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  • Low

  • Low

  • Low

  • Low


Biography All Music Guide

All Music Guide:

Formed in Duluth, Minnesota, in 1993, Low were perhaps the slowest of the so-called "slowcore" bands -- delicate, austere, and hypnotic, the trio's music rarely rose above a whisper, divining its dramatic tension in the unsettling open spaces created by the absence of sound. Initially comprised of the husband-and-wife team of guitarist/vocalist Alan Sparhawk and drummer/vocalist Mimi Parker along with bassist John Nichols, Low began as an experimental reaction to the predominance of grunge. Shimmy Disc producer Kramer soon invited the group to record at his Noise N.J. studios, and the resulting demos earned them a deal with the Vernon Yard label.

After reentering the studio with Kramer, Low emerged with their 1994 debut, I Could Live in Hope, a beautiful set spotlighting the trio's hauntingly minimal aesthetic -- even Parker's drum set consisted of only a snare and a hi-hat. Nichols exited the group prior to 1995's lovely Long Division, recorded with new bassist Zak Sally. A subsequent appearance on the Joy Division tribute A Means to an End was later expanded into the following year's Transmission EP, a five-track set also featuring a rendition of Supreme Dicks' "Jack Smith." With new producer Steve Fisk behind the boards, Low returned later in 1996 with The Curtain Hits the Cast. The Songs for a Dead Pilot EP followed in 1997 and marked Low's debut with their new label, Kranky, for whom they also released the critically acclaimed Secret Name in 1999. The late '90s also saw them issue Owl (Low Remixes) and the Christmas mini-album, which featured a cover of "Little Drummer Boy" that became a minor hit when it was featured in The Gap's holiday season commercials in 2000.

The band's brilliant Things We Lost in the Fire arrived on Kranky in 2001, with the darker, more subdued Trust coming the following year. Two years later, the B-sides/rare tracks collection A Lifetime of Temporary Relief appeared on Low's own Chairkickers Music imprint. For their seventh full-length album, 2005's The Great Destroyer, Low moved to Sub Pop, where they remained for 2007's politically charged Drums and Guns and 2011's C'mon, the latter of which marked the debut of bassist Steve Garrington. In 2013, Low's 20th anniversary year, the group released The Invisible Way, which featured production from Wilco's Jeff Tweedy.

eMusic Features


Interview: Low

By Laura Leebove, Managing Editor

Low's albums have followed a fascinatingly diverse arc during their tenure on Sub Pop: The life-affirming electric bombast of 2005's The Great Destroyer, their first for the label, was followed by the moodier, tightly-wound and politically-fueled Drums & Guns. Their 2011 record C'mon is majestic and intimate, an uncharacteristically clean recording with lyrics that can almost be read as a conversation between the band's founders, husband and wife Alan Sparhawk and Mimi Parker. Their goal… more »


Interview: Low

By Sam Adams, Contributor

After Drums & Guns and The Great Destroyer, you might assume the title of Low's ninth album, C'mon indicates the band is lowering its sights – setting aside universals for a colloquial invitation. But Alan Sparhawk and Mimi Parker have simply turned their attentions inward, searching, sometimes painfully, for a way to co-exist with the world, and with each other. There hasn't been so honest a report from inside a long-term relationship since Yo La… more »