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INXS hailed from the pubs of Australia, which is part of the reason the band never comfortably fit in with new wave. Even when they branched out into synth pop on their early recordings, they were underpinned by a hard, Stonesy beat and lead singer Michael Hutchence's Jagger-esque strut. Ultimately, these were the very things that made INXS into international superstars in the late '80s. By that time, the group had harnessed its hard rock, dance, and new wave influences into a sleek, stylish groove that made its 1987 album, Kick, a multi-million-selling hit. While that sound was their key to stardom, it also proved to be their undoing; INXS became boxed in by their Stonesy pop-funk in the early '90s, when their audience became entranced by harder-edged alternative rock. In spite of declining sales, they soldiered on, continuing to tour and record for a dedicated fan base until Hutchence's 1997 death brought the band's heyday to a close.
Appropriately for a band that featured three brothers, INXS had their roots in a family act, the Farriss Brothers. The group came together while keyboardist Andrew Farriss, the middle brother, was attending high school with vocalist Michael Hutchence. The two formed a band with bassist Gary Beers. Simultaneously, guitarist Tim Farriss was playing in various groups with his friend, guitarist/saxophonist Kirk Pengilly. Eventually, the two groups merged in 1977, with Jon Farriss joining the unified lineup as drummer. Two years later, when Jon graduated from high school, the band renamed itself INXS, moved from Perth to Sydney, and began to play the pub circuit. Within a year, the group landed an Australian record contract and released an eponymous debut on Deluxe in 1980.
INXS and Underneath the Colours (1981) became Australian hits, leading the band to an American contract with Atco Records. In 1983, they released their U.S. debut, Shabooh Shoobah, and embarked on an extensive tour which, thanks to the hit single "Don't Change," made them minor new wave stars. For their next album, INXS recorded a few sessions with producer Nile Rodgers, which resulted in the sleek, funky "Original Sin," the first inclination that the band was making a move toward a fusion of Stonesy rock and dance music. "Original Sin" made 1984's The Swing a minor hit, yet the group didn't have a genuine mainstream breakthrough until 1985's Listen Like Thieves, which climbed to number 11 in the U.S. on the strength of the single "What You Need."
Listen Like Thieves laid the groundwork for Kick, the album that made INXS international superstars. Released late in 1987, Kick worked its way to multi-platinum status over the course of 1988, as four singles -- the number one "Need You Tonight," "Devil Inside," "New Sensation," and "Never Tear Us Apart" -- climbed into the U.S. Top Ten. In the wake of the album's success, Hutchence was hailed in some quarters as the heir to Jagger's throne, and the group was considered to rival U2 in terms of international popularity. However, such success went to the group's head. Hutchence released the "experimental" side project Max Q in early 1990, and the record tanked. X, INXS' follow-up to Kick, appeared in the fall of 1990 to mostly negative reviews. While the album generated several hits, including "Disappear" and "Bitter Tears," only its first single, "Suicide Blonde," reached the Top Ten in the U.S., and the sales of X were disappointing when compared to Kick.
X hurt INXS' momentum considerably. Although the group was still quite popular on its accompanying tour -- the 1991 live album Live Baby Live was recorded at Wembley Stadium, the second largest stadium in Europe -- the group could no longer be considered in the same league as U2 or R.E.M. Hutchence continued to live a jet-setting lifestyle, dating Kylie Minogue and various supermodels, which did not wear well in the wake of alternative rock's commercial breakthrough in 1992. By the time INXS released Welcome to Wherever You Are, their most adventurous record, they were out of date in 1992, and even a rash of reviews that favorably compared the record to U2's Achtung Baby couldn't make it a hit. Full Moon, Dirty Hearts followed in 1993 and was generally ignored. Following its release, INXS left Atlantic's roster, releasing Greatest Hits as their last album for the label.
INXS signed with PolyGram in 1994, yet it took them three years to release a new album. During that time, Hutchence was involved in several tabloid scandals, most notably his love affair with British TV personality Paula Yates (which brought an end to her marriage to Bob Geldof), and he hinted that he was recording a solo album. That record didn't materialize, but INXS returned in the spring of 1997 with Elegantly Wasted. While the album was greeted with poor reviews, its hedonistic dance-rock was better suited to the late '90s than the early '90s, which made the record the group's biggest hit since X. On November 22 of that year, however, Hutchence was found dead in his Sydney hotel room, the victim of an apparent hanging. His long-in-the-works solo debut was posthumously issued in late 1999.
Terence Trent D'Arby took the frontman role for an abbreviated set at the opening of Sydney's Stadium Australia in 1999, and Jon Stevens filled the spot for occasional gigs that took place through the end of 2003. The latter singer eventually left to pursue a solo career. INXS remained quiet throughout the following year, but in 2005 they teamed up with reality show maverick Mark Burnett to launch Rock Star: INXS, a global TV show that aimed to find a permanent replacement for Hutchence. The winner was J.D. Fortune, a former Elvis impersonator from Canada. Fortune joined INXS, sang on their 2005 album Switch, and participated in the accompanying world tour. Switch only charted well in Fortune's native Canada, though, and his cocaine habit drove a wedge between Fortune and his bandmates as the tour wound down. Another period of inactivity followed. When INXS returned in 2010, they did so with a long list of guest vocalists, retaining Fortune as the official frontman but enlisting stars like Rob Thomas and Ben Harper to appear on their next album, Original Sin, which featured reworked versions of the band's past hits. Released in November of 2010, it charted just outside the Top 40 in Australia. The band played often during the subsequent two years, but announced at the end of 2012 that they weren't going to tour anymore.
Wikipedia:This article is about the Australian band. For their self-titled album, see INXS (album). For the TV miniseries, see INXS: Never Tear Us Apart."In Excess" redirects here. For the racehorse, see In Excess (horse).
INXS (pronounced "in excess", in-ex-ESS) was an Australian rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. They began playing covers in Western Australian pubs and clubs occasionally mixed with some of their own original music. Mainstays were main composer Andrew Farriss on keyboards, Jon Farriss on drums, Tim Farriss on guitar, Kirk Pengilly on guitar and saxophone, Garry Gary Beers on bass, and main lyricist Michael Hutchence on vocals For 20 years, INXS were fronted by Hutchence, whose "sultry good looks" and magnetic stage presence made him the focal point of the band. Initially known for their new wave/ska/pop style, they later developed a harder pub rock style, including funk and dance elements.
In the early 1980s, INXS first charted in their native Australia with their debut self-titled album, but later garnered moderate success elsewhere with Shabooh Shoobah and a single, "The One Thing". Though The Swing brought more success from around the world, its single "Original Sin" was even greater commercially, becoming their first number-one single. They would later achieve international success with a series of hit recordings through later in the 1980s and the 1990s, including the albums Listen Like Thieves, Kick, and ; and the singles "What You Need", "Need You Tonight", "Devil Inside", "New Sensation", and "Suicide Blonde".
