Julius Hemphill

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  • Born: Fort Worth, TX
  • Years Active: 1960s, 1970s, 1980s, 1990s

Albums

Biography Wikipedia

Wikipedia:

Julius Arthur Hemphill (January 24, 1938, Fort Worth, Texas - April 2, 1995, New York City) was a jazz composer and saxophone player. He performed mainly on alto saxophone; less often soprano and tenor saxophones and flute.

Biography

Hemphill was born in Fort Worth, Texas (also, incidentally, the hometown of Ornette Coleman), and studied the clarinet before learning saxophone. Gerry Mulligan was an early influence. Hemphill joined the United States Army in 1964, and served for several years, and later performed with Ike Turner for a brief period. In 1968, Hemphill moved to St. Louis, Missouri and co-founded the Black Artists' Group (BAG), a multidisciplinary arts collective that brought him into contact with artists such as saxophonists Oliver Lake and Hamiet Bluiett, trumpeters Baikida Carroll and Floyd LeFlore, and writer/director Malinke Robert Elliott.

Hemphill moved to New York City in the mid-1970s, and was active in the then-thriving free jazz community. He taught saxophone lessons to a number of notable musicians, including David Sanborn and Tim Berne. Hemphill was probably best known as the founder of the World Saxophone Quartet, a group he formed in 1976, after collaborating with Anthony Braxton in several saxophone-only ensembles. Hemphill left the World Saxophone Quartet in the early 1990s, and formed a saxophone quintet.

Hemphill recorded over twenty albums as a leader, about ten records with the World Saxophone Quartet and also recorded or performed with Björk, Bill Frisell, Anthony Braxton and others. Late in his life, ill-health (including diabetes and heart surgery) forced Hemphill to stop playing saxophone, but he continued writing music until his death. His saxophone sextet, led by Marty Ehrlich, also released several albums of Hemphill's music, but without Hemphill playing. The most recent is titled The Hard Blues, recorded live in Lisbon after Hemphill's death.

The best source on Hemphill's life and music is a multi-hour oral history interview that he conducted for the Smithsonian Institution in March and April 1994, and which is held at the Archives Center of the National Museum of American History in Washington, D.C.

eMusic Features

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2011 Jazz: Echoing the ’70s, in a Good Way

By Kevin Whitehead, eMusic Contributor

It says something about the timeless state of modern jazz that one of 2011's memorable releases, saxophonist/composer Tim Berne's Insomnia, was recorded in 1997. Nothing about the music sounds dated: not his curvy, harmonized melodies, the ways they jostle the spirited improvising, the lushness of an octet with a built-in chamber trio (violin, cello, bass), or the sure pacing of long suite-like sets. His concept was fully developed, then as now. (ECM's putting out a… more »

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Julius Hemphill: Economical Orchestration and the Hard Blues

By Kevin Whitehead, eMusic Contributor

In a more perfect world, Julius Hemphill (1938-95) would be better remembered as one of the key jazz composers of the last 40 years. Not least for his role as principal writer for the World Saxophone Quartet, starting in the mid '70s - thereby influencing a raft of reed choirs that took it as inspiration. WSQ made the standalone saxophone section into a standard ensemble: jazz's string quartet. California's Rova was founded around the same… more »