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Outkast

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Biography All Music GuideWikipedia

Group Members: Jagger & Jah Yut, Andre 3000 & Trapaholics, Big Boi, Big Boi, DJ Drama, Dre

All Music Guide:

OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their Organized Noize production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. Along with Goodie Mob, OutKast took Southern hip-hop in bold and innovative directions: less reliance on aggression, more positivity and melody, thicker arrangements, and intricate lyrics. After Dré and Big Boi hit number one on the rap charts with their first single, "Player's Ball," the duo embarked on a run of platinum albums spiked with several hit singles, enjoying numerous critical accolades in addition to their commercial success.

André Benjamin (Dré) and Antwan Patton (Big Boi) attended the same high school in the Atlanta borough of East Point, and several lyrical battles made each gain respect for the other's skills. They formed OutKast and were pursued by Organized Noize Productions, hitmakers for TLC and Xscape. Signed to Antonio "L.A." Reid and Babyface's local LaFace label just after high school, OutKast recorded and released "Player's Ball," then watched the single rise to number one on the rap chart. It slipped from the top spot only after six weeks, was certified gold, and created a buzz for a full-length release. That album, Southernplayalisticadillacmuzik, hit the Top 20 in 1994 and was certified platinum by the end of the year. Dré and Big Boi also won Best New Rap Group of the Year at the 1995 Source Awards.

OutKast returned with a new album in 1996, releasing ATLiens that August; it hit number two and went platinum with help from the gold-selling single "Elevators (Me & You)" (number 12 pop, number one rap), as well as the Top 40 title track. Aquemini followed in 1998, also hitting number two and going double platinum. There were no huge hit singles this time around, but critics lavishly praised the album's unified, progressive vision, hailing it as a great leap forward and including it on many year-end polls. Unfortunately, in a somewhat bizarre turn of events, OutKast was sued over the album's lead single, "Rosa Parks," by none other than the civil rights pioneer herself, who claimed that the group had unlawfully appropriated her name to promote their music, also objecting to some of the song's language. The initial court decision dismissed the suit in late 1999. (The Supreme Court later allowed the lawsuit to proceed; the two parties eventually reached a settlement.)

Dré modified his name to André 3000 before the group issued its hotly anticipated fourth album, Stankonia, in late 2000. Riding the momentum of uniformly excellent reviews and the stellar singles "B.O.B." and "Ms. Jackson," Stankonia debuted at number two and went triple platinum in just a few months; meanwhile, "Ms. Jackson" became their first number one pop single the following February. Both of those major singles and most of the album material -- all but three contributions from Organized Noize, in fact -- were produced by a trio dubbed Earthtone III (aka André 3000, Big Boi, and David "Mr. DJ" Sheats).

2003's Speakerboxxx/The Love Below, a double album, debuted at number one and spawned a pair of number one singles: the Dré-fronted "Hey Ya" and the Big Boi-fronted "The Way You Move." Speakerboxxx, more true to OutKast's past, could have been issued as a Big Boi solo album, while The Love Below, a diverse and playful affair, could have been an André 3000 release. Regardless of its dual nature, the set won the 2004 Grammy for Album of the Year. As breakup rumors continued to swirl, the duo returned with the feature film Idlewild -- a musical set in the Prohibition-era South -- and an extremely eclectic soundtrack billed as a proper OutKast album. Big Boi issued a solo album, Sir Lucious Left Foot: The Son of Chico Dusty in 2010, while André 3000 produced and/or appeared on a series of tracks by the likes of John Legend ("Green Light"), Beyoncé ("Party"), Lloyd ("Dedication to My Ex [Miss That])," and Young Jeezy ("I Do").

Wikipedia:

This article is about the hip hop group. For the film, see Outkast (film). For other uses, see Outcast (disambiguation).

