Randy Kaplan

Wikipedia:

Randy Kaplan (b. Randall Leigh Kaplan) is an American songwriter, playwright, poet, and performer. He gained notoriety for his “not-JUST-for-kids” music in the mid-aughts, first in Brooklyn, NY and later nationwide. Dedicated members of his fan base call themselves FORKs (Fans of Randy Kaplan).

Randy has released three not-JUST-for-kids CDs: Five Cent Piece (2006), Loquat Rooftop (2008), and The Kids Are All Id (2010). His fourth, Mr. Diddie Wah Diddie (a collection of Randyized versions of classic American country-blues and ragtime numbers from the early- to mid-20th century) is due out in early 2012.

Loquat Rooftop was voted a top ten CD of the year by NPR (http://www.npr.org/templates/story/story.php?storyId=97510376) and COOL MOM PICKS, and his Sirius XM Radio hit “No Nothing” was nominated for Best Children’s Song of the Year by JUST PLAIN FOLKS (http://www.jpfolks.com/).

The Kids Are All Id was voted a Top Ten CD of the Year by TIME OUT NEW YORK KIDS, FIDS AND KAMILIES (http://fidsandkamily.blogspot.com/), ZOOBLOBBLE (http://www.zooglobble.com/archives/2010/12/best_kids_music_2010_top_20_albums.html), OWTK (http://owtk.com/2010/11/owtk-2010-kindie-top-ten/), and FAMILY MAN ONLINE (which placed the record in the #1 spot). The Kids Are All Id was also voted a top five CD of the year by the NICKELODEON PARENTS PICKS awards and it won NAPPA’s highest honor, their Gold Award (http://nappaawards.parenthood.com/music10_4up.php).

History

Kaplan grew up in Dix Hills, Long Island around the corner from the landmark John Coltrane House. He was educated at The University of Michigan and The University of California Los Angeles and studied music at The Dick Grove School of Music in Van Nuys and with Fran Banish. Randy has lived in New York, Los Angeles, and Lawrence, Kansas.

In the late 1980s Randy acted on TV sitcoms such as Growing Pains, A Different World, and Ferris Bueller and in dramas such as Beauty and the Beast. He has also appeared in plays and films, and had his poetry published by Ugly Duckling Presse (http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=78).

Kaplan fronted the band “i” in Los Angeles for several years in the early 1990s. They performed at LA clubs such as The Troubadour, The Whisky-A-Go-Go, and The Roxy and at many other venues on the West Coast and in the Southwest sharing bills with bands and performers such as The Mother Hips, Chuck E. Weiss, Eleni Mandell, Dan Bern, and Andras Jones and the Previous.

In 1993 Randy moved to New York City. He lived and worked on the Lower East Side and performed at venues such as Sin-é, The Living Room, and the Bottom Line. He released his first CD, Boyish Hips, in 1997. He has toured extensively throughout the USA, appearing at clubs, cafes, bars, and roadhouses in more than thirty states.

Work

In his songs for children and their families, Kaplan blends American Roots, Country Blues, and Comedic Storytelling. He finger-picks and strums his way through unpredictable live shows which, in addition to his original compositions, include Tin Pan Alley gems, Broadway numbers, and Delta Blues songs. “He doesn’t dumb it down for the kids… He just expects them to come along for the ride. And they do” (TIME OUT NEW YORK KIDS - http://timeoutnewyorkkids.com/arts-entertainment/movies-music-stage/58695/guitar-hero-too). As indebted to Maurice Sendak and Ogden Nash as he is to Woody Guthrie and Dave Van Ronk, “(Randy’s) original songs… are as imaginative and rambling as a preschooler” (THE LOVELY MRS. DAVIS). Randy started his kids’ music career in Park Slope, Brooklyn where he was a music teacher at Beansprouts preschool and where he sang twice weekly at Perch Cafe. He now lives in Los Angeles, California.

“One of the most exciting newcomers to kids’ music since Dan Zanes” (PARENTING MAGAZINE), Randy has released three children’s albums so far. All have been recorded by country-folk music master Mike West in Lawrence, Kansas. “FIVE CENT PIECE (2006) combines a gloriously wacky collection of oldies (and originals)” (NEW YORK MAGAZINE). It features all-time classics like "Somewhere Over the Rainbow," "Kids" (from Bye Bye Birdie), and "You Can't Always Get What You Want" (a good first mantra for children) as well as original songs like "Shampoo Me" (the account of the friendly but demanding shark in the bathtub), "Mosquito Song," and "Roaches" (they're tryin' on your underwear, checkin' out your grocery list, readin' your copy of Metamorphosis).

