Pat Benatar

All Music Guide:

Pat Benatar's polished mainstream pop/rock made her one of the more popular female vocalists of the early '80s. Although she came on like an arena rocker with her power chords, tough sexuality, and powerful vocals, her music was straight pop/rock underneath all the bluster. Born Patricia Andrzejewski on January 10, 1953, in Greenpoint, Brooklyn, the singer was raised in the nearby town of Lindenhurst on Long Island, NY. Benatar began singing regularly in the New York City area by the '70s, where she was discovered at the Catch a Rising Star club and signed by Chrysalis Records. Backed by a stellar band led by guitarist Neil Geraldo (who the singer would later marry) that provided the perfect accompaniment that was able to effortlessly alternate between rockers and ballads. Benatar quickly established herself as one of rock's top vocalists, scoring a hit right of the bat with her debut album, 1979's In the Heat of the Night, which spawned such radio favorites as "Heartbreaker" and "I Need a Lover" (the latter of which was written by a then-unknown John Mellencamp).

Benatar's sophomore effort, 1980's Crimes of Passion, more than delivered on the debut's promise and it's often considered to be the finest recording of her career. Spurred on by such classic rock radio standards as "Hit Me With Your Best Shot," "Treat Me Right," and "You Better Run," the album was certified platinum shortly after its release and Benatar became a certified arena headliner in the U.S. Benatar also became one of the most-played artists during MTV's early days, received several Grammy Awards around this time, and continued to enjoy massive hits and sold-out tours throughout the early to mid-'80s, including such albums as 1981's Precious Time, 1982's Get Nervous, 1983's Live from Earth, 1984's Tropico, 1985's Seven the Hard Way, and 1988's Wide Awake in Dreamland, plus the singles "Fire & Ice," "Promises in the Dark," "Shadows of the Night," "Love Is a Battlefield," "We Belong," and "Invincible." But by the end of the decade, it appeared as though Benatar had fallen of the face of the Earth as the hits seemed to dry up.

Benatar opted to shift musical gears and issue an album of blues and R&B, 1991's True Love, which failed to return the singer back to the top of the charts. Benatar returned back to her patented arena rock sound with such further studio releases as 1993's Gravity's Rainbow and 1997's Innamorata (although the latter of which was largely acoustic-based) and while the albums didn't exactly measure up to her earlier releases, both were solid efforts. The late '90s saw a pair of live archival releases hit record store shelves, 1998's 8-15-80 and 1999's The King Biscuit Flower Hour Live, in addition to countless hits collections (although the best of the bunch proved to be 1989's Best Shots, which remains a steady seller to this day). The singer began touring again by the middle of the decade (after taking a five-year hiatus from the road), co-headlining shows with REO Speedwagon, Fleetwood Mac, the Steve Miller Band, and Styx. She also continued to dabble in acting, appearing in the ABC Afterschool Special Torn Between Two Fathers and on various sitcoms. In August 2003, Benatar returned to recording with Go (Vanguard), her first studio LP since 1997's Innamorata. The LP revisited the arena rock/MOR sound that had defined Benatar's career, and was accompanied by an extensive tour.

Wikipedia:

Pat Benatar (born Patricia Mae Andrzejewski; January 10, 1953) is an American singer and four-time Grammy winner. She is a mezzo-soprano. She has had considerable commercial success, particularly in the United States. During the 1980s, Benatar had two RIAA-certified Multi-Platinum albums, five RIAA-certified Platinum albums, three RIAA-certified Gold albums and 14 Top 40 singles, including the Top 10 hits, "Hit Me with Your Best Shot", "Love Is a Battlefield", "We Belong" and "Invincible". Benatar was one of the most heavily played artists in the early days of MTV.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Life and career[edit]

Patricia Mae Andrzejewski was born in Greenpoint, Brooklyn, New York City. Her Polish father, Andrew, was a sheet-metal worker, and her Irish mother, Mildred, a beautician. Her family later moved to North Hamilton Avenue in Lindenhurst, New York, a village within the Long Island town of Babylon.

Patti (as she was known) became interested in theater and began voice lessons, singing her first solo at age eight, at Daniel Street Elementary School, a song called "It Must Be Spring". At Lindenhurst Senior High School (1967–71), Benatar participated in musical theater, playing Queen Guinevere in the school production of Camelot, marching in the homecoming parade, singing at the annual Christmas Tree Lighting ceremony, and performing a solo of "The Christmas Song" on a holiday recording of the Lindenhurst High School Choir her senior year.

Benatar was cut off from the rock scene in nearby Manhattan. Her musical training was strictly classical and theatrical.

Training as a coloratura with plans to attend the Juilliard School, Benatar surprised family, friends and teachers by deciding a classical career was not for her and pursued health education at the State University of New York at Stony Brook. At 19, after one year at Stony Brook, she dropped out to marry her high school sweetheart Dennis Benatar, an army draftee who trained at Fort Jackson, South Carolina, and then served with the Army Security Agency at Fort Devens, Massachusetts, before being stationed at Fort Lee, Virginia. Specialist (E-4) Dennis Benatar was stationed there for three years, and Pat worked as a bank teller outside Richmond, Virginia.

