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Jimmy Webb is that rarity in rock music, a professional songwriter who achieved stardom in that capacity. Rock music has its share of great songwriters, but most of them -- Bob Dylan, John Lennon, Paul McCartney, George Harrison, Gene Clark, Mick Jagger, Keith Richards, Pete Townshend -- became best known for their own recordings of their best work. Webb has also performed live, and recorded fairly extensively, but his performing career never approached his success as a composer. His songwriting was sufficiently distinctive to make him one of the few stars of that profession outside of the Broadway stage during the '60s. Between 1966 and 1969 alone, he was responsible for writing such platinum-selling classics as "By the Time I Get to Phoenix," "Wichita Lineman," "Up, Up and Away," "MacArthur Park," and "Didn't We," producing and arranging the hit versions of several of those songs. Webb, in fact, may well have kept the craft of the songwriter in popular music alive and kicking in a new generation of popular music, saving the songwriting profession from being ghettoized on the Broadway stage and the world of the commercial jingle.
Along with his personal idol Burt Bacharach, Webb is one of the few non-performing artists of the '60s to achieve public stardom as well as professional acclaim, which has endured across decades and dozens of stylistic trends in popular music. With his success -- marked by gold and platinum records -- as a composer, arranger, and producer, and his periodic recordings of his own, Webb is possibly the closest figure that the post-pop music generation has produced to approximate Hoagy Carmichael.
Jimmy Webb was born the son of a Baptist minister in Elk City, Oklahoma, on August 15, 1946. An avid music enthusiast as a boy, he made his first public appearance as a performer playing the organ at his father's church, and even then, he improvised, rearranged, and re-harmonized the hymns. In his teens, he began his composing career with religious songs, and later led his own rock & roll band. His interest in music intersected with his love of literature and writing, and even in his teens, Webb was able to dissect the popular songs around him, and began turning his attention to writing informal "follow-up" efforts. He quickly realized that his songs were sometimes superior to the originals, and set his sights on a career as a songwriter.
Webb soon took off for Los Angeles, where his first job in music was transcribing other people's songs. During this period, as he made the rounds of publishing houses, he wrote a bittersweet romantic ballad entitled "By the Time I Get to Phoenix," which languished for two years. Finally, in 1966, Johnny Rivers recorded the song, which became a modest hit; Glen Campbell later cut it as well, and scored a gold record. Meanwhile, Webb was put in charge of the songs for the first album of a fledgling pop group called the Fifth Dimension; the result was a chart-topping, million-selling single, "Up, Up and Away." Between them, "By the Time I Get to Phoenix" and "Up, Up and Away" won eight Grammy Awards the following year, and turned Jimmy Webb into the most prominent songwriter of his generation.
Like many of his peers, Webb had begun thinking of longer compositions and more coherent bodies of songs, and soon wrote "MacArthur Park," which fit into the new spirit of the era. The lyrics, although not truly psychedelic, were as rich and ornate as anything the Beatles or the Beach Boys were experimenting with; Webb saw the arrangement of the song as a vast sonic canvas, filled with the combined sounds of a rock combo -- comprised of such top L.A. sessionmen as Larry Knechtel, Joe Osborn, and Hal Blaine, among others -- and a full orchestra and choir. He originally offered the song to the Association, who rejected it. Undaunted, Webb decided to record the piece on his own, and persuaded his friend, the actor Richard Harris, to sing "MacArthur Park"; after Webb recorded the orchestral part in Los Angeles, Harris' voice was added on at a studio in Dublin.
Webb tried selling "MacArthur Park" to several major labels, including Columbia Records, and was rejected; nobody felt that a seven-plus-minute single by an actor scarcely known as a singer had any chance of being played, much less becoming a hit. Luckily, Lou Adler's Dunhill Records, a Los Angeles-based independent outfit associated with ABC Records, felt differently, and bought the single and the accompanying album, A Tramp Shining. "MacArthur Park" climbed to number two on the American pop charts over a period of 13 weeks, and in the process shattered every preconception of air-time restrictions on AM radio. As Webb later recalled, even stations that didn't want to play the entire single complete were forced to, because their competitors were doing it, and it was too big a hit to ignore. A Tramp Shining also became a hit album, rising as high as number four in July of 1968 and becoming one of the bigger LP successes in Dunhill's '60s output.
