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  • Formed: Washington D.C.
  • Years Active: 1980s, 1990s
  • Jawbox


Biography All Music GuideWikipedia

All Music Guide:

In their eight-year existence, Jawbox released four studio albums of increasingly skillful post-punk, not necessarily carrying the torch of their Washington, D.C., elders (Minor Threat, Embrace, Rites of Spring), but instead building on the tradition of Chicago's thriving early-'80s scene (Big Black, Naked Raygun, Effigies). Highly and unfairly scrutinized for being the first act to leave über-indie Dischord Records, Jawbox proved cynics wrong by releasing two excellent LPs for Atlantic that easily surpassed their Dischord output, all the while retaining their integrity and creative control.

Ex-Government Issue bassist J. Robbins formed Jawbox in the summer of 1989. Deciding to switch to guitar and vocals, the first lineup was filled out by friends Adam Wade on drums and Kim Coletta on bass. Their first recording, a self-titled four-track 7" EP, was released in the spring of 1990 on their own DeSoto imprint. Immediately after having written 12 new songs, the band headed into Inner Ear with engineer Eli Janney (Girls Against Boys) to record its debut LP for Dischord later that year. Not regarded as a blunder in hindsight by the band, but still seen as an unfocused recording, Grippe is nonetheless a record that rewards repeated listening, despite its formative nature.

Shortly after the recording of Grippe, the band considered adding a second guitarist to the lineup. Drummer Wade obliged by introducing Bill Barbot of Clambake, which promptly broke up, enabling Barbot to join the fold. Adding Barbot as second guitarist immediately opened windows for the band, allowing for a more textured sound and providing another strong creative force for the group. In January of 1992, Jawbox recorded Novelty with producer Iain Burgess, who had worked on some of the band's favorite records. A moodier affair than Grippe, the dual force of Robbins' and Barbot's guitars is sacrificed in the mix, leaving the listener a bit frustrated. The songwriting is improved and more varied. It was regarded as a marked improvement over the band's debut.

Adam Wade soon left the band to join fellow D.C. scenesters Shudder to Think. Jawbox superfan Zach Barocas had recently moved from New York to D.C. to attend university, and he had been rooming with Coletta. Wanting to concentrate on his studies, Barocas hesitantly dragged out his drum kit and soon found himself a member of one of his favorite bands. Adding a unique, jazz-inflected touch to the band, including remarkable creative input, Barocas made the songwriting process more organic than before.

During the punk/alternative band shopping spree of the early '90s that took place in lieu of the signings of underground heroes Nirvana and Helmet, Atlantic Records came a-courting, and the major label-leery band weighed its options intensely. Having been a self-sufficient machine from day one, the band outlined its needs and wants before signing on the dotted line. Being control freaks, the bandmembers signed a contract that refused tour support and retained all their independent powers. Signing to Atlantic enabled the foursome to treat Jawbox as a full-time endeavor, and it also allowed them to take their dynamite live show to previously unvisited countries. Needless to say, these were all moot points to a fair amount of "indie or death"-minded fans, and the move engendered sour grapes among some of their close-minded admirers. One "fan" wrote to wish them death in a fiery van accident, and another quoted the Clash's "Complete Control," painfully unaware that they weren't on SST or Touch and Go, but a highly corporate outfit as well.

Most of the songs for their major-label debut had been written prior to Atlantic's involvement with the band, and the presence of Barocas solidified what Robbins referred to as a "mystical communication" within the band. With the help of Ted Nicely, Jawbox recorded For Your Own Special Sweetheart, a phenomenal record that easily stands as one of the best releases to come out of the fertile D.C. scene of the '80s and '90s. A thoroughly excellent recording from top to toe, its genesis was surely aided by the increased studio time Jawbox had due to their major-label contract. An onslaught of touring surrounded the release of Sweetheart (the band regularly toured eight months a year), exposing the band to its regular crowds and some new ones, thanks to an opening stretch with labelmates Stone Temple Pilots. Minimal MTV rotation for a couple videos introduced Jawbox to a select few, but the record went shamefully unnoticed outside of the usual indie community.

Jawbox recorded their fourth LP in the winter of 1995-1996 with John Agnello, who had worked with everyone from Earth, Wind & Fire to Chavez. A somewhat glossy sheen pervades Jawbox, but the incessant touring gave way to a band whose members might just be capable of playing magically together in their sleep. Thankfully, the record is still the work of a vital, passionate band. The songs are nearly as good as those on Sweetheart, but the polished sound sacrifices some of the blood and sweat that likely went into the recording. If it was an attempt to be more accessible to radio, it didn't work; despite the customary critical approval, Jawbox went DOA in the shops with unfamiliar consumers.

Yet more touring ensued through the beginning of 1997. In April of that year, the band decided to call it quits, a decision based on a culmination of several events. Least among them was being dropped by their label; chief among them was Barocas' decision to move back to New York for film school. Robbins quickly formed Burning Airlines, eventually inviting Barbot along for the ride. Barbot and Coletta continued to run DeSoto Records, which released My Scrapbook of Fatal Accidents, a solid package of odds and ends. Barocas also became a part of the Up on In. Late in 2009, Jawbox reunited to perform on the December 8, 2009 broadcast of Late Night with Jimmy Fallon.