In the 1990s, INXS brought a new audience following Hutchence's romance with pop singer, Kylie Minogue, and achieved greater acclaim in the UK. However, starting with Welcome to Wherever You Are, in 1992, they achieved less success in the United States. Michael Hutchence was found dead in his hotel suite in Sydney in November 1997 and INXS did not perform publicly for a year. They made appearances with several guest singers including Jimmy Barnes, Terence Trent D'Arby, and Jon Stevens; Stevens formally joined the band for a tour and recording session in 2002. In 2005, members of INXS participated in Rock Star: INXS, a reality television series, broadcast worldwide, culminating in the selection of their new lead singer, Canadian J.D. Fortune, and the release of "Pretty Vegas" and "Afterglow" as singles, and its album Switch.
In late 2010, they recorded and released Original Sin, a tribute album, featuring guest artists such as Kavyen Temperley (of Eskimo Joe) and Ben Harper. In September 2011 the band announced that Northern Irish singer-songwriter Ciaran Gribbin had replaced Fortune as their lead vocalist ahead of a planned tour of South America, Australia & Europe later in the year.
INXS won six Australian Recording Industry Association (ARIA) awards including three for 'Best Group' in 1987, 1989 and 1992, and was inducted into the ARIA Hall of Fame in 2001. As of May 2013 INXS have sold close to 40 million records worldwide.
On 11 November 2012, during their performance as support act to Matchbox Twenty at Perth Arena, Australia, INXS announced that the performance would be their last, though they did not officially announce a permanent band retirement.
In 2014, INXS released a tell-all history of the band on an Australian television interview special THE STORY BEHIND INXS. Drummer Jon Farriss made the statement: "Never say never", regarding the possibility that the band could record and perform more music in the future, during the interview.McFarlane, Ian (1999). "Encyclopedia entry for 'INXS'". Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86448-768-2. Retrieved 16 November 2008. Nimmervoll, Ed. "INXS". Howlspace – The Living History of Our Music. White Room Electronic Publishing Pty Ltd (Ed Nimmervoll). Archived from the original on 27 July 2012. Retrieved 22 January 2014. Holmgren, Magnus; Shaw, Julian; Meyer, Peer. "INXS". Australian Rock Database. Passagen (Magnus Holmgren). Archived from the original on 1 April 2012. Retrieved 11 February 2014. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, Sydney: Australian Chart Book. ISBN 0-646-11917-6. NOTE: Used for Australian Singles and Albums charting until ARIA created their own charts in mid-1988. "INXS discography". Australian Charts Portal. Retrieved 16 November 2008. "INXS > Charts & Awards > Billboard singles". Allmusic. Retrieved 6 March 2008. "Artist Chart History – INXS – Albums". Billboard. Retrieved 6 March 2008. [INXS at AllMusic "INXS > Charts & Awards > Billboard albums"]. Allmusic. Retrieved 6 March 2008. "INXS unveil Snow Patrol collaborator Ciaran Gribbin as their new singer". NME. 26 September 2011. Retrieved 26 September 2011. "ARIA Awards 2008: History: Winners by Artist". Australian Recording Industry Association (ARIA). Retrieved 16 November 2008. "Winners by Award: Hall of Fame". Australian Recording Industry Association (ARIA). Retrieved 11 January 2008. "2001 15th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Retrieved 16 November 2008.  INXS' own web site announcing end of touring
ContentsHistory1.1 Early years1.2 1980s1.2.1 From "Simple Simon" to Shabooh Shoobah1.2.2 From "Original Sin" to Listen Like Thieves1.2.3 From "Good Times" to Kick1.3 1990 to 1997: from to Elegantly Wasted1.4 1997 to 2003: transitional years1.5 2004 to 2005: Rock Star: INXS1.6 2005 to 2010: J. D. Fortune era1.7 2011 to 2012: A Group In Flux
The origins of the band began with Andrew Farriss convincing his fellow Davidson High School classmate, Michael Hutchence, to join his band, Doctor Dolphin. The band contained two other classmates, Kent Kerny and Neil Sanders and a bass player, Garry Beers and Geoff Kennely, from a nearby high school, Forest High School. In 1977, Tim Farriss, Andrew's older brother, invited Andrew, Hutchence and Beers to join him and his schoolmate Kirk Pengilly. Tim and Pengilly had been playing together since 1971 as either an acoustic duo, Kirk and Tim, or as a four-piece band called Guinness (named after their bass player's dog). Together with younger brother Jon Farriss they formed the Farriss Brothers, who consisted of Garry Beers on bass guitar, Andrew Farriss on keyboards, Jon Farriss on drums, Tim Farriss on lead guitar, Geoff Kennelly on drums, Michael Hutchence on lead vocals and Kirk Pengilly on guitar and saxophone. The band made their debut on 16 August 1977 at Whale Beach, 40 km (25 mi) north of Sydney. Andrew Farriss remembers:
I thought the show went really well, but I think my dad summed it up the next day: 'Great show, but everyone was asleep when we left.' I think everyone might have been stoned.—Andrew Farriss
The parents of the Farriss boys relocated to Perth, Western Australia in 1978, taking Jon to continue his schooling and, as soon as Hutchence and Andrew finished school, the rest of the band followed. They briefly performed as The Vegetables, singing "We Are the Vegetables", before returning to Sydney ten months later, where they recorded a set of demos. At a chance meeting in the car park of the Narrabeen Antler, a pub in Narrabeen on the Northern Beaches of Sydney, New South Wales. Tim was approached by Gary Morris, the manager of Midnight Oil.
I remember him coming up to me and saying 'Who are you working for, mate?' and I kind of went, 'Oh, we have this band and we're called The Farriss Brothers'. He offered to give us some work supporting Midnight Oil on the spot.—Tim Farriss
The band began to regularly support Midnight Oil and other local bands. Morris advised that a member of the Oils crew had come up with a new name and suggested they change it to INXS. The name INXS was inspired by English band XTC and Australian jam makers IXL.
