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All Music Guide:
Not to be confused with other acts that are called Incantation (including a group that specializes in South American music), the band profiled in this bio is a ferocious, mercilessly brutal outfit that is known for death metal, black metal, and grindcore. The words "pop" and "mainstream" are not in the vocabulary of this Incantation, which has never come even remotely close to receiving acceptance in the mainstream pop market. Nonetheless, Incantation has enjoyed a small underground cult following since the early 90s, and the band's followers (both American and European) love the fact that Incantation's extreme metal is so far from the mainstream. Incantation has all of the ingredients that death metal and grindcore enthusiasts crave: insanely fast tempos, an obsession with Satanism and the Occult, and choked, grunting, evil-sounding vocals; in other words, everything that is guaranteed to intimidate mainstream audiences and frighten them away. However, metalheads have been quick to point out that Incantation isn't the sort of band that has played at an ultra-fast tempo 100-percent of the time. While some death metal/black metal and grindcore bands never slow things down, Incantation has been willing to change tempos a lot. But whether the Pennsylvanians are playing fast, slow or somewhere in between, their work never ceases to be blistering -- Incantation is about as subtle as a sledgehammer.
Incantation was founded by guitarist John McEntee in Western Pennsylvania in 1990; that year, McEntee assembled the band's original lineup and hired Will Rahmer (founder of the death metal unit Mortician) as lead vocalist. Rahmer was featured on Incantation's debut EP, Entrapment of Evil, which was released on the tiny Seraphic Decay label. It wasn't long before Rahmer was replaced by Craig Pillard, who stayed with the band for several years. After signing with Relapse in 1991, Incantation recorded their second EP, Deliverance of Horrific Prophecies, before providing their first full-length album, Onward to Golgotha (which employed Pillard on vocals and Jim "Eno" Roe on drums) in 1992. Incantation's subsequent Relapse albums included Mortal Throne of Nazarene in 1994, Upon the Throne of Apocalypse in 1996, Forsaken Mourning of Angelic Anguish in 1997, and Diabolical Conquest in 1998. After 2000's Infernal Storm, Incantation left Relapse and signed with Necropolis in 2001; their first Necropolis album, Blasphemy, was recorded in 2001 and released in 2002.
Over the years, Incantation has had more than their share of personnel changes. Like a lot of death metal bands, Incantation can be a revolving door. But McEntee (who is the only remaining member of Incantation's original 1990 lineup) has always held down the fort as the band's leader, guitarist, and main lyricist. Former members include, among others, Rahmer, Roe, Pillard, singer/guitarist/bassist Daniel Corchado, bassist Dan Kamp, and drummer Dave Culross (who is also a graduate of Malevolent Creation and Suffocation). Incantation celebrated their 12th anniversary in 2002, when the band's lineup included McEntee, vocalist Mike Saez, drummer Kyle Severn, and bassist Joe Lombard.
Wikipedia:
An incantation or enchantment is a charm or spell created using words. An incantation may take place during a ritual, either a hymn or prayer, and may invoke or praise a deity. In magic, occultism, witchcraft it may be used with the intention of casting a spell on an object or a person. The term derives from Latin "incantare" (tr.), meaning "to chant (a magical spell) upon," from in- "into, upon" and cantare "to sing".
In medieval literature, folklore, fairy tales and modern fantasy fiction, enchantments (from the Old French "enchantement") are charms or spells. The term was loaned into English since around AD 1300. The corresponding native English term being "galdor" "song, spell". It has led to the terms "enchanter" and "enchantress", for those who use enchantments.
The weakened sense "delight" (compare the same development of "charm") is modern, first attested in 1593 (OED).
In folklore and fiction
In traditional fairy tales or fantasy fiction, an enchantment is a magical spell that is attached, on a relatively permanent basis, to a specific person, object or location, and alters its qualities, generally in a positive way. The most widely known example is probably the spell that Cinderella's Fairy Godmother uses to turn a pumpkin into a coach. An enchantment with negative characteristics is usually instead referred to as a curse.
Conversely, enchantments are also used to describe spells that cause no real effects but deceive people, either by directly affecting their thoughts or using some kind of illusions. Enchantresses are frequently depicted as able to seduce by such magic. Other forms include deceiving people into believing that they have suffered a magical transformation.
Effects of incantations
To be enchanted is to be under the influence of an enchantment, usually thought to be caused by charms or spells.
The Latin incantare, which means 'to utter an incantation', or cast a magic spell, forms the basis of the word "enchant", with deep linguistic roots going back to the Proto-Indo-European kan- prefix. So it can be said that an enchanter or enchantress casts magic spells, or utters incantations, similar to what are called Mantra in Sanskrit.