“LOQUAT ROOFTOP (2008), Randy’s second kids’ CD, is Kaplan at his best: Memories; images, figurative and literal; sights, sounds… flavors, textures; humor and fun” (KIDSMUSICTHATROCKS.com). Like its predecessor, Loquat Rooftop contains its share of classics, such as “Charlie Brown”, “Move It On Over”, and “Tomorrow” (from Annie) and original songs like “No Nothing” (the tale of the depraved cat “Nothing” and the hungry monkey “Kqxhc” – you’ll have to hear the song to see how his name’s pronounced!), the eponymous “Loquat Rooftop”, and “The Ladybug Without Spots” (after an ill-advised watermelon seed gluing spree a ladybug devoid of polka dots learns to accept her spotless self). “Loquat Rooftop (is a) mixture of blues and folk-rock, laced with good humor and heart” (ZOOGLOBBLE.com) and was voted one of the Top Ten Children’s CDs of 2008 by NPR (NATIONAL PUBLIC RADIO) and COOL MOM PICKS. “No Nothing” and “The Ladybug Without Spots” are among the most requested songs on SIRIUS-XM Radio’s Kids Place Live; Randy has also guest-hosted The Absolutely Mindy Show (Sirius-XM ch. 78) and performed concerts at XM Radio Headquarters in Washington D.C. (for their Rumpus Room series) which have since been rebroadcast several times.

Randy studied philosophy, writing, and literature at The University of Michigan in Ann Arbor and at U.C.L.A. He then trained in acting, improvisation, and writing with Scott Bernstein in Los Angeles. Randy’s theater credits include Spring Awakening, Fifty Minutes, and The Fresca Wars. He has also acted in films (Never Say Goodbye, Missing Parents) and on television shows such as Beauty and the Beast, Growing Pains, and A Different World. As a singer and songwriter, he has toured throughout the U.S. and released eleven CDs.

Randy collaborated with Brian & Erin Schey on CLEAVE, a musical comedy that was staged at The Boulder International Fringe Festival in Colorado in 2008 and in which Randy co-starred. Randy’s poetry has been published by Ugly Duckling Presse and he is the recipient of several ASCAP awards for his work.

In addition to his three not-ONLY-for-kids CDs, Randy has released nine not-REALLY-for-kids CDs. For the past five years he has worked with folk and bluegrass master Mike West who produced and recorded Randy's records in Lawrence, Kansas at his Ninth Ward Pickin' Parlor.

Not-REALLY-For-Kids CDs

SONGS FOR OLD LOVERS (2011) is a true concept album which pays tribute to some of the earliest concept albums in American pop music history. Randy's original compositions are responses to songs from the 1930s and 40s, standards recorded by the likes of Frank Sinatra, Peggy Lee, Chet Baker, and Nat King Cole. There are nods to the songwriting styles of the day throughout, both harmonically and lyrically. (adapted from the liner notes by Montague Z. Young)

DURANGO (2008), a collection of 11 songs Randy co-wrote with Brian Schey over the past two decades, was released in November 2008. The record is bookended by two jazz/pop piano-based songs, the title track and "No Matter What" (which also appeared on the CD REBORN AS BEES in 1999). There are also skewed rock anthems, Mexican surf numbers, and cabaret-influenced ballads. Brian Schey is an accomplished composer, arranger, and producer who has toured the US and Europe as a bassist with, among others, Dan Bern and Great American Taxi. Randy and Brian have worked together in many styles, from rock to jazz to musical theater. Brian’s latest project is RUE, a gypsy-jazz-influenced band he formed with his wife, Erin Schey.

ANCIENT RUINS (2007) contains several bluegrass numbers - fiddle, banjo, guitar, upright bass and all- but there's also the trademark Kaplan unorthodox ballads and curiously anthemic rock songs. Along with his ten originals, Kaplan covers Nirvana's "On a Plain," Prince's "I Could Never Take the Place of Your Man," and Grandmaster Flash's "The Message" (transforming this old school rap classic into a bluegrass barn burner).

For his CD PERFECT GENTLEMAN (2004) Randy amassed a collection of cheap yard-sale organs. He used their built-in drum samples to create rhythm tracks; he then utilized these rock, jazz, waltz, swing, bossa nova, dixie, cha-cha, and rhumba beats to fashion songs ranging from simply-structured folk and country ballads to torch songs, lampoons, spirituals, and satires. By editing, manipulating, and overlapping the beats from these various 1970's organs Randy transformed the crude and kitschy samples into more polished and developed sounds. At times, though, he just placed a sound 'as is' into a new context. The characters who inhabit these songs often seek to gain mastery over their chronic pathologies, or at least to acknowledge them. These characters include an anti-prophet who asks only that he be given as big a funeral as Jesus and Moses, an overweight middle-aged man who carries around a picture of his shirtless teen-aged self in order to lure women, the ghosts of Edith Wharton and Alexander Hamilton, a trucker driven to prostitutes by southern evangelical radio preachers, and the first human on earth (the hermaphrodite, Eve).