"I saw a commercial for a brand of jam called IXL. Their ad featured a guy who said, 'I excel in all I do.' I'd recently seen the English band XTC when they toured Australia, and I loved their name: XTC – Ecstasy. In that moment, I put all those thoughts together. The name needed to be letters, but make a word. I put the IXL jam commercial together with XTC and the concept of a band that was inaccessible and I had it: INXS—Gary Morris
Pengilly explained that Morris had some other ideas:
Gary [Morris] was a great marketer, and I think he also had this idea of us being 'inaccessible'. He said we could be on stage in a cage of lights. It was a mystery thing ... He told us that unless we wanted to change our ways and become the world's biggest Christian band, he could no longer manage us ... He wanted us to write songs about Christ and to promote a drug-and-alcohol-free and no-sex-before-marriage, proper Christian lifestyle. He was very convincing and for a moment I think we might have done it. Then he got on to strange terrain.—Kirk Pengilly
We thought that would be a bit much – but it was a good name.—Tim Farriss
The band's first performance as INXS was on 1 September 1979 at the Ocean Beach Hotel in Umina on the Central Coast of New South Wales and by the end of 1979, after passing on the Christian band image, they hired Chris "CM" Murphy as their manager and continued taking on the Oz pub circuit.
The night Morris offered them to me, I told him I'd take them midway through their third song. I stood there thinking, "This is pretty funky.' This kid up front is pretty weird. This band plays really, really well ... What Morris didn't realise was that I only intended to take them on as their booking agent. I didn't want to be their manager.—Chris Murphy
Murphy was an adept business manager and negotiator. By early 1980 the band had signed a five-album record deal with a Sydney independent label, Deluxe Records, run by Michael Browning, a former manager of AC/DC.
From "Simple Simon" to Shabooh Shoobah
INXS released their first single, "Simple Simon"/"We Are the Vegetables", in Australia and France in May 1980. The single had its debut TV performance on Simon Townsend's Wonder World. Their self-titled debut album, INXS, was recorded at Trafalgar Studios in Annandale, Sydney, it was co-produced by the band and Duncan McGuire (ex-Ayers Rock), with all songs attributed to the entire band, at the insistence of Murphy. Deluxe gave them a budget of $10,000 to record the album, so to keep within the budget they had to record from midnight to dawn, usually after doing one or more performances earlier that night. The album was released in October 1980. It featured "Just Keep Walking" which was their first Australian Top 40 single, with the album peaking in the Top 30 of the Kent Music Report for Australian albums. The album eventually went gold (selling over 35,000 units) but it took a number of years to do so.
I'm not a great fan of the first album. It's naïve and kinda cute, almost. It's these young guys struggling for a sound. All I can hear is what was going to happen later and it's probably an interesting album because of that. "Just Keep Walking" was the first time we thought we'd written a song. And that became an anthem around town. It's funny, I remember kids in pubs saying it and hearing it on the radio the first time. We'd never heard that before.—Michael Hutchence
These early records demonstrated their new wave/ska/pop style, and were followed by near constant touring with almost 300 shows during 1981 as the band developed their status as a live act.
After a year of playing pub gigs, I made sure that INXS only did tours, whether it was just a few cities or across the whole of Australia. We choose a theme, made posters, printed T-shirts, and gave it a mood that created excitement. It made an INXS show into an event, not just another pub gig.—Chris Murphy
In 1981, they signed Gary Grant as their tour manager, who then became co-manager a year later. Between touring commitments, the band released their third single in May 1981, "The Loved One", which was a cover of a 1966 song by Australian group The Loved Ones. The song was recorded at Studios 301 in Sydney, produced by Richard Clapton, and peaked in the Top 20.
Richard had never produced before and wasn't sure if he wanted to. I didn't care; I knew his songwriting capabilities would be a good influence to give INXS more structure. In the early days the band would jam in rehearsal until a song just happened. Then they'd stand in front of an audience and play that song and see whether or not the audience jumped around. Then they'd go back and chop it up until it worked. And if it continued to work live, they'd go and record it.—Chris Murphy
The success of the single led to Clapton and the band returning to Studio s 301 between July and August 1981 to create an album. In October 1981, their second album Underneath the Colours was released and became a hit in Australia peaking at No. 15.
I was completely enamored with them. I really thought that they could become one of the biggest bands in the world, completely out of nowhere. I mean, at that point, they didn't even have an audience.—Richard Clapton
Most of the songs on Underneath the Colours were written in a relatively short space of time. Most bands shudder at the prospect of having 20 years to write their first album and four days to write their second. For us, though, it was good. It left less room for us to go off on all sorts of tangents.—Michael Hutchence
Soon after recording sessions had finished, band members started work on outside projects. Beers, Jon and Andrew Farriss played on Clapton's solo album, The Great Escape. Hutchence recorded "Speed Kills", written by Don Walker of Cold Chisel for the soundtrack of the film Freedom directed by Scott Hicks. It was his first solo single and was released by WEA in early 1982. In January, INXS toured New Zealand as support act for Cold Chisel. Band manager, Murphy, became convinced their future no longer lay with Deluxe Records. RCA (who distributed Deluxe) had employed, music lover Rockin Rod Woods, who had been promoting Eric Clapton, Split Enz and some of the worlds biggest acts.
Woods was passionate about the band and brought key music people along to their gigs. He encouraged RCA to sign them worldwide because Murphy had played him some demos of future songs. Deluxe had been unable to attract international interest, and decided to record a new song, "The One Thing" at their own expense, with Mark Opitz at Paradise Studios. The song turned out so well that Murphy hired Opitz to produce three more songs. Murphy approached WEA Australia with copies of the song, leading to INXS signing a recording deal in July 1982 with WEA for releases in Australia, South East Asia, Japan and New Zealand, Atco Records (a subsidiary of Atlantic Records) for North America and Polygram for Europe and the UK.
INXS got signed not because some A&R guy thought we'd sell a lot of records, but because we sold out so many venues.—Tim Farriss
Murphy and the band weren't entirely convinced that Opitz could produce an entire album that would attract international interest, so prior to recording their third album Pengilly, Hutchence and Andrew Farriss visited the UK and USA, with a view to selecting a suitable producer, only to find that no one they wanted was available and that most people advised them that Opitz's work on their single was as good as they could wish for.
Bob Clearmountain said to us, 'I love your music and I would definitely work with you guys, but I don't have any ideas better than the guy who recorded these for you. The best advice I have for you is to go back to Australia and record the whole album with him.—Kirk Pengilly
In mid-1982, they commenced recording at Rhinoceros Studios, with Opitz.
Mark was the first producer that was able to capture some glimmer of what the band felt it was like live. Prior to us, Mark had done bands like AC/DC, Cold Chisel, The Angels. Big guitar sounds, mighty drum beats.—Tim Farriss
In October 1982, Shabooh Shoobah was released internationally on Atlantic/Atco Records, peaking at No. 52 on the US Billboard 200 and No. 46 on the Hot Pop Albums chart. In Australia it peaked at No. 5 and remained in the albums charts for 94 weeks. The single "The One Thing" brought them their first Top 30 hit in United States peaking at No. 30 on 28 May 1983, it was a Top 20 hit in Canada, and peaked at No. 14 in Australia on 23 August 1982. "One Thing" was their first video to air on the fledgling MTV and significantly added to the ultimate success of the single.