Outkast (stylized as OutKast) is an American hip hop duo formed in 1992, in East Point, Atlanta, Georgia, composed of Atlanta-based rappers André "André 3000" Benjamin (formerly known as Dré) and Antwan "Big Boi" Patton. They were originally known as Two Shades Deep but later changed the group's name to OutKast. The group's original musical style was a mixture of Dirty South and G-funk. Subsequently however, funk, soul, rock, electronic music, psychedelic, spoken word poetry, jazz, and blues elements have been added to the group's musical palette.

After forming the group as high school students in 1992, Outkast released their debut album Southernplayalisticadillacmuzik (1994), which gained popularity after the single "Player's Ball", reached number one on the Billboard Hot Rap Tracks chart. With successive releases including ATLiens in 1996, Aquemini in 1998 and Stankonia in 2000, Outkast continually experimented and developed their music. In 2003, the duo released the double album Speakerboxxx/The Love Below, which featured the number one singles "Hey Ya!" and "The Way You Move". Speakerboxxx/The Love Below won the Grammy Award for Album of the Year in 2004, the first and only for a hip hop group. Outkast next created the soundtrack for the 2006 musical film Idlewild, which they starred in. Since 2007, Outkast has been on hiatus and both members have pursued their solo careers, although the group moved to Epic Records in September 2011. In 2014, Outkast reunited to celebrate their 20th anniversary by performing at more than 40 festivals worldwide in 2014, beginning at the Coachella Festival in April.

The duo is one of the most successful hip-hop groups of all time, having received six Grammy Awards. Between six studio albums and a greatest hits release, Outkast has sold over 25 million records. Meanwhile they have garnered widespread critical acclaim, with publications such as Rolling Stone and Pitchfork Media listing albums such as Aquemini and Stankonia among the best of their era.

^ allmusic Biography^ Erlewine, Stephen Thomas (2003). "Speakerboxxx/The Love Below". Allmusic. Retrieved 2008-04-20. ^ "OutKast propels hip-hop to new heights". CNN.com. 2004-04-15. Retrieved 2008-04-19. ^ Coachella 2014 Lineup. Stereogum (2014-01-08). Retrieved on 2014-05-28.

Contents

History1.1 1992–94: Early years and debut1.2 1996–99: Breakthrough - ATLiens & Aquemini1.3 2000–01: Stankonia and Greatest Hits1.4 2002–04: Speakerboxxx/The Love Below1.5 2005–06: Idlewild1.6 2007–13: Hiatus and solo work1.7 2014: Reunion

History[edit]

1992–94: Early years and debut[edit]

Benjamin and Patton met in 1992 at the Lenox Square shopping mall when they were both sixteen years old. The two lived in the East Point section of Atlanta and attended Tri-Cities High School. During school, Benjamin and Patton participated in rap battles in the cafeteria. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.

OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of labelmate TLC's "What About Your Friends". During the holiday season of 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.

Their debut album, Southernplayalisticadillacmuzik, was issued on April 26, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.

1996–99: Breakthrough - ATLiens & Aquemini[edit]

After Southernplayalisticadillacmuzik was certified platinum, LaFace Records gave OutKast more creative control and advanced money for their 1996 follow-up album ATLiens. The duo took the opportunity to recreate their image. On a trip to Jamaica with producer Mr. DJ, the two decided to abandon their cornrow hairstyles in favor of a more natural aesthetic, vowing to stop combing their hair. Dungeon Family member Big Rube observed an increase in the duo's confidence after returning from their first tour, remarking, "They started understanding the power they had in their music. They started showing a swagger that certain artists have—the ones that are stars." The two also became more accustomed to playing live, particularly Big Boi, and André 3000 significantly changed his lifestyle, as he adopted a more eccentric fashion sense, became a vegetarian, and stopped smoking marijuana. The members also underwent changes in their personal lives; in 1995, Big Boi's girlfriend gave birth to their first child and André 3000 and Total's Keisha Spivey ended their two-year relationship.

