond's major discoveries, recording two highly regarded albums of soul-jazz and hard bop for Columbia and turning up on several records by others, including Miles Davis' Miles in the Sky. He switched to Verve in 1967, and, shortly after the death of Montgomery in June 1968, producer Creed Taylor began recording Benson with larger ensembles on A&M (1968-1969) and big groups and all-star combos on CTI (1971-1976).
While the A&M and CTI albums certainly earned their keep and made Benson a guitar star in the jazz world, the mass market didn't catch on until he began to emphasize vocals after signing with Warner Bros. in 1976. His first album for Warner Bros., Breezin', became a Top Ten hit on the strength of its sole vocal track, "This Masquerade," and this led to a string of hit albums in an R&B-flavored pop mode, culminating with the Quincy Jones-produced Give Me the Night. As the '80s wore on, though, Benson's albums became riddled with commercial formulas and inferior material, with his guitar almost entirely relegated to the background. Perhaps aware of the futility of chasing the charts (after all, "This Masquerade" was a lucky accident), Benson reversed his field late in the '80s to record a fine album of standards, Tenderly, and another with the Basie band, his guitar now featured more prominently. His pop-flavored work also improved noticeably in the '90s. Benson retains the ability to spring surprises on his fans and critics, like his dazzlingly idiomatic TV appearance and subsequent record date with Benny Goodman in 1975 in honor of John Hammond, and his awesome command of the moment at several Playboy Jazz Festivals in the '80s. His latter-day recordings include the 1998 effort Standing Together, 2000's Absolute Benson, 2001's All Blues, and 2004's Irreplaceable. Three songs from 2006's Givin' It Up, recorded with Al Jarreau, were nominated for Grammy Awards in separate categories.
Benson began to see numerous reissues of his catalog material from his years with producer Creed Taylor on Verve, A&M, and CTI, from 2008 on. In 2009, he signed to Concord and released Songs and Stories for the label, and followed it up with his first primarily instrumental album in 35 years entitled Guitar Man in 2011. Two years later, in 2013, Benson released Inspiration: A Tribute to Nat King Cole, featuring arrangements by Nelson Riddle and Randy Waldman, and at the age of 70, it was one of Benson's finest albums.
Wikipedia:For other people named George Benson, see George Benson (disambiguation).
George Benson (born March 22, 1943) is a ten-time Grammy Award-winning American musician, guitarist and singer-songwriter. He began his professional career at twenty-one, as a jazz guitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt.
A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin' was certified triple-platinum, hitting #1 on the Billboard album chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. He has received a star on the Hollywood Walk of Fame.Australian ABCTV Flashez interview January 1, 1977. 45 Discography for Groove Records allmusic Biography Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 54. ISBN 1-904994-10-5.
ContentsBiography1.1 Early career1.2 1970s and 1980s1.3 1990s to present1.4 Personal life
Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 10, he recorded his first single record, "She Makes Me Mad", with RCA-Victor in New York, under the name "Little Georgie".
Benson attended and graduated Schenley High School. As a youth, instead, he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. One of his many early guitar heroes was country-jazz guitarist Hank Garland. At the age of 21, he recorded his first album as leader, The New Boss Guitar, featuring McDuff. Benson's next recording was It's Uptown with the George Benson Quartet, including Lonnie Smith on organ and Ronnie Cuber on baritone saxophone. Benson followed it up with The George Benson Cookbook, also with Lonnie Smith and Ronnie Cuber on baritone and drummer Marion Booker. Miles Davis employed Benson in the mid-1960s, featuring his guitar on "Paraphernalia" on his 1968 Columbia release, Miles in the Sky before going to Verve Records.
