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Any account of Indian playback music must start with Lata Mangeshkar. While it is not possible to more than list the most important playback singers, one, because of her supreme stature, merits detailed attention. Born September 28, 1929 in Indore, India, Lata Mangeshkar has been active in all walks of Indian popular and light classical music having sung ghazals, bhajans and pop. She is the supreme voice of popular Indian music, an Indian institution. Her importance rests not solely with her prodigious output. Many of her performances are considered timeless and undatable, although her voice has changed and matured over the years. In effect she sang the soundtrack for millions of Indians' lives. Until the 1991 edition, when her entry disappeared, the Guinness Book of Records listed her as the most recorded artist in the world with not less than 30,000 solo, duet and chorus-backed songs recorded in 20 Indian languages between 1948 and 1987. By 1990 she supposedly had worked on over 2000 film soundtracks as a playback singer -- meaning she pre-recorded the songs to which the films' leading ladies lip-synched.
Dinanath Mangeshkar, her father, owned a theatrical company and was a classical singer, a disciple of the Gwalior school, and gave her singing lessons from around the age of five. She also studied with Aman Ali Khan Sahib and later Amanat Khan. Her God-given musical gifts meant that she could master the vocal exercises effortlessly on first pass and from early on she was recognized as being highly gifted musically. Also in the family were brother Hridaynath, a music director, and sisters Meena, Asha (the famed Asha Bhosle), and Usha. Hridaynath's soundtrack work included Lekin... (EMI India CD PMLP 5206) released in 1990 which, keeping it a family affair, placed Lata Mangeshkar well to the fore. Usha also became a playback singer. Only Asha Bhosle's career can compare in any way with her sister's award-strewn output although by 1994 reports were appearing to the effect that Asha Bhosle had overtaken her big sister's output.
Lata Mangeshkar began work as playback singer in the 1940s and grew to become the most famous playback singer of the century. She received her first proper named credit under her own name in actor/director Raj Kapoor's 1949 film Barsaat (the soundtrack from which forms a third of the Barsaat/Aah/Aag album on EMI India CD PMLP 5188). She would sing for every major actress, including Geeta Bali, Nanda, Nargis, Nimmi, Nutan, Padmini, Sadhana and Meena Shorey. The sheer scale of recording activity makes any examination of her life and works impossible in such a confined space.
Lata Mangeshkar ( pronunciation (help·info)) (born 28 September 1929) is an Indian singer, and occasional music-composer. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over seven decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the elder sister of singers Asha Bhosle, Hridaynath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.
Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. The category was removed in 1991 and re-introduced in 2011. In 2011 Guinness officially acknowledged Mangeshkar's sister Asha Bhosle as the most recorded artiste in music history."Lata Mangeshkar". The Times of India. 10 December 2002. Retrieved 2009-07-22. Yasmeen, Afshan (21 September 2004). "Music show to celebrate birthday of melody queen". Chennai, India: The Hindu. Retrieved 2009-08-19. Lata Mangeshkar given Bharat Ratna The Hindu Cite error: The named reference howfair was invoked but never defined (see the help page). Nerurkar, Vishwas. Swarasha (1948-1994) (in Hindi). Mumbai: Vasanti P. Nerukar. Banerjee, Soumyadipta (22 October 2011). "It’s a world record for Asha Bhosle". DNA India. Retrieved 2011-10-23.
ContentsSinging career1.1 Early career in the 1940s1.2 1950s1.3 1960s1.4 1970s1.5 1980s onwards
Early career in the 1940s
In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped Lata get started in a career as a singer and actress.
Mangeshkar sang the song "Naachu Yaa Gade", Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar. Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946), which was composed by Datta Davjekar. The dance in the film was performed by Rohini Bhate who later became a famous classical dancer. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).
Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin." An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).
Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing. Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.
One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar Jaikishan, Naushad Ali, S. D. Burman, Pandit Husan Lal Bhagat Ram (in films like Bari Behan, Meena Bazaar, Afsana, Aadhi Raat, Ansoo, Chhoti Bhabi, Adal-e-Jehangir) C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with Tamil song Enthan Kannalan picturised on Nimmi in the dubbed version composed by Naushad.
Mangeshkar sang many raga-based songs for Naushad in movies such as Deedar (1951) , Baiju Bawra (1952), Amar (1954) , Uran Khatola (1955) and Mother India (1957). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Barsat, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.
Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952) , Anarkali (1953) , Pehli Jhhalak (1954) , Azad (1955) , Asha (1957) and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953) Railway Platform (1955) , Pocketmar (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959) and Chacha Zindabad (1959).
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar Jaikishan and picturized on Meena Kumari.
In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.
On 27 January 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Kavi Pradeep, is said to have brought the Prime Minister to tears.
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. Starting in 1963, Laxmikant-Pyarelal association with Lata Mangeshkar grew stronger over the years. Lata Mangeshkar sang over 700 songs for the composer duo over a period of 35 long years, most of which became huge hits. She sang for Parasmani (1963), Mr. X in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967) Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah for which she got her 3rd Filmfare Award.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar. She also made her Kannada debut in 1967 for the film Krantiveera Sangolli Rayanna by recording two songs for the music director Lakshman Berlekar. The song "Bellane Belagayithu" was received well and appreciated.