ATLiens was released on August 27, 1996. The album exhibited a notably more laid-back, spacey production sound, taking influence from dub and reggae. On ATLiens, André 3000 and Big Boi abandoned the "hard-partying playa characters" of their debut album in favor of more spacey, futuristic personas, and produced many of the songs on their own for the first time. Critics praised the group's maturing musical style on the record, which debuted at number two on the U.S. Billboard 200 chart and sold nearly 350,000 copies in its first two weeks of release. The single "Elevators (Me & You)" reached number 12 and spent 20 weeks on the Billboard Hot 100 chart. ATLiens further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.

For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself in the single "ATLiens".

OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.

Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, Slick Rick, funk pioneer and musical forebear George Clinton, and Goodie Mob.

2000–01: Stankonia and Greatest Hits[edit]

Originally titled 'Sandbox', the pair's fourth album, Stankonia was released in October 2000 to positive reviews. The album was seen as a change in the group's musical style, as it had a more commercial and mainstream appeal, compared to their previous three albums which were darker and deeper. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson", combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".

The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and OutKast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.

Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. Later on the webzine selected Stankonia as the 13th best album of the 2000s. And B.O.B. was chosen number one song of the decade by this same webzine.

In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World", which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)".

2002–04: Speakerboxxx/The Love Below[edit]

OutKast spent 2 years working on their 5th effort, before releasing a double album, Speakerboxxx/The Love Below, on September 23, 2003. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear and co produce on each other's discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.

The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.

The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nine weeks and "The Way You Move" taking over for one week in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.

OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musicals West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick", which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.

Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming the first album consisting solely of hip-hop to receive the honor. (The Miseducation of Lauryn Hill by Lauryn Hill won best album in 1999 but was predominantly an R&B album.) OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" with the Outkast backing band during a medley with Earth Wind & Fire, George Clinton and Robert Randolph, while André 3000 performed "Hey Ya!" as the show closer after they had been presented with the Album Of The Year Award.

2005–06: Idlewild[edit]

Members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. In an interview for Billboard, Big Boi stated "This is an OutKast album. It isn't like a soundtrack where we go get this person or that person".

Originally planned for early 2005, Idlewild '​s release date was pushed to December 2005, before being delayed into 2006. The album debuted at number two on the US Billboard 200 chart with first-week sales of 196,000 copies. It also entered at number one on Billboard '​s Top R&B/Hip-Hop Albums, at number one on the Top Rap Albums, and at number two on the Top Digital Albums chart. The album dropped to number seven on the Billboard 200, selling 78,000 copies in its second week. It spent nine weeks on the Billboard 200. In the United Kingdom, Idlewild debuted at number 16 on the UK Albums Chart. It fell to number 28 in its second week on the chart. While it charted wihin the top-twenty in several other countries, the album spent a minimal amount of weeks on most charts. On August 26, 2006, the album was certified platinum in sales by the Recording Industry Association of America, following shipments in excess of one million copies in the United States. It was certified gold in sales by the Canadian Recording Industry Association in November 2006.

The first single of the album, "Mighty 'O'", features both André 3000 and Big Boi; the song takes its lyrical hook from the Cab Calloway song "Minnie the Moocher" ("Mighty-ighty-ighty O") and seems to be an example of the album's mix of hip hop and more traditional American jazz and blues. Next, similar to previous OutKast albums such as Speakerboxxx/The Love Below, two singles—one solely by Big Boi, the other solely by André 3000—were released simultaneously. The second single, almost exclusively featuring Big Boi, is the marching band–influenced "Morris Brown", featuring guest artists Sleepy Brown and Scar, both artists on Big Boi's Purple Ribbon label. The song's title is a reference to Atlanta's Morris Brown College, with the school's marching band providing the instrumentation.

The third single, André 3000's "Idlewild Blue (Don'tchu Worry 'Bout Me)" delves into the blues genre, complete with a blues-style acoustic guitar riff and a harmonica element reminiscent of Aquemini single "Rosa Parks". In tune with the film, Idlewild reflects OutKast's original style tempered by 1930s influences. The fourth single, "Hollywood Divorce" was released in November 2006, and features verses from Lil' Wayne and Snoop Dogg and is produced by André 3000.