Jimmy Webb became as big a music star as Richard Harris did off of "MacArthur Park" and A Tramp Shining. He was credited and his photo appeared on the picture sleeve of the singles, as big as Harris' name and image. Those were the days when concept albums were becoming the rage, and not just from rock artists; Rod McKuen was recording them himself and writing them for others, and Frank Sinatra, who'd been doing albums built around conceptual ideas since the early '50s, grew even more ambitious (and would later hook up with Webb). And the Beatles, Simon & Garfunkel, and dozens of other artists were successfully selling popular music ideas that took up whole sides, or both sides of LPs. And Jimmy Webb was suddenly in their ranks, as visible as any of them, and with a hit to his credit as big as anything that George Martin as a producer or Nelson Riddle as an arranger had signed their names to, respectively. Webb and Harris' second album together, The Yard Went on Forever, was an even more impressive work, with Harris in better voice and Webb writing some of the most haunting lyrics and melodies of his career. The album, lacking a single to match the caliber of "MacArthur Park," never sold as well, but it was an even more prodigious musical achievement.
In the meantime, Glen Campbell's version of Webb's "Wichita Lineman" became a gold record and one of the biggest singles of his career; other Webb-penned hits that followed included "Galveston," "The Worst That Could Happen," "Carpet Man," and "Paper Cup." He also wrote and arranged Thelma Houston's 1969 album Sunshower, and in 1970 wrote his first feature film score, for Abraham Polonsky's Tell Them Willie Boy Is Here. When a number of intended theatrical projects failed to come to fruition, Webb decided to use the unexpected hiatus to his advantage to mount a solo career. He'd previously only been represented on record by an early album of unfinished demos issued by Columbia Records against his wishes, and his first serious ventures into public performance were conducted almost as an underground effort, without much publicity or fanfare. His fans did attend and enjoy them, but his club performances were an acquired taste, marred by his somewhat ragged singing and piano playing. Webb was perhaps closer in spirit to a Leonard Cohen (or, perhaps, Bob Dylan back in his folk club days), presenting his hit songs as much more personal expressions.
An elaborately produced and recorded 1970 official debut album, Words & Music, was followed a year later by the more basic, stripped-down And So On, which included a contribution from jazz guitarist Larry Coryell. Released in 1972, Letters was highlighted by Webb's own rendition of "Galveston," as well as his Righteous Brothers' homage "Just One Time," and featured a cameo appearance by Joni Mitchell, who returned for 1974's Land's End. Webb continued to write and produce throughout the decade, including 1973's The Supremes Arranged and Produced by Jimmy Webb and Glen Campbell's 1974 Reunion; 1975's Earthbound put him back with the Fifth Dimension, and he also wrote and produced for Joan Baez, Joe Cocker, and Frank Sinatra, the latter going out of his way to mention Webb during live performances on more than one occasion. Both Glen Campbell and Judy Collins cut the haunting Webb tune "The Moon Is a Harsh Mistress." And Art Garfunkel's 1978 Watermark -- in large part a Webb songwriting showcase -- was another huge success for all concerned.
Webb's own 1977 album, El Mirage, produced by George Martin, included a new song called "The Highwayman," which was later turned into a hit by a quartet of Johnny Cash, Kris Kristofferson, Willie Nelson, and Waylon Jennings. In 1983, Webb ventured into a new field of music, writing the cantata "The Animals' Christmas," a telling of the Christmas story from the point of view of animals, which had its premiere at New York's Cathedral of St. John the Divine, conducted by the composer and featuring Garfunkel among the performers. In 1988, Webb returned to doing live concerts, accompanied by Coryell, and in 1996 he released the solo recording Ten Easy Pieces, featuring new interpretations of some of his best-known songs. In 1998, Webb's first book, Tunesmith: Inside the Art of Songwriting, was published by Hyperion Press. And in 1999, Australia's Raven Records, which had previously released The Webb Sessions 1968-1969, issued Reunited with Jimmy Webb, a collection of Glen Campbell's recordings of Webb's music from the '70s onward.