INXS undertook their first US performance in San Diego in March 1983, to a crowd of 24 patrons. Their first tour was as support for Adam and the Ants, then support for Stray Cats, The Kinks, Hall & Oates followed by The Go-Go's. INXS played alongside many of their contemporaries on New Wave Day in May 1983, at the US Festival in Devore, California. It was during this time that Grant, their co-manager, relocated permanently to New York to ensure a continual presence in the northern hemisphere. The band remained on the road in the US for most of the year, including support for Men at Work and by mid-1983 were headlining venues such as The Ritz in New York.
From "Original Sin" to Listen Like Thieves
Following a performance in Toronto, Canada, the band was approached by producer Nile Rodgers, and by September 1983, recorded "Original Sin", originally titled "Brand New Day", at New York's Power Station Studios.
We were fresh off the road. So we had the basic song completed and we'd been playing it live in the set. He was talking to us through the headphones, kind of saying things that were meant to encourage us, and we figured he was just getting levels and stuff on the whole band playing together, but after we'd run it down a couple of times he said 'OK, come in and have a listen'. We went in and the control room was sort of full of people dancing. Apart from adding background vocals and the sax solo, we were finished. We didn't even know he was recording.—Andrew Farriss
Three tracks from Shabooh Shoobah were featured in the soundtrack for the 1984 film Reckless. The band then travelled to the UK to begin sessions on their fourth album with Nick Launay at the Manor Studios in Oxford.
Nick was always going to be the main production force behind The Swing. We had a really genuine interest in the stuff that he had done and we knew he was the right guy for us at the time. It was funny, actually, because we arrived at the Manor, which is up in Oxford, and we basically walked in and said, 'Nick, we've recorded one song for the album'. And he was like, 'Oh yeah, where did you do that?' And we said, 'New York.' "Who'd you do it with?' 'Nile Rodgers.' And his face just went white because he was a major Nile Rodgers fan himself. So he said 'Well, 'suppose we'd better listen to it', and we put it on and he was just blown away. I think that started poor old Nick off on a bit of a – he wasn't as secure and confident as he probably would have been.—Andrew Farriss
The album The Swing released in April 1984, received more significant attention from around the world, as "Original Sin" became their first No. 1 single and was a highly popular song worldwide with fans and reviewers. During 1984 it was No. 1 in Australia (for two weeks in January) as well as in Argentina and France, No. 6 in New Zealand, No. 11 in Canada, No. 23 in Switzerland, No. 31 in the Netherlands and No. 58 in the U.S. Yet "Original Sin" was largely ignored in the UK, where INXS was described in New Musical Express as a "depressingly definitive example of excruciating, boring, incredibly unimaginative MTV rock", and INXS didn't have any Top 50 chart success until the 1985 album Listen Like Thieves.
During 1984, INXS toured non-stop performing across Europe, the UK, the US and Australia and by December 1984, The Swing, was double platinum, making it, at the time, one of the five biggest domestic albums in the history of Australian music. In March 1985 the band re-entered Sydney's Rhinoceros Studios to record their next album, together with producer Chris Thomas (Sex Pistols, Pink Floyd, The Pretenders, Elton John).
Chris was one of the most talented, most eccentric and demanding people you'd ever want to meet. ...from the moment you walked into the control room, there was no doubt you were in the presence of greatness. INXS met their match with Chris Thomas. He was the only producer they've ever had who told them what they needed to hear.—Richard Clapton
This is what we've been trying to do one way or another for a few years now, that is to make an album that is purely just form and function of the songs. It has no artistic pretentions.—Michael Hutchence
As the band were finishing the recording sessions, Thomas told the band that the album was not good enough and still had no "killer" track:
We'd already finished the Listen Like Thieves album but Chris Thomas told us there was still no 'hit'. We left the studio that night knowing we had one day left and we had to deliver "a hit". Talk about pressure.—Andrew Farriss
Andrew produced a demo tape of a funk song he had been working on "Funk Song No. 13" and evolved it into "What You Need".
Then Andrew brought in three demos – two songs that had been completed and he played me a thing that was just this riff – dink, dink, dink-a-dink-and it was great. I thought, 'I could listen to that groove for ten minutes!' I said, 'Let's work with that groove.' So we went with that and in just two days it turned into the song that eventually broke them, "What You Need".—Chris Thomas
We wrote it on Saturday, rehearsed it on Sunday and recorded it on Monday.
Whilst the band was recording, WEA released Dekadance, a limited edition 12" Vinyl and cassette only EP of INXS remixes from their albums The Swing and Shabooh Shoobah.
On 19 May 1985, INXS won seven awards at the 1984 Countdown Music and Video Awards ceremony. They performed "Burn for You", dressed in Akubras (hats) and Drizabones (outdoor coats/oilskin jackets). They performed five songs for the July 1985 Oz for Africa concert, in conjunction with the Live Aid benefit. Two INXS songs, "What You Need" and "Don't Change", were also in the BBC broadcast and are contained on Live Aid's four DVD boxed set released in 2004.
INXS had started out as a new wave act, gradually moved in a more straight-ahead rock-oriented direction through the first half of the 1980s. Listen Like Thieves was released in October 1985, was approved of by critics, reaching No. 3 on the Australian charts and No. 11 on the US charts. With the release of Listen Like Thieves, the band had developed a rock sound influenced by Led Zeppelin and XTC, but remained true to the band's original roots in Aussie pubs. It was also the first album to feature songs written by a combination of band members, with Andrew Farris and Hutchence becoming the primary songwriters in the years to follow. The first US single from the album, "This Time", stalled at No. 81 in late 1985, but the next single, "What You Need", released there in early 1986, became a top five Billboard hit, bringing INXS their first break-out US success. The single was also a top 20 hit in Canada, reached No. 2 in Australia (September 1985) but only No. 51 on the UK charts.
The British press dismissed the album, with New Musical Express calling the band 'INX-cusable' and a reviewer declaring Listen Like Thieves to be a 'complete and utter turkey'. In the United States however Rolling Stone Magazine wrote "INXS rocks with passion and seals the deal with a backbeat that'll blackmail your feet."
In August 1985, they toured ahead of the album's release, touring South America before returning to Melbourne to play for Prince Charles and Princess Diana of Wales at a concert in Australia, it was filmed and later released on home video entitled Living INXS, an edited version of the concert was played on MTV in the US in 1985 on their Saturday night concert series. In November, December, January, and February INXS toured North America, Europe, and New Zealand. The band then took a two-month break, with Andrew Farriss writing and producing "You're Gonna Get Hurt" for Jenny Morris (who had previously been a backing vocalist with the band), and Hutchence featuring in Richard Lowenstein's second feature film Dogs in Space. Lowenstein had previously made the video clip for "Dancing on the Jetty". Whilst a song from the movie, "Rooms for the Memory", written by Ollie Olsen, with vocals by Hutchence charted, the movie was received well by critics but was not a commercial success.
