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All Music Guide:
Conductor, composer, violinist, and pianist Mantovani was one of the most popular and prolific easy listening artists of all time. His trademark "cascading strings" (or "tumbling strings") effect gave him an instantly recognizable sound, and his heavy reliance on the string section in general helped map out the blueprint for much of the light orchestral music that followed in his wake. His repertoire did feature original compositions, but was built chiefly on lush adaptations of familiar melodies: TV and movie themes, show tunes, pop hits (chiefly of the MOR variety), classical material, and the like. Starting his career in the '20s, Mantovani was very much a product of the recording age: he focused almost entirely on recording, instead of live performance; he was one of the first artists to utilize the LP as a primary medium for his releases (as opposed to singles); he was one of the first popular artists to use stereo recording technology, and likely the first to sell over a million records in the stereo format. Fascinated by the studio recording process, he experimented restlessly with miking methods and other technical nuances over the course of an astoundingly large discography -- more than 50 albums from the early '50s until his death in 1980 (not counting his numerous 78 rpm records, dating back to the late '20s).
Annunzio Paolo Mantovani was born November 15, 1905, in Venice, Italy. His father was an accomplished violinist who performed at the legendary Milan opera house La Scala under the direction of Arturo Toscanini. Mantovani himself began piano and music theory lessons at a young age. In 1912, the family moved to England, where Mantovani's father took over direction of the Covent Garden Orchestra. At age 14, Mantovani switched from piano to violin; although the latter became his instrument of choice, he would keep up his piano work for the sake of composing. Just two years later, he made his professional debut with a performance of Anton Bruch's "Violin Concerto No. 1." He joined a touring orchestra and quickly became a featured soloist; by age 20, he was leading the resident Hotel Metropole Orchestra, and made a few recordings with the group in 1928. He gave high-profile recitals in 1930 and 1931, performing Saint-Saëns' "Violin Concerto in B Minor" at the latter, and began to make a name for himself. Around the same time, he formed a new group, the Tipica Orchestra, and started a series of regular radio broadcasts from London's high-profile Monseigneur restaurant.
Mantovani and the Tipica Orchestra made highly successful appearances all over England, and recorded for Sterno, Regal Zonophone, and Columbia from 1932-1936; two of those records, "Red Sails in the Sunset" and "Serenade to the Night," were hits in the U.S. in 1935 and 1936, respectively. Columbia changed the billing on his records to Mantovani & His Orchestra in 1937, and in 1940 he moved over to Decca. By World War II, he was one of the most popular orchestra leaders in England, and in the '40s he also branched out into theater, serving as musical director for a number of productions including several by Noel Coward. Once World War II ended, Mantovani threw his energy into recording, and gradually moved away from live performances altogether. He experimented with different styles over a series of popular 78s for Decca, and hit upon his signature sound when he connected with arranger Ronald Binge, who'd once played accordion in the Tipica Orchestra. Binge was likely the man who devised Mantovani's dramatic "cascading strings" effect, which the two first employed on the 1951 single "Charmaine," a song originally written 25 years earlier. "Charmaine" was a major hit, selling over a million copies and definitively cracking open the U.S. market for Mantovani's music.
A steady stream of hit singles followed in the early '50s, including "Wyoming" (1951), "Greensleeves" (1952), the U.K. number one "Song From Moulin Rouge" (1953), "Swedish Rhapsody" (1953), "The Lonely Ballerina" (1954), "Toy Shop Ballet" (1956; it helped him win the U.K.'s Ivor Novello Award), and "Around the World" (1957). Additionally, Mantovani arranged, co-wrote, and backed David Whitfield on his U.K. chart-topper (and U.S. Top Ten) "Cara Mia" in 1954. Starting in 1953, he recorded what proved to be a deluge of LPs for Decca and its London subsidiary. The advent of rock & roll stunted his success on the singles charts, but his albums sold like hotcakes in America. From 1955 to 1972, well over 40 Mantovani albums reached the U.S. pop charts; 27 of those reached the Top 40, and 11 made the Top Ten. His biggest sellers included Christmas Carols (1953; it re-entered the charts several times), Strauss Waltzes (1953), Song Hits From Theatreland (1955), Film Encores (1957; his lone number one album), Gems Forever (1958), Mantovani Stereo Showcase (1960), Italia Mia (1961), and the smash Mantovani Plays Music From "Exodus" and Other Great Themes (1961), a number two hit that sold over a million copies and stayed on the charts for nearly a year. His version of the "Exodus" theme was just one of several successful recordings (others were by Ferrante & Teicher and jazzman Eddie Harris).
As the '60s wore on, Mantovani's brand of pleasant, light orchestral music increasingly diverged from mainstream tastes in pop, and his chart placings slipped lower and lower (his last entry was 1972's Annunzio Paolo Mantovani). Still, he stayed true to his own aesthetic, only adopting those contemporary trends that he could translate on his own terms. His recording activities were curtailed after the Decca label was dissolved and absorbed into MCA in 1973, though he continued to compose for several years afterward. He passed away on March 30, 1980, in his country home in Tunbridge Wells, England.
Wikipedia:
Annunzio Paolo Mantovani (Italian pronunciation: [anˈnuntsi̯o ˈpaolo mantoˈvaːni]) (November 15, 1905 – March 29, 1980) known as Mantovani, was an Anglo-Italian conductor and light orchestra-styled entertainer with a cascading strings musical signature. The book British Hit Singles & Albums states that he was "Britain's most successful album act before The Beatles ... the first act to sell over one million stereo albums and had six albums simultaneously in the US Top 30 in 1959".
Biography [edit]
Mantovani was born in Venice, Italy into a musical family. His father, Bismarck, served as the concertmaster of the La Scala opera house's orchestra in Milan, under the baton of Arturo Toscanini. The family moved to England in 1912, where young Annunzio studied at Trinity College of Music in London. After graduation, he formed his own orchestra, which played in and around Birmingham. He married Winifred Moss in 1934, and they had two children: Kenneth (born July 12, 1935) and Paula Irene (born April 11, 1939). By the time World War II broke out, his orchestra was one of the most popular British dance bands, both on BBC radio broadcasts and in live performances.
He was also musical director for a large number of musicals and other plays, including Noël Coward's Pacific 1860 (1946) and Vivian Ellis's musical setting of J. B. Fagan's And So to Bed (1951). After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" effect (also known as the "Mantovani sound"). His records were regularly used for demonstration purposes in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. He became the first person to sell a million stereophonic records. In 1952, Binge ceased to arrange for Mantovani but the distinctive sound of the orchestra remained.
Mantovani recorded for Decca until the mid-1950s, and then for London Records. He recorded in excess of 50 albums on that label, many of which were Top 40 hits. His single tracks included "The Song from The Moulin Rouge", which reached Number One in the UK Singles Chart in 1953. In the United States, between 1955 and 1972, he released more than 40 albums with 27 reaching the "Top 40", and 11 in the "Top Ten". His biggest success came with the album Film Encores, which attained Number One in 1957.
Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to the Top Ten in 1961, with over one million albums sold.
In 1958, Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, and then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States in 1959. Thirty-nine episodes were filmed.
Mantovani made his last recordings in the mid-1970s. He died at a care home in Tunbridge Wells, Kent, and was cremated on 8 April 1980. His ashes are interred at Kent and Sussex Cemetery and Crematorium, Tunbridge Wells.
Music style and influences [edit]
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals and he achieved this goal through arranging skill alone.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music." His style survived through an ever-changing variety of musical styles prompting Variety to call him "the biggest musical phenomenon of the twentieth century".
Mantovani is referred to by name in The Kinks song "Prince of the Punks". He also had a big influence on Brian May, Queen guitarist.
He is also mentioned in the song "Paradise Place" by Siouxsie and the Banshees.
During his lifetime, Mantovani did not always get respect from his fellow musicians. When George Martin first suggested overdubbing Paul McCartney's recording of Yesterday with strings, McCartney's initial reaction, according to Martin, was that he didn't want it sounding like Mantovani. Martin therefore used a more classical sound, employing a string quartet.
Post-death publishing [edit]
Much of his catalogue has reappeared on CD. There are also many compilations. A large number of CDs are available containing unauthorized recordings, billed as Mantovani or Mantovani Orchestra, for example the CD entitled "The Mantovani Orchestra" released in 1997 contained a track from the 1980s [Andrew Lloyd-Webber] musical "Cats" which would have required posthumous conducting on the part of Mantovani. There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.
Following Mantovani's death in 1980, the Mantovani Estate continues to authorise numerous concerts worldwide and recordings using original and newly commissioned arrangements.
