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All Music Guide:
Los Temerarios' bubblegum ranchera was the romantic soundtrack of millions of Mexican and Mexican-American youths' lives during the '90s. Combining elements of traditional Mexican ranchera music with keyboards, electric bass, and stately percussion, they created a sound whose appeal frequently took them to the top tier of Billboard's Latin charts.
Brothers Adolfo (b. 1963) and Gustavo Ángel Alba (b. 1968), from Fresnillo, Zacatecas, Mexico, were first exposed to the music business in the late '70s when their father rented a room in their house to local groups needing a place to rehearse. When the musicians left, the brothers would sneak in and practice tunes. They formed la Brisa in 1977, playing parties and weddings. They landed a record contract on CBS Mexico in 1983 and adopted their current moniker. Their early output comprised organ-driven ballads, rancheras, good-time cumbias, and even corridos. Local songwriter Samuel Guzman, who more recently has penned hits for los Rehenes, wrote some of their early songs.
However, los Temerarios failed to have a major impact until the Monterrey-based indie Disa signed them in the late '80s. By then, Gustavo's voice had developed into a sugary cross between Art Garfunkel and George Michael, and Adolfo's songwriting skills were advancing. Sentimental ballads "Tu Infame Engaño" ("Your Infamous Deception"), "Ven Porque Te Necesito" ("Come, I Need You"), and "Sí Quiero Volver" ("Yes I Want to Come Back") solidified their reputation for dramatic melodies and pleading, if naïve, lyrics. By 1991, the group consisted of Adolfo on keyboards, Gustavo on guitar, cousin Fernando Angel on bass, Mario Ortiz on drums, and Carlos Abrego on percussion. Along with Fernando, the brothers formed Ángel Records in San Antonio in 1990 and released Lo Nuevo...y lo Mejor ("The New and the Best) the same year. This move caused legal difficulties with Disa, who claimed they still owed the company an album. The group continued releasing its U.S. material on Ángel (later renamed AFG Sigma, the initials for Adolfo, Fernando, and Gustavo) but remained on Disa in Mexico until 1994.
The significance of los Temerarios' venture into the business side of music cannot be understated. While Mexico-based labels specializing in onda grupera enjoyed rough parity, FonoVisa was the juggernaut in the United States. It was nearly impossible for acts on other labels to make Billboard's Latin singles chart. The fact that los Temerarios were racking up impressive chart numbers on their own label made them the most obvious chink in FonoVisa's armor. AFG Sigma bolstered its status as a real alternative when Temerarios protégé Zeus made the album charts in 1992, and the label picked up veteran groups Mister Chivo from FonoVisa and Conjunto Primavera from Joey. But Zeus split up in 1993, and the label found itself with more bands than it could promote. By 1996, not even los Temerarios' singles were charting well. Former adversary FonoVisa made a generous offer to buy the company, and before the year was out, the deal was done. But of the dozens of acts signed to AFG Sigma, only los Temerarios and Conjunto Primavera got past FonoVisa's velvet rope, leaving the rest of the roster to find another deal. FonoVisa dramatically illustrated its way with radio when the fourth single from Camino del Amor ("Path of Love"), "Cuando Fuiste Mía" ("When You Were Mine") charted higher than the first, second, and third singles, which had been released on AFG Sigma. Ironically, by then, Disa, EMI Latin, and PolyGram Latino had made inroads on FonoVisa's supremacy in the U.S. market.
The 1991 release Mi Vida Eres Tú ("My Life Is You") propelled the group to superstardom. The unique sound of the title track, which backed mariachi instrumentation with electric bass and a dramatic crash on each bar's second beat, became a standard and spawned legions of imitators. Though four singles were released from the album, the material was so consistently strong that radio often played album tracks. Critics considered the lyrics banal, but young fans identified with the themes of romantic loss and heartbreak, influenced by the songwriting of Juan Gabriel and José Alfredo Jimenez. Fans also appreciated the group's jacket-and-tie dress code, which set it apart from polyester-clad contemporaries and soon inspired a host of imitators. The group added a calliope-like keyboard sound to its 1993 release Tu Última Cancion ("Your Last Song"), and the soft rocker "Una Tarde Fue" ("It Was an Afternoon") featured steel guitar. Camino del Amor, from 1995, continued in the same vein, as the group straddled the line between pop balladry where it cited Kenny G and Neil Diamond as influences, and the mariachi-influenced style first heard on Mi Vida Eres Tú. Gustavo tried out a ranchera-influenced vibrato vocal on "Por Qué Te Conocí" ("Why Did I Get to Know You"), the first single from the 1998 album Cómo Te Recuerdo ("How I Remember You") and the group's second number one on Billboard's Hot Latin Tracks in the span of a year. The album offered no surprises.
The spate of kidnappings that hit Mexico in the '90s affected the group, as the Angel brothers' father was kidnaped in 1997 in Zacatecas. He was returned alive but minus a finger. The group also ventured into movies, appearing in Sueño y Realidad (Dream and Reality) in 1993. In fall 2000, the band collected an award for Best Grupero Performance for En La Madrugada Se Fue at the first annual Latin Grammy Awards. The album Poemas Canciones y Romance was issued a year later.
Los Temerarios are a Mexican romantic music group started in 1978 by brothers Adolfo Angel and Gustavo Angel and their cousin Fernando Angel . During their early years they were known as Conjunto La Brisa.
Los Temerarios have recorded more than 20 albums and been honored with multiple awards and award nominations. In 1991, they earned 5 Billboard awards nominations in the Latin categories.
They have performed in many notable venues, such as Radio City Music Hall (where they became the first Mexican music act to lead a concert), Sports Arena, where they joined Bruce Springsteen and Michael Jackson as the only musical acts to fill the arena (earning an award for that feat), and Auditorio Nacional of Mexico City, where they were the first Mexican group ever to perform.
They also acted at the Festival De Viña del Mar event in Chile in 1993, earning the prestigious Gaviota De Plata award.
The band has sold close to 50 million albums and has toured all over North, Central, and South America as well as other parts of the World. They are accreditors to the most important awards given to a band.
In the 1990's, they performed at the Deportivo Los Galeana where they gathered more than 130,000 people becoming the "Baile del Siglo" meaning the concert of the century for its attendance record for their genre, which still stands today. Later, in 2000, they performed at Estadio Azteca where they filled the stadium to its max capacity crowd of 100,000+ people.
Si Tu Te Vas (Album) 2008
In 2008 Los Temerarios released their album "Si Tú Te Vas", produced by Rudy Perez and Adolfo Angel. The album is composed of 10 tracks. Their first single, Si Tú Te Vas (Los Temerarios song), has the same title as the album and was a total success for their return in the music industry.
By 2009 they decided to release a new edition called Si Tú Te Vas (Deluxe Edition) with a bonus DVD of the new extended edition of the song Si Tú Te Vas the DVD included 2 videos, making of the album and videos, plus an exclusive interview with Gustavo Angel & Adolfo Angel and an exclusive photo gallery.
The group, which went on tour in late 2008 and early 2009, is now integrated by Karlo Vidal and Jonathan Amabilis as well as Gustavo, Fernando and Adolfo, who are avid autograph signers. Adolfo in particular has caused controversy by dating Verónica Castro and Sissi and getting slapped on the face in front of an international television audience by former Sábado Gigante model Lily Estefan after kissing her on her mouth.
Jonathan Amabilis is well known among Temerarios fans for his long hair, and his great musical abilities. His father, guitarist Elias Amabilis Palma, was one of the founding members of the Mexican rock 'n' roll band Los Rockin Devil's.