In May 1986, the band returned to the United States and over the next six months performed 32 European shows, including support for Queen at their Live at Wembley '86 concert on 12 July 42 US shows and 12 Australian shows. America's influential Musician magazine calling them "the best live band in the world."
From "Good Times" to Kick
Whilst supposedly taking an eight-month break before beginning work on a new album, their manager Murphy decided to stage a series of major outdoor concerts across Australia, featuring INXS, Jimmy Barnes, Models, Divinyls, Mental as Anything, The Triffids and I'm Talking. To promote the tour INXS recorded two songs with Jimmy Barnes of Cold Chisel: The Easybeats cover "Good Times" and "Laying Down the Law" which Barnes co-wrote with Beers, Andrew Farriss, Jon Farriss, Hutchence and Pengilly. "Good Times" was used as the theme song for the Australian Made series of concerts in the summer of 1986–1987. It peaked at No. 2 on the Australian charts, and months later was featured in the Joel Schumacher film The Lost Boys and its soundtrack, allowing it to peak at No. 47 in the US on 1 August 1987.
After the success of "What You Need" and Listen Like Thieves, the band knew their new material would have to be even better, according to Pengilly,
We wanted an album where all the songs were possible singles.—Kirk Pengilly
They recorded Kick in Sydney and Paris, it was produced by Thomas again, but Atlantic Records was not happy with the result, as manager Chris Murphy remembers:
They hated it, absolutely hated it. They said there was no way they could get this music on rock radio. They said it was suited for black radio, but they didn't want to promote it that way. The president of the label told me that he'd give us $1 million to go back to Australia and make another album.—Chris Murphy
Despite Atlantic's protests, Kick was released in October 1987 and provided the band with worldwide popularity, it peaked at No. 1 in Australia, No. 3 on the US Billboard 200, No. 9 in UK, and No. 15 in Austria. It was an upbeat, confident album that yielded four Top 10 US singles, "New Sensation", "Never Tear Us Apart", "Devil Inside" and No. 1 "Need You Tonight". "Need You Tonight" peaked No. 2 on the UK charts, No. 3 in Australia, and No. 10 in France. They toured heavily behind the album throughout 1987 and 1988. The video for the 1987 INXS track "Mediate" (which played after the video for "Need You Tonight") replicated the format of Bob Dylan's video for "Subterranean Homesick Blues", even in its use of apparently deliberate errors. In September 1988 the band swept the MTV Video Music Awards with the video for "Need You Tonight/Mediate" winning in 5 categories.
During 1989, Hutchence collaborated with Ian "Ollie" Olsen on a side project, Max Q, the two had previously worked together on Lowenstein's film Dogs in Space. The rest of the band also took a break to work on side projects, but soon returned to the studio to record their follow-up album to Kick.
1990 to 1997: from to Elegantly Wasted
In October 1990, INXS released which was produced by Thomas again and it peaked at No. 3 in Australia, No. 5 in the US, No. 2 in the UK, No. 5 in Switzerland and No. 10 in Sweden. It followed in the same vein as Kick, and added harmonica to some songs. scored hits with "Suicide Blonde" and "Disappear" (both Top 10 in the US), "Suicide Blonde" peaked at No. 2 in Australia, No. 11 in the UK and in Switzerland. Other singles from were "Bitter Tears" and "By My Side" but they had less chart success.
Hutchence's romance with Australian pop singer Kylie Minogue brought the group a new audience of fans. INXS performed at Wembley Stadium on 13 July 1991, during their "Summer XS" tour stop in London to a sold out audience of 74,000 fans. This performance was recorded and filmed to become their live album Live Baby Live (a video version was also released under the same title), which was released in November 1991 and peaked in the Top 30 in both Australia and UK album charts, but had less success on The Billboard 200.
On 28 March 1992 INXS performed at the controversial Concert for Life at Centennial Park in Sydney (a fund raiser for the Victor Chang Cardiac Research Centre), together with Crowded House, Yothu Yindi, Jenny Morris, Diesel, Ratcat and Def FX. Due to inclement weather, the expected attendance of 100,000 never came through and the event only raised $500,000.
Welcome to Wherever You Are, produced by Mark Opitz and released in August 1992, was an experimental album using sitars and a 60-piece orchestra while adding a much more "raw" sound to their music. It received good critical reviews and went No. 1 in the UK and in Sweden; No. 2 in Australia and Switzerland, and No. 3 in Norway, but had less chart success in the US peaking at No. 16. Singles from the album included, "Taste It" and "Baby Don't Cry" which were Top 20 successes in UK but had less success in US or Australian markets.
Full Moon, Dirty Hearts, produced by Opitz again, was released in November 1993 and peaked at No. 3 on the UK charts, No. 4 in Australia, No. 8 in Sweden, No. 9 in Switzerland, No. 14 in Norway, but did not reach the Top 50 in the US. The title track featured The Pretenders' Chrissie Hynde and another track, "Please (You Got That)", featured Ray Charles. The band made a full video album for the record using unknown Australian students to direct with help by Richard Lowenstein. Full Moon, Dirty Hearts received mixed reviews and was the last record under INXS' contract with Atlantic in the States. The band took time off to rest and be with their families, while Hutchence remained in the public eye through modelling and film acting.
In 1997, the group released a comeback album titled Elegantly Wasted, which garnered mixed reviews. It fared respectably in Australia (No. 14), Canada (No. 14), France (No. 30), UK (No. 16) (where INXS had more success in the 1990s than in the 1980s), Belgium (No. 7), Switzerland (No. 13), but only No. 41 in US. On 22 November 1997, Hutchence was found dead in his Sydney Ritz-Carlton hotel room. On 6 February 1998, after an autopsy and coronial inquest, New South Wales State Coroner, Derrick Hand, presented his report which ruled that Hutchence's death was a suicide while depressed and under the influence of drugs and alcohol. Despite the official coroner's report, there was continued speculation that his death was accidental.
1997 to 2003: transitional years
After Hutchence's death, INXS did not perform publicly for almost a year and then only made a few one-off performances with different guest singers until 2000. On 28 November 1998, they played at the Mushroom 25 Concert with Jimmy Barnes fronting for two songs: "The Loved One" and "Good Times". On 12 June 1999, they headlined the opening of Stadium Australia in Sydney, with US singer-songwriter Terence Trent D'Arby and Russell Hitchcock as guest vocalists, they performed "New Sensation", "Kick", "Never Tear Us Apart" and "What You Need".