England's Debutante Records has also issued a multi-artist tribute compilation to Webb, And Someone Left the Cake Out in the Rain..., featuring performances of his music by Campbell, Linda Ronstadt, the Four Tops, Judy Collins, the Johnny Mann Singers, and others. A concert set, Live and at Large, appeared in 2008. In 2009, Webb teamed up with his three sons -- Christiaan, Justin, and James, aka the touring and recording outfit the Webb Brothers -- to record Cottonwood Farm, released that same year on Proper Records (the U.S. release came two years later in 2011). He released Just Across the River in 2010 on E1 Music. The set features some of his best-known songs, with contributions from fellow artists including Glen Campbell, Mark Knopfler, Linda Ronstadt, and others. A second album of duets, Still Within the Sound of My Voice, again produced by Fred Molin and recorded in Nashville, and featuring contributions from Lyle Lovett, Carly Simon, and Keith Urban, among others, appeared in 2013.
Wikipedia:For the American football player, see Jimmy Webb (American football).
James Layne "Jimmy" Webb (born August 15, 1946) is an American songwriter, composer, and singer. He has written numerous platinum-selling songs, including "Up, Up and Away", "By the Time I Get to Phoenix", "Wichita Lineman", "Galveston", "The Worst That Could Happen", "All I Know", and "MacArthur Park". He has had successful collaborations with The 5th Dimension, Glen Campbell, Richard Harris, and Art Garfunkel. In addition, his compositions have been performed by many popular contemporary artists, including Linda Ronstadt, The Supremes, Johnny Maestro & the Brooklyn Bridge, Rod McKuen, Frank Sinatra, Thelma Houston, The Temptations, Barbra Streisand, Joe Cocker, Judy Collins, Donna Summer, America, Amy Grant, Dionne Warwick, John Denver, Johnny Cash, James Taylor, Billy Joel, Tom Jones, Michael Feinstein, Rosemary Clooney, R.E.M., and Carly Simon.
Webb was inducted into the Songwriters Hall of Fame in 1986 and the Nashville Songwriters Hall of Fame in 1990. He received the National Academy of Songwriters Lifetime Achievement Award in 1993, the Songwriters Hall of Fame Johnny Mercer Award in 2003, the ASCAP "Voice of Music" Award in 2006, and the Ivor Novello Special International Award in 2012. According to BMI, his song "By the Time I Get to Phoenix" was the third most performed song in the fifty years between 1940 and 1990. Webb is the only artist ever to have received Grammy Awards for music, lyrics, and orchestration.Cite error: The named reference ohs was invoked but never defined (see the help page). Cite error: The named reference allmusic-bio was invoked but never defined (see the help page). Cite error: The named reference discogs-writing was invoked but never defined (see the help page). Cite error: The named reference songwriters-bio was invoked but never defined (see the help page).
James Layne Webb was born on August 15, 1946 in Elk City, Oklahoma. His father, Robert Lee Webb, was a Baptist minister and former member of the United States Marine Corps who presided over rural churches in southwestern Oklahoma and West Texas. With his mother's encouragement, Webb learned piano and organ, and by the age of 12 was playing in the choir of his father's churches, accompanied by his father on guitar and his mother on accordion. Webb grew up in a conservative religious home where his father restricted radio listening to country music and white gospel music.
During the late 1950s, Webb began applying his creativity to the music he was playing at his father's church, frequently improvising and rearranging the hymns. He began to write religious songs at this time, but his musical direction was soon influenced by the new music being played on the radio, including the music of Elvis Presley. In 1961, at the age of 14, he bought his first record, "Turn Around, Look at Me" by Glen Campbell. Webb was drawn to the singer's distinctive voice.
In 1964, Webb and his family moved to Southern California, where he attended San Bernardino Valley College studying music. Following the death of his mother in 1965, his father made plans to return to Oklahoma. Webb decided to stay in California to continue his music studies and to pursue a career as a songwriter in Los Angeles. Webb would later recall his father warning him about his musical aspirations, saying, "This songwriting thing is going to break your heart." Seeing that his son was determined, however, he gave him $40, saying, "It's not much, but it's all I have."Cite error: The named reference ohs was invoked but never defined (see the help page). Cite error: The named reference allmusic-bio was invoked but never defined (see the help page). Cite error: The named reference shane was invoked but never defined (see the help page).
Early songwriting success
After transcribing other people's music for a small music publisher, Webb was signed to a songwriting contract with Jobete Music, the publishing arm of Motown Records. The first commercial recording of a Jimmy Webb song was "My Christmas Tree" by The Supremes, which appeared on their 1965 Merry Christmas album. The following year, Webb met singer and producer Johnny Rivers, who signed him to a publishing deal and recorded his song "By the Time I Get to Phoenix" on his 1966 album Changes.
