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Lalah Hathaway

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  • Born: Chicago, IL
  • Years Active: 1990s, 2000s

Albums

Biography All Music Guide

All Music Guide:

The daughter of the great Donny Hathaway, Lalah Hathaway made a good impression with her debut recording, Lalah Hathaway, in 1990. She not only displayed poise, confidence, and good technique, but was also versatile enough to do more than just light urban contemporary ballads. Her stage shows included jazz, pre-rock pop, and even gospel, and Hathaway later appeared on BET doing jazz and fusion. After her second and final album for Virgin, 1994's A Moment, she went on a lengthy hiatus, returning in 1999 with Joe Sample for The Song Lives On (GRP). The following decade and into the 2010s she released Outrun the Sky (Sanctuary, 2004), Self Portrait (Stax, 2008), and Where It All Begins (Stax, 2011) -- all fine albums involving collaborations with the likes of Mike City, Rahsaan Patterson, Rex Rideout, and Dre & Vidal. They established Hathaway as one of the finest adult contemporary R&B vocalists of the 2000s and 2010s. A 2013 collaboration with the band Snarky Puppy -- on a cover of Brenda Russell's "Something" -- won a 2014 Grammy Award in the category of Best R&B Performance.

Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
12.31.16 City Winery Chicago Chicago, IL US
12.31.16 City Winery Chicago Chicago, IL US

eMusic Features

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Six Degrees of Donny Hathaway

By Hua Hsu, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Donny Hathaway

By Hua Hsu, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »