Kool Keith

All Music Guide:

After single-handedly redefining "warped" as the mind and mouth behind the Bronx-based Ultramagnetic MC's, "Kool" Keith Thornton -- aka Rhythm X, aka Dr. Octagon, aka Dr. Dooom, aka Mr. Gerbik -- headed for the outer reaches of the stratosphere with a variety of solo projects. A onetime psychiatric patient at Bellevue, Keith's lyrical thematics remained as free-flowing here as they ever were with the N.Y. trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who "water down the sound that comes from the ghetto." His own debut single, "Earth People" by Dr. Octagon, was quietly released in late 1995 on the San Francisco-based Bulk Recordings, and the track spread like wildfire through the hip-hop underground, as did the subsequent self-titled full-length released the following year.

Featuring internationally renowned DJ Q-Bert (of Invisibl Skratch Piklz) on turntables, as well as the Automator and DJ Shadow behind the boards, Dr. Octagon's left-field fusion of sound collage, fierce turntable work, and bizarre, impressionistic rapping found audiences in the most unlikely of places, from hardcore hip-hop heads to jaded rock critics. Although a somewhat sophomoric preoccupation with body parts and scatology tended to dominate the album, Keith's complex weave of associations and shifting references is quite often amazing in its intricacy. The record found its way to the U.K.-based abstract hip-hop imprint Mo'Wax (for whom Shadow also recorded) in mid-1996, and was licensed by the label for European release (Mo'Wax also released a DJ-friendly instrumental version of the album titled, appropriately, The Instrumentalyst [Octagon Beats]).

The widespread popularity of the album eventually landed Keith at DreamWorks in 1997; the label gave Dr. Octagon (retitled Dr. Octagonecologyst) its third release mid-year, adding a number of bonus cuts. In early 1999, however, Keith's alter ego Dr. Dooom unfortunately "killed off" Dr. Octagon on the opening track of First Come, First Served (released on Thornton's own Funky Ass label). Kool Keith signed to Ruffhouse/MCA for his second album under that alias, 1999's Black Elvis/Lost in Space. Records released as Kool Keith followed in 2000 (Matthew) and 2001 (Spankmaster), while the 2002 collaboration Gene appeared as KHM (Kool Keith plus H-Bomb and Marc Live). His next project was a four-rapper group named Thee Undatakerz with Keith taking on a new persona, Reverand Tom. Kool Keith Presents Thee Undatakerz hit the streets in May 2004. Keeping busy, Keith released Diesel Truckers in August of the same year with old friend/producer KutMasta Kurt.

As if 2004 hadn't been filled with enough Kool Keith releases, some truly oddball ones started to appear that year. The Official Space Tape borrowed from previous releases to create the ultimate Keith mixtape, the R&B-leaning Personal Album was released in a limited edition of 500 and with a high price tag, plus the Real Talk label issued Dr. Octagon, Pt. 2, an unauthorized release that had little to do with the original and was quickly pulled from the shelves by court order. The next year was much calmer with the Global Enlightenment, Pt. 1 DVD being released at the beginning of the year, followed by Lost Masters, Vol. 2 in the summer. Nogatco Rd. from 2006 introduced a new character, Mr. Nogatco ("Octagon" backward). The UFO-obsessed album was a collaboration with producer Iz-Real. The two-CD Collabs Tape compilation and The Return of Dr. Octagon followed soon after. In early 2007, Keith was part of a Ultramagnetic MC's reunion that yielded Best Kept Secret. Tashan Dorrsett, another concept-driven release from Keith, was released in 2009.

Wikipedia:

Keith Thornton, better known by his stage name Kool Keith, is an American rapper from The Bronx, New York. A founding member of Ultramagnetic MCs, Kool Keith has recorded prolifically both as a solo artist and in group collaborations. Kool Keith is the self-proclaimed inventor of horrorcore, and is generally considered to be one of hip-hop's most eccentric and unusual personalities.

History [edit]

Kool Keith began his rap career with the group Ultramagnetic MCs. After the release of their influential 1988 album Critical Beatdown, Thornton was reportedly institutionalized in Bellevue Hospital Center. However, he later said that the idea that he was institutionalized came from a flippant remark made during a stressful interview, and he never expected the story to become so well known.

After continuing with Ultramagnetic for two more albums (1992's Funk Your Head Up and 1993's The Four Horsemen), Thornton released his first notable solo single, "Earth People," in 1995, under the name Dr. Octagon. This was followed by the release of Dr. Octagonecologyst the following year. The album's production by Dan the Automator and Kutmasta Kurt, with scratching by DJ Qbert was acclaimed by critics, and the album was released nationally by DreamWorks Records in 1997, after an initial release on the smaller Bulk Recordings label (as, simply, Dr. Octagon)a year prior. DreamWorks also issued an instrumental version of the album, titled Instrumentalyst (Octagon Beats). Thornton followed the album with Sex Style in 1997, under the name Kool Keith.

In 1998, Thornton collaborated with Tim Dog for the single "The Industry is Wack," performing under the name Ultra—the album Big Time soon followed. The following year, he released the album First Come, First Served under the name "Dr. Dooom", in which the album's main character killed off Dr. Octagon on the album's opening track. On August 10, 1999, Thornton released Black Elvis/Lost in Space. It peaked at #10 on the Billboard Heatseekers chart, #74 on the Top R&B/Hip-Hop Albums chart, and #180 on the Billboard 200, and stands as Thornton's most commercially-successful project to date.

On July 25, 2000, Thornton released the album Matthew. It peaked at #47 on the Billboard Heatseekers chart. The same year, Thornton collaborated with Ice-T, Marc Live, Black Silver and Pimp Rex for the album Pimp to Eat, under the group name Analog Brothers, with Keith performing as Keith Korg and Ice-T as Ice Oscillator.

On June 5, 2001, Thornton released the album Spankmaster on Esham's Gothom Records. It peaked at #16 on the Billboard Heatseekers chart, #11 on the Top Independent Albums chart and #48 on the Top R&B/Hip-Hop Albums chart.

In 2002, Thornton began recording The Resurrection of Dr. Octagon with producer Fanatik J, signing a contract with CMH Records to release the album, which was eventually completed without much input from Thornton, due to a falling out over contractual terms. Thornton, Marc Live and H-Bomb formed the group KHM, releasing the album Game on November 19, 2002, changing their name to "The Clayborne Family" by the release of their second album.

On October 12, 2004, Real Talk Entertainment issued the album Dr. Octagon Part 2. The album was discontinued by court order. On April 25, 2006, Thornton released the album Nogatco Rd. under the name Mr. Nogatco. On June 27, The Return of Dr. Octagon was released by OCD International, an imprint of CMH, advertised as the official follow-up to Dr. Octagonecologyst. Some critics felt that it was not as good as its predecessor. Thornton stated that he liked the album, but felt that it hurt his reputation as a musician. In August, Thornton performed under the Dr. Octagon billing, but did not acknowledge the release of the OCD album.

In 2007, Ultramagnetic MCs released the reunion album The Best Kept Secret. In 2009, Kool Keith released the concept album Tashan Dorrsett; a follow-up, The Legend of Tashan Dorrsett, followed two years later. In 2012, Kool Keith performed at the Gathering of the Juggalos. He has stated that he is considering retiring from music —this statement appears to be reinforced by the song "Goodbye Rap," found on his 2012 album release Love and Danger.

Thornton's fan site refers to his discography of roughly fifty album releases, most of which have been commercially released. Singles such as "Spectrum" continue to appear online under the artist's name, on sites such as SoundCloud and Spotify.

Lyrical and performance style [edit]

Thornton's lyrics are often abstract, surreal, and filled with non-sequiturs and juvenile humor. Thornton is also known for an explicit style focusing on sexual themes, which Thornton has referred to as "pornocore". In a 2007 interview, Thornton claims to have "invented horrorcore".