In 1967, Rivers turned to Webb for songs for a new group Rivers was producing called The 5th Dimension. Webb contributed five songs to their début album Up, Up and Away. The song "Up, Up and Away" was released as a single in May 1967 and reached the Top Ten. The group's follow-up album, The Magic Garden, was also released in 1967 and featured eleven Jimmy Webb songs, including "The Worst That Could Happen". In November 1967, Glen Campbell released his version of "By the Time I Get to Phoenix", which reached number 26 and became an instant pop standard. At the 1968 Grammy Awards,held in February 1968, "Up, Up and Away" was named Record of the Year (1967) and Song of the Year (1967). "Up, Up and Away" and "By the Time I Get to Phoenix" received eight Grammy Awards between them. Webb's success as a new songwriter underscored what became the central dilemma in his career. While his sophisticated melodies and orchestrations were embraced by mainstream audiences, his peers were embracing counter-culture sounds. Webb was quickly becoming out of sync with his times.
In 1968, Time acknowledged Webb's range, proficiency, and "gift for strong, varied rhythms, inventive structures, and rich, sometimes surprising harmonies". That year, the string of successful Jimmy Webb songs continued with The 5th Dimension's "Paper Cup" and "Carpet Man" reaching the Top 40, Glen Campbell's "Wichita Lineman" selling over a million copies, and Johnny Maestro & the Brooklyn Bridge scoring a gold record with "The Worst That Could Happen", a song originally recorded by The 5th Dimension. Webb formed his own production and publishing company that year, Canopy, and scored a hit with its first project, an unlikely album with Irish actor Richard Harris singing an album of all Jimmy Webb songs. One of the songs, "MacArthur Park", was a long, complex piece with multiple movements that was originally rejected by the group The Association. Despite the song's seven minute, twenty-one second length, Richard Harris' version reached #2 on the Hot 100 on 22 June 1968. The Richard Harris album A Tramp Shining stayed on the charts for almost a year. Webb and Harris produced a follow-up album, The Yard Went On Forever, which was also successful. At the 1969 Grammy Awards, Webb accepted awards for "By the Time I Get to Phoenix", "Wichita Lineman", and "MacArthur Park".
In 1969, Glen Campbell continued the streak of Jimmy Webb hits with the gold record "Galveston" and "Where's the Playground Susie". Webb and Campbell had first met during the production of a General Motors commercial. Webb arrived at the recording session with his Beatle-length hair and approached the conservative singer, who looked up from his guitar and said, "Get a haircut." That same year, two Jimmy Webb songs became hits for the second time with Isaac Hayes' soulful version of "By the Time I Get to Phoenix" and Waylon Jennings' Grammy-winning country version of "MacArthur Park". Webb finished up the year by writing, arranging, and producing Thelma Houston's first album, Sunshower. As the decade came to a close, so too did Webb's string of hit singles. He began to withdraw from the formulaic process in which he worked and began to experiment with his music. He started work on a semi-autobiographical Broadway musical called His Own Dark City, which reflected the emotional displacement he felt at the time. He also wrote music for the films How Sweet It Is! and Tell Them Willie Boy Is Here.Cite error: The named reference unofficial was invoked but never defined (see the help page). Cite error: The named reference musiciansguide was invoked but never defined (see the help page). Cite error: The named reference songwriters-bio was invoked but never defined (see the help page). Cite error: The named reference shane was invoked but never defined (see the help page).
Webb's career as a singer-songwriter got off to a rough start with the "counterfeit" album Jim Webb Sings Jim Webb, released by Epic Records in 1968. According to Webb, the album was produced "by a bunch of ruffians from some old demos of mine and tarted up to sound like 'MacArthur Park'". Beginning in 1970, Webb released six original albums of his own songs: Words and Music (1970), And So: On (1971), Letters (1972), Land's End (1974), El Mirage (1977), and Angel Heart (1982). Despite the critical reception that followed each of these projects, Webb has never been as successful as a performer as he has been as a songwriter and arranger. Each album was noted for its inventive music and memorable lyrics.
