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Group Members: Mark Deutrom
All Music Guide:
The Melvins were the first post-punk band to revel in the slow, sludgy sounds of Black Sabbath. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. The Melvins' first record was released in 1987; they've released many albums since then, but it wasn't until 1993 that they went to a major label, thanks to their protégé, Kurt Cobain. While some may find the Melvins dull and repetitious, their place in rock history is interesting, even if considered to be just a footnote.
The band formed in Aberdeen, Washington, the same town that produced Nirvana's Cobain and Krist Novoselic. For Nirvana and many other Seattle-area bands, the Melvins' sludge was inspirational; the younger bands took the Sabbath-styled heaviness of the Melvins, while adding an equally important pop song structure, which the group tended to lack. While all of their disciples became famous after Nirvana broke big in 1991 (including Mudhoney, which featured former Melvins bassist Matt Lukin), the Melvins only expanded their cult slightly. They did earn a major-label contract with Atlantic, but after releasing three records for the label, they were dropped in late 1996 and the group returned to indie status, landing with Amphetamine Reptile for 1998's Alive at the F*cker Club. The late '90s and early 21st century saw a flurry of releases by the band: The Maggot, The Bootlicker, The Crybaby, Electroretard, The Colossus of Destiny, Hostile Ambient Takeover, Pigs of the Roman Empire, Houdini Live 2005: A Live History of Gluttony and Lust, all of which (except for the fourth one) were issued on Mike Patton's Ipecac label.
In addition to their Melvins activities, singer/guitarist Buzz Osborne joined Patton (and former Slayer drummer Dave Lombardo and Mr. Bungle bassist Trevor Dunn) for the experimental outfit Fantômas, resulting in a number of releases (1999's self-titled debut, 2001's The Director's Cut, 2002's Millennium Monsterwork by "the Fantômas Melvins Big Band" (recorded live in San Francisco on New Year's Eve 2000 but not released until two years later), 2004's Delirium Cordia, and 2005's Suspended Animation), while the Melvins' latest bassist, Kevin Rutmanis, joined Patton in another side project, Tomahawk. In 2006, Big Business bassist Jared Warren and drummer Coady Willis joined the Melvins, appearing on that year's Senile Animal album. The follow-ups, 2008's Nude with Boots, 2010's The Bride Screamed Murder, and a live album titled Sugar Daddy Live, were recorded with the same lineup and released by Ipecac. The band returned in 2012 with a stripped-down lineup, dubbed Melvins Lite, for Freak Puke, which found Crover and Osborne recording without the boys from Big Business, instead adding standup bassist Trevor Dunn to their roster to round out the band's already formidable bottom-end sound. Mixing things up even further, the band teamed up with a host of guests, including the likes of Jello Biafra and J.G. Thirlwell, for Everybody Loves Sausages, an album of covers that arrived in 2013.
Wikipedia:
The Melvins are an American band that formed in 1983. They usually perform as a trio, but in recent years have performed as a four piece with two drummers. Since 1984, singer and guitarist Buzz Osborne (also known as King Buzzo) and drummer Dale Crover have been the band's ongoing members. The band was named after a supervisor at a Thriftway in Montesano, Washington, where Osborne also worked as a clerk. "Melvin" was despised by other employees, and the band's members felt it to be an appropriately ridiculous name.
The Melvins' music is influenced by Black Flag's mix of punk and metal on their album My War, and other slow punk acts like Swans, Flipper and Wipers, but also by some hard rock and metal bands such as Kiss and Alice Cooper; however, their idiosyncratic approach, bizarre sense of humor, and experimentation make neat categorization difficult. Buzzo has also stated that his guitar playing is more influenced by Black Flag than Black Sabbath, with whom they are often compared.
They often favor very slow tempos, and their sludgy sound was a strong influence on music, especially Nirvana, Soundgarden, Green River, and many other bands from Seattle. These bands, however, tended to use more conventional musical structures with this sound. Melvins have also influenced many bands outside the Seattle grunge scene, including Tool (who are personal friends with the band), Boris (who took their name from the title of a Melvins song), Mastodon, Neurosis, Eyehategod, and Isis.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).
Contents
History1.1 Early days1.2 The early 1990s1.3 The Atlantic years1.4 Late 1990s-mid-2000s1.5 Mid 2000s-presentHistory[edit]
Early days[edit]
The Melvins were formed in early 1983 by Buzz Osborne (guitar/vocals), Matt Lukin (bass) and Mike Dillard (drums) who all went to Montesano Jr./Sr. High School in Montesano, Washington. In the beginning they played Cream and Jimi Hendrix covers, and also began playing fast hardcore punk. When Dillard left the band, Dale Crover took his place, and the band's rehearsals moved to a back room of Crover's parents house in Aberdeen, Washington. Soon afterward, they started to play songs slower and "heavier" than nearly anyone else at the time.
