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Group Members: Larry Williams, Larry Sparks, Jack Cooke, George Shuffler & Laura Boosinger, George Shuffler, Ralph Stanley II, Charlie Sizemore, The Charlie Sizemore Band, Steve Sparkman, Ralph Stanley II And John Rigsby, Melvin Goins & Friends
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Born in Stratton, Virginia in 1927, Ralph Stanley and his older brother Carter formed the Stanley Brothers and the Clinch Mountain Boys. In 1946 Ralph and Carter were being broadcast from radio station WCYB in Bristol, Virginia. The music, which was inspired by their Virginia mountain home, was encouraged by their mother, who taught Ralph the clawhammer style of banjo picking. They recorded for such companies as the small Rich-R-Tone label and later Columbia, a relationship that lasted from 1949 until 1952. These classic sessions defined the Stanleys' own approach to bluegrass and made them as important as Bill Monroe. After leaving Columbia, the Stanleys were with Mercury, Starday, and King. Leaning toward more gospel at times, Carter and Ralph made a place for themselves in the music industry. In December 1966, Carter Stanley died in a Virginia hospital after a steady decline in health. He was just 41 years old. After much consideration and grief, Ralph carried on without Carter. Already their haunting mountain melodies made them stand apart from other bluegrass bands, but Ralph expanded upon this foundation and took his own "high lonesome" vocals to a new plane.
Popular at bluegrass festivals, Ralph and each edition of the Clinch Mountain Boys grew to be one of the most respected outfits in bluegrass. As far west as California and even up in the hollers of Kentucky, people were drawn to the poignant, mournful sound of Ralph Stanley's style. Different from all the rest, Ralph's ability to hit the right notes and chords made him a singer of trailblazing proportions. Ralph continued to record for a wide variety of labels, including Jalyn, Rebel, King Bluegrass, Blue Jay, Jessup, Stanleytone, his own label, and Freeland. He was a devoted family man, but Ralph's constant touring took its toll on his first marriage, a union that produced daughters Lisa Joy and Tonya and oldest son Timothy. His second wife, Jimmie, also a singer, gave him another son late in life; Ralph II followed in both his father's and uncle's footsteps and played in the Clinch Mountain Boys with his dad.
A Bluegrass Hall of Fame member along with Carter, Ralph Stanley was an inspiration to Dwight Yoakam, Emmylou Harris, the late Keith Whitley, and even Monroe acolyte Ricky Skaggs. With his raw emotions and three-fingered banjo technique, he helped bring a mountain style of bluegrass music to mainstream audiences. A full survey of the Stanley Brothers' career, including sides they recorded for several different labels, finally appeared in 2007 with Time Life's three-disc Definitive Collection box set. Stanley's brand of bluegrass was always only a half step away from the Appalachian string band and church music of his youth, and in his autumn years he continued to do what hed always done -- sing and play in a style that could really be called Mountain Gospel Soul. He marked his 40th year of recording for Rebel Records with the release of A Mothers Prayer in 2011.
Ralph Edmund Stanley (born February 25, 1927), also known as Dr. Ralph Stanley, is an American bluegrass artist, known for his distinctive singing and banjo playing.
Ralph Edmond Stanley was born, grew up, and lives today in rural Southwest Virginia — "in a little town called McClure at a place called Big Spraddle, just up the holler" from where he moved in 1936 and has lived ever since in Dickenson County. The son of Lee and Lucy Stanley, Ralph did not grow up around a lot of music in his home. As he says, his "daddy didn't play an instrument, but sometimes he would sing church music. And I'd hear him sing songs like 'Man of Constant Sorrow,' 'Pretty Polly' and 'Omie Wise.'"
"I got my first banjo when I was a teenager. I guess I was 15, 16 years old. My aunt had this old banjo, and Mother bought it for me . . . paid $5 for it, which back then was probably like $5,000. (My parents) had a little store, and I remember my aunt took it out in groceries."
He learned to play the banjo, clawhammer style, from his mother:
"She had 11 brothers and sisters, and all of them could play the five-string banjo. She played gatherings around the neighborhood, like bean stringin's. She tuned it up for me and played this tune, 'Shout Little Luly,' and I tried to play it like she did. But I think I developed my own style of the banjo."
He graduated from high school on May 2, 1945 and was inducted into the Army on May 16, serving "little more than a year." He immediately began performing when he got home:
". . . my daddy and Carter picked me up from the (station), and Carter was playing with another group, Roy Sykes and the Blue Ridge Mountain Boys, and they had a personal appearance that night. So I sung a song with Carter on the radio before I even got home."