In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mahendra Kapoor, Mohammed Rafi, and Kishore Kumar. For a brief period during the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. Mangeshkar wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers. But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. This led to tensions between the two. After an argument during the recording of the song Tasveer Teri Dil Mein (Maya, 1961), the two refused to sing with each other. The music director Jaikishan later negotiated a reconciliation between the two.
In 1972, Meena Kumari's last film, Pakeezah, was released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973). She recorded many popular songs for Madan Mohan's last films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).
Lata Mangeshkar's most notable songs in the 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in the 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji Anandji.
From the 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridaynath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.
In 1978, Raj Kapoor direct Satyam Shivam Sundaram Lata Mangeshkar lends her voice to the main theme song "Satyam Shivam Sundaram", which was among the chart-toppers of the year. The story of was inspired by Lata Mangeshkar reveals Raj Kapoor's daughter Ritu Nanda in her latest book.
I visualised the story of a man falling for a woman with an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role. The book quotes Raj Kapoor as saying.
In the late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt). She also sang many songs in Assamese language and had a very good relationship with Dada Saheb Phalke award winner singing legend Late Bhupen Hazarika. She sang many songs under his guidance and in Rudaali the song "Dil hoom hoom kare" made a highestrecord of sales that year.
From the 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988) and Chandni (1989). Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985) and Maine Pyar Kiya (1989) which was a musical hit. In 1988, Mangeshkar made a come back to Tamil films with two back to back renditions "Aaraaro Aaraaro" and "Valai Osai" for composer Ilayaraja's compositions for the films Aanand and Sathya respectively.
In June 1985, the United Way of Greater Toronto invited the Lata Mangeshkar to perform at Maple Leaf Gardens. She filled 12,000 seats, raising $150,000 for the charity.
During the 1990s, she recorded with music directors including Anand-Milind, Nadeem-Shravan, Jatin Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh. She has also sung with S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Kumar Sanu, Suresh Wadkar, Mohammed Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.
In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridaynath.
Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge! (2002) and Veer-Zaara (2004).
During 1990, Mangeshkar records with Ram Laxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Love You (1992 film) (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody of Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), and Dulhan Banoo Main Teri (1999).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One 2 Ka 4), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa),"So Gaye Hain" (Zubeidaa) "Lukka chuppi" (Rang De Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.
In 1994, Lata Mangeshkar released Shraddanjali-My Tribute To The Immortals. The special feature of the album is that Lata offer her tributes to immortal singers of the time by rendering a few of their songs in her own voice. There are songs of K.L. Saigal, Rafi, Hemant Kumar, Mukesh, Punkaj Mallick and Kishore Kumar, Geeta dutt, Zohrabai, Amirbai, Parul Ghosh and Kanan Devi.
Mangeshkar sang both, Rahul Dev Burman's first and last song. In 1994, she sang last song Kuch Na Kaho for Rahul Dev Burman in 1942: A Love Story.
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.
In 1999, Mangeshkar was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Kashmir earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.
On 21 June 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai. On 12 April 2011, she released another album Sarhadein: Music Beyond Boundaries the album has a rare duet Tera Milna Bara Acha Lage by Lata Mangeshkar and Mehdi Hasan (written by Pakistan's Farhat Shahzad). The album features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Ali.
After 14 years, Lata Mangeshkar recorded a song for composer Nadeem-Shravan Kese Piya Sai Mein Kaho for Bewafaa (2005). After Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005) and Daata Sun Le for Jail (2009), Shamir Tandon once again recorded a song with Lata Mangeshkar Tere Hasne Sai Mujheko for the film Satrangee Parachute (2011). After a gap Lata Mangeshkar is back in playback singing and recorded a song Jeena kya hai, jaana maine for the sequel of Kapil Sharma's queer love story Dunno Y... Na Jaane Kyun at her own studio.
