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Kurt Vile

Rate It! Avg: 4.5 (31 ratings)
  • Born: Lansdowne, PA
  • Years Active: 2000s
  • Recent Activity: 12.02.16 Check out Kurt and his pals Connor Barwin and Jello Man getting amp'd up for the big New Years Eve show in... https://t.co/IVTxtlYnTU
  • Kurt Vile

  • Kurt Vile

Albums

Biography All Music Guide

All Music Guide:

Philadelphia songwriter Kurt Vile was already recording himself at home by age 14, shortly after his bluegrass-loving father purchased him a banjo to encourage his youthful creativity. By age 17, Vile was self-releasing cassettes of his home recordings, which in the earliest days were strongly influenced by the raw slacker pop of the Drag City roster. He would continue to record prolifically, releasing cassettes and CD-Rs of his solo material while holding down a day job as a forklift operator.

After a brief move to Boston, Vile returned to Philadelphia in 2003 and began collaborating with singer/guitarist Adam Granduciel, and by 2005 their duo the War on Drugs was morphing from its nebulous beginnings into a fully realized band, growing to include more members, release albums, and tour to critical acclaim and larger audience. By 2008 Vile was splitting his time between the War on Drugs and his solo material, with his album Constant Hitmaker seeing release around the same time as tWoD's breakthrough full-length, Wagonwheel Blues. As tWoD's fame grew, Vile decided to leave the band, predicting their increased profile and expansive touring schedule would ultimately waylay his solo career.

Amicably parting with the band, but often still sharing members as backup musicians for his own shows, Vile concentrated on his own thing and released a steady stream of strong and increasingly more adoringly received albums. A 2009 reissue of Constant Hitmaker on the tastemaking Woodsist label got the ball rolling, and was followed shortly by God Is Saying This to You..., a collection of older tracks from CD-Rs as well as various EP releases. Childish Prodigy arrived in 2009 and marked Vile's most produced work to date. The lo-fi production and jagged drum machine rhythms of his earlier self-released fare were replaced in part by fuzzy live instrumentation and songwriting that leaned both on his Drag City-emulating roots as well as the influence of Dinosaur Jr.'s guitar tone wizardry and Bruce Springsteen's blue-collar rock sentiments. The record drew favorable press and respectable sales, and buzz grew for Vile as toured more.

By 2011 he had signed to Matador for the release of his more subdued fourth full-length, Smoke Ring for My Halo. This was Vile's best-received work yet, charting on Billboard and meeting with across-the-board critical praise. Ever prolific, Vile released the So Outta Reach companion EP; appeared as a guest on his former band the War on Drugs' second album, Slave Ambient; and toured ceaselessly in the wake of his ever-growing success. A fifth album, Wakin on a Pretty Daze, was released in 2013. Shortly following this relatively polished and well-produced release, the Jamaica Plain EP surfaced, a vinyl-only 10" release of early 2000's collaborative recordings by Vile and Sore Eros.

Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
12.13.16 Trees Dallas, TX US
12.14.16 The Moody Theater Austin, TX US
12.28.16 Terminal 5 New York, NY US
12.29.16 Royale Boston Boston, MA US
12.30.16 The Sinclair Cambridge, MA US
12.31.16 The Fillmore Philadelphia Philadelphia, PA US
01.26.17 Jefferson Theatre Charlottesville, VA US
01.27.17 Haw River Ballroom Saxapahaw, NC US
01.28.17 40 Watt Club Athens, GA US
01.29.17 Music Farm Charleston, SC US

eMusic Features

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Six Degrees of Bruce Springsteen’s Nebraska

By Yancey Strickler, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Bruce Springsteen’s Nebraska

By Yancey Strickler, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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