In 1985, C/Z Records was created to document the Washington music scene, the label released Deep Six, featuring four songs by Melvins. In 1986 the band released their debut, the Six Songs EP, on C/Z Records (later releases expanded and retitled this as 8 Songs, 10 Songs, and eventually 26 Songs in 2003 on Ipecac Recordings). The album was recorded live to a two track at Ironwood, February 8, 1986.
In December 1986, they recorded their first full-length album, Gluey Porch Treatments, at Studio D in Sausalito, California. The album was released in 1987 on Alchemy Records. Gluey Porch Treatments was later coupled with their second album Ozma for the Boner Records CD release. It was expanded again for the 1999 rerelease on Ipecac Recordings with some garage demos.
Crover played drums with Nirvana when they recorded a ten song demo on January 23, 1988 in Seattle, which later formed part of their debut LP Bleach, and played a live show in Tacoma later that day. Osborne would later introduce Cobain and Krist Novoselic to Dave Grohl. Later that year Osborne and Crover relocated to San Francisco, California. Lukin stayed and formed the band Mudhoney. Lori "Lorax" Black (daughter of Shirley Temple) replaced Lukin on bass. The band recorded Ozma in May 1989, and released it later that year. The album was produced by Mark Deutrom, who later joined the band on bass.
The early 1990s[edit]
In 1990, the band recorded Bullhead, which marked a slower, more drone-oriented style for the band. The band then toured Europe; their January 23, 1991 show in Alzey, Germany was released by Your Choice Records as Your Choice Live Series Vol.12. When they returned to the U.S., they recorded the Eggnog EP, which was released the same year on Boner Records.
Lorax left the band, and was replaced by Joe Preston. Preston appears on the Salad of a Thousand Delights (1992, Box Dog Video). Melvins then released three "solo" EPs, following the concept and imitating the cover artwork inspired by the four Kiss members' solo albums released in 1978. King Buzzo, Dale Crover, and Joe Preston were all released in 1992 on Boner Records. Later in 1992, they released the full-length album, Lysol, which had to be renamed Melvins because Lysol was a trademarked name. Preston departed from the band, and Lorax briefly rejoined.
The Atlantic years[edit]
When Nirvana's Nevermind became a massive, unexpected success, Melvins were one of many groups to benefit from Nirvana's support. They were signed by Atlantic Records, and their first major label release, 1993's Houdini, entered the Billboard Heatseekers chart at 29. Mark Deutrom replaced Lorax on bass shortly after the album's release.
Gene Simmons of Kiss played bass with Melvins at Lollapalooza in 1993 and 1994 for a full set. He also played bass with Melvins in 1993 in a concert with Primus, on the song Goin' Blind, a Kiss song that Melvins had covered on Houdini.
The Melvins released their second album for Atlantic in 1994, Stoner Witch. Due to its experimental nature, the Melvins took their next album, Prick, to Amphetamine Reptile Records. Record label conflicts prevented the band from releasing any records under the name "Melvins", so the album was released with the band name written in mirror. They returned to Atlantic one last time for 1996's Stag, which entered the Heatseekers chart at number 33. The band was dropped by Atlantic Records in 1997 after three albums.
Late 1990s-mid-2000s[edit]
The band signed with Amphetamine Reptile Records and released their next full-length album, Honky, in 1997. They recorded an August 1997 concert in Richmond, Melbourne, Australia as Alive at the F*ckerclub in 1998. The same year, Melvins opened for Tool. (A humorous picture on the Tool website depicts the Melvins along with the words "Melvins say...Tool Sux!" spelled out in lunch meat. The photo was taken while on tour with Tool in 2002 in Australia.) In 1998, the Melvins played the second stage at Ozzfest.
1999 saw the beginning of a partnership with Mike Patton's Ipecac Recordings, which began remastering and reissuing much of the band's back catalog. The band also released three full-length albums dubbed (and later packaged together as) The Trilogy: The Maggot, The Bootlicker, and The Crybaby. The latter featured a number of guest vocalists and musicians. Kevin Rutmanis, formerly of The Cows, was bassist during this era.
In 2001, the band returned to their experimental tendencies for Colossus of Destiny, a live set of synthesizer and sampler experiments presented as two tracks (one clocking in at 59:23 and the other at five seconds). The album was described approvingly by one critic as "more like avant-garde electro-acoustic than anything else."
In 2003 Atlantic Records (UK) released Melvinmania: The Best of the Atlantic Years 1993–1996, a compilation of recycled tracks from the band's three major label releases. This release was unsanctioned by the band who had no input into the track selection or (occasionally inaccurate) liner notes.
In 2004, Osborne and Crover toured to celebrate their 20th anniversary as a band, and also released an art book Neither Here Nor There. The book is a collection of art by creators of their cover art as well as friends of the band, and also contained retrospectives on the past twenty years of the Melvins. The book included a CD with selected tracks from their albums.