On 28 November 2012, Lata Mangeshkar launched her own music label LM Music with an album of bhajans. She sang along with younger sister Usha on the album.Khubchandani, Lata (2003). Gulzar, Govind Nihalani, Saibal Chatterjee, ed. Encyclopaedia of Hindi Cinema. Popular Prakashan. pp. 486–487. ISBN 81-7991-066-0. Bharatan, Raju (1995). Lata Mangeshkar: A Biography. UBS Publishers Distributors. ISBN 978-81-7476-023-4. http://www.dailytimes.com.pk/entertainment/08-Aug-2014/lata-mangeshkar-the-living-legend-part-i http://www.dailytimes.com.pk/entertainment/27-Aug-2014/lata-mangeshkar-the-living-legend-part-xx http://www.dailytimes.com.pk/entertainment/30-Aug-2014/lata-mangeshkar-the-living-legend-xxiii "Kavi Pradeep, master of the patriotic song, dies at 84". Rediff.com. 11 December 1998. Retrieved 2010-11-04. "Madan Mohan & Lata made each other famous | The Indian Sub-continent Times". Theistimes.com. Retrieved 2014-08-06. "Lata Mangeshkar...twenty years ago - The Times of India". The Times Of India. Raju Bharatan (23 August 2006). "How fair were they to Mohammed Rafi?: Page 3". Rediff.com. Retrieved 2007-04-28. Raju Bharatan (21 August 2006). "How fair were they to Mohammed Rafi?: Page 4". Rediff.com. Retrieved 2007-04-28. Dhamini Ratnam (22 November 2012). "Voice from the past (interview with Yasmin Rafi)". Mumbai Mirror. Retrieved 2012-11-25. "MADAN MOHAN... The Musical Legend | The Official Website of Madan Mohan". Madanmohan.in. Retrieved 2014-08-06. "Raj Kapoor: The face behind the star". Hindustan Times. Retrieved 2014-08-06. http://.www.imdb.com/news/ni0634155/ Martin, Douglas (12 October 1985). "No Headline". The New York Times. Jayasankaran S.V. (2011-06-12). "Jay'S World Of Music: Lata Mangeshkar-Her Favourite Songs". Jaysworldofmusic.blogspot.com. Retrieved 2014-08-06. Jha, Subhash K (2010-06-27). "'I knew him from the time he ran around in shorts'". Mid-day.com. Retrieved 2014-08-06. Suparn Verma (3 November 1999). "A perfume called Lata". Rediff.com. Retrieved 2007-08-13. "Nominated Members of the Rajya Sabha". Rajya Sabha Secretariat, Government of India. Archived from the original on 27 September 2007. Retrieved 2007-08-13. Viral Bhayani (29 November 2002). "Unequal music". The Times of India. Retrieved 2007-08-13. "Straight Answers". The Times of India. 2 March 2003. Retrieved 2007-08-13. "Leave me alone, says Lata". The Times of India. 5 March 2003. Retrieved 2007-08-13. "Lata Mangeshkar's jewellery collection raises quake relief funds". 28 November 2005. Retrieved 2007-08-13. "Lata Mangeshkar launches new album 'Saadgi'". Daily News & Analysis. 21 June 2007. Retrieved 2007-08-13. "Lata Mangeshkar, Nevaan Nigam steal Sarhadein show". Indian Express. 2011-04-22. Retrieved 2014-08-06. "Lata records song with Nadeem - Rediff.com Movies". Rediff.com. 2003-01-03. Retrieved 2014-08-06. "Lata records for Satrangee Parachute". Indian Express. 2010-12-17. Retrieved 2014-08-06. "Lata is back in playback". Mumbai Mirror. 2014-05-19. Retrieved 2014-08-06. "Lata Mangeshkar launches music label with 'bhajan 'album | Latest News & Updates at Daily News & Analysis". Dnaindia.com. 2012-11-28. Retrieved 2014-08-06.
Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in the 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.1960 - Ram Ram Pavhana1963 - Maratha Tituka Melvava1963 - Mohityanchi Manjula1965 - Sadhi Manase1969 - Tambadi Mati
She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.
Lata Mangeshkar has produced four films:1953 - Vaadal (Marathi)1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra1955 - Kanchan (Hindi)1990 - Lekin... (Hindi) "BFI, Lata Mangeshkar".
Awards and recognitionsMain article: List of awards received by Lata Mangeshkar
Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997), NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs. After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.
Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000. However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information. In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar."Stage set for felicitation of Lata with Maharashtra Bhushan award". The Indian Express. Retrieved 2009-12-02. Raju Bharatan (23 August 2006). "How fair were they to Mohammed Rafi?: Page 7". Rediff.com. Retrieved 2007-04-28. Raju Bharatan (23 August 2006). "How fair were they to Mohammed Rafi?: Page 6". Rediff.com. Retrieved 2007-04-28. Puri, Amit (24 February 2003). "Dedicated to Queen of Melody". The Tribune, Chandigarh. Retrieved 2009-08-18. Chopra, Yash (28 September 2004). "The nightingale of India turns 75". BBC News. Retrieved 2007-08-13. "Melody Queen Lata rings in 75th birthday quietly". The Tribune, Chandigarh. 29 September 2004. Retrieved 2007-08-13. Broughton, Simon; Mark Ellingham; Richard Trillo (2000). World music: The Rough Guide. Rough Guides. p. 106. ISBN 978-1-85828-636-5. Nerurkar, Vishwas. Lata Mangeshkar Gandhar Swaryatra (1945-1989) (in Hindi). Mumbai: Vasanti P. Nerukar. Neepa Majumdar (25 September 2009). Wanted cultured ladies only!: female stardom and cinema in India, 1930s-1950s. University of Illinois Press. pp. 232–. ISBN 978-0-252-07628-2. Retrieved 6 October 2011. Bhatt, Punita. "A controversy in the making". Filmfare magazine. 1–15 June 1987. Cite error: The named reference newrec was invoked but never defined (see the help page).