of Montreal

All Music Guide:

The brainchild of singer/guitarist Kevin Barnes, Of Montreal was among the second wave of bands to emerge from the sprawling Elephant 6 collective. A native of Athens, Georgia, Barnes was inspired to form the euphoric indie pop group in the wake of a broken romance with a woman from Montreal. He signed with Bar/None Records while living in Florida, subsequently moved to Cleveland and Minneapolis in search of compatible bandmates, and finally returned home to collaborate with bassist Bryan Helium (also a member of Athens' Elf Power) and drummer Derek Almstead.

Of Montreal's debut album, Cherry Peel, appeared in mid-1997, followed that autumn by an EP entitled The Bird Who Continues to Eat the Rabbit's Flower. From the start, the band buoyed its bright, flamboyant indie pop sound with elements of psychedelia and vaudeville; Of Montreal's earliest records also exhibited a lo-fi sound that bordered on twee pop, although the band steadily shed those influences throughout the early 2000s. After Helium left the group in 1998 to focus on Elf Power full-time, Almstead assumed bass duties, while keyboardist Dottie Alexander and drummer Jamie Huggins both joined the lineup. Nevertheless, the band's second album, 1998's The Bedside Drama: A Petite Tragedy, was recorded primarily as a Barnes solo project.

Multi-instrumentalist A.C. Forrester signed on for 1999's sublime The Gay Parade, while the retrospective album Horse & Elephant Eatery followed in the spring of 2000. The group continued with the release of Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse in April 2001 and Aldhils Arboretum in September of 2002, both of which were issued by the Georgia-based label Kindercore Records. With the subsequent folding of Kindercore, the departures of multi-instrumentalist Andy Gonzales and Almstead, and Barnes' marriage, 2003 proved to be an up and down year for the group. Barnes' wife, Nina, joined Of Montreal's lineup as the group signed to Polyvinyl Records and delivered one of their most celebrated records, Satanic Panic in the Attic, in early 2004.

The following year found Barnes exploring a bouncier, synth-driven avenue with the release of Sunlandic Twins, but things began to get complicated in his personal life at the same time. He and his wife moved to Norway for the birth of their baby. Deprived of familiar touchstones, Barnes fell into a deep depression and, upon returning to the States, continued to travel progressively downhill. He and his wife separated for a time, and she returned to her family in Norway with their new daughter. Through the emotional turmoil, Barnes concocted what was to be his darkest, most personal, and ambitious album yet -- Hissing Fauna, Are You the Destroyer? -- in 2007. Arriving one year later, Skeletal Lamping furthered that ambitious sound by emphasizing Barnes' outrageous alter ego, "Georgie Fruit," whose influence pushed the album toward funk and prog territory. An Eluardian Instance (Jon Brion Remix EP) followed in early 2009, featuring five remixed tracks from the previous album. Of Montreal's tenth studio release, False Priest, arrived the following year and featured cameos from fellow genre-hoppers Janelle Monáe and Solange Knowles. Songs written for that album but not used saw the light of day in April of 2011 with the release of thecontrollersphere EP. The following year Barnes revisited the raw emotion of Hissing Fauna with the album Paralytic Stalks, exploring themes of self-loathing, revenge, and romantic turmoil to create Of Montreal's most personal offering yet. At the end of 2012, the band issued the Daughter of Cloud compilation, a collection of unreleased b-sides and outtakes from 2008-2011.

Wikipedia:

Of Montreal (stylized as of Montreal) is an American rock band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance with a woman "of Montreal." The band is one of the bands of the Elephant 6 collective. Throughout its existence, of Montreal's musical style has evolved from vaudeville and Beatles-influenced psychedelic twee pop to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

Contents

History[edit]

Early years[edit]

Kevin Barnes founded of Montreal, allegedly naming it for a failed romance with a woman from Montreal, Québec. Barnes was the only member of the "group" prior to his relocation to Athens, Georgia. There, he met Derek Almstead (Circulatory System, M Coast, Elf Power) and Bryan Poole, who also performs as The Late B.P. Helium. Together, they recorded their debut album, Cherry Peel, and subsequent releases The Bird Who Ate the Rabbit's Flower and The Bedside Drama: A Petite Tragedy.

After production on The Gay Parade, the band's third album, began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band. Barnes then recruited James Husband and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly. Derek moved from drums to bass, and Marshmallow Coast's Andy Gonzales joined soon after. Prior to the release of The Gay Parade in 1999, of Montreal released a number of singles and a re-release of The Bird Who Continues to Eat the Rabbit's Flower.

Kindercore (1999–2002)[edit]

Following the release of The Gay Parade, the band signed with Kindercore Records, who released a number of singles and compilations. In 2001, the concept album Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse was released, again featuring contributions from across the Elephant Six spectrum.

In 2002, Aldhils Arboretum was released. This album marks the beginning of the change in of Montreal's sound, with more danceable rhythms than before, particularly on the album's closer, "Death Dance Of The Omipapas and Sons For You". A successful tour ensued, including the band's first trip to the UK, along with a tour-only EP.

Polyvinyl (2004–present)[edit]

Kindercore Records would fold shortly after the release of Arboretum, and Andy and Derek left the band. Barnes took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. During the tour for Satanic, the Late B.P. Helium (Bryan Poole) rejoined the band. In 2003, Kevin was married to Nina Grøttland, who would also play some bass for the tour. The album marked a shift to an electronic bass, with drum machines and synthesizers featured in singles such as "Disconnect the Dots."

This style would continue to evolve into 2005's The Sunlandic Twins, which was even more of a solo effort by Barnes. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles "So Begins Our Alabee" and the MTV clip for "Wraith Pinned to the Mist (and Other Games)". The band released several collections of singles in early 2006.

