Ian & Sylvia

All Music Guide:

One of the most popular acts of the early-'60s folk revival, Canadian duo Ian Tyson (b. 1933) and Sylvia Tyson (b. 1940) made several fine albums that spotlighted their stirring harmonies on a mixture of traditional and contemporary material. While these recordings can seem a tad earnest and dated today, they were overlooked influences upon early folk-rockers such as the Jefferson Airplane, the We Five, the Mamas and the Papas, and Fairport Convention, all of whom utilized similar blends of male/female lead/harmony vocals. They were also inspirations to fellow Canadian singer/songwriters such as Neil Young, Joni Mitchell, and Gordon Lightfoot. Like most acoustic folkies, after the mid-'60s they moved into folk-rock and country-rock, though the results were less impressive than their early work.

Tyson took up folk music in his 20s while convalescing from a rodeo injury, and teamed up with Sylvia Fricker after moving to Toronto in the late '50s. In 1960, they moved to New York, where they were signed by Albert Grossman, famous for managing Bob Dylan and Peter, Paul, and Mary. Their self-titled debut (1962) began a successful series of recordings for Vanguard, on which they helped expand the range of folk by adding bass (sometimes played by Spike Lee's father Bill) and mandolin to Ian's guitar and Sylvia's autoharp. Just as crucially, they ranged far afield for their repertoire, which encompassed not just traditional folk ballads, but bluegrass, country, spirituals, blues, hillbilly, gospel, and French-Canadian songs.

Ian & Sylvia were among the first to cover songs by Dylan, Lightfoot, Joni Mitchell, and Phil Ochs, and also began writing material of their own. Although original compositions were never at the forefront of their early LPs, a couple of them would become very influential indeed. Ian's "Four Strong Winds" would be covered by the Searchers and (in the '70s) Neil Young, and Sylvia's "You Were on My Mind," given a far poppier treatment by the We Five, became one of the first big folk-rock hits.

By 1966, Ian & Sylvia had started to rely primarily on original material, and begun to use electric instruments. While some of these tracks were outstanding, generally their folk-rock lacked the focus and consistency of their acoustic recordings. In the late '60s, they would take stabs at country-rock and straight country music, even hooking up with young producer Todd Rundgren for the 1970 album Great Speckled Bird. The quality of their records, and the size of their audience, declined steadily after they ended their association with Vanguard in 1967. In the '70s, they split up, professionally and personally (they had married in 1964). Both have since pursued solo careers: Ian's was far more successful, as he moved into country music, recording albums of songs with cowboy and rodeo themes that received much popular and critical acclaim in Canada.

Wikipedia:

Ian & Sylvia were a Canadian folk and country music duo which consisted of Ian and Sylvia Tyson, née Fricker. They began performing together in 1959, married in 1964, and divorced and stopped performing together in 1975.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Contents

History[edit]

Early lives[edit]

Ian Tyson, CM, AOE was born in Victoria, British Columbia, in 1933. In his teens, he decided upon a career as a rodeo rider. Recovering from injuries sustained from a fall during the mid-1950s, he started learning guitar. In the late 1950s, he relocated to Toronto, aspiring to a career as a commercial artist. He also started playing clubs and coffeehouses in Toronto. By 1959 he was performing music as a full-time occupation.

Sylvia Tyson, née Fricker, CM, was born in Chatham, Ontario, in 1940. While still in her teens, she started frequenting the folk clubs of Toronto.

Career[edit]

Folk duo[edit]

Ian & Sylvia started performing together in Toronto in 1959. By 1962, they were living in New York City where they caught the attention of manager Albert Grossman, who managed Peter, Paul and Mary and would soon become Bob Dylan's manager. Grossman secured them a contract with Vanguard Records and they released their first album late in the year.

Ian & Sylvia's first and self-titled album on Vanguard Records consisted mainly of traditional songs. There were British and Canadian folk songs, spiritual music, and a few blues songs thrown into the mix. The album was moderately successful and they made the list of performers for the 1963 Newport Folk Festival.

Four Strong Winds, their second album, was similar to the first, with the exception of the inclusion of the early Dylan composition, "Tomorrow is a Long Time", and the title song "Four Strong Winds", which was written by Ian. "Four Strong Winds" was a major hit in Canada and ensured their stardom.

