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Nancy Argenta

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  • Born: Eisenach, Germany
  • Died: Leipzig, Germany


Biography All Music GuideWikipedia

All Music Guide:

Bach is considered by many people to have been the greatest composer in the history of Western music. Bach's main achievement lies in his synthesis and advanced development of the primary contrapuntal idiom of the late Baroque, and in the basic tunefulness of his thematic material. He was able to successfully integrate and expand upon the harmonic and formal frameworks of the national schools of the time: German, French, Italian, and English, while retaining a personal identity and spirit in his large output. Bach is also known for the numerical symbolism and mathematical exactitude which many people have found in his music -- for this, he is often regarded as one of the pinnacle geniuses of Western civilization, even by those who are not normally involved with music.

Bach spent the height of his working life in a Lutheran church position in Leipzig, as both organist and music director. Much of his music is overtly religious, while many of his secular works admit religious interpretations on some levels. His large output of organ music is considered to be the greatest legacy of compositions for the instrument, and it is the measure by which all later efforts are judged. His other solo keyboard music is held in equally high esteem, especially for its exploration of the strictly contrapuntal fugue; his 48 preludes and fugues (The Well-Tempered Clavier) are still the primary means by which these forms are taught. His other chamber music is similarly lofty, the sets for solo violin and solo cello being the summits of their respective genres. Bach's large-scale sacred choral music is also unique in its scope and development. The St. John and St. Matthew passions and B Minor Mass led to the rediscovery of his music in the 19th century. His huge output of cantatas for all occasions is equally impressive. Finally, his large output of concerti includes some of the finest examples of the period, including the ubiquitous Brandenberg Concertos.


Nancy Maureen Argenta (born Nancy Maureen Herbison on January 17, 1957) is a Canadian soprano singer, best known for performing music from the pre-classical era. She has won international acclaim, and is considered by many as the leading Handel soprano of her time.


She was born in Nelson, British Columbia, Canada. She spent her early years in the settlement of Argenta, from which she later took her professional name (to avoid being mistaken for another Canadian soprano, Nancy Hermiston.)

At the age of 11 she started formal voice lessons with Dr. Amy Ferguson of Nelson, and sang with one of the school choirs at L.V. Rogers High School in Nelson. By that time, she was frequently making trips to Vancouver, British Columbia, so she could hear musical events and have additional singing lessons. After graduation from high school in 1975, she was a student of Jacob Hamm in Vancouver and of Martin Chambers at the University of Western Ontario, graduating in 1980. The same year she won 1st prize in the Sophie Carmen Eckhardt-Gramatté Competition. After further training with Jacqueline Richard in Düsseldorf from 1980 to 1981, and with Gérard Souzay, in 1982 she settled in London, England and completed her studies with Vera Rozsa, and Sir Peter Pears.

In 1990, she won Canada's Virginia Parker Prize.

^ Tamara Bernstein; Betty Nygaard King (July 29, 2007). "Argenta, Nancy". The Canadian Encyclopedia. Historica Canada, 1985–. ^ Canada Council. The Virginia Parker Prize Cumulative list of Winners


Her soprano voice is light, clear, and flexible, with a sound that is regarded as ideal for classical-era and earlier music.


Her professional operatic debut was in two roles in Rameau's Hippolyte et Aricie at the 1983 Aix-en-Provence Festival. In 1990 she received the Virginia P. Moore Prize, an annual award from the Canada Council for development of the career of a young Canadian classical musician.

She is in high demand to perform with period instrument ensembles. These have included the Academy of Ancient Music and The English Concert, La Petite Bande, and such prominent conductors as Trevor Pinnock, Christopher Hogwood, John Eliot Gardiner, Roger Norrington and Sigiswald Kuijken. She is particularly noted for her performances of the vocal music of the two leading figures in English music during the Baroque era: George Frideric Handel and Henry Purcell. When she returned to the Aix-en-Provence Festival in 1990, it was to sing in the latter's The Fairy Queen. She has performed most of the major Handel operas and oratorios. She also sings all the large-scale Bach choral/vocal works (Mass in B minor, the Passions, the Christmas Oratorio, and several of the cantatas).

In the classical era she is noted for performances of Haydn masses (some of which she has recorded with Pinnock and Richard Hickox), Haydn's Creation, the role of Zerlina in Don Giovanni and Despina in Così fan tutte. However, she sings music of all eras. She has recorded Schubert for the Virgin Classics label, and has sung in performances of music by Mahler and Schoenberg.

She currently lives in Victoria, British Columbia, after having England as her home for much of her career. Argenta teaches at the Victoria Conservatory of Music and regularly performs in Victoria with the Victoria Baroque Players, in the Early Music Society of the Islands series, in her own oratorio workshop concerts and other venues.

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