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Jaap Blonk

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  • Born: Woerden, The Netherlands
  • Years Active: 1980s, 1990s, 2000s

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Biography All Music GuideWikipedia

All Music Guide:

Hearing Jaap Blonk for the first time can be an ear-opening experience. Blonk is a self-taught, self-described sound poet, who twists and bends language (English and others) in engagingly disturbing ways. Working solo, and with different sized groups, Blonk has performed extensively, particularly in Europe, where he has collaborated with John Tchicai, Tristan Honsinger, and Matts Gustafsson, among others. Blonk founded and leads Splinks, a small orchestra that plays his compositions, and BRAAXTAAL, an avant-rock trio with synthesizer and drums. A concert by Blonk falls under the rubric of Performance Art, as he shows remarkable stage presence. Using original poetry as well as the words of others, Blonk clicks, blurts, and snaps his voice, creating unusual sounds and noises, mimicking nature and often injecting offbeat humor. While his performances sometimes offend, and they are not easily categorized, they nonetheless reflect considerable creativity and often contain large amounts of improvisation.

Wikipedia:

Jaap Blonk (born 1953, Woerden) is a Dutch avant-garde composer and performance artist.

Blonk is primarily self-taught both as a sound artist and as a visual/stage performer. He studied physics, mathematics, and musicology for a time, but did not complete his studies. One of his early influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and it became one of the cornerstones of his repertory; he has recited portions of the piece hundreds of times in various public places. His compositions and performances are examples of sound poetry, making use of words and phonetic snippets as well as clicks, hisses, and other vocal manipulations. He works as a solo performer, in collaboration with avant-garde musicians such as John Tchicai, Tristan Honsiger, and Mats Gustafsson, and with his own ensembles Splinks and BRAAXTAAL. His live performances involve humor and improvisation, and are occasionally received poorly by audiences, as when he was booked as an opener for punk rock band The Stranglers early in the 1980s.