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As the first commercially successful rap artist, Kurtis Blow is a towering figure in hip-hop history. His popularity and charisma helped prove that rap music was something more than a flash-in-the-pan novelty, paving the way for the even greater advances of Grandmaster Flash and Run-D.M.C. Blow was the first rapper to sign with (and release an album for) a major label; the first to have a single certified gold (1980's landmark "The Breaks"); the first to embark on a national (and international) concert tour; and the first to cement rap's mainstream marketability by signing an endorsement deal. For that matter, he was really the first significant solo rapper on record, and as such he was a natural focal point for many aspiring young MCs in the early days of hip-hop. For all his immense importance and influence, many of Blow's records haven't dated all that well; his rapping technique, limber for its time, simply wasn't as evolved as the more advanced MCs who built upon his style and followed him up the charts. But at his very best, Blow epitomizes the virtues of the old school: ingratiating, strutting party music that captures the exuberance of an art form still in its youth.
Kurtis Blow was born Kurtis Walker in Harlem in 1959. He was in on the earliest stages of hip-hop culture in the '70s -- first as a breakdancer, then as a block-party and club DJ performing under the name Kool DJ Kurt; after enrolling at CCNY in 1976, he also served as program director for the college radio station. He became an MC in his own right around 1977, and changed his name to Kurtis Blow (as in a body blow) at the suggestion of his manager, future Def Jam founder and rap mogul Russell Simmons. Blow performed with legendary DJs like Grandmaster Flash, and for a time his regular DJ was Simmons' teenage brother Joseph -- who, after changing his stage name from "Son of Kurtis Blow," would go on to become the first half of Run-D.M.C. Over 1977-1978, Blow's club gigs around Harlem and the Bronx made him an underground sensation, and Billboard magazine writer Robert Ford approached Simmons about making a record. Blow cut a song co-written by Ford and financier J.B. Moore called "Christmas Rappin'," and it helped him get a deal with Mercury once the Sugarhill Gang's "Rapper's Delight" had climbed into the R&B Top Five.
Blow's second single, "The Breaks," was an out-of-the-box smash, following "Rapper's Delight" into the Top Five of the R&B charts in 1980 and eventually going gold; it still ranks as one of old school rap's greatest and most enduring moments. The full-length album Kurtis Blow was also released in 1980, and made the R&B Top Ten in spite of many assumptions that the Sugarhill Gang's success was a one-time fluke. Although the album's attempts at soul crooning and rock covers haven't dated well, the poverty-themed "Hard Times" marked perhaps the first instance of hip-hop's social consciousness, and was later covered by Run-D.M.C. Blow initially found it hard to follow up "The Breaks," despite releasing nearly an album a year for most of the '80s. 1981's Deuce and 1982's Tough weren't huge sellers, and 1983's Party Time EP brought D.C. go-go funksters E.U. on board for a stylistic update. Around this time, Blow was also making his mark as a producer, working with a variety of hip-hop and R&B artists; most notably, he helmed most of the Fat Boys' records after helping them get a record deal. 1984's Ego Trip sold respectably well on the strength of cuts like the DJ tribute "AJ Scratch," the agreeably lightweight "Basketball," and the Run-D.M.C. duet "8 Million Stories." Blow followed it with an appearance in the cult hip-hop film Krush Groove, in which he performed "If I Ruled the World," his biggest hit since "The Breaks."
"If I Ruled the World" proved to be the last gasp of Blow's popularity, as hip-hop's rapid growth made his style seem increasingly outdated. 1985's America was largely ignored, and 1986's Kingdom Blow was afforded an icy reception despite producing a final chart hit, "I'm Chillin'." Critics savaged his final comeback attempt, 1988's Back by Popular Demand, almost invariably pointing out that the title, at that point, was not true. In its wake, Blow gave up the ghost of his recording career, but found other ways to keep the spirit of the old school alive. In the early '90s, he contributed rap material to the TV soap opera One Life to Live, and later spent several years hosting an old-school hip-hop show on Los Angeles radio station Power 106. In 1997, Rhino Records took advantage of his status as a hip-hop elder statesmen by hiring him to produce, compile, and write liner notes for the three-volume series Kurtis Blow Presents the History of Rap. The same year, he was a significant presence in the rap documentary Rhyme and Reason. Blow's music has also been revived by younger artists seeking to pay tribute; Nas covered "If I Rule the World" on 1996's It Was Written, and R&B group Next sampled "Christmas Rappin'" for their 1998 smash "Too Close."