Mid 2000s-present[edit]
In 2004 the Melvins collaborated with ambient artist Lustmord for Pigs of the Roman Empire and with Dead Kennedys singer Jello Biafra for Never Breathe What You Can't See and Sieg Howdy! released in 2004 and 2005 respectively. Never Breathe What You Can't See was supported by a mini-tour with Jello Biafra and Adam Jones from Tool. A planned European tour was canceled in early October 2004 reportedly due to unknown complications involving Rutmanis. Following the tour cancellation, the Melvins finished the year playing a few shows with David Scott Stone supporting the work of filmmaker Cameron Jamie in Europe and the United States.
When asked about Rutmanis and the canceled portion of the tour Osborne and Crover stated that Rutmanis had "disappeared". Fans feared that Rutmanis had departed like so many bassists before him; however, Rutmanis returned temporarily in early 2005. In June 2005, Rutmanis officially left the band with drug abuse rumored as the major cause. When Melvins toured with Jello Biafra in October and November 2005, David Scott Stone filled in on bass.
In early 2006, Crover confirmed rumors of the members of the band Big Business joining Melvins. Commenting on adding another drummer, Crover said this about Big Business drummer Coady Willis: "He's left-handed, so we want to do this 'mirror image' type of thing. We've kind of fused our two drum sets together, and we're going to try and do some crazy thing with it. We're sharing these big toms in between us."
The merged bands toured the U.S. in the fall of 2006 in support of their album, (A) Senile Animal. Melvins also toured briefly the United Kingdom in mid-December 2006. Two new songs entitled "Suicide in Progress" and "Billy Fish" have been played during the 2007 tour, and appear on their next album Nude With Boots.
On June 16 and 17, 2008, a line up of Osborne, original drummer Mike Dillard, and Dale Crover (playing bass) played two shows at the Great American Music Hall in San Francisco in honor of Jello Biafra's 50th birthday. Both sets were composed of songs from The Mangled Demos, a collection of early material released on the Alternative Tentacles record label in 2005.
In July 2008, their new album entitled Nude with Boots was released. In December 2008, along with Mike Patton, Melvins co-curated an edition of the All Tomorrow's Parties Nightmare Before Christmas festival. They chose half of the lineup and also performed themselves.
The long rumoured (since 2003) remix CD Chicken Switch was released on September 29, 2009 via Ipecac Recordings. Unlike usual remix cds where the remixer is given a single track to work with, for Chicken Switch each remixer was given a full album to work with and pull from to create their track.
The Melvins joined with New Orleans' super group Down and Weedeater for a North American tour in the Summer and Fall of 2009. The Melvins released their follow up to Nude with Boots, entitled The Bride Screamed Murder, on June 1, 2010.
The Melvins started 2011 with a series of unique shows. Four of the shows were every Friday at Spaceland's in California. January 7 featured the current line-up playing Colossus of Destiny, Lysol, and Eggnog. Jan 14 featured a Melvins 1983 set followed by the band playing Houdini. Jan 21 featured a two-piece Melvins set followed by the current lineup playing Bullhead. Jan 28 featured the band playing a normal set followed by Stoner Witch.
In early 2011 they had the unfortunate distinction of being on tour first in Christchurch, New Zealand at the time of the February 2011 Christchurch earthquake then in Tokyo, Japan at the time of the 2011 Tōhoku earthquake and tsunami. They supported Slayer at the All Tomorrow's Parties 'I'll Be Your Mirror' festival at Alexandra Palace, London in May 2012.
The Melvins also have a lineup called Melvins Lite (Buzz, Dale, and Trevor Dunn) that toured through parts of 2011. This line-up released an album entitled Freak Puke on June 15, 2012 on Ipecac Recordings. The main four-piece lineup remains active as well and released a digital EP, The Bulls and the Bees, in March on Scion a/v.
In 2012, The Melvins Lite completed a record-breaking tour, having performed every night for 51 straight days, once in each of the 50 United States and once in the District of Columbia. The tour started on September 5 in Anchorage, Alaska and ended in Honolulu, Hawaii October 25, 2012.
Everybody Loves Sausages, an album of cover songs performed by the Melvins with special guests throughout, was released by Ipecac on April 30, 2013.
In 2013, the Melvins are marking 30 years as a band with an extensive summer tour supported by Honky, Die Kreuzen and Negative Approach. Grunge pioneers Mudhoney will also join the band for two shows on the Melvins' 30th Anniversary tour.
The Melvins are featured on the 2013, Joyful Noise Recordings flexi-series.
On August 5th, 2013, the Melvins announced a new album, titled Tres Cabrones, that reunites Buzz Osborne and Dale Crover with the band's original drummer Mike Dillard. Crover replaced Dillard in 1984 and has moved over to bass for the new album. Tres Cabrones is slated for release in November 2013 on the band's longtime label Ipecac.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).
Musical style[edit]
The band's music has been labeled as sludge metal, doom metal, grunge, stoner rock, experimental rock, hardcore punk, noise rock, alternative metal, and drone metal.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

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