In 1973, Benatar quit her job as a bank teller to pursue a singing career after being inspired by a Liza Minnelli concert she saw in Richmond. She got a job as a singing waitress at a flapper-esque nightclub named The Roaring Twenties and got a gig singing in lounge band Coxon's Army, a regular at Sam Miller's basement club. The band garnered enough attention to be the subject of a never-aired PBS special, and the band's bassist Roger Capps also would go on to be the original bass player for the Pat Benatar Band. The period also yielded Benatar's first and only single until her eventual 1979 debut on Chrysalis Records: "Day Gig" (1974), Trace Records, written and produced by Coxon's Army band leader Phil Coxon and locally released in Richmond. Her big break came in 1975 at an amateur night at the comedy club Catch a Rising Star in New York. Her rousing rendition of Judy Garland's "Rock-a-Bye Your Baby With a Dixie Melody" earned her a call back by club owner Rick Newman, who would become her manager.

The couple headed back to New York following Dennis' discharge from the army, and Benatar went on to be a regular member at Catch A Rising Star for close to three years, until signing a record contract. She would eventually divorce Dennis Benatar in 1979. Catch A Rising Star was not the only break Benatar got in 1975. She landed the part of Zephyr in Harry Chapin's futuristic rock musical, The Zinger. The production, which debuted on March 19, 1976, at the Performing Arts Foundation's (PAF) Playhouse in Huntington Station, Long Island, ran for a month and also featured Beverly D'Angelo and Christine Lahti. Benatar noted: "I was 22 by the time I started to sing rock, so at first I was very conscious of technique and I was overly technical. That proved to be inhibiting so it was a disadvantage until I began to sing intuitively. That’s the only way to sing rock – from your gut level feelings. It's the instinct that the best singers have."

Halloween 1977 proved a pivotal night in Benatar's early, spandexed stage persona. Rather than change out of the costume she wore to a Halloween contest at the Cafe Figaro in Greenwich Village that evening, she went onstage at Catch a Rising Star in costume. Benatar said: "I was dressed as a character from this ridiculous B movie called Cat-Women of the Moon." Despite performing only her usual songs, she received a standing ovation.

Between appearances at Catch a Rising Star and recording commercial jingles for Pepsi Cola and a number of regional concerns, she headlined New York City’s Tramps nightclub from March 29 - April 1, 1978, where her performance impressed representatives from several record companies. She was signed to Chrysalis Records by co-founder Terry Ellis the following week. Benatar recorded her first album, In the Heat of the Night, in June and July 1979.

She won an unprecedented four consecutive Grammy Awards for Best Female Rock Performance for her LP Crimes of Passion (1980) and the songs "Fire and Ice" (1981), "Shadows of the Night" (1982), and "Love Is a Battlefield" (1983). Of the ten Grammy seasons of the 1980s, Benatar was nominated for Best Female Rock Performance eight times, including "Invincible" in 1985, "Sex as a Weapon" in 1985, "All Fired Up" in 1988 and "Let's Stay Together" in 1991.

She married guitarist and producer Neil Giraldo on 20 February 1982 at Hana, Hawaii. The couple first met in 1979 when he arrived at her rehearsal building to audition, prompting Pat to think to herself Girl you have just seen the father of your children Benatar was separated from her first husband at the time, and once the divorce was finalized later in 1979 the relationship with Giraldo began in earnest. They have two daughters.

Benatar also earned Grammy Award nominations in 1984 for Best Pop Vocal Performance, Female with "We Belong" and in 1986 for Best Rock Vocal Performance, Duo or Group as a member of Artists United Against Apartheid for their single, "Sun City". Benatar is also the winner of three American Music Awards: Favorite Female Pop/Rock Vocalist of 1981 and 1983, and Favorite Female Pop/Rock Video Artist of 1985.

Pat Benatar was inducted into the Long Island Music Hall of Fame at the Second Induction Award Ceremony and Fundraising Gala held October 30, 2008.

In 2010 Pat Benatar published her autobiography, Between a Heart and a Rock Place, discussing her early life and success in the music business.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Tours[edit]

Memoir[edit]

In June 2010, Benatar's memoir, Between a Heart and a Rock Place was released. The book was published by HarperCollins and was acquired by Lisa Sharkey. Benatar's memoir touches on her battles with her record company Chrysalis, the difficulties her career caused in her personal life, and feminism. In the memoir, she is quoted as saying, "For every day since I was old enough to think, I've considered myself a feminist … It's empowering to watch and to know that, perhaps in some way, I made the hard path [women] have to walk just a little bit easier." The book went on to become a New York Times Bestseller. Initially reluctant to undertake the project, she found the actual writing process so enjoyable that it inspired her with plans to write a novel. In summer 2011, Benatar announced she was working on a Christmas album and a novel about the second coming of Christ.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Band[edit]

Although billed as a solo artist, Benatar recorded and toured with a consistent set of band members over most of her career, who contributed greatly to the writing and producing of songs and are recognizable characters on album photos and in many of her music videos.

Other achievements[edit]

Stage and screen soundtracks[edit]

Advertising[edit]

In 2006, the song "We Belong" was part of a $20 million ad campaign for Sheraton hotels, although the version used in the commercial was not Benatar's. Her version of the song is featured in the 2006 comedy Talladega Nights: The Ballad of Ricky Bobby, starring Will Ferrell and directed by Adam McKay.

Though she had earlier expressed dismay for rock stars endorsing products (including onetime cohort Debbie Harry, who had developed her modeling career simultaneously to her rock career), Benatar herself became a commercial spokeswoman for the Energizer company, and has been featured in an ad for Candies Vintage shoes for Kohl's department store. In 2007, her song "Passion" could be downloaded free from the official Jell-O web site.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).