Paul Hillier

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  • Years Active: 1980s, 1990s

Albums

Biography All Music Guide Wikipedia

All Music Guide:

English baritone Paul Hillier is one of the leading figures, both as a singer and conductor, in the world wide early music movement and now makes his home in the United States, where he has shown increasing interest in new music.

As a boy he was a chorister at St. Paul's Cathedral in London. This position, obtained only after competitive auditions, carries with it an opportunity to learn a wide expanse of choral repertoire, to receive a thorough musical education and general education at the St. Paul's Cathedral School, important lifelong contacts, and great prestige.

After graduating from school he studied music at London's Guildhall. He returned to St. Paul's Cathedral in 1973 as its vicar-choral for one season. He was also a member of the Queen's Chapel Royal at Windsor Castle. In 1974 he made his solo recital debut at the Purcell Room in London. In the same year he co-founded the Hilliard Ensemble, becoming its music director. The ensemble soon became one of the world's best known early music vocal groups, and was much in demand for performances worldwide, making a number of best-selling and award winning recordings. The all male quartet specialized in Renaissance music.

In 1980-1981 he taught as a visiting professor at the University of California, Santa Cruz. After that he began to spend an increasing amount of time in America. He was the Copland Colloquium Fellow at Amherst College in Massachusetts in 1984. He became more interested in New Music and tried to get the Hilliard Ensemble to branch out in that direction. That, and a wish to add female voices and engage in the more theatrical style of performance presentation led to his leaving the Ensemble.

In 1990 he moved to the United States to become a professor of music at the University of California, Davis. He founded Theatre of Voices, an ensemble of male and female singers, specializing both in early and recent music, and performing in dynamic, theatrical stage presentations. Unlike the Hilliard Ensemble, it was planned to include a varying number of singers, depending on the demands of the performances. Theatre of Voices records exclusively for Harmonia Mundi USA, on which it has released a repertoire ranging from 12th century chant to music of Arvo Pärt, including Litany of the Whale by John Cage, and the selection of early American religious music, including hymns sung in the "shaped note" tradition.

In 1996 Hillier left California to join the faculty of Indiana University, Bloomington, Indiana as Director of its Early Music Institute. This is an interdisciplinary study program offering undergraduate and graduate degrees involving not just the study of ancient performance practice and musicology but also courses in literature, fine arts, and medieval studies in other departments and schools of the university. Hillier also is conductor of Indiana University's Pro Rate singers, it's early music choir.

Since his move to the United States, Hillier has maintained his active career as a singer and conductor, appearing frequently in North America, Europe, and Japan, though he has relaxed this pace sufficiently to carry out his teaching and administrative responsibilities and also research and write. His books include 300 Years of English Partsongs, Romantic English Partsongs, The Catch Book, and a book on Estonian composer Arvo Pärt, and is serving as editor of a book of collected writings of composer Steve Reich.

Hillier has won many prizes for recordings. He performs on the Harmonia Mundi, ECM, EMI, Finlandia, and Hyperion labels.

Wikipedia:

Paul Douglas Hillier (born 9 February 1949 in Dorchester, England) is a conductor, music director and baritone. He specializes in early music and contemporary art music, especially that by composers Steve Reich and Arvo Pärt. He studied at Magdalen College, Oxford and the Guildhall School of Music, beginning his professional career while a vicar-scholar at St Paul's Cathedral, London. His concert début was in 1974 in London's Purcell Room.

Ensembles

In 1974, Hillier co-founded The Hilliard Ensemble along with fellow vicar-scholar Paul Elliott and counter-tenor David James. Elliott had also attended Magdalen College around the same time as Hillier. Hillier remained the director of the ensemble until 1989, when he founded Theatre of Voices. In addition to early music, this group explores more contemporary repertoire.

Hillier later became Director of the Early Music Institute at the Indiana University Jacobs School of Music and, at the same time, of the Pro Arte Singers, remaining so until he left the Institute in 2003. The Pro Arte Singers joined the Theatre of Voices in a couple of recordings. In 2001, he became the Artistic Director and Principal Conductor of the Estonian Philharmonic Chamber Choir.

Since 2003, Hillier has been Chief Conductor of Ars Nova (Copenhagen). In 2008, was appointed Artistic Director and Chief Conductor of the National Chamber Choir of Ireland.

Hillier has recorded a number of solo albums, some with harpist Andrew Lawrence-King, on the Harmonia Mundi, ECM, EMI, Finlandia and Hyperion labels.

Academic appointments

Starting in 1980, Hillier has held a variety of academic appointments over the years, most recently as Director of Indiana University Bloomington's Early Music Institute.

Publications

The Catch Book (2005), Oxford University Press, ISBN 0-19-343649-3, a collection of catches (comic rounds) edited by Hillier.A Josquin Anthology (2005), Oxford University Press, ISBN 0-19-353218-2, a collection of choral pieces by Renaissance composer Josquin Des Prez, edited by Ross Duffin and Hillier.Writing on Music, 1965–2000 (2002), Oxford University Press, ISBN 0-19-511171-0, a collection of writings by composer Steve Reich, edited by Hillier.Arvo Pärt (1997), Oxford University Press, ISBN 0-19-816616-8, The only English-language biography of Estonian composer Arvo Pärt.English Romantic Partsongs (1986), Oxford University Press, ISBN 0-19-343650-7, a collection of songs edited by Hillier.300 Years of English Partsongs: Glees, Rounds, Catches, Partsongs 1600-1900 (1983), Faber & Faber, ISBN 0-571-10045-7, a collection of music edited by Hillier.
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