Roy Wood

All Music Guide:

Roy Wood, born in Birmingham, England, on November 8, 1946 (whose birth name is oftentimes incorrectly listed as Ulysses Adrian Wood due to a flip comment made in an interview), has long been regarded as one of the most important, if eccentric, rock musicians to have come out of that city, primarily for his role as the leader/co-founder of both the Move and the Electric Light Orchestra.

Wood took up the guitar in his early teens, and the first "successful" band of which he was a member was Gerry Levene & the Avengers, which actually got to record a single. They broke up in mid-1964, and Wood joined Mike Sheridan & the Nightriders. During this period, Wood attended the Moseley College of Art, from which he was expelled in 1964. That same year, he organized the Move, with Bev Bevan (drums), Carl Wayne (lead vocals), Ace Kefford (bass), and Trevor Burton (guitar). The band was fortunate enough to land a residency at London's Marquee Club, where they began to build an enthusiastic following.

Wood contributed most of the songs and eventually many of the vocals to the Move. Their single "Night of Fear" rose to number two on the U.K. charts in early 1967. The group evolved over the ensuing three years, eventually becoming a quartet. Later, the group added guitarist Jeff Lynne and passed through psychedelic, progressive, and heavy metal phases on albums such as Shazam, Message from the Country, and Looking On, which were popular in England but virtually unknown in America. Their sound embraced everything from old-time rock & roll, including Duane Eddy and even some doo wop influences, but also displayed Beatles-style harmonies and lyrical complexity.

By 1971, Wood had developed ideas and ambitions that were too wide to be embraced by any one band, and proposed the formation of an offshoot of the Move called the Electric Light Orchestra. The group's eponymous debut was released on the Harvest label in England to strong critical approval and decent sales -- indeed, the new band seemed to attract more serious attention than the Move had been getting. Originally ELO and the Move were to have existed side by side, but ELO supplanted the Move, and the latter ceased to exist. Wood exited soon after, leaving ELO in the hands of Lynne and Bevan, and went off on his own to form Wizzard.

Wizzard's first single, "Ballpark Incident," combined the Move's hard rock with a texture reminiscent of Phil Spector's "wall of sound" productions, and rose to number six on the British charts. In April of 1973, Wizzard reached number one with "See My Baby Jive," a success duplicated by the follow-up, "Angel Fingers." Unfortunately, the band's first album, Wizzard's Brew, didn't fare nearly as well, being a highly experimental body of work. The group's fortunes, even as a singles band, faltered after this, partly because of Wood's decision to continue recording and releasing records under his own name in addition to his work with Wizzard. His Phil Spector-ish "I Wish It Could Be Christmas Everyday" reached number four in England in 1973, and "Forever" made it to number eight the same year. The Wizzard albums See My Baby Jive and Eddie & the Falcons were both critical and commercial failures, and the unsuccessful release of the latter led to the demise of the group. Meanwhile, Wood's own solo albums, Boulders (1973) and Mustard (1975), were too idiosyncratic to achieve major followings.

The Roy Wood Story (Harvest), released in 1976, summed up his career with EMI Records and performed well as a best-of. His subsequent records, On the Road (1979) and Starting Up (1987), failed to achieve anything like the success of his early-'70s work, and since then Wood has become one of the more elusive active musicians of his generation, although he continued to record into the 1990s.

Wikipedia:

Roy Wood (born 8 November 1946) is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the bands The Move, Electric Light Orchestra, and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands.

Career [edit]

Wood was born in Kitts Green, Birmingham, England. For some years the legend persisted that his real name was Ulysses Adrian Wood, until it was revealed that this was probably the result of somebody close to The Move in their early days filling in such names on a 'lifelines' feature for the press as a joke. His birth certificate has since confirmed the status of his real name. His first group in Birmingham in the early 1960s was The Falcons, which he left in 1963 to join Gerry Levene and the Avengers. He then moved to Mike Sheridan and the Nightriders (the band later became The Idle Race). During this period, he attended the Moseley College of Art, from which he was expelled in 1964.

From this basis, and other Birmingham-based groups, was formed The Move, and they quickly entered the UK Singles Chart. Their single "Night of Fear" climbed to No. 2 in early 1967. Their third hit, "Flowers in the Rain", was the first song played at the launch of BBC Radio 1 in 1967, and the band evolved over a three-year period. After the departure of The Move's lead singer Carl Wayne, Wood's influence became more prominent. In 1967 Wood (and fellow Move member Trevor Burton) supplied backing vocals on the track, "You Got Me Floatin'", on The Jimi Hendrix Experience's album, Axis: Bold as Love.