Webb's debut album as a performer, Words and Music, was released on Reprise Records in late 1970 to critical acclaim. Rolling Stone writer Jon Landau called one of the album's cuts, "P.F. Sloan," a "masterpiece [that] could not be improved upon". The album also features the ambitious song trilogy "Music for an Unmade Movie". Webb's 1971 follow up album, And So: On, proved equally appealing to critics. Rolling Stone declared the album "another impressive step in the conspiracy to recover his identity from the housewives of America and rightfully install him at the forefront of contemporary composers/performers". The album features the songs "Met Her on a Plane", "All My Love's Laughter", and "Marionette".
Webb's 1972 album Letters, which features his own rendition of "Galveston", met with similar praise. Music critic Bruce Eder called Letters the "most surprising, diverse, and possibly the most satisfying of all of Jimmy Webb's early solo LPs" and "arguably the best of Webb's solo albums". In his review of the album, Peter Reilly of Stereo Review wrote, "Jimmy Webb is the most important pop music figure to emerge since Bob Dylan." The album also features the songs "Campo de Encino", an homage to his park-like residence in Encino, California during the 1970s, "When Can Brown Begin", and "Piano".
In 1974, Webb released Land's End on Asylum Records. Unlike his previous albums, which tended to be underproduced, Webb was able to achieve a more heavily produced pop/rock sound on Land's End, which was recorded in England with the help of an all-star session band that included Joni Mitchell, Ringo Starr, and Nigel Olsson. The album contains "a thematic consistency in that most of its songs were tales of romantic discord". While Webb continued to improve as a singer, he "still hadn't found an identity as a solo artist". The album features the songs "Ocean in His Eyes", "Just This One Time", and "Crying in My Sleep".
In 1977, Webb released El Mirage on Atlantic Records. Produced, arranged, and conducted by The Beatles' former producer, George Martin, the album was Webb's "most polished effort yet as a performer". William Ruhlmann observed, "These were lush tracks full of tasty playing and warm string charts on which Webb's thin tenor was buoyed by numerous background vocalists, the whole an excellent example of the style known as 'West Coast pop'." The album contains several strong compositions, including "The Highwayman", which would later become a number one country hit for Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson, who named their super group The Highwaymen after the song. Their version of "The Highwayman" won a Grammy Award for Best Country Song. El Mirage also features the songs "If You See Me Getting Smaller I'm Leaving", a newly arranged version of "P.F. Sloan", and "The Moon Is a Harsh Mistress", which had already been recorded by Joe Cocker, Glen Campbell, and Judy Collins. Despite the positive critical response to the album, El Mirage did not succeed in redefining Webb as a performer as he had hoped.
Webb's final solo album from this period, Angel Heart, was released in 1982 on Lorimar Records. Like its predecessor, the album drew upon the talents of top Los Angeles session musicians to produce a classic West Coast pop sound, enhanced by guest vocal harmonies by Gerry Beckley, Michael McDonald, Graham Nash, Kenny Loggins, Daryl Hall, and Stephen Bishop. Unlike his previous solo albums, however, Angel Heart lacked the quality material usually associated with the composer. Apart from "Scissors Cut" and "In Cars", which were previously recorded by Art Garfunkel, the album offered few high points, despite its polished production. A decade would pass before Webb released his next solo album.Cite error: The named reference uncut-interview was invoked but never defined (see the help page). Cite error: The named reference shane was invoked but never defined (see the help page). Cite error: The named reference allmusic-and-so was invoked but never defined (see the help page). Cite error: The named reference allmusic-letters was invoked but never defined (see the help page). Cite error: The named reference allmusic-lands was invoked but never defined (see the help page). Cite error: The named reference allmusic-el was invoked but never defined (see the help page). Cite error: The named reference allmusic-angel was invoked but never defined (see the help page).
From songwriting to larger projects
Throughout the 1970s and into the 1980s, Webb's songs continued to be recorded by some of the industry's most successful artists. In 1977, the initial release of Art Garfunkel's Watermark album consisted exclusively of songs by Webb. In 1978, Donna Summer's disco version of "MacArthur Park" became a multi-million selling vinyl single that was number one on the American pop music charts for three weeks. In 1980, Thelma Houston recorded "Before There Could Be Me", "Breakwater Cat", "Gone", "Long Lasting Love", and "What Was that Song" on her album Breakwater Cat. Leah Kunkel recorded "Never Gonna Lose My Dream of Love Again" and "Let's Begin" for her album I Run with Trouble. The latter was performed live in 1980 by the born-again Bob Dylan. Tanya Tucker recorded "Tennessee Woman" on her album Dreamlovers.
