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Joe Strummer

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  • Born: Ankara, Turkey
  • Died: Broomfield, Somerset, England
  • Years Active: 1970s, 1980s, 1990s, 2000s
  • Joe Strummer

  • Joe Strummer

Albums

Biography All Music Guide

All Music Guide:

As frontman and main songwriter of the Clash, Joe Strummer created some of the fieriest, most vital punk rock -- and, indeed, rock & roll -- of all time. Strummer expanded punk's musical palette with his fondness for reggae and early rock & roll, and his signature bellow lent an impassioned urgency to the political sloganeering that filled some of his best songs. After the Clash disbanded in 1986, Strummer sporadically pursued film acting and released the occasional solo album, though seemingly only when it suited him. Joe Strummer was born John Graham Mellor on August 21, 1952, when his father, a diplomat, was stationed in Ankara, Turkey. During his time at London boarding schools, the teenage Strummer immersed himself in rock and reggae, and began busking on the streets under his newly adopted stage name. In 1974, he formed the pub rock group the 101'ers, and though they rocked pretty hard, they couldn't quite match the raw fire Strummer discovered when he saw Johnny Rotten and the Sex Pistols. Strummer promptly quit pub rock to join the fledgling punk movement, and co-founded the Clash in 1976; the rest was history. Six albums, many more singles and EPs, and one frequently brilliant body of work later, the Clash broke up amidst rancorous infighting and uncertainty of direction. Strummer contributed two songs to the soundtrack of Alex Cox's Sid and Nancy, a 1986 chronicle of the doomed Sex Pistols bassist; the two hit it off so well that Strummer acted in Cox's next two films, Walker (which Strummer also scored) and the bizarre Western Straight to Hell. His relaxed, natural screen presence earned him further work with directors Robert Frank (1987's Candy Mountain) and Jim Jarmusch (1989's acclaimed Mystery Train); Strummer also wrote five songs for the soundtrack of 1988's Permanent Record. In 1989, Strummer released his first solo album, Earthquake Weather, which blended straight-up rock & roll with touches of world music. However, following a temporary stint filling in for Shane MacGowan in the Pogues (both as rhythm guitarist and in-concert lead vocalist), Strummer largely fell silent after the very early '90s. The first peep of a return to the music scene occurred in 1996, when Strummer appeared on the Black Grape single "England's Irie." The following year, Strummer scored the John Cusack hitman comedy Grosse Pointe Blank, which relied heavily on new wave and British ska revival for its song selections. In 1999, Strummer released his second solo album, Rock Art and the X-Ray Style, which largely forsook straight-ahead rock & roll in favor of eclectic, rhythmic, world music flavored compositions, plus elaborate singer/songwriter-ish lyrics. Strummer further refined this new direction with the follow-up, 2001's Global A-Go-Go. In December 2002, he was in the midst of recording his fourth solo album when he died suddenly of a heart attack at his home in Somerset.

eMusic Features

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Remembering Joe Strummer

By Lenny Kaye, Contributor

The next to last time I saw the man who put the strum in Strummer, it was nearing afterhours at a Lower East Side bar in New York City, somewhere around the turn of the century. Despite the approaching dawn, Joe was ready to keep on the move, full of restless energy, praising the accessibility of techno music, of all things, and talking about how the computer was putting the means of production into the… more »

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Six Degrees of Gang of Four’s Entertainment!

By Ira Robbins, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

Six Degrees of Gang of Four’s Entertainment!

By Ira Robbins, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Joe Strummer: The Leo Connection

By Robert Phoenix, Contributor

One of the astrological aspects that sets the punk movement apart from its musical counterparts in the 60s and early 70s is a sub-generational shift from Uranus in Cancer to Uranus in Leo. The astrological chart for the United States as a whole is heavily influenced and populated by Cancerian planets - that's what makes the nation conservative at its core. Cancer is anything but revolutionary: it's all about hearth and home, nurturing and providing… more »

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Icon: The Clash

By Ira Robbins, Contributor

It took the Clash just six years to go from Westway to the world, to evolve from the small-bore punk vitriol of "London's Burning" to the sophisticated Top 40 global consciousness of "Rock the Casbah." Unfettered by careerist logic and armed with passion, conviction and a flair for dramatic poses, they were the most exciting — and unpredictable — band of their era. Inscrutable, confounding and glorious in their imperfections, the Clash inscribed a cultural… more »

0

Icon: The Clash

By Ira Robbins, Contributor

It took the Clash just six years to go from Westway to the world, to evolve from the small-bore punk vitriol of "London's Burning" to the sophisticated Top 40 global consciousness of "Rock the Casbah." Unfettered by careerist logic and armed with passion, conviction and a flair for dramatic poses, they were the most exciting — and unpredictable — band of their era. Inscrutable, confounding and glorious in their imperfections, the Clash inscribed a cultural… more »