Clinch Mountain Boys
After considering a course in "veterinary", he decided instead to throw in with his older guitar-playing brother, Carter, to form the Clinch Mountain Boys in 1946. Drawing heavily on the musical traditions of the area, which included the unique minor-key singing style of the Primitive Baptist Universalist church and the sweet down-home family harmonies of the Carter Family, the two Stanley brothers began playing on local radio stations. They first performed at Norton, Virginia's WNVA, but did not stay long there, moving on instead to Bristol, Virginia, and WCYB to start the show Farm and Fun Time, where they stayed "off and on for 12 years".
At first they covered "a lot of Bill Monroe music" (one of the first groups to pick up the new "bluegrass" format),. They soon "found out that didn't pay off—we needed something of our own. So we started writing songs in 1947, 1948. I guess I wrote 20 or so banjo tunes, but Carter was a better writer than me." When Columbia Records signed them as the Stanley Brothers, Bill Monroe left in protest and joined Decca. Later, Carter went back to sing for the "Father of Bluegrass", Bill Monroe.
When asked about the situation where it seemed like Bill Monroe was mad at the Stanley Brothers at one point, but then hired Carter Stanley back in his band, Ralph Stanley gave his opinion: "He [Bill Monroe] knew Carter would make him a good singer. . . Bill Monroe loved our music and loved our singing." So in other words, it was the music that mattered in the bottom line.
The Stanley Brothers joined King Records in the late '50s, a record company so eclectic that it included James Brown at the time. In fact, James Brown and his band were in the studio when the Stanley Brothers recorded "Finger Poppin' Time". "James and his band were poppin' their fingers on that" according to Ralph. At King Records, they "went to a more 'Stanley style', the sound that people most know today."
Ralph and Carter performed as The Stanley Brothers with their band, the Clinch Mountain Boys, from 1946 to 1966. Ralph kept the band name when he continued as a solo after Carter's death, from 1967 to the present.
After Carter died of complications of cirrhosis in 1966, after ailing for "a year or so", Ralph faced a hard decision on whether to continue performing on his own. "I was worried, I didn't know if I could do it by myself. But boy, I got letters, 3,000 of 'em, and phone calls . . . I went to Syd Nathan at King and asked him if he wanted me to go on, and he said, 'Hell yes! You might be better than both of them.'"
He decided to go it alone, eventually reviving the Clinch Mountain Boys. Larry Sparks, Roy Lee Centers, and Charlie Sizemore were among those with whom he played in the revived band. He encountered Ricky Skaggs and Keith Whitley arriving late to his own show: "They were about 16 or 17, and they were holding the crowd 'til we got there. . . They sounded just exactly like (the Stanley Brothers)." Seeing their potential, he hired them "to give 'em a chance", though that meant a seven-member band. Eventually, his son, Ralph Stanley II, took over as lead singer and rhythm guitarist for the Clinch Mountain Boys."Old-Time Man" interview by Don Harrison June 2008 Virginia Living, p. 55. "Old-Time Man" interview by Don Harrison June 2008 Virginia Living, p. 56. Trischka, Tony, "Ralph Stanley", Banjo Song Book, Oak Publications, 1977 "Old-Time Man" interview by Don Harrison June 2008 Virginia Living, p. 56-7. "Old-Time Man" interview by Don Harrison June 2008 Virginia Living, p. 57. "Ralph Stanley II". Ralphstanleyii.com. Retrieved 2012-09-17.
Clinch Mountain Boys Members
1967 to Present:Ralph Stanley (Lead vocalist, banjo)Jack Cooke (bass)Curly Ray Cline (fiddle)George Shuffler (guitar, bass)Melvin Goins (bass, guitar)Larry Sparks (Lead vocalist, guitar)Roy Lee Centers (Lead vocalist, guitar)Ricky Skaggs (mandolin, fiddle)Keith Whitley (Lead vocalist, guitar)Charlie Sizemore (Lead vocalist, guitar)Ricky Lee (guitar)Junior Blankenship (guitar)Kenneth Davis (guitar)Renfro Proffit (guitar)Ron Thomason (mandolin)Steve Sparkman (banjo)James Alan Shelton (guitar)Sammy Adkins (Lead vocalist, guitar)Todd Meade (fiddle)Ralph 'Hank' Smith (Lead guitar)Ernie Thacker (Lead vocalist, guitar, mandolin)John Rigsby (mandolin)Dewey Brown (fiddle)Audey Ratliff (bass)Ralph Stanley II (Lead vocalist, guitar)Nathan Stanley (mandolin, Lead vocalist, guitar)James Price (fiddle)Randall Joe Hibbitts (bass)Mitchell Van Dyke (banjo)Jarrod Church (banjo)
Around 1970, he ran for Clerk of Court and Commissioner of Revenue in Dickenson County only to state this:
"What happened is, somebody traded me off—they used my popularity and money to elect somebody else. I was done dirty. And I'm so proud that I was done dirty, because if I had been elected . . . I woulda had a job to do . . . maybe woulda finally quit. So that's one time I was done dirty and I want to thank them for it now."
