Paul Rutherford

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  • Born: Greenwich, London, England
  • Died: London, England
  • Years Active: 1950s, 1960s, 1970s, 1980s, 1990s, 2000s

Albums

Biography Wikipedia

Wikipedia:

Paul Rutherford (born 8 December 1959, Liverpool, England) is the former backing vocalist, dancer and occasional keyboardist with 1980s pop band Frankie Goes to Hollywood (FGTH), one of the group's two gay singers.

He was born in inner-city Liverpool, but as a child during the 1960s moved to the Cantril Farm district (built to replace inner city slums), where future footballer Micky Quinn and future comedian Craig Charles were among his neighbours.

Rutherford sang backing vocals to Holly Johnson and also danced.

He emerged from the 1970s punk scene on Merseyside founding initial fame with St.Helen's band The Spitfire Boys. He later teamed up with Johnson in a new band which would go on to dominate the UK Singles Chart in 1984. He frequented and performed at the Seven Dials Jazz Club in London.

The band ended two years later and Rutherford attempted a solo career which was short-lived. In 1989, three singles and the album Oh World were released. Two of the album tracks were produced by ABC. In late 2010, he released the album "The Cowboy Years" under the name "Paul Rutherford/Butt Cowboys".

2011 saw the reissue of the album Oh World and a collaboration with Claudia Brucken, the ex-Propaganda lead singer, on her latest album "Combined"

He was known for being one of the first musicians to endorse nipple-piercing and also for the ace of hearts he had tattooed on his arm.

Rutherford currently lives on Waiheke Island, New Zealand, with his longtime partner.

Solo Discography

Oh World (1989) re-released in 2011That Moon EP w/ The Pressure Zone (1989) re-released in 2010The Cowboy Years (2010)

eMusic Features

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Don Cherry: Pied Piper with a Pocket Trumpet

By Kevin Whitehead, eMusic Contributor

Don Cherry began to make his mark with his first recording session, on February 10, 1958, as foil for freebopping alto saxophonist Ornette Coleman on music recorded for Something Else! Their bebop forebears Dizzy Gillespie and Charlie Parker favored rough-sounding unison melodies, a departure from the swing era's smooth blends, but the Coleman-Cherry mix was scrappier still. As soloist, Don took cues from how Ornette's solos didn't track a tune's harmonies too closely. They didn't… more »