Wikipedia:
Kurt Walker (born August 9, 1959), professionally known by his stage name Kurtis Blow, is an American rapper and record producer. He is the first commercially successful rapper and the first to sign with a major record label. "The Breaks", a single from his 1980 debut album, is the first certified gold record rap song.
Life and career
In 1979, aged twenty, Kurtis Blow became the first rapper to be signed by a major label, Mercury, which released "Christmas Rappin'". It sold over 400,000 copies. Its follow-up, "The Breaks", sold over half a million copies. He was also the first rapper to perform overseas. He released ten albums over the next eleven years. His first album was Kurtis Blow, while his second was the Top 50 pop album Deuce. Party Time featured a fusion of rap and go-go. Ego Trip included the hits: "8 Million Stories," "AJ Scratch," and "Basketball". His 1985 album, America, garnered praise for its title track's music video. From this album, the song "If I Ruled the World" became a Top 5 hit on Billboard's R&B chart. In 1996, fellow rapper Nas debuted at #1 on the Billboard Hot 100 with a cover version of the song.
Besides his own work, Kurtis has been responsible for hits by The Fat Boys &&and Run DMC. Run began his career billed as 'The Son of Kurtis Blow.' Lovebug Starski, Dr. Jekyll and Mr. Hyde, Full Force, Russell Simmons and Wyclef Jean all have been produced by, or have worked with, Kurt. Former label mates René & Angela had their R&B chart topping debut "Save Your Love (For #1)" gift rapped by Kurt.
Along with Dexter Scott King, Kurt co-ordinated "King Holiday," a song to celebrate Martin Luther King’s birthday. The Mercury/Polygram single, co-produced by Kurt, included the collaborative efforts of Stephanie Mills, Whitney Houston, New Edition, El Debarge, James "JT" Taylor, The Fat Boys, Menudo (Ricky Martin), Teena Marie and Run DMC. The music video was sponsored and paid for by Prince.
Kurt's acting performances and music coordination in several films includes Leon Kennedy’s Cry of the City and the hip hop film Krush Groove. The New York Daily News called his cinematic works, “Noteworthy, a dynamic presence.” As host and co-producer for Das Leben Amerikanischer Gangs, an international film production's focus on the West Coast gang scene, Kurt crossed international waters for inner city justice (1995). As host and associate producer for Rhyme and Reason Kurtis gives an informative account of the status of hip hop (1998). The History Of Rap, which he produced and wrote, has been planned for a cinema release.
Kurt has spoken out emphatically against racism. He was an active participant in the Artists Against Apartheid record “Sun City”. Kurt has worked with Rev. Jesse Jackson's Operation Push and the Rainbow Coalition in Chicago. Kurt has also worked with Rev. Al Sharpton's Action Network in New York City. In 1995, he started working on-air in radio, Power 106, the #1 CHR radio station in Southern California. He hosted 'The Old School Show' on Sunday nights, featuring hits from the past. He also worked for Sirius Satellite Radio on the Classic Old School Hip Hop station Backspin 43.
Beginning in 1996, Kurt was featured in a hip hop display at the Rock and Roll Hall of Fame. The display still stands. In 1998, the group Next released "Too Close", in which the music of "Christmas Rappin'" was sampled. ASCAP honored Kurt and Next at a gala affair on May 26, 1999. In 2002, he traveled to the Middle East to tour the Armed Forces bases performing seventeen shows for the troops. The tour consisted of shows in Afghanistan, Pakistan, Saudi Arabia, Krgystan, Jordan, Bahrain, Kuwait and Oman. Kurt said, “It was a tour I will never forget,” and “I did the Bob Hope thing.”
Kurt was a judge for the 8th annual Independent Music Awards.
Minister
Deeply committed to Christianity, Kurtis attended ministry classes at Nyack College. As Founder of The Hip Hop Church, Kurtis serves as rapper, DJ, worship leader and licensed minister. He became an ordained minister on August 16, 2009. There are several hip hop churches in the US, and he is involved with many of them. "Don't get it twisted, God has always existed," said Kurtis, "and in terms of these young people out here who love Jesus but do not like to go to church, maybe hip hop can bring them back to the church."
