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Jenny Hval

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  • Years Active: 2000s
  • Jenny Hval


Biography All Music Guide

All Music Guide:

Norwegian musician and writer Jenny Hval honed an intellectual yet uncompromising viewpoint on politics and sexuality in her prose and in her albums, which included two as Rockettothesky and several under her own name. Growing up in Oslo, Hval was inspired by Kate Bush, Jimmy Somerville, and the ambitious, androgynous feel of '80s pop, and began playing keyboard. During her teens, she also played in the goth pop band Shellyz Raven; after moving to Australia to study creative writing at the University of Melbourne, she played with the groups iPanic and Folding for Air, and also recorded her own material on a three-track recorder. She returned to Norway and released her debut EP, Cigars, which was nominated in the Best Newcomer category for that year's Spellemannprisen awards. She began recording as Rockettothesky that year, issuing To Sing You Apple Trees on Trust Me Records; two years later, the second Rockettothesky album, Medea, arrived. After Medea's release, Hval opted to release her music under her own name, and after signing with Rune Grammofon, she released Viscera in 2011. The following year, her collaboration with Håvard Volden, Nude on Sand, released its self-titled debut album. For 2013's Innocence Is Kinky, she worked with PJ Harvey collaborator John Parish, who helped her flesh out the project's origins as a 25-minute art installation inspired in part by Carl Theodor Dreyer's 1928 classic La Passion de Jeanne d'Arc into a delicate but whip-smart album. As a writer, Hval's work includes the 2009 novel Perlebryggeriet (The Pearl Brewery) and pieces for various magazines and newspapers.

eMusic Features


Who Is…Jenny Hval?

By Stephen M. Deusner, Contributor

Jenny Hval's second solo album — fourth, if you count the two she recorded under the pseudonym Rockettothesky — opens with the Oslo-based artist illuminated by the glow of a computer screen as she watches internet porn. "It's late and everything turns a white kind of dirty," she says, setting the scene over a curious cascade of synths. Forty minutes later, the album ends with Hval envisioning her voice as a second flesh. "My body… more »