In 1981, Art Garfunkel recorded "Scissors Cut", "In Cars", and "That's All I've Got to Say" for his album Scissors Cut, and Arlo Guthrie recorded "Oklahoma Nights" on his album Power of Love. In 1982, Linda Ronstadt recorded "The Moon Is a Harsh Mistress" and "Easy for You to Say" on her album Get Closer. That same year, Joe Cocker recorded "Just Like Always" on his album Sheffield Steel, and The Everly Brothers recorded "She Never Smiles Anymore" on their album Living Legends.
From 1982 to 1992, Webb turned his focus from solo performing to larger-scale projects, such as film scores, Broadway musicals, and classical music. In 1982, he produced the soundtrack for the film The Last Unicorn, an animated children's tale, with the musical group America performing the songs. That same year, he composed the soundtrack to all episodes of the TV series Seven Brides for Seven Brothers.
The theme music for the 1984-85 TV sitcom E/R was written by Webb. Then in 1985, Glen Campbell recorded Webb's "Cowboy Hall of Fame" and "Shattered" for the album It's Just a Matter of Time. And heavyweights Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson recorded "Highwayman" on the album Highwayman. In 1988, Toto recorded "Home of the Brave" on the album The Seventh One. Kenny Rankin recorded "She Moves, Eyes Follow" for the album Hiding in Myself. And in 1989, Linda Ronstadt recorded the album Cry Like a Rainstorm, Howl Like the Wind, which featured four Jimmy Webb songs: "Still Within the Sound of My Voice" (with Webb playing piano), "Adios" (with orchestral arrangement by Webb), "I Keep It Hid" (with Webb playing piano), and "Shattered". In 1990, John Denver recorded "Postcard from Paris" on the album The Flower That Shattered the Stone. In 1991, Kenny Rogers recorded "They Just Don't Make Em Like You Anymore" on the album Back Home Again.
In 1986, Webb produced a cantata, The Animals' Christmas, with Art Garfunkel, Amy Grant, and the London Symphony Orchestra. The cantata tells the Christmas story from the perspective of animals.
In 1987, Webb produced the soundtrack for the film The Hanoi Hilton. That same year, he reunited with Campbell for the album Still Within the Sound of My Voice, for which he wrote the title song. They followed this up in 1988 with an album composed almost entirely of Jimmy Webb songs, Light Years. The album included the title song, as well as "Lightning in a Bottle", "If These Walls Could Speak" (which was recorded by Amy Grant that year) and "Our Movie". Two songs from 1982's Seven Brides for Seven Brothers also appear on the album. The record also included the songs "Other People's Lives", "Wasn't There A Moment", "I Don't Know How To Love You Anymore", and "Is There Love After You". Several of these songs later ended up on Webb solo albums.
In 1998, Webb completed a musical called Instant Intimacy, which he developed with the Tennessee Repertory Theatre. The musical contained new songs that he and others would later record, including "What Does a Woman See in a Man", "I Don't Know How to Love You Anymore", and "Is There Love After You". That same year, Webb performed live at the club Cinegrill, performing "What Does a Woman See in a Man" and introducing several additional new songs, including "Sandy Cove" and an old folk hymn, "I Will Arise".
In 1994, Webb teamed with Nanci Griffith to contribute the song "If These Old Walls Could Speak" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.
In 1997, Webb co-produced Carly Simon's "Film Noir" album and contributed his vocals, orchestration and piano skills to the project which was filmed for an AMC documentary (which premiered in September 1997). He also co-wrote the song "Film Noir" with Simon. Webb reprised his role as arranger and co-producer on Simon's 2008 album, "This Kind of Love".
Solo artistTunesmith: Inside the Art of Songwriting
Since 1993, Jimmy Webb has produced five critically acclaimed solo albums: Suspending Disbelief (1993), Ten Easy Pieces (1996), Twilight of the Renegades (2005), Just Across the River (2010), and Still Within the Sound of My Voice (2013). He has continued to expand his creative landscape to include musicals, commercial jingles, and film scores.