2007–13: Hiatus and solo work[edit]

In 2007 after the sixth album under the OutKast name, Idlewild, Big Boi announced plans to release a full-fledged solo album. While he had released a previous solo album in Speakerboxxx, it still was technically under the OutKast name. The album was to be titled Sir Lucious Left Foot: The Son of Chico Dusty. The album's first promotional single, "Royal Flush", was released in 2007, and featured Raekwon and André 3000. After many delays and setbacks, the album was finally released internationally on July 5, 2010. Guest artists include singer Janelle Monáe; Big Boi's own new group Vonnegutt; plus established rappers T.I. and B.o.B. Sir Lucious Left Foot: The Son of Chico Dusty received general acclaim from most music critics, earning praise for its inventive sound, varied musical style, and Big Boi's lyricism. In a July 2010 interview for The Village Voice, Big Boi revealed that he is working on the follow-up album to Sir Lucious Left Foot, entitled Daddy Fat Sax: Soul Funk Crusader, stating that he is "maybe about six songs into it". He is "planning on a doing a bunch of sax samples, tenor, soprano, and probably have at least a couple sax players come into the studio for the next record".

André 3000 returned to rapping in 2007, after a hiatus from the genre, appearing on various remixes, including: "Walk It Out", "Throw Some D's", "You", Jay-Z's "30 Something", and original songs such as UGK's "International Players Anthem", Devin the Dude's "What A Job", Fonzworth Bentley's "Everybody", and with Big Boi "Royal Flush" and the leaked single "Lookin For Ya". He also appeared on John Legend's album, Evolver, on the track "Green Light", which was released on October 28, 2008. Prior to the release, Benjamin commented: "It's going to be a surprise for a lot of John Legend fans, because it is a lot more upbeat than John is—than people think John is. I was actually happy to hear it. This is a cool John Legend song." Benjamin has stated that he is making a solo rap album, and that the response to his remixes is part of the motivation for it. In September 2011 it was announced that OutKast was moved to Epic Records following restructuring within Sony Music Entertainment. Epic Records is headed by LA Reid who has worked with Outkast in the past. In 2012, Andre 3000 was cast to play Jimi Hendrix in a biopic film titled, Jimi: All Is By My Side, which was later released on September 26th, 2014.

2014: Reunion[edit]

In late 2013, it was reported that Outkast would reunite at the Coachella Valley Music and Arts Festival in 2014. This was later confirmed on January 8, 2014, when it was officially announced that the duo would headline the festival on April 11 and 18. It was later announced on January 13, 2014 that Outkast would be performing at more than 40 festivals around the world throughout the spring and summer of 2014 to celebrate their 20th anniversary, including one of the largest festivals in the UK, Bestival. Despite rumors, Big Boi has insisted that the duo are not currently working on a new album together. Outkast returned to Atlanta for their #ATLast homecoming shows over the weekend of September 26th, 2014, selling out within minutes of tickets going on sale. The shows had a large variety of openers, ranging from R&B singer Janelle Monáe and rapper/rock artist Kid Cudi to rappers 2 Chainz, Future, Bun B, and Childish Gambino. Outkast's Dungeon Family associates Sleepy Brown and Big Gipp also appeared onstage with the duo, rapping and singing on their respective songs.

