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All Music Guide:
One-third of the I-Threes, reggae's most influential female vocal trio, Judy Mowatt helped to turn the last recordings of Bob Marley into enduring classics. Her sensuous harmonies strengthened albums by Peter Tosh, Jimmy Cliff, Big Youth, Pablo Moses, Freddie McGregor, U-Roy, and the Wailing Souls. Her solo recordings, including Black Woman in 1980 and Only a Woman, two years later, marked her as a powerful spokesperson for Rastafarian and feminist causes. Mowatt initially attracted attention as lead singer of a vocal trio, the Gaylettes, also known as the Gaytones, that she formed with Beryl Lawrence and Merle Clemonson in 1967. Based on such Motown groups as the Supremes, the Marvelettes, and Gladys Knight & the Pips, the Gaylettes harmonized on a rich mix of R&B and Jamaican dance music. The trio remained together until 1970 when Lawrence and Clemonson immigrated to the United States and Mowatt embarked on a solo career, recording under a series of pseudonyms including "Juliann." Mowatt's greatest break came when vocalist Marcia Griffiths asked her to sing harmony on a track that she was recording at Studio One with her duo partner Bob Andy in 1974. Rita Marley, the wife of Bob Marley and the mother of Ziggy Marley, was also hired to sing on the tune. The three woman hit it off so well that Griffiths invited Mowatt and Marley to sing the Supremes tune "Remember Me" with her when she performed that night at the House of Chen in New Kingston. The appearance was so successful that they agreed to continue performing together as the I-Threes.
Around the same time, Bob Marley was beginning to rebound from his split with Peter Tosh and Bunny "Wailer" Livingston. During a visit to the home of reggae producer Lee Perry in Cardiff Crescent in the Washington Gardens section of Jamaica, it was suggested that Marley incorporate the I-Threes into his performances. After singing harmony on Marley's song "Jah Live" and on an album, Natty Dread, the I-Threes performed their first concert with him as the opening act for the Jackson 5 in spring 1975. The I-Threes continued to work with Marley until his death in May 1981. Five years later, Mowatt and the I-Threes toured in a package show that featured musicians from Marley's band the Wailers and introduced Ziggy Marley & the Melody Makers to North American audiences. A member of the Rastafarian group the Twelve Tribes of Israel, Mowatt recalled her fascination with Marley during an early-'90s interview. "I had gotten to realize in reading my Bible that this man (Marley) was really Joseph in his second advent. I saw in the man that this time he came not only with the physical corn to feed his people but he came with the spiritual corn, which was the message that transcended to the four corners of the world." In addition to her work with Marley and the I-Threes, Mowatt continued to pursue a solo career. Her album, Black Woman, released in 1977, was the first to be recorded at Marley's Tuff Gong studios.
Wikipedia:
Judy Mowatt OD (1952–) is an internationally acclaimed reggae artist who rose to fame as part of the trio the "I Threes", the backing vocalists for Bob Marley & The Wailers.
Biography
Born Judith Veronica Mowatt in Gordon Town, St. Andrew Parish, Jamaica. At the age of 13 Mowatt became a member of a dance troupe which toured Jamaica and other islands in the Caribbean. Her initial ambition was to become a registered nurse. Her earliest musical influences were Aretha Franklin, Otis Redding, Curtis Mayfield, Dionne Warwick, Bob Marley, Marcia Griffiths, The Staple Singers and The Soulettes. A coincidental meeting with two teenage girls who were earlier in her dance troupe led to the formation of the Gaylettes, in 1967.
Mowatt was associated with Bunny Livingston/Wailer in the early 1970s, and wrote some of the tracks he recorded. At that time, for legal reasons, she used the names Juliann and Jean Watt. On The Wailers album Burnin' (1973), two songs with Bunny Wailer as lead singer were written by Judy Mowatt under the pseudonym Jean Watt: "Hallelujah Time" and "Pass It On". Furthermore, the Wailers recorded a single, "Reincarnated Soul", also written by Jean Watt and sung by Bunny Wailer. This song – with the name changed to "Reincarnated Souls" – was included two years later on Bunny Wailer's first solo album Blackheart Man (1976).
In 1974, she got her big break by joining Bob Marley's backing vocal trio the "I Threes".
Her Black Woman LP (1980) is considered by many critics to be the greatest reggae LP done by a female artiste. It was also the first reggae LP recorded by a woman acting as her own producer.
She became the first female singer nominated for a Grammy Award in the category of reggae music when her Working Wonders LP was nominated in 1985.
Formerly a member of the Rastafari movement, in the late 1990s she converted to Christianity and now sings Gospel music.
In 1999 the Jamaican government made her an Officer of the Order of Distinction for "services to music".