Benson then signed with Creed Taylor's jazz label CTI Records, where he recorded several albums, with jazz heavyweights guesting, to some success, mainly in the jazz field. His 1974 release, Bad Benson, climbed to the top spot in the Billboard jazz chart, while the follow-ups, Good King Bad (#51 Pop album) and Benson and Farrell (with Joe Farrell), both reached the jazz top-three sellers. Benson also did a version of The Beatles's 1969 album Abbey Road called The Other Side of Abbey Road, also released in 1969, and a version of "White Rabbit", originally written and recorded by San Francisco rock group Great Society, and made famous by Jefferson Airplane. Benson played on numerous sessions for other CTI artists during this time, including Freddie Hubbard and Stanley Turrentine, notably on the latter's acclaimed album Sugar.
1970s and 1980s
By the mid- to late 1970s, as he recorded for Warner Bros. Records, a whole new audience began to discover Benson. With the 1976 release Breezin', Benson sang a lead vocal on the track "This Masquerade", which became a huge pop hit and won a Grammy Award for Record of the Year. (He had sung vocals infrequently on albums earlier in his career, notably his rendition of "Here Comes the Sun" on the Other Side of Abbey Road album.) The rest of the album is instrumental, including his rendition of the 1975 Jose Feliciano composition "Affirmation". Breezin′ was a significant album in terms of popular music history – the first jazz release to go platinum.
In 1976, Benson toured with soul singer Minnie Riperton, who had been diagnosed with terminal breast cancer earlier that year. Also in 1976, George Benson appeared as a guitarist and backup vocalist on Stevie Wonder's song "Another Star" from Wonder's album Songs in the Key of Life. He also recorded the original version of "The Greatest Love of All" for the 1977 Muhammad Ali bio-pic, The Greatest, which was later covered by Whitney Houston as "Greatest Love of All". During this time Benson recorded with the German conductor Claus Ogerman. The live take of "On Broadway", recorded a few months later from the 1978 release Weekend in L.A., also won a Grammy. He has worked with Freddie Hubbard on a number of his albums throughout the 1960s, 1970s and 1980s.
The Qwest record label (a subsidiary of Warner Bros., run by Quincy Jones) released Benson's breakthrough pop album Give Me The Night, produced by Jones. Benson made it into the pop and R&B top ten with the song "Give Me the Night" (written by former Heatwave keyboardist Rod Temperton). More importantly, Quincy Jones encouraged Benson to search his roots for further vocal inspiration, and he re-discovered his love for Nat Cole, Ray Charles and Donny Hathaway in the process, influencing a string of further vocal albums into the 1990s. Despite returning to his jazz and guitar playing most recently, this theme was reflected again much later in Benson's 2000 release Absolute Benson, featuring a cover of one of Hathaway's most notable songs, "The Ghetto". Benson accumulated three other platinum LPs and two gold albums.
1990s to present
In 1985, Benson and guitarist Chet Atkins went on the smooth jazz charts with their collaboration "Sunrise", one of two songs from the duo released on Atkins' disc Stay Tuned. In 1992, Benson appeared on Jack McDuff's Colour Me Blue album, his first appearance on a Concord album. Benson signed with Concord Records in 2005 and toured with Al Jarreau in America, South Africa, Australia and New Zealand to promote their 2006 multiple Grammy-winning album Givin' It Up.
To commemorate the long-term relationship between Benson and Ibanez and to celebrate 30 years of collaboration on the GB Signature Models, Ibanez created the GB30TH, a very limited-edition model featuring a gold-foil finish inspired by the traditional Japanese Garahaku art form. In 2009, Benson was recognized by the National Endowment of the Arts as a Jazz Master, the nation's highest honor in jazz. Benson performed at the 49th issue of the Ohrid Summer Festival in Macedonia on July 25, 2009, and his tribute show to Nat King Cole An Unforgettable Tribute to Nat King Cole as part of the Istanbul International Jazz Festival in Turkey on July 27. In the fall of 2009, Benson finished recording a new album entitled Songs and Stories, with Marcus Miller, producer John Burk, and session musicians David Paich and Steve Lukather. As a part of the promotion for his recent Concord Music Group/Monster Music release Songs and Stories, Benson has appeared and/or performed on The Tavis Smiley Show, Jimmy Kimmel Live! and Late Night with Jimmy Fallon.