^ Guzman, Isaac (October 22, 2000). "Melody Makers of Hip-Hop". Los Angeles Times. Eddy Hartenstein. Retrieved January 20, 2012. ^ Cite error: The named reference ALLMUSIC was invoked but never defined (see the help page).^ "OutKast Biography". Encyclopedia of World Biography. 2006. Retrieved 2008-04-20. ^ Black Diaspora (New York) 18: 25. 1997. ^ Westhoff, 2011. p. 135^ Sarig, 2007. p. 139^ Nickson (2004), p. 46.^ Sarig, 2007. p. 140^ Huey, Steve. "Aquemini - OutKast". AllMusic. Rovi Corporation. Retrieved December 21, 2012. ^ Huey, Steve. "ATLiens - OutKast". AllMusic. Rovi Corporation. Retrieved July 10, 2012. ^ "Pearl Jam's 'No Code' to Top Albums Chart". San Jose Mercury News. MediaNews Group. September 7, 1996. Retrieved March 5, 2011. ^ "The Charts – 'ATLiens' Landing". Los Angeles Times. Eddy Hartenstein. September 15, 1996. Retrieved March 5, 2011. ^ "OutKast Album & Song Chart History – Hot 100". Billboard. Prometheus Global Media. Retrieved March 5, 2011. ^ (September 18, 2005). Polly Vernon talks to Andre 3000. Retrieved April 12, 2008.^ Cowie, Del F.. (1975-05-27) OutKast - Brothers From Another Planet - On the Cover. Exclaim.ca. Retrieved on 2014-05-28.^ Staff Lists: The Top 500 Tracks of the 2000s: 20-1 | Features. Pitchfork (2009-08-21). Retrieved on 2012-04-09.^ Mitchell, Gail. Outkast's 'Idlewild' Bumped To Next Year. Billboard. Retrieved on 2010-05-10.^ Hasty, Katie. Danity Kane Sidesteps OutKast To Claim No. 1. Billboard. Retrieved on 2010-05-10.^ R&B/Hip-Hop Albums - Week of September 09, 2006. Billboard. Retrieved on 2010-05-10.^ Rap Albums - Week of September 09, 2006. Billboard. Retrieved on 2010-05-10.^ Digital Albums - Week of September 09, 2006. Billboard. Retrieved on 2010-05-10.^ Hasty, Katie. Dylan Earns First No. 1 Album Since 1976. Billboard. Retrieved on 2010-05-10.^ Chart History: OutKast - Billboard 200. Billboard. Retrieved on 2010-05-10.^ Top 40 Official UK Albums Archive - 2nd September 2006. The Official UK Charts Company. Retrieved on 2010-05-10.^ Top 40 Official UK Albums Archive - 9th September 2006. The Official UK Charts Company. Retrieved on 2010-05-10.^ Album Performance: Idlewild. acharts. Retrieved on 2010-05-10.^ Billboard Albums: Idlewild. Allmusic. Retrieved on 2010-05-10.^ Gold & Platinum - Searchable Database: Idlewild. Recording Industry Association of America. Retrieved on 2010-05-09.^ Search Certification Database: Idlewild. Canadian Recording Industry Association. Retrieved on 2010-05-10.^ Big Boi: Boy O Boi!. Bluesandsoul.com. Retrieved on 2014-05-28.^ Sir Lucious Left Foot: The Son of Chico Dusty (2010): Reviews. Metacritic. Retrieved on 2010-07-05.^ Dietz, Jason. July’s Best New Music. Metacritic. Retrieved on 2010-07-29.^ Harvilla, Rob. Big Boi Is Not Too Artsy. The Village Voice. Retrieved on 2010-07-06.^ Midnight, Kid (July 12, 2010). Big Boi names his next solo album Daddy Fat Sax in honor of the great service he received at White Castle. Tiny Mix Tapes. Retrieved on 2010-09-04.^ [1]^ Outkast, Ciara Headed for L.A. Reid's Epic Records, Sources Say. Billboard.biz (2011-09-15). Retrieved on 2012-04-09.^ http://media.proquest.com.ezproxy2.library.arizona.edu/media/pq/classic/doc/3111458001/fmt/pi/rep/NONE?hl=andre%2Candre%2C3000%2C3000%2Cjimi%2Cjimi%2Chendrix%2Chendrix&cit%3Aauth=Anderson%2C+Jason&cit%3Atitle=Can+You+See+Me%3F&cit%3Apub=Uncut&cit%3Avol=&cit%3Aiss=198&cit%3Apg=7&cit%3Adate=Nov+2013&ic=true&cit%3Aprod=International+Index+to+Music+Periodicals+Full+Text&_a=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%3D%3D&_s=g9OXUzmc34OLWlqxEYEhrcoXcaI%3D#statusbar=1&zoom=110^ Outkast Reunion Confirmed By Rico Wade. Vibe (2014-01-03). Retrieved on 2014-05-28.^ Muhammad, Latifah. "Big Boi: No New Outkast Album | News". BET. Retrieved 2014-07-11. ^ Outkast Announce Tour of Over 40 Festivals. Billboard (2014-01-13). Retrieved on 2014-05-28.