In 1998, Webb completed his first book, Tunesmith: Inside the Art of Songwriting, which was published by Hyperion Books. It was well received by songwriters and performers and became a best-seller. One book reviewer described it as "a companion every serious songwriter should read, and read again, and keep handy for referral".
In the 2000s, Webb has talked more openly about his return to the Christian faith of his upbringing and the role it has played in his music. In addition to his cantata, The Animals' Christmas, he has always included religious songs in his albums—"Psalm One-Five-O", "Jerusalem", and "I Will Arise" are a few examples—and his lyrics have included biblical verses and allusions. In an October 2007 interview with Nigel Bovey, editor of The Salvation Army newspaper The War Cry, Webb was quite explicit about his renewed faith.
I couldn't write a song without God. Sure, I could hack out hackneyed phrases and clichés, but to write anything meaningful I have to be in tune with God. He is the great source, my inspiration, the current that I have to connect to. Sadly I've not always used the gift He's given me—the answered prayer—as best as I could or should have. I've made mistakes. I've done things I wish I hadn't done.
Webb has stated, "I am a strong believer in God... God is important to me. God is bigger than any one particular denomination. I don't like it when people try to confine Him. I don't put any limits on God." Webb reads the King James Version of the Bible.
In 2007, he released a live album of his show, Live and at Large (2007), which was recorded in the United Kingdom. The album included personal stories and anecdotes about Richard Harris, Waylon Jennings, Harry Nilsson, Glen Campbell, Art Garfunkel, Frank Sinatra, and Rosemary Clooney.
Webb appears in the 2008 documentary The Wrecking Crew providing thoughtful and descriptive insights into the world of California session musicians in the 1960s.
In June 2010, Webb released Just Across the River, an album of newly arranged Webb songs that featured guest appearances by Vince Gill, Billy Joel, Willie Nelson, Lucinda Williams, Jackson Browne, Glenn Campbell, Michael McDonald, Mark Knopfler, J. D. Souther, and Linda Ronstadt.
In 2011, Webb was unanimously elected Chairman of the Songwriters Hall of Fame, replacing Hal David who retired after ten years in that position.
In May 2012, Webb travelled to London to receive the prestigious Ivor Novello Special International Award, which recognizes non-British writers and composers who have made an extraordinary contribution to the global musical landscape. In September 2012, Fantasy Records released Glen Campbell and Jimmy Webb: In Session, a collaborative album by Glen Campbell and Jimmy Webb. The album and its accompanying DVD were filmed, taped, and recorded in December 1988 in the Hamilton, Ontario studios of CHCH-TV as part of the Canadian concert series In Session.
Webb continues to perform throughout the United States and abroad.Webb, Jimmy. Tunesmith: Inside the Art of Songwriting. Retrieved October 29, 2011. Cite error: The named reference connection was invoked but never defined (see the help page). Cite error: The named reference bovey was invoked but never defined (see the help page). Cite error: The named reference songhall was invoked but never defined (see the help page). Cite error: The named reference ivors was invoked but never defined (see the help page). Cite error: The named reference allmusic-in-session was invoked but never defined (see the help page). Cite error: The named reference jw-performances was invoked but never defined (see the help page).
In 1974, Webb married Patsy Sullivan, a model-cover girl and youngest child of screen actor Barry Sullivan. The couple met posing for the cover of Teen when she was twelve years old. Sullivan is featured with Webb on the cover of Webb's 1982 solo album Angel Heart. They have five sons and a daughter together. Two of their sons later formed a rock band, "The Webb Brothers" which later included the couple's third son, James. The Webb Brothers achieved critical success and had a substantial following in Europe and continue to work in the music industry. In 2009, Webb and his sons collaborated on the album Cottonwood Farm. Sullivan and Webb separated after 22 years of marriage and later divorced.
In 2004, Webb married Laura Savini, who appears nationally on PBS in pledge-drive programs. From 1996 to 2011, Savini was Vice President of Marketing and Communications at WLIW, a PBS station in New York City. The couple first met backstage on New Year's Eve 1999 at Billy Joel's 2000 Years: The Millennium Concert at Madison Square Garden. They met again when Savini interviewed Webb for her local television show and the two soon started dating. They settled on the North Shore of Long Island.Cite error: The named reference media-bistro was invoked but never defined (see the help page).