Benson toured throughout 2010 in North America, Europe and the Pacific Rim, including an appearance at the Singapore Sun Festival. He performed at the Java Jazz Festival March 4–6, 2011. In 2011, Benson released the album Guitar Man—revisiting his 1960s/early-1970s guitar-playing roots with a 12-song collection of covers of both jazz and pop standards overseen by producer John Burk.
In June 2013, Benson released his fourth album for Concord Records, Inspiration: A Tribute to Nat King Cole, which featured Wynton Marsalis, Idina Menzel, Till Brönner, and Judith Hill. In September, he returned to perform at Rock in Rio festival, in Rio de Janeiro, 35 years after his first performance at this festival, which was then the inaugural one.
Benson has been married to Johnnie Lee since 1965. Benson describes his music as focusing more on love and romance, rather than sexuality. He is one of Jehovah's Witnesses.Bird, Christiane (2001). The Da Capo Jazz And Blues Lover's Guide to the U.s. Da Capo Press. p. 196. ISBN 0306810344. Retrieved September 8, 2012. Mitchem, Stephanie Y.; Townes, Emilie Maureen (2008). Faith, Health, and Healing in African American Life. ABC-CLIO. p. 111. ISBN 0275993752. Retrieved September 8, 2012. Cite error: The named reference ReferenceA was invoked but never defined (see the help page). "NEW – Pittsburgh's Schenley school – whose alums include Andy Warhol and George Benson – to close". The Tribune-Democrat. June 26, 2008. Retrieved September 12, 2012. Smydo, Joe (December 10, 2005). "Panel to study if Schenley High can survive". Pittsburgh Post-Gazette. Retrieved September 12, 2012. Associated Press (July 8, 2004). "Hank Garland living in shadow of his greatness". MSNBC. Retrieved September 12, 2012. Upchurch, Frances (December 20, 1978). "But Hank Sugarfoot Garland Was To Play His Guitar Again". Spartanburg Herald-Journal. Retrieved September 12, 2012. Cite error: The named reference ALLMUSIC was invoked but never defined (see the help page). VH1 – Artists bio Ogerman website "Ibanez.com". Ibanez.com. Retrieved April 25, 2010. National Endowment for the Arts (March 22, 1943). "NEA Jazz Masters: George Benson, Vocalist and Solo Instrumentalist (Guitar)". Nea.gov. Retrieved April 25, 2010. "Biography". George Benson. August 25, 2009. Retrieved April 25, 2010. Stevelukather.net "Tavis Smiley . Shows . George Benson . October 6, 2009". PBS. October 6, 2009. Retrieved April 25, 2010. "Jimmy Kimmel Live Tomorrow Night, Wednesday Sep. 23!". George Benson. Retrieved April 25, 2010. Mergner, Lee. "Jazz Articles: George Benson Appearing With The Roots on Late Night with Jimmy Fallon Show — By Lee Mergner — Jazz Articles". Jazztimes.com. Retrieved April 25, 2010. YourSingapore.com – Music at Singapore Sun Festival George Benson interview by Pete Lewis, Blues & Soul, May 2012. Benson e Ivan Lins levam 'risada mais gostosa' e choro ao Rock in Rio Walden, Celia. "George Benson interview: love songs are one of the things in life that last". Telegraph. Telegraph. Retrieved May 28, 2013. Benson stated that he donated considerable funds to the religion's Watchtower Society. Robert E. Johnson, associate editor. "George Benson tells how he copes with fame, family, career and the stresses of show business"Jet Magazine 1 May 1989, pages 57-59, 
List of Grammy Awards received by George Benson"Past Winners Search". GRAMMY.com. Retrieved December 12, 2011.