Collaborations and other work[edit]

During the recording of Stankonia OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."

In 2002, OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby-Doo soundtrack.

On February 27, 2011, it was announced that Big Boi is creating a joint album along with rappers Mike Bigga and Pill. Later that day, Big Boi posted on his Twitter account that he was mixing Mike Bigga's album entitled, "PL3DGE".

In 2010, Andre 3000 was featured on Ciara's remix for her hit single "Ride", from the album Basic Instinct. On January 14, 2011, a song with Ke$ha called "The Sleazy Remix" was leaked. On June 7, 2011, Beyoncé's song "Party" was leaked, it features Benjamin, it is his first collaboration with the singer. It is also featured on Beyoncé's fourth studio album entitled released June 24, 2011. On August 24, 2011, Lil Wayne's album Tha Carter IV leaked, featuring a song entitled "Interlude" with Benjamin and fellow rapper Tech N9ne performing. Also in 2011 Andre featured on Chris Browns "Deuces" remix as well as on a Lloyd song, "Dedication To My Ex (Miss That)", with Lil Wayne. In 2012 Andre also appeared on Drake's second album "Take Care", on the song "The Real Her" which also featured Lil Wayne.

In 2012 Andre 3000 featured on Gorillaz "DoYaThing" with James Murphy of LCD Soundsystem. The song was released as a free download in February that year as part of a Converse promotion.

Andre 3000 was featured on Frank Ocean's 2012 album Channel Orange on the song "Pink Matter". On January 11, 2013, Big Boi appeared on a remix of the song, adding a verse before Andre's. In response to the added verse, Andre issued a statement on January 15 insisting that the track did not constitute an OutKast reunion.

Phantogram revealed in an interview with Variance Magazine in February 2014 that they plan to release an EP with Big Boi.

^ [1]^ Twitter / BigBoi: Mixing Killer Mike Album. Twitter.com (2011-02-27). Retrieved on 2014-05-28^ New Music: Ciara f/ André 3000 & Bei Maejor – ‘Ride (Remix)’. Rap-Up.com. Retrieved on 2013-05-12.^ Ke$ha f. Andre3000 - Sleazy Rmx | New Hip Hop Music & All The New Rap Songs 2011. HipHop DX (2011-01-14). Retrieved on 2013-05-12.^ Andre 3000 Clears Up Rumors About 'OutKast Collaboration' (Exclusive) |. Spin.com (2013-01-15). Retrieved on 2013-05-29.^ Phantogram Talks New Album, Future Big Boi Collaborations. Variancemagazine.com (2014-02-03). Retrieved on 2014-05-28.

Film projects[edit]

Benjamin has made appearances in Families, The Shield (he plays Robert Huggins, a character that originated in an episode titled “On Tilt” from Season 3 in 2004), Be Cool, Revolver, Semi Pro, and Four Brothers. He was also cast as Percival in Idlewild, released on August 26, 2006. He voiced a crow in Charlotte's Web, a movie adaptation of the 1952 children's book. As of November 2006, he voiced "Sunny Bridges," a prize-winning musician who gives up touring to teach at his alma mater, in Class of 3000, an animated series he produced on Cartoon Network. He has also worked with Esthero on a promotional version of "Jungle Book" which was on a Wikked lil' grrrls sampler, but never made it to the actual album due to issues with Esthero's label, Warner Bros.. The following year, he appeared in the basketball comedy Semi-Pro, with Woody Harrelson and Will Ferrell. He also starred in the 2008 film Battle in Seattle, a film about the 1999 Seattle World Trade Organization protests. Benjamin was a member of Quentin Tarantino and Lawrence Bender's production company A Band Apart until its close in 2006; he then formed his own company, Moxie Turtle.