In December 2000 INXS performed a concert with singers Suze DeMarchi and Jon Stevens sharing the spotlight. Former lead singer of Australian band Noiseworks, Jon Stevens began singing with INXS on regular basis. They played as one of the headline acts at the Sydney 2000 Olympics and then toured through South America and Europe. Stevens was officially named a member of INXS in 2002 and they started recording new material in November. Stevens left in October 2003 to pursue a solo career, only recording a contractual obligation song called "I Get Up." This was not officially released as a charting single due to it being part of the game EA Sports Rugby 2004. All sales of this single were not tallied in comparison to the ARIA charts of the time. The song was used in the 2003 Rugby World Cup and the EA Sports Rugby 2004 video game.
2004 to 2005: Rock Star: INXS
INXS returned to the news in 2004, when it was announced that a new reality television program titled Rock Star: INXS would feature a contest to find a new lead vocalist for the band. The show, which had its debut on the CBS network 11 July 2005, (on Global in Canada, VH1 in the UK and FOX8 in Australia), featured 15 contestants vying for the position of lead singer. The show was executive produced by Survivor's Mark Burnett and hosted by Brooke Burke and Jane's Addiction and former Red Hot Chili Peppers guitarist Dave Navarro.
On 20 September 2005, J. D. Fortune (born Jason Dean Bennison, but uses his mother's maiden name) of Salt Springs, Nova Scotia, Canada won the eleven-week competition, which culminated in his singing the Rolling Stones's "You Can't Always Get What You Want" and INXS' "What You Need" in the finale of the show to become the new lead singer of INXS. With Fortune they recorded their 2005 album, Switch produced by Guy Chambers and went on a world tour in 2006. Runner-up Marty Casey was the opening act during the first leg of the tour, along with his band, The Lovehammers.
During the Rock Star: INXS competition, the contestants were challenged to write the lyrics and melody to music written by Andrew Farriss. Originally this challenge was divided up into two teams. When Fortune did not see eye-to-eye with his team (that included Casey), he decided to venture out on his own and write his own lyrics. At first Fortune's move seemed to have doomed his chances to win the competition (because it was perceived he couldn't work in a team), but it was this move that resulted in his creation of the lyrics to "Pretty Vegas". This song became a favourite of both fans and INXS and played a major role in Fortune being able to win the competition. "Pretty Vegas" was released 4 October 2005 and reached No. 5 on the iTunes Store ranking of daily most downloaded songs on its first day. It peaked at No. 9 in Australia, No. 37 on the Billboard Hot 100, and became a huge radio airplay hit (going platinum and reaching number one) in Fortune's native Canada.
2005 to 2010: J. D. Fortune era
On 29 November 2005, the band's first album with Fortune as lead singer, titled Switch, was released in the United States via Epic Records. This new line-up started touring in support of Switch in January 2006. Fortune revealed he was working on material for the next INXS album, but it would turn out that Fortune's songs would later appear on his solo album.
In September 2006, INXS and Epic Records parted ways. The band then performed at the 2006 NRL Grand Final.
INXS toured Australia and New Zealand in March 2007, with Simple Minds and support band Arrested Development. After the cancellation of a 31 August 2007 show in Cleveland, Ohio, INXS placed a statement on their website stating "Due to ongoing medical issues with Garry Beers' hand, the band's doctor has urged the band to not play more than three shows in a row or risk permanent damage to Garry's hand."
The band signed with Petrol Electric Records in December 2008, reuniting them with former manager Chris Murphy. The band were preparing to enter the studio in March 2009 to record a new project without a singer.
On 16 February 2009, J. D. Fortune told Entertainment Tonight Canada that INXS had let him go from the band with a shake of the hand at an airport in Hong Kong. Fortune also admitted to becoming addicted to cocaine during his stint with the band.
On 23 February 2009, Chris Murphy, INXS creative director and global business strategist and former manager, in an interview with The Daily Telegraph, said J.D. was not sacked and, in fact, "the band made it known to him that they had not ruled out seeing a return by Fortune." He also stated JD was next on his list to call regarding a major recording contract he was negotiating for the band. In an interview with Confidential on 1 March 2009, Murphy stated "The whole thing has been bizarre – he was basically a contractor and his contract had ended." Speaking with Billboard, Murphy stated that he would rather part ways with the band than work with Fortune. "If the band said to me tomorrow, 'We'd still like you to make that call and talk to him about working on a project,' I'd have to say 'Sorry, I have to go.'" However, JD Fortune toured with INXS as frontman in February 2011.
In an interview with Sun Media published on 6 March 2009, J. D. Fortune clarified his claim that he had been fired at an airport. After returning to Canada from Hong Kong, Fortune believed there were still two more legs of the INXS 2007 tour to complete. When the rest of the tour was cancelled and the band did not return his calls for 10 months, he believed he was out of the band.
On 30 November 2009, Andrew Farriss, Jon Farriss, and Kirk Pengilly performed an acoustic version of "Don't Change" with the Qantas Choir at the Pride of Australia Awards.
On 8 December 2009, INXS announced they would be embarking on a large scale world tour, commencing with a performance in Vancouver for the 2010 Olympic Winter Games. The band announced on 11 February 2010 that J. D. Fortune would be vocalist for the performance at the 2010 Winter Olympics, but that it would be a one-off performance with Fortune, with a vocalist for the subsequent world tour still to be announced. The band performed at the Vancouver 2010 Winter Olympics on 24 February 2010 with guest singers J. D. Fortune and Argentine singer Deborah de Corral.
On 22 April 2010, INXS announced that Fortune would again front the band for a performance on 10 July 2010 at Townsville, QLD, Australia, and then again on 16 July 2010 in Broome, WA, Australia
During a radio interview with Kirk Pengilly and JD Fortune in July 2010 just before the Broome concert, Pengilly confirmed that Fortune had returned as the band's permanent singer.
In August 2010, Petrol Records issued Australian radio stations with a 1 track promo "Never Tear Us Apart" featuring Ben Harper on vocals, a preview from the upcoming INXS Michael Hutchence tribute album Original Sin.
On 25 September 2010, the band performed prior to the 2010 AFL Grand Final.
On 19 October 2010, it was announced in the Courier Mail that INXS, fronted by JD Fortune, would tour as part of the A Day on the Green winery concerts in February."