Wood was keen on musical experimentation and was in this respect one of the most progressive musicians of his time, taking the 'pop group' into new areas. He was an early proponent of combining rock and roll and pop music with other styles, such as classical music, or the big band sound, and introduced classically-styled string and brass sections into the pop record. In early 1972, Wood's composition "Songs Of Praise" was shortlisted by the BBC as one of six possible choices for the UK entry in the Eurovision Song Contest 1972. When performed by The New Seekers on the Cliff Richard vehicle It's Cliff Richard!, the song finished in last place with 3,842 votes. The group included the track on their album We'd Like To Teach The World To Sing. Wood recorded his own version of "Songs of Praise", releasing it on the B-side of his 1973 single, "Dear Elaine".

When The Move was still on tour, he founded, together with his band colleagues Jeff Lynne and Bev Bevan, the Electric Light Orchestra (ELO), which was later to gain major commercial success. The original intention was to continue with both The Move and ELO, but the former soon ceased to exist.

ELO's early live performances were chaotic, and after increasing tensions, Wood left in July 1972 and formed a new group, Wizzard, which assembled cellists, brass players and a bigger rhythm section, with several drummers and percussionists. Wood emulated the wall of sound production style of Phil Spector while successfully and affectionately pastiching the rock and roll style of the early 1960s. Meanwhile, he released several solo albums, exploring further musical directions. His 1973 album Boulders was an almost entirely solo effort, right down to the sleeve artwork, with Wood playing a wide variety of musical instruments. A second solo album, Mustard, released in 1975, included contributions by Phil Everly and Annie Haslam, was less successful.

Instruments played by Wood on his various albums include guitar, bass guitar, cello, flute, sitar, saxophones, clarinet, recorder, oboe, bassoon, drums, double bass and keyboards.

Earlier, in July 1972, Wood played bass guitar on all the tracks for Bo Diddley's Chess Records album The London Bo Diddley Sessions.

By the late 1970s, Wood was appearing less in public; commercial success faded away, and his musical experiments did not always match popular taste, but he remained productive in the studio as musician, producer and songwriter. He was a fan of Elvis Presley, but never succeeded in getting him to adopt one of his compositions. However, he was untiring as a producer for other acts, most successfully doo-wop revivalists Darts. In 1976, Wood recorded The Beatles songs "Lovely Rita" and "Polythene Pam" for the ill-fated musical documentary All This and World War II.

In 1977 he formed Wizzo Band, a jazz-rock ensemble, whose only live performance was a BBC simultaneous television and radio broadcast in stereo. The Wizzo Band split early the following year after cancelling a nationwide tour.

Between 1980 and 1982 Wood released a few singles under his own name and also as Roy Wood's Helicopters, and played some live dates under this name, with a band comprising Robin George (guitar), Terry Rowley (keyboards), Jon Camp (bass), and Tom Farnell (drums). The release of what would have been the last of these singles, "Aerial Pictures", backed with "Airborne", was cancelled owing to the lack of chart success for its predecessors, but both sides appeared for the first time in 2006 on a compilation CD, Roy Wood – The Wizzard!. "Aerial Pictures", using the original backing track, subsequently became a solo single for former Move vocalist, Carl Wayne.

Wood also made a one-off rock and roll medley single with Phil Lynott, Chas Hodges and John Coghlan, credited to The Rockers, "We Are The Boys" (1983), and played a leading role in the Birmingham Heart Beat Charity Concert 1986, on 15 March 1986, which was later televised in part by the BBC. As well as designing the logo, Wood performed in a line-up which also included the Electric Light Orchestra and the Moody Blues.

After a period away from the limelight, following the release of the album Starting Up (1987), a cover version of the Len Barry hit "1-2-3", and a guest vocal appearance on one track on Rick Wakeman's The Time Machine, he went on the road with a band billed as Roy Wood's Army. He also wrote and recorded two tracks with Lynne in 1989 ("If You Can't Get What You Want" and "Me and You"), which were never released.

Collectively, hit records by The Move, Electric Light Orchestra, Wizzard, and Wood's own solo singles demonstrated an impressive chart run for an individual, both as composer and performer. Altogether he had more than 20 singles in the UK Singles Chart under various guises, including three UK No. 1 hits. His most regularly broadcast song is the seasonal Wizzard single "I Wish It Could Be Christmas Everyday". In 1995 he released a new live version as the 'Roy Wood Big Band', which charted at No. 59, and in 2000 he joined forces with Mike Batt and The Wombles, for a re-working of "I Wish It Could Be Christmas Everyday" and the Wombles' hit "Wombling Merry Christmas", together in one song which reached No. 22. Over Christmas 2007, Wood appeared in a catalogue advertisement for Argos, where he played the part of a rowdy neighbour playing guitar along to Wizzard's "I Wish It Could Be Christmas Everyday", and the song once again entered the UK Singles Chart, peaking at No. 16. It has re-entered the charts every subsequent year on download sales alone, although no longer physically available as a single.

Wood was awarded an honorary doctorate for his contribution to music by the University of Derby on 18 January 2008.

Most recently, he has formed the Roy Wood Rock & Roll Band for occasional live dates and television performances in the UK. They were the support act for Status Quo at several UK dates in the weeks leading up to Christmas 2009 and 2011.