Jawbox was an alternative rock band from Washington, D.C., United States. Its original members were J. Robbins (vocals, guitar), Kim Coletta (bass guitar) and Adam Wade (drums). Bill Barbot (vocals, guitar) and Zach Barocas (drums) later joined the group, with Barocas replacing Wade.


Robbins had played in the final incarnation of Government Issue, which was the longest lived of the original Washington, D.C. punk bands. After Government Issue called it quits, Robbins formed Jawbox with Kim Coletta and Adam Wade. The trio recorded a demo cassette and their first, self-released single (this was also the beginning of their use of the Desoto Records rubric, which went on to become a formal, successful independent record label); inclusion of the song "Bullet Park" on the Maximumrocknroll compilation They Don't Get Paid, They Don't Get Laid, But Boy Do They Work Hard (1989) was their most widespread early exposure. They also recorded a four-song EP, Jawbox (1990), which was incorporated into the CD release of their first album, Grippe (both released by Dischord Records). Shortly afterwards, Bill Barbot joined the band as second guitarist and second singer. Not long after, they recorded Novelty with Iain Burgess, and toured the USA.

Wade then left the band to play drums with Shudder to Think, and their friend Zach Barocas was called upon to play the drums. Barocas' adoption of various stage-names caused some confusion at the time; he used the monikers Jim Schortz, El Jefe and even borrowed the name of the Japanese actor Takashi Shimura. Barocas' unique drumming style is central to what became recognized as the band's signature studio and live sound following their major label debut.

Jawbox gained some notoriety in the indie music community by becoming one of only two bands to move from legendary record label Dischord Records to a major label, when they signed to Atlantic Records for 1994's For Your Own Special Sweetheart (the other band was Shudder to Think, which signed to Epic Records). The band had a minor MTV hit with "Savory" in 1994. A second single, "Cooling Card", was issued and received some MTV and radio play, but it wasn't as popular as "Savory".

In 1995 Jawbox released a split-live-album with Leatherface on Your Choice Records, produced by Tobby Holzinger with cover-artwork designed by Chris Scheuer.

The band recorded a second album for Atlantic, produced by John Agnello, but during the sessions, Atlantic started a vanity label for alternative artists, TAG Recordings, which had the band Fountains of Wayne signed to it, and they transferred Jawbox to the new label. In 1996, they released the album, which was surprisingly successful and had a college radio hit with "Mirrorful" and a cover of Tori Amos' "Cornflake Girl", but Jawbox was eventually dropped by the label due to a perceived lack of singles on the album.

In early 1997, at the completion of the tour supporting the self-titled record, Barocas decided to move back to New York, and Jawbox called it a day. After the split, Robbins and Barbot, along with former Government Issue drummer, Pete Moffett, formed the band Burning Airlines, which itself broke up after releasing two albums. Barbot and Coletta continue to run DeSoto Records. Barbot is owner of Threespot, a web agency in Washington, DC. Coletta is also currently a substitute teacher at Landon School in Bethesda, MD. Barocas became a part of The Up on In which, like Burning Airlines, broke up quickly thereafter. Barocas currently lives in Brooklyn and plays in the band Bells≥. Barocas also writes poetry and publishes the online literary journal The Cultural Society. Robbins is currently part of the bands Channels and Office of Future Plans, and has continued to be a successful producer.

^ http://www.treblezine.com/features/318.html^ http://www.linkedin.com/in/bbarbot^ http://threespot.com^ http://www.mowno.com/interviews/les-immanquables/interview-jawbox-facon-buzz-leclair/

Possible reformation and Jimmy Fallon performance[edit]

On October 7, 2009 it was announced that Jawbox would reform for a one-night-only performance of "Savory" on the December 8, 2009 episode of Late Night with Jimmy Fallon. This was their first show since early 1997 and was done to mark the reissue of their 1994 album For Your Own Special Sweetheart.

J. Robbins has also put to rest rumors of a full-fledged reunion, saying that the band will not play any concerts outside of the Late Night appearance.

In addition to taping "Savory" for their Jimmy Fallon appearance as planned, Jawbox also performed "68" and "FF=66" during their rehearsal. Footage of the extra songs was then released online.

^ http://www.buzzgrinder.com/2009/jawbox-reuniting-on-fallon^ http://www.buzzgrinder.com/2009/jawbox-no-reunion/^ http://www.buzzgrinder.com/2009/jawbox-jimmy-fallon-68-ff-66-reunion

Desoto Records[edit]

In December 2006, Desoto Records bought the rights of Jawbox's Atlantic Records albums and put them on iTunes and eMusic, along with the Dischord albums and EPs. They also released the albums in stores under the Desoto print and put the videos for all of the major label albums on their site, including their rendition of a Tori Amos song, Cornflake Girl, originally released as a hidden track on 1996's Jawbox.


Cut Off (1992)Savory (1994)Cooling Card (1994)Mirrorful (1996)Cornflake Girl (1996)
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Video from YouTube

  • thumbnail from Jawbox - Novelty (NEW Private Remaster) - 07 Chump Jawbox - Novelty (NEW Private Remaster) - 07 Chump
  • thumbnail from Jawbox - Whitney Walks Jawbox - Whitney Walks
  • thumbnail from Jawbox - Savory - Live Performance from 120 Minutes - 1994 Jawbox - Savory - Live Performance from 120 Minutes - 1994
  • thumbnail from Jawbox - Savory [3-22-94] Jawbox - Savory [3-22-94]