MIRACULOUS DISSOLVING CURES (2001) is a musically rich collection of threnodies and noiresque tales that find Kaplan battling the forces of love and loss as well as the hypocrisy of both the secular and religious worlds. In "Crushed Berries" the narrator laments that his "friends will save a fly from a spiderweb but then they'll order rack of lamb or baby back ribs." In "Volunteers" the ghost of Job's wife rails against G-d for letting her children die "because of some bet, some stupid bet." "Cutty Reel" is the dreamscape of a jilted degenerate; in an attempt to win back his beloved, he tries to buy a voodoo doll of her but finds that they're "all sold out." Stylistically, the record ranges from the quasi-Latin beat of "Crushed Berries" to the hint of electronica in "The Girl Who's Done It All" to the irresistible mix of synthesizer and Spanish guitar throughout "Unpaid Bills." There's also a full-color 12-page CD booklet featuring abstract paintings (by Yasmina Palumbo, Leila Hamilton, Masha Solomon, Lucille Dreyblatt, and others) juxtaposed to the words for each song. MDC was recorded by Colin Mahoney in Lawrence, Kansas. The record also features Brian Schey on bass and Bradford Hoopes on keyboards.

In 1999 Randy released two albums simultaneously, REBORN AS BEES and LAKE CHAMPIONS. Both were recorded at Z'gwon,th Studios in Lawrence, Kansas by Colin Mahoney, who also played drums. BEES was created as a tribute to Randy's father, who died in an automobile accident in the summer of 1997, and as an investigation of grief and hope. It is an eloquently dark and sometimes angry record but it is also universal in its hard-driving and melodic psychological study of loss, unfulfilled love, and the struggle to find second chances. Backed up by a full band, Kaplan opens the album quietly and gently with cautious hope in his voice: "I know the end is near but so is the beginning." He sings about unanswered prayers in "Deaf Ears," of a numb rebounding in "No Matter What," and with paranoid and helpless rage in "Many Times Over" and "Great Disguise." REBORN AS BEES, whose title comes from a Chasidic saying via Martin Buber, is a true concept album.

LAKE CHAMPIONS was recorded during the REBORN AS BEES sessions. On a day when Randy didn't feel like working on BEES, he sat down with his guitar and recorded eight songs. He sent the demo to his anarchivist Scott Bernstein who decreed that it must be made into an official album. Randy sat down one more time and recorded eight additional songs. This eclectic record has just about everything: torch songs, ballads, and tales; hope, love, and despair. In "Drunk As Can Be" a southern boozer tries to extricate himself from an addictive relationship. In "I Didn't Buy It," a sympathetic cad second-guesses himself and his dearly disposed. The narrator of "Gold" enjoys requited and true love while in "Robinson Crusoe" a man with a strong sense of entitlement tries to lay down the rules for a lopsided affair. In "Next To You" a woman makes her lover feel like Humbert Humbert and Jack the Ripper. A man visits the seedy bars of his old neighborhood in "Standard Time Chop" and, repulsed, is filled with domestic yearnings. In "G-d's Song" a gentle, forthright, practical, and insecure G-d revises his commandments - eliminating circumcision, easing the strictures on sexuality, condoning drug use, and admitting that even He isn't quite sure of what's going on. LAKE CHAMPIONS is a personal and intimate album that touches on all the trademark Kaplan subjects.

In early 1997, Randy recorded BOYISH HIPS at his friend Scott Bernstein's Hollywood apartment on his Tascam 4-track cassette recorder. On the record, his first CD, Randy used guitar, harmonica, piano, Fender Rhodes, and pots & pans as percussion instruments to orchestrate a joyful, Caribbeanesque sound. This deceptively light collection of songs includes "Slow Eater," in which a man denies being a binger and instead blames others for eating too slowly and too sparsely. In "Everyone I See," a man employs skewed logic to defend his inability to commit himself to one woman. "Coach Joe" tells the story of the life and death of a sexual predator. In "Ten Page Letter," a woman demands "action not words" from a man who can do nothing about his feelings but express them in letters. "Send For Our Stuff" is both a love song and a tribute to the naive beauty of Los Angeles (where Randy lived for eight years), seen here as a place where one's innocence may be renewed. The confessional poem "Live Tigers" is set to piano and nylon-string guitar music for the record's final track. This experimental album is full of lyrical and emotional minefields and fraught with neurotic wit, unbridled perplexity, and desperate passions. The narrators of these songs have insatiable cravings for sex, food, love, and, sometimes, self-destruction.