Kevin Barnes recorded most of the band's 2007 release, Hissing Fauna, Are You the Destroyer?, by himself while living in Norway and Athens, Georgia. Barnes also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee. In 2007, Kevin Barnes performed five songs nude during a performance in Las Vegas. In Paris, they did a Take-Away Show acoustic video session shot by Vincent Moon.

of Montreal's next album, Skeletal Lamping, was released on October 21, 2008. It was released in ten different formats, including conventional CD and vinyl, as well as t-shirts, button sets, wall decals, tote bags, and a paper lantern, the latter formats complete with a digital download code for the album. All items for the collection were designed by The Bee With Wheels (David Barnes) and Gemini Tactics (Nina Barnes). In an essay addressing the concept behind the album's release, Kevin Barnes stated, "We feel that there's no reason to produce another object that just sits on a shelf. We only want to produce objects that have a function and that can be treasured for their singularness." In an interview with NPR, Kevin Barnes revealed that the concept of the CD may be going the way of the 8-track in favor of MP3 downloads. David Barnes joked that fans would buy the album via MP3 download and the version that comes with an amazing sandwich. The album reached number one on emusic's Most Downloaded Albums Chart. The video for the album's second single, "An Eluardian Instance", was directed by Jesse Ewles.

In recent years, the band has lent its songs many times to commercials, television programs, and films. The song "Wraith Pinned to the Mist (And Other Games)" can be heard on radio and television commercials (with words changed) for an advertisement for Outback Steakhouse. Similarly, their song "Every Day Feels Like Sunday" was used in television commercials for NASDAQ. "A Sentence of Sorts In Kongsvinger" was used in a Comcast commercial. "Gronlandic Edit" was used for a T-Mobile commercial which also featured the band as actors.

Polyvinyl and Joyful Noise Recordings (2010–present)[edit]

Teaming up with Grammy-nominated producer Jon Brion (Kanye West, Fiona Apple), of Montreal's mastermind Kevin Barnes traveled to famed Ocean Way Recording (Michael Jackson, Ray Charles, Frank Sinatra) to record False Priest. As discussed in features in Rolling Stone, SPIN, Under the Radar and Pitchfork, False Priest is speaker-rattling heavy on the low end and features appearances by Janelle Monáe and Solange Knowles. The album also marks the return of organic instruments—with live drums, strings and pianos replacing the midi sounds and sequencers of previous albums. The cassette edition of "False Priest" was limited to 500 hand-numbered copies through Joyful Noise Recordings. The artwork features a 10-panel booklet containing paintings and re-interpretations of paintings by David Barnes, Nina Barnes, and Kevin Barnes. The tape was pressed on a red cassette, matching the artwork, and included MP3s and FLAC audio.

On October 25, 2011 of Montreal released a Cassette Box Set of all 10 full-length albums via Joyful Noise Recordings. The release was limited to 500 hand-numbered copies, and housed in a custom-built wooden box (screen-printed with original artwork from David Barnes). Each of the 10 cassettes were pressed on multi-colored tape shells and included original album art. Like their previous cassette release, MP3 download was included.

Kevin Barnes hinted on Twitter that of Montreal's next studio album would be titled "Paralytic Stalks". Kevin Barnes had revealed some information on the new album in an interview with Pitchfork Media. On 20 October 2011 Barnes announced that the new album was complete. In November 2011, the band released a new track titled "Wintered Debts" via the band's Soundcloud site, a track off the new album "Paralytic Stalks." In January 2012, of Montreal released "Dour Percentage," the first single from the new album. "Paralytic Stalks" was released on February 7, 2012.

On November 12, 2012, the band created a Kickstarter page to help in the funding of a career-spanning, feature-length documentary called Song Dynasties. The film will consist of footage collected throughout of Montreal's entire career, including touring and studio sessions, as well as other musicians such as Andrew VanWyngarden of MGMT. The tentative release window for Song Dynasties was announced as Spring 2013. An update regarding the documentary's progress was posted on the band's Facebook site in February. The picture and caption included in the post indicated that the film is now in the post-production stage.

On April 25, 2013, of Montreal posted an announcement on their Facebook page stating that their new album entitled Lousy with Sylvianbriar had been completed. The post went into detail about the album's conception, including that Barnes' writing occurred while on a "self imposed isolation experiment in San Francisco" in early 2013. He was influenced by Sylvia Plath, the Grateful Dead, Neil Young, and the Flying Burrito Brothers in his writing. Lousy with Sylvianbriar is scheduled to be released on 8 October 2013. On 10 July 2013, the band released the first single from the album, entitled "Fugitive Air." On 31 July 2013, they announced that they would be touring their new album in October and November.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Style[edit]

The group has a style that is typical of many Elephant 6 bands due to its interest in combining musical experimentation and the basic tenets of pop, such as catchy melodies and sing-along choruses. The band's style has been influenced by not only more conventional indie pop and psychedelic music, but also by vaudeville and music hall on their earlier releases and by afrobeat, funk, and krautrock in their more recent releases.

The band's style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. Later the band moved to a fuller sound, as seen on the concept albums The Gay Parade and its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These albums contain more narrative lyrics, and often imitating the style of old 1950s radio plays.

2004's Satanic Panic in the Attic marked the result of an evolving change in style. The sound shifted to something more electronic, although at this point still with more standard instrumentation, and prominent guitars on most tracks, with more traditional pop and rock structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing.

Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as "Tim, I Wish You Were Born A Girl", from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as "Jacques Lamure", "The Autobiographical Grandpa", "Mimi Merlot" and "Rose Robert"). Others act as extracts from fictional conversations ("Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage" and "Good Morning Mr. Edminton" as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent.

Side projects[edit]

True to the style of most Elephant Six recording artists, Of Montreal's members have been in a variety of side project with other bands:

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