Big Boi appeared on Nick Cannon's Wild 'n Out Season 3 as one of the many guest stars, as well as guest starring and appearing as a musical guest on Chappelle's Show performing his song "The Rooster". He is currently reaching more into acting, having appeared in T.I.'s film ATL, OutKast's film Idlewild and starring in the recently released Who's Your Caddy?. He appeared in the Law & Order: Special Victims Unit episode "Wildlife", which aired November 18, 2008. Big Boi played hip-hop artist "Got$ Money".

Lawsuit[edit]

In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bears Parks' name as its title. The lawsuit alleged that the song misappropriates Parks' name, and it objected to the song's obscenities.

The song's lyrics are virtually unrelated to Parks, except for a reference in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, refers to Parks metaphorically: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. In the initial suit, the District Court for the Eastern District of Michigan at Ann Arbor granted summary judgment for OutKast. However, later on appeal, the issue of whether OutKast violated the Lanham Act for false advertising was reversed and remanded for further proceedings. This was based on the Court's determination that the title "Rosa Parks" had little artistic relevance, whether symbolic or metaphorical, to Rosa Parks the person. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court turned down an appeal to overrule the lower court's decision.

In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers.

^ King, Aliya (April 17, 1999). "Rosa Parks Sues OutKast". Billboard - The International Newsweekly of Music, Video and Home Entertainment 108 (4): 6 Extra |pages= or |at= (help).  |accessdate= requires |url= (help)^ The Sunday Times. Timesonline.co.uk. Retrieved on 2013-05-12.

Awards[edit]

Grammy Awards[edit]
American Music Awards[edit]
more »more »

eMusic Features

1

Six Degrees of Outkast’s Stankonia

By Hua Hsu, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Band Aid

By Hua Hsu, Contributor

On September 7th, a federal appeals court in Cincinnati, Ohio, all but closed the book on sampling in hip-hop. A three-judge panel ruled that recent federal laws pertaining to the piracy of digital recordings also apply to the recycling of old songs by producers. Deviating from previous agreements that set up limits and tests for "legal" usages, the new decision aims to tighten the clamps on all lengths and types of samples, from entire riffs… more »

0

OutKast: A Career in Review

By Michelangelo Matos, Contributor

The player and the poet; the funk faithful who raises pit bulls and the slightly spacey, guitar-wielding dandy; the championship singles act whose albums work best as whole units: What about OutKast isn't a dichotomy? For their first decade as a recording act, Big Boi (player, pit bull-raiser) and Andre 3000 (aka Dre and 3 Stacks; poet, dandy) pushed every rule about what hip-hop could and couldn't do. They began as prodigies, winning the Source… more »

0

OutKast: A Career in Review

By Michelangelo Matos, Contributor

The player and the poet; the funk faithful who raises pit bulls and the slightly spacey, guitar-wielding dandy; the championship singles act whose albums work best as whole units: What about OutKast isn't a dichotomy? For their first decade as a recording act, Big Boi (player, pit bull-raiser) and Andre 3000 (aka Dre and 3 Stacks; poet, dandy) pushed every rule about what hip-hop could and couldn't do. They began as prodigies, winning the Source… more »

0

Six Degrees of Sly and the Family Stone’s There’s a Riot Goin’ On

By J. Edward Keyes, Editor-in-Chief

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Sly and the Family Stone’s There’s a Riot Goin’ On

By J. Edward Keyes, Editor-in-Chief

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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