Linda Jones

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  • Born: Newark, NJ
  • Died: Newark, NJ
  • Years Active: 1960s, 1970s

Albums

Biography All Music Guide Wikipedia

All Music Guide:

A word in support of an artist who will probably be passed over by 999 listeners out of 1000. Her biggest hit, the tastefully restrained "Hypnotized," came on the Loma subsidiary of Warner Brothers in 1967, but her later recordings for Turbo were probably the most gloriously histrionic soul records of all time. She started at a climax and worked up from there, transforming a ballad like "Let It Be Me" with her towering fury. It was pure gospel -- and then some. Jones was already ill with diabetes when she cut those records, and she fell into a diabetic coma and passed away in 1972 at the age of 27 while resting at home between matinee and evening shows at the Apollo.

Wikipedia:

Linda Jones (December 14, 1944 - March 14, 1972) was an American soul singer.

Jones was born in Newark, New Jersey. She started singing in her family's gospel group the Jones Singers at the age of six. Her first recording was "Lonely Teardrops" under the name Linda Lane, on Cub Records in 1963, and she had unsuccessful singles on Atco Records in 1964 and Blue Cat Records the following year. She signed with Warner Bros. Records subsidiary Loma Records in 1967 and released the biggest of several hits, "Hypnotized". Soon after her career took off, however, she was diagnosed with diabetes and died at home in Harlem in 1972 while resting between matinee and evening shows at the Apollo Theater.

Albums

Hypnotized (Loma Records, LS 5907 1967) U.S. R&B Albums #26A Portrait Of Linda Jones (Turbo Records,TU-7004)For Your Precious Love (Turbo Records,TU-7007 1972) U.S. R&B Albums #35Let It Be Me (Turbo Records,TU-7008 1972)Soul Talkin (Record Label: Phil\'erzy Productions 2008)

Singles

eMusic Features

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Lost Soul Singles of the ’60s

By Douglas Wolk, eMusic Contributor

Jackie Moore's "Precious, Precious" is an amazing single - a Southern R&B burner from 1970 that features a spectacular performance, an indelible melody and a rivetingly masochistic lyrical conceit. My reaction the first time I heard it, recently, was both shock that it hadn't become a big hit, and curiosity if Moore had ever recorded anything else good. Then I looked into her career a little more, and what I discovered was even more shocking: it… more »