Jon Hendricks

All Music Guide:

The genius of vocalese, Jon Hendricks' ability to write coherent lyrics to the most complex recorded improvisations is quite notable, as were his contributions to the classic jazz vocal group Lambert, Hendricks and Ross. Hendricks grew up in Toledo, OH, singing on local radio. After a period in the military (1942-1946), he studied law but eventually switched to jazz. He spent a period of time playing drums before becoming active as a lyricist and vocalist. In 1952, his "I Want You to Be My Baby" was recorded by Louis Jordan. In 1957, Hendricks made his recording debut (cutting "Four Brothers" and "Cloudburst" while backed by the Dave Lambert Singers). Soon, he teamed up with fellow singers Dave Lambert and Annie Ross to form their vocal trio, starting off with a re-creation (through overdubbing) of some of Count Basie's recordings. Lambert, Hendricks and Ross (after 1962, Yolande Bavan took Ross' place) stayed together up to 1964, and were never topped as a jazz vocal group, influencing those that would follow (including the Manhattan Transfer). In 1960, Hendricks wrote and directed the show Evolution of the Blues for the Monterey Jazz Festival; he would revive it several times during the next 20 years. During 1968-1973, he lived and worked in Europe. After returning to San Francisco, Hendricks wrote about jazz for the San Francisco Chronicle; taught jazz; and formed a group with his wife Judith, children Michelle and Eric, and other singers (including for a time Bobby McFerrin) called the Hendricks Family, that was active on a part-time basis for decades to come. Although he never recorded often enough, Hendricks did cut a classic Denon album featuring McFerrin, George Benson, Al Jarreau, and himself, recreating all the solos in the original version of "Freddie the Freeloader." He also recorded through the years as a leader for World Pacific, Columbia, Smash, Reprise, Arista, and Telarc.

Wikipedia:

Jon Hendricks (born September 16, 1921) is an American jazz lyricist and singer. He is considered one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists (such as the big-band arrangements of Duke Ellington and Count Basie). Furthermore, he is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. For his work as a lyricist, jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz" while Time dubbed him the "James Joyce of Jive." Al Jarreau has called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been".

Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings were moved many times, following their father's assignments as an A.M.E. pastor, before settling permanently in Toledo. There, Hendricks began his singing career at the age of 7. He has said: "By the time I was 10, I was a local celebrity in Toledo. I had offers to go with Fats Waller when I was 12, and offers to go with Ted Lewis and be his shadow when I was 13. He had that song 'Me and My Shadow'. And he had this little Negro boy who was his shadow, that did everything he did. That was his act." As a teenager, Jon's first interest was in the drums, but before long he was singing on the radio regularly with another Toledo native, pianist Art Tatum.

World War II [edit]

After serving in the Army during World War II, Hendricks went home to attend University of Toledo on the G.I. Bill as a pre-law major. Just when he was about to enter the graduate law program, the G.I. benefits ran out. Charlie Parker had, at a stop in Toledo two years prior, encouraged him to come to New York and look him up. Hendricks moved there and began his singing career.

Lambert, Hendricks and Ross [edit]

In 1957, he teamed with Dave Lambert and Annie Ross to form the legendary vocal trio Lambert, Hendricks & Ross (LH&R). With Jon as lyricist, the trio perfected the art of vocalese and took it around the world, earning them the designation of the "Number One Vocal Group in the World" for five years in a row from Melody Maker magazine. Their multi-tracked album Sing a Song of Basie was one of the earliest examples of overdubbing. Hendricks typically wrote lyrics not just to melodies but to entire instrumental solos, a notable example being his take on Ben Webster's tenor saxophone solo on Ellington's original recording of "Cotton Tail", as featured on the album Lambert, Hendricks and Ross! (1960). His lyrics to Benny Golson's "I Remember Clifford" have been recorded by several other vocalists, including Dinah Washington, Carmen McRae, Nancy Wilson, Ray Charles, The Manhattan Transfer and Helen Merrill. After six years the trio disbanded for solo careers but not before leaving behind a catalog of legendary recordings, most of which have never gone out of print. Countless singers cite the work of LH&R as an influence, including Van Morrison, Al Jarreau and Bobby McFerrin. The song "Yeh Yeh", for which Hendricks composed the lyrics, became a 1965 hit for British R&B-jazz singer Georgie Fame, who continues to record and perform Lambert, Hendricks & Ross compositions to this day. In 1966 Hendricks recorded "Fire in the City" with the Warlocks, who shortly after changed their name to the Grateful Dead. Hendricks wrote lyrics for several Thelonious Monk songs, including "In Walked Bud", which he performed on Monk's 1968 album Underground.

For a performance at the 1960 Monterey Jazz Festival, he created and starred in a musical he called Evolution of the Blues Song, which featured such acclaimed singers as Jimmy Witherspoon, Hannah Dean, and "Big" Miller," as well as saxophonists Ben Webster and Pony Poindexter. The ensemble played not only Hendricks' words and music but also Percy Mayfeild's classic "Please Send Me Someone to Love," the driving D. Love gospel song, "That's Enough," and the blues evergreen, "C.C. Rider." In 1961, Columbia Records released an LP of the production and Hendricks later presented the show in San Francisco; at the Westwood Playhouse in Los Angeles, where it was produced by attorneys Burton Marks and Mark Green; and in New York City.

Solo [edit]

Pursuing a solo career, Hendricks moved his young family to London, England, in 1968, partly so that his five children could receive a better education. While based there he toured Europe and Africa, performed frequently on British television and appeared in the 1971 British film Jazz Is Our Religion (which focuses on the photographs of Val Wilmer) as well as the French film Hommage a Cole Porter. His sold-out club dates drew fans such as the Rolling Stones and the Beatles. Five years later the Hendricks family settled in Mill Valley, California, where Hendricks worked as the jazz critic for the San Francisco Chronicle and taught classes at California State University at Sonoma and the University of California at Berkeley. The piece he wrote for the stage about the history of jazz, Evolution of the Blues, ran for five years at the Off-Broadway Theatre in San Francisco and another year in Los Angeles. His television documentary, Somewhere to Lay My Weary Head, received Emmy, Iris and Peabody awards.

Hendricks recorded several critically acclaimed albums on his own, some with his wife Judith and daughters Michele and Aria contributing. He collaborated with old friends The Manhattan Transfer for their seminal 1985 album, Vocalese, which won seven Grammy Awards. He has served on the Kennedy Center Honors committee under Presidents Carter, Reagan, and Clinton.

In 2000 Hendricks returned to his home town to teach at the University of Toledo, where he was appointed Distinguished Professor of Jazz Studies and received an honorary Doctorate of the Performing Arts. He was recently selected to be the first American jazz artist to lecture at the Sorbonne in Paris. His 15-voice group, the Jon Hendricks Vocalstra at the University of Toledo, performed at the Sorbonne in 2002. Hendricks has also written lyrics to some classical pieces including "On the Trail" from Ferde Grofe's Grand Canyon Suite. The Vocalstra premiered a vocalese version of Rimsky-Korsakov's "Scheherazade" with the Toledo Symphony.

In the summer of 2003 Hendricks went on tour with the "Four Brothers", a quartet consisting of Hendricks, Kurt Elling, Mark Murphy and Kevin Mahogany. He has worked on setting words to and arranging Rachmaninoff's second piano concerto as well as on two books, teaching and touring with his Vocalstra. He has appeared in a film with Al Pacino, People I Know (2002) and also in White Men Can't Jump (1992).

In 2012, Hendricks appeared in the documentary film, No One But Me, discussing his former bandmate and friend, Annie Ross.

Filmography [edit]