The band recorded an album in memory of Michael Hutchence titled Original Sin, which was released in November 2010. The album featured well-known singers from Australia and around the world. Brandon Flowers of the band The Killers revealed that he recorded the song "Beautiful Girl" with the band, although the track ultimately did not appear on the album due to conflicts with the release of Flowers' solo album. Rob Thomas from the band Matchbox Twenty recorded the song "Never Tear Us Apart" and "Original Sin" with the band, although only "Original Sin" with DJ Yaleidys appeared on the final album. Australian singer-songwriter Vanessa Amorosi has also been reported to have recorded a version of "Devil Inside", although that recording did not appear on the final album. Ben Harper recorded a version of "Devil Inside" along with Nikka Costa, and Harper also performed "Never Tear Us Apart". Gabriella Cilmi, Tricky, and Eskimo Joe's Kavyen Temperley also recorded tracks for the project. Deborah de Corral performed New Sensation on the album. Patrick Monahan of Train recorded "Beautiful Girl". On again-off again lead singer J.D. Fortune performs lead vocals for the 1991 track The Stairs and the 1984 track "Love Is (What I Say)". The album was produced by James Ash of Rogue Traders.
2011 to 2012: A Group In Flux
In March 2011 INXS confirmed they would be returning to the UK and headlining with support from New Zealand band Shihad for an outdoor event on Clapham Common, London on Saturday 11 June called Southern Sounds. The event was an all Australian, New Zealand and South African celebration line up with INXS fronted by J.D. Fortune. Following a large turn out for fellow southern hemisphere rockers Shihad, INXS eventually performed to a small crowd of 800-1000 people. The large capacity big ticket venues of the past replaced by smaller resourced events with poorer quality sound systems in temporary event public spaces did not seem to diminish the band. Strong winds began swaying the single columned speakers through INXS set and the sound quality to festival goers was severely compromised with lead vocals dropping out for large swathes of the gig.
Other acts on the day included Goldfish, I Am Giant, DJ Yoda, Adam Freeland, Krafty Kuts, Freestylers, Eddie Temple Morris, Utah Saints, Rennie Pilgrim, Cape Fear, Woodsy, Rob Diverted, Reveal, and Honeycombe.
INXS toured extensively throughout 2011 with singer J.D. Fortune to support the album Original Sin.
The band released a demo of a song, called "Tiny Summer", in streaming format on their official website in September 2011, along with news that J.D. Fortune had left the band again and that Northern Irish singer-songwriter Ciaran Gribbin would be the band's frontman for their forthcoming tour of Australia, South America and Europe in November & December 2011.
Ciaran Gribbin and INXS recorded more material; a demo of another song titled "We Are United" appeared on their website. Other new songs were also played live in July 2012 in Australia, such as "Honesty", "Tears of Rain" and "Dancing Like a Flame". "Sugar", an unreleased song from the Jon Stevens era, was brought back too.
On 6 October 2012, INXS were the headline act at the annual charity ball organised by the Hong Kong Foreign Correspondent's Club.
INXS announced during a concert on 11 November 2012, at the newly opened Perth Arena, while supporting Matchbox Twenty, that they would no longer be touring. Kirk Pengilly stated that it was appropriate to finish where they had started 35 years earlier. Jon Farriss admitted, "I'm getting teary", before the band performed their biggest hit, "Need You Tonight".St John, Ed (1998). Burn : The life and times of Michael Hutchence and INXS. Bantam Books, Sydney. ISBN 0-7338-0182-X. Bozza, Anthony (2005). INXS Story to Story: The official autobiography. Bantam Books, Sydney. ISBN 0-593-05517-9. Cite error: The named reference McF was invoked but never defined (see the help page). Cite error: The named reference ARDb was invoked but never defined (see the help page). "Biography – Michael Kelland John Hutchence". michaelhutchenceinfo.com. Retrieved 5 March 2008. Jenkins, Jeff; Ian Meldrum (2007). Molly Meldrum presents 50 years of rock in Australia. Melbourne: Wilkinson Publishing. ISBN 978-1-921332-11-1. Retrieved 17 November 2008. Cite error: The named reference Howl was invoked but never defined (see the help page). "INXS bio". Take 40. Retrieved 17 November 2008. St John, Ed; INXS (1992). INXS: The Official Inside Story of a Band on the Road. Mandarin. p. 20. ISBN 1-86330-207-7. St John, Ed; INXS (1992). INXS: The Official Inside Story of a Band on the Road. Mandarin. p. 74. ISBN 1-86330-207-7. Cite error: The named reference Kent was invoked but never defined (see the help page). Cite error: The named reference BBalbums was invoked but never defined (see the help page). Cite error: The named reference AMGAlbums was invoked but never defined (see the help page). Whitburn, Joel (1991). Billboard Hot 100 Charts: The Eighties. Record Research Inc. ISBN 0-89820-079-2. Cite error: The named reference AMGSingles was invoked but never defined (see the help page). "The Clash US Festival May 28th 1983". blackmarketcash.com. Retrieved 6 March 2008. Kathy Curtis (26 September 2006). "Highly Overlooked 80s movie". Amazon.com. Retrieved 6 March 2008. Ned Raggett. "Original Sin > Song Review". Allmusic. Retrieved 7 March 2008. "INXS – Original Sin". australian-charts.com. Retrieved 7 March 2008. "Memorable Music Oz Rock – Marcia Hines to Karen Knowles". Memorable TV. Retrieved 20 November 2008. "Albums of 1985". The Eighties Club. Retrieved 20 November 2008. "INXS Singles and Albums Charts". Chart Stats. Retrieved 20 November 2008. "Oz for Africa". liveaid.free.fr. Retrieved 12 March 2008. "Live Aid 4 DVD". Sanity. Retrieved 12 March 2008. "A Decade in the Life of INXS". Eighties Club. Retrieved 7 March 2008. Parke Puterbaugh (5 December 1985). "INXS: Listen Like Thieves". Rolling Stone. Retrieved 7 March 2008. "Living INXS". IMDb. Retrieved 27 November 2008. Holmgren, Magnus; Warnqvist, Stefan. "Jenny Morris Discography". Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from the original on 20 February 2012. Retrieved 11 February 2014. "Dogs in Space". IMDb. Retrieved 27 November 2008. "Michael Hutchence – Rooms for the Memory". Discogs. Retrieved 27 November 2008. "ACE Title Search – 'Laying Down the Law'". ASCAP. Retrieved 20 November 2008. LaVeck, Theresea E. "The Lost Boys > Overview". Allmusic. Retrieved 20 November 2008. "Lost Boys Soundtrack". IMDb. Retrieved 27 November 2008. "Discographie INXS" (in German). Austrian Charts Portal. Retrieved 20 November 2008. "Discographie INXS" (in French). French Charts Portal. Retrieved 20 November 2008. St John, Ed; INXS (1992). INXS: The Official Inside Story of a Band on the Road. Mandarin. p. 75. ISBN 1-86330-207-7. Cite error: The named reference AusCharts was invoked but never defined (see the help page). "INXS X (album)". Australian Charts Portal. Retrieved 21 November 2008. "INXS Suicide Blonde". Australian Charts Portal. Retrieved 21 November 2008. Zuel, Bernard (22 November 2007). "Hutchence's triple transformation". The Sydney Morning Herald. Retrieved 21 November 2008. Baker, Glenn A. (20 June 1992). INXS Benefit raked by Media Fire. Billboard Magazine. Retrieved 5 January 2010. "INXS Welcome to Wherever You Are (album)". Australian Charts Portal. Retrieved 21 November 2008. "INXS Full Moon, Dirty Hearts". Australian Charts Portal. Retrieved 22 November 2008. "INXS Elegantly Wasted". Australian Charts Portal. Retrieved 22 November 2008. Hand, Derrick; Janet Fife-Yeomans (2008) . The Coroner: Investigating Sudden Death. Sydney, N.S.W.: Allen & Unwin. ISBN 978-0-7333-2221-1. "Inquest into the death of Michael Kelland Hutchence" (DOC). destinytours.com.au. Archived from the original on 19 July 2008. Retrieved 22 November 2008. "Hutchence death ruled suicide under the influence of drugs and alcohol". MTV. 6 February 1998. Retrieved 22 November 2008. "Michael Hutchence Solo LP Date Reset; Suicide Controversy Continues". MTV. 18 August 1999. Smolowe, Jill (20 October 2000). "Fast Life, Sudden Death". People. "J.D. Fortune:: Rock Star INXS". Rock Band Lounge. Retrieved 5 March 2008. "CANOE – JAM! Music – Karen Bliss's Lowdown: Insider Canadian music news: INXS frontman pens new album". canoe.ca. Cohen, Jonathan (18 September 2006). "Sudden 'Switch': INXS Parts Ways With Epic". Billboard. Retrieved 5 March 2008. "Fortune 'pressured' in INXS". AAP. 27 March 2007. http://www.inxs.com/news/news.php?uid=2319 Bosso, Joe (2 March 2009). "The tale of JD Fortune and INXS gets weirder". Music Radar. "INXS didn't dump singer JD Fortune". The Daily Telegraph (New.com.au). 2 March 2009. "Link to the interview". YouTube. http://network.nationalpost.com/np/blogs/theampersand/archive/2009/02/18/inxs-frontman-j-d-fortune-loses-home-and-job.aspx Confidential, Sydney (23 February 2009). "Chris Murphy says INXS did not dump JD Fortune at airport". The Daily Telegraph. Retrieved 22 February 2009. Sexton, Paul (6 March 2009). "INXS Responds To 'Bizarre' Fortune Comments". Billboard. Cameron Adams (19 October 2010). "INXS rework old classics with guest vocalists in new album". Courier Mail. Retrieved 1 July 2011. Stevenson, Jane (6 March 2009). "J.D. sets record straight ...". Winnipeg Sun. "INXS & QANTAS Choir Perform Don't Change". YouTube. 4 January 2010. Retrieved 1 July 2011. Patch, Nick (8 December 2009). "INXS plans new album, world tour with 'guest vocalists,' to begin in Vcr". Metro News. Patch, Nick (11 February 2010). "Canadian J.D. Fortune will rejoin INXS for gig at Vancouver Olympics". Canadian Press. "Be our guest singer, say INXS". The Daily Telegraph. 26 February 2010. "JD and INXS are Coming to Townsville". inxs.com. 22 April 2010. Dawson, Kim (1 April 2009). "Killers Set for a Good Hyding". Daily Star (UK). Kathy, McCabe (28 July 2009). "Rob Thomas admits INXS guitar riff rip-off". The Daily Telegraph. Vaziri, Aidin (30 July 2009). "Rob Thomas Joins INXS in the Studio". Gibson. "Vanessa Amorosi Street Team". Vanessaamorosi.net. Retrieved 1 July 2011. Bliss, Karen (24 February 2010). "INXS Recruit Brandon Flowers, Ben Harper to Cover Their Big Hits". Rolling Stone. Moran, Jonathon (5 September 2009). "New sensations for INXS". The Sunday Telegraph. Anderson, Kyle (2 April 2010). "INXS Re-Making Old Hits With Singers From The Killers, Train, Matchbox Twenty". MTV. Moran, Jonathon (17 May 2009). "Ash's mark on INXS". The Daily Telegraph. "Southern Sounds 2011". Skiddle.com. "Exclusive: INXS Unveil New Singer, Ciaran Gribbin". Billboard. 26 September 2011. "11th Annual Charity Ball 2012". "INXS call it quits after 35 years". Perth Now. 12 November 2011. Retrieved 12 November 2011.
Television mini seriesMain article: INXS: Never Tear Us Apart
In 2013, Australian TV network Seven Network announced it would be producing a miniseries focusing on the band's behind-the-scenes stories, called INXS: Never Tear Us Apart. Band member Tim Farriss was a pre-production consultant on the show. The mini series commenced production at the end of June 2013, and premiered on 9 February 2014 and the finale aired the following Sunday night (16 February 2014). The mini series rated very highly for both nights and created a renewed interest in the band which translated to a resurgence in sales of their music bringing them once again to the number one position on the Australian popular music charts.
Luke Arnold was cast as Michael Hutchence, Alex Williams as Kirk Pengilly, Nicholas Masters as Tim Farriss, Hugh Sheridan as bass guitarist Gary Beers, Ido Drent as Jon Farriss and Andy Ryan as Andrew Farriss. In addition, Damon Herriman played band manager CM Murphy and Samantha Jade played Kylie Minogue.
Given the popularity of this TV mini series and subsequent reemergence, there is talk of a Broadway musical and a feature film in the upcoming future."INXS Beaten In Finale While Channel Seven Dominate Ratings ♫ theMusic.com.au - Australia’s Premier Music News & Reviews Website". theMusic. "INXS Never Tear Us Apart - Cast Luke Arnold as Michael Hutchence". The Age. "INXS Holding Broadway Meetings After TV Show Success". The Music.
Influence and recognition
Throughout the 1980s and into the 1990s, INXS was a major force in Australian popular music, leading the way into worldwide popularity for several Australian bands. The band worked closely with several other Australian artists, such as Models and ex-patriot New Zealander Jenny Morris, helping to establish their careers. By the mid-1990s, however, their popularity had waned, especially in the US, where their Greatest Hits compilation failed to reach the Top 100.
INXS has won six other ARIA Awards including three for 'Best Group' in 1987, 1989 and 1992. The band has also received three Grammy nominations over their 30-year career. In 2007, The Farriss Brothers were inducted into the West Australian Music Industry Awards Hall of Fame. According to the Recording Industry Association of America (RIAA), INXS have sold 15 million units in the United States alone, making them the third-highest selling Australian music act in the United States, behind AC/DC and The Bee Gees.Cite error: The named reference ARIAList was invoked but never defined (see the help page). "RIAA - Gold & Platinum Searchable Database - October 12, 2014". http://www.riaa.com.