Mad Cobra

All Music Guide:

One of the more popular dancehall DJs of the '90s, Mad Cobra was the first reggae artist to top the Billboard rap singles chart. He initially made his name with a series of tough, hard-hitting singles aimed at the hardcore crowd, filling his lyrics with the requisite slackness and gun talk. However, he achieved international crossover success by incorporating elements of R&B and hip-hop. Mad Cobra was born Ewart Everton Brown on March 31, 1968, in Kingston; he was raised in the province of St. Mary's, but moved back to the capital city during his teens. He took his stage name from the villains in the G.I. Joe comic book series, and performed with several sound systems while still in school. His uncle, Delroy "Spiderman" Thompson, worked as an engineer at the Tuff Gong studios and produced Mad Cobra's debut single, "Respect Woman," in 1989. The follow-up was a duet with Tricia McKay, "Na Go Work," which brought him to the attention of producers Carl "Banton" Nelson and Captain Sinbad. Ninjaman-style gun talk was the dancehall trend of the day, and Mad Cobra soon built a following with similarly minded singles like "Shoot to Kill," "Merciless Bad Boy," and "Ze Taurus."

Those initial hits landed Mad Cobra a shot with producer Donovan Germain's high-profile Penthouse label, where he teamed with resident engineer/songwriter Dave Kelly. "Yush" and "Gundelero" were enormous hits in 1990, breaking Mad Cobra into the big time; he also scored with a Beres Hammond duet, "Feeling Lonely." His first album, Bad Boy Talk, appeared in 1991 and sold briskly; meanwhile, he continued to record for a variety of top producers over 1991-1992, landing hits like "O.P.P." (for King Jammy), "Tek Him" (Bobby Digital), and "Be Patient" (Sly & Robbie). He soon became a phenomenon in the U.K. as well, topping the country's reggae singles chart five times during the period and working with some of that country's top dancehall producers. Even a storm of controversy over the stridently homophobic lyrics of "Crucifixion" failed to slow his momentum.

Mad Cobra's success earned him a major-label deal with Columbia, which had just watched Shabba Ranks cross over to R&B audiences in America. Cobra's label debut, Hard to Wet, Easy to Dry, aimed for similar territory, especially the lead single, "Flex." A slinkier number built on a version of the Temptations' "Just My Imagination," "Flex" was a major crossover hit in 1992; not only did it top the rap singles chart, it reached the Top Ten on the R&B charts, and nearly did likewise on the pop listings. The follow-up single, "Legacy," flopped, however, and Mad Cobra returned to recording chiefly for the Jamaican market over the next few years. Amid hotly contested rivalries with Ninjaman and Buju Banton, Cobra scored two major hits in 1993 with "Mek Noise" and "Matie Haffi Move." 1994 found him back at King Jammy's studio for the Venom album and a series of hits that included "Fat and Buff," "Length and Bend," and his first foray into culturally conscious material, "Selassie I Rules."

Mad Cobra continued to record steadily over 1995, and the following year signed with Capitol for his second major-label album, Milkman. The salacious "Big Long John" was a minor crossover hit in America, though not on the level of "Flex." The album also featured a good-natured clash cut with Ninjaman, "Sting Night." In the years that followed, Cobra's output slowed down substantially, though he did make some international noise in 1998 with "Guns High," a duet with Mr. Vegas. Several compilations of his Jamaican recordings appeared over the years, often on VP, and he returned in 2001 with Cobra, an album of new material for Artists Only.

Wikipedia:

Ewart Everton Brown (born 31 March 1968), better known by his stage name of Mad Cobra or simply Cobra is a Jamaican reggae musician.

Biography

He was born in Kingston, Jamaica, raised in the parish of St. Mary and relocated back to the place of his birth during his teenage years. He began performing under his stage name, taken from a character in the G.I. Joe comic books, while still in his teens. He honed his talents on several local sound systems before entring the studio. His first single, 1989's "Respect Woman", was produced by his uncle, Tuff Gong engineer Delroy "Spiderman" Thompson. His next single, "Na Go Work", featured Tricia McKay, giving him his first hit, and bringing him to the attention of producers Captain Sinbad and Carl Nelson. Together they released a string of hit dancehall singles, including "Shoot to Kill", "Merciless Bad Boy", and "Ze Taurus", which featured tough, gangsta rap-style lyrics in keeping with the current trends of that time.

In 1990, Cobra began working with producer Donovan Germain and songwriter Dave Kelly on the Penthouse Records label. This partnership spawned a series of major hits in Jamaica, including "Yush", "Gundelero", "Bad Boy Talk", and "Feeling Lonely" (with Beres Hammond). He released his first full-length album in 1991, entitled Bad Boy Talk, and over the next year worked with several different producers on yet more hit tracks ("O.P.P" with King Jammy, "Tek Him" with Bobby Digital, "Be Patient" with Sly & Robbie). In 1991 and 1992, Mad Cobra broke into the UK Reggae charts with five number one hits, bringing with it a backlash over concerns about the anti-gay sentiments of tracks such as "Crucifixion".

In the wake of his British success, Mad Cobra signed a deal in America with Columbia Records. His next LP was entitled Hard to Wet, Easy to Dry, and featured "Flex", a single which interpolated elements of The Temptations' "Just My Imagination". It was a smash hit, topping the US Rap Singles chart, hitting #7 on the R&B chart, and peaking at #13 on the Billboard Hot 100. The success of the single propelled the album to #125 on the Billboard Top 200, but the follow-up, "Legacy", failed to chart, and for the next several years Cobra's hitmaking remained primarily in Jamaica with songs such as 1993's "Mek Noise" and "Matti Haffie Move". Around this time, Cobra became involved in rivalries with fellow reggae artists Ninjaman and Buju Banton. He also made a guest appearance on rap group Run-D.M.C.'s "What's Next" on their album Down with the King.

In 1994, Cobra returned with Venom, again recording with King Jammy. Jamaican hit singles from the 1994-1995 period included "Length and Bend", "Fat and Buff", and "Selassie I Rules", now adopting "conscious" lyrics. In 1996, Columbia Records released Milkman in the US market. The album peaked at #12 on Billboard's Top Reggae Albums chart and featured a minor hit, "Big Long John", which charted briefly on the US Dance and R&B Singles charts. In 1998, a track with Mr. Vegas entitled "Guns High" charted in some countries in Europe, and a number of re-releases of his Jamaican material were issued on VP. Further albums were issued in 2001 (Cobra) and 2004 (Words of Warning). Most recently, Cobra was heard on "Cobrastyle", a single from Teddybears' 2006 album, Soft Machine.

On the night of 11 May 2010, Mad Cobra was shot three times in the upper body near his home in Braeton, only a day after another dancehall artist, Oneil Edwards of the group Voice Mail, was also shot in Duhaney Park. He was carried to the Spanish Town Hospital for treatment. It was later ascertained that the vehicle Mad Cobra was traveling in had shone its light on a group of men and this had angered them. When Mad Cobra came out to appease the men, he was shot. He was released from hospital later that week. On the following Monday night, his house was shot up by unknown assailants but no one was injured during the incident.