Ian and Sylvia married in June 1964. They also released their third album, Northern Journey, that year. The album included a blues song written by Sylvia, "You Were On My Mind", which was subsequently recorded by both the California group We Five (a 1965 #1 on the Cashbox chart, #3 on the Billboard Hot 100) and British folk-rock singer Crispian St. Peters (#36 in 1967). A recording of "Four Strong Winds" by Bobby Bare made it to #3 on the country charts around that time.

On the Northern Journey album was the song "Someday Soon", a composition by Ian that would rival "Four Strong Winds" in its popularity. Both songs would eventually be covered by dozens of artists.

Their fourth album, Early Morning Rain, consisted in large part of contemporary compositions. They introduced the work of fellow Canadian songwriter and performer Gordon Lightfoot through the title song and "For Loving Me". They also covered "Darcy Farrow" by Steve Gillette and Tom Campbell, being the first artists to cover these three songs. Additionally, they recorded a number of their own compositions.

Play One More their offering of 1965, showed a move toward the electrified folk-like music that was becoming popular with groups like the Byrds and the Lovin' Spoonful. The title tune used horns for a mariachi effect.

In 1967, they released two albums, one recorded for Vanguard, the other for MGM. These two efforts, So Much For Dreaming and Lovin' Sound, were far less dynamic presentations. At this time they were doing a weekly TV program for the Canadian Broadcasting Corporation.

Country-rock pioneers[edit]

They relocated to Nashville, Tennessee, where they recorded two albums; one to fulfill the terms of their Vanguard contract, the other to supply MGM with a second (and last) album for that label. The albums can be defined as early country-rock music. Three of Bob Dylan's "Basement Tapes" compositions are covered on these albums, most of the rest were written by Ian or Sylvia.

In 1969, Ian & Sylvia formed the country-rock group Great Speckled Bird. In addition to participating in the cross-Canada rock-and-roll rail tour Festival Express, they recorded a self-titled album for the short-lived Ampex label. Produced by Todd Rundgren, the record failed when Ampex was unable establish widespread distribution. Thousands of copies never left the warehouse, and it has become a much sought-after collector's item. Initially, the album artist was given as Great Speckled Bird but later copies had a sticker saying that it featured the duo.

Ian & Sylvia's last two albums were recorded on Columbia Records. The first, 1971's Ian and Sylvia, not to be confused with their 1962 release titled Ian & Sylvia, consists largely of mainstream country-flavored compositions. This album was released on CD, with bonus tracks, as The Beginning of the End in 1996. Their second Columbia record, 1972's You Were On My Mind, featured a later incarnation of Great Speckled Bird. The songs range from hard country-rock to middle-of-the-road country material. Neither of the Columbia albums sold well. They were eventually combined and released as 1974's The Best of Ian and Sylvia.

By 1975, Ian & Syvlia had stopped performing together and soon afterwards were divorced.

Post-divorce[edit]

Ian retreated to western Canada, returned to ranching, and focused on his solo career.

Sylvia wrote, performed, and involved herself in various projects. In recent years, she has been recording new material, working as a member of the group Quartette, and performing a one-woman show entitled River Road and Other Stories.

The duo's son, Clay Tyson (Clayton Dawson Tyson, born 1966), is also a musician and recording artist.

Ian & Sylvia sang their signature song, "Four Strong Winds", at the 50th anniversary of the Mariposa Folk Festival on July 11, 2010, in Orillia, Ontario.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Honours[edit]

In 1992 they were inducted into the Canadian Music Hall of Fame during the Juno Awards ceremony.

In 1994 they were both made Members of the Order of Canada.

In 2005 an extensive Canadian Broadcasting Corporation (CBC) poll determined their song "Four Strong Winds" to be the "most essential" piece of Canadian music.

In 2006 they were both inducted into the Mariposa Hall of Fame. It was in 1961 that Ian and Sylvia headlined at Canada's legendary Mariposa Folk Festival. The induction featured a rare live performance by the duo (accompanied by David Celia on guitar) in Toronto to an enthusiastic audience including Gordon Lightfoot, The Good Brothers, Greg Keelor, and David Wilcox.