O Brother, Where Art Thou?
Stanley's work was featured in the 2000 film O Brother, Where Art Thou?, in which he sings the Appalachian dirge "O Death." The soundtrack's producer was T-Bone Burnett. Stanley said the following about working with Burnett:
"T-Bone Burnett had several auditions for that song. He wanted it in the Dock Boggs style. So I got my banjo and learned it the way he did it. You see, I had recorded 'O Death' three times, done it with Carter. So I went down with my banjo to Nashville and I said, 'T-Bone, let me sing it the way I want to sing it,' and I laid my banjo down and sung it a cappella. After two or three verses, he stopped me and said, 'That's it.'"
With that song, Stanley won a 2002 Grammy Award in the category of Best Male Country Vocal Performance. "That put the icing on the cake for me," he says. "It put me in a different category."Cite error: The named reference virginia-living57 was invoked but never defined (see the help page).
Known in the world of bluegrass music by the popular title, "Dr. Ralph Stanley" (after being awarded an honorary Doctorate of Music from Lincoln Memorial University in Harrogate, Tennessee in 1976), Stanley was inducted into the International Bluegrass Music Hall of Honor in 1992 and in 2000, and became the first person to be inducted into the Grand Ole Opry in the third millennium.
He joined producers Randall Franks and Alan Autry for the In the Heat of the Night cast CD Christmas Time’s A Comin’, performing "Christmas Time's A Comin'" with the cast on the CD released on Sonlite and MGM/UA; it was one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.
He is featured in the Josh Turner hit song "Me and God" released in 2006.
In 2006, he was awarded the National Medal of Arts. On November 10, 2007, Stanley and the Clinch Mountain Boys performed at a rally for presidential candidate John Edwards in Des Moines, Iowa, just before the Democratic Party's annual Jefferson-Jackson Day Dinner. Between renditions of "Man of Constant Sorrow" and "Orange Blossom Special", Stanley told the crowd that he had cast his first vote for Harry S. Truman in 1948 and would cast his next for John Edwards in 2008.
Country singer Dwight Yoakam has stated that Ralph Stanley is one of his "musical heroes."
Stanley's autobiography, Man of Constant Sorrow, coauthored with the music journalist Eddie Dean, was released by Gotham Books on October 15, 2009. In 2012, Stanley was featured on several tracks of the soundtrack for Nick Cave's film Lawless, with music by Cave and Warren Ellis. His solo track "White Light/White Heat" is prominent in several scenes of the movie.
Stanley has maintained an active touring schedule; appearances in recent years have included the 2012 Muddy Roots Music Festival in Cookeville, TN, and the 2013 FreshGrass Festival in North Adams, MA. In June, 2013, he announced a farewell tour, scheduled to begin in Rocky Mount, NC, on October 18 and extending to December, 2014."Ralph Stanley & Dwight Yoakam- Bluegrass Duet". YouTube. 2008-09-28. Retrieved 2012-09-17.  "Ralph Stanley announces his final tour". Bluegrass Today. 2013-06-26. Retrieved 2014-07-15. Freeman, Jon. "Dr. Ralph Stanley Announces Farewell Tour". Country Weekly. Retrieved 2 October 2013.
Stanley created a unique style of banjo playing, sometimes called "Stanley style". It evolved from Wade Mainer style two-finger technique, later influenced by Scruggs style, which is a three-finger technique. "Stanley style" is distinguished by incredibly fast "foreward rolls", led by the index finger (instead of the thumb, as in Scruggs style), sometimes in the higher registers using a capo. In "Stanley style", the rolls of the banjo are continuous, while being picked fairly close the bridge on the banjo, giving the tone of the instrument a very crisp, articulate snap to the strings as the player would strike them.