Rufus Thomas

All Music Guide:

Few of rock & roll's founding figures are as likable as Rufus Thomas. From the 1940s onward, he has personified Memphis music; his small but witty cameo role in Jim Jarmusch's Mystery Train, a film which satirizes and enshrines the city's role in popular culture, was entirely appropriate. As a recording artist, he wasn't a major innovator, but he could always be depended upon for some good, silly, and/or outrageous fun with his soul dance tunes. He was one of the few rock or soul stars to reach his commercial and artistic peak in middle age, and was a crucial mentor to many important Memphis blues, rock, and soul musicians.

Thomas was already a professional entertainer in the mid-'30s, when he was a comedian with the Rabbit Foot Minstrels. He recorded music as early as 1941, but really made his mark on the Memphis music scene as a deejay on WDIA, one of the few black-owned stations of the era. He also ran talent shows on Memphis' famous Beale Street that helped showcase the emerging skills of such influential figures as B.B. King, Bobby Bland, Junior Parker, Ike Turner, and Roscoe Gordon.

Thomas had his first success as a recording artist in 1953 with "Bear Cat," a funny answer record to Big Mama Thornton's "Hound Dog." It made number three on the R&B charts, giving Sun Records its first national hit, though some of the sweetness went out of the triumph after Sun owner Sam Phillips lost a lawsuit for plagiarizing the original Jerry Leiber/Mike Stoller tune. Thomas, strangely, would make only one other record for Sun, and recorded only sporadically throughout the rest of the 1950s.

Thomas and his daughter Carla would become the first stars for the Stax label, for whom they recorded a duet in 1959, "'Cause I Love You" (when the company was still known as Satellite). In the '60s, Carla would become one of Stax's biggest stars. On his own, Rufus wasn't as successful as his daughter, but issued a steady stream of decent dance/novelty singles.

These were not deep or emotional statements, or meant to be. Vaguely prefiguring elements of funk, the accent was on the stripped-down groove and Rufus' good-time vocals, which didn't take himself or anything seriously. The biggest by far was "Walking the Dog," which made the Top Ten in 1963, and was covered by the Rolling Stones on their first album.

Thomas hit his commercial peak in the early '70s, when "Do the Funky Chicken," "(Do The) Push and Pull," and "The Breakdown" all made the R&B Top Five. As the song titles themselves make clear, funk was now driving his sound rather than blues or soul. Thomas drew upon his vaudeville background to put them over on-stage with fancy footwork that displayed remarkable agility for a man well into his 50s. The collapse of the Stax label in the mid-'70s meant the end of his career, basically, as it did for many other artists with the company. In 2001, Rufus Thomas was inducted into the Blues Hall of Fame. Later that year, on December 15, he died at St. Francis hospital in Memphis, TN.

Wikipedia:

Rufus Thomas, Jr. (March 27, 1917 – December 15, 2001) was an American rhythm and blues, funk and soul singer and comedian from Memphis, Tennessee, who recorded on Sun Records in the 1950s and on Stax Records in the 1960s and 1970s. He was the father of soul singer Carla Thomas and keyboard player Marvell Thomas. A third child, Vaneese, a former French teacher, has a recording studio in upstate New York and sings for television commercials.

Early life and education

Born a sharecropper's son in the rural community of Cayce, Mississippi, Thomas moved to Memphis with his family at age 2. His mother was “a church woman.” Thomas made his artistic debut at the age of 6 playing a frog in a school theatrical production. Much later in life, he would impersonate all kinds of animals: screeching cats, funky chickens and penguins, and mournful dogs. By age 10, he was a tap dancer, performing in amateur productions at Memphis' Booker T. Washington High School.

Thomas attended one semester at Tennessee A&I University, but due to economic conditions left to pursue a career as a professional entertainer, joining up in 1936 with the Rabbit Foot Minstrels, an all-black revue that toured the South. He then worked for twenty-two years at a textile plant and didn't leave that job until about 1963, around the time of his “Dog” hits. He started at WDIA in 1951 (despite biographies placing his start a year earlier). At WDIA, he hosted an afternoon show called Hoot and Holler. WDIA, featuring an African-American format, was known as "the mother station of the Negroes" and became an important source of blues and R&B music for a generation, its audience consisting of white as well as black listeners. Thomas's mentor was Nat D. Williams, a pioneer black deejay at WDIA as well as Thomas's high school history teacher, columnist for black newspapers, and host of an amateur show at Memphis's Palace Theater. For years Thomas himself took hosting duties for the amateur show and, in that capacity, is credited with the discovery of B.B. King.

Professional singing career

He made his professional singing debut at the Elks Club on Beale Street in Memphis, filling in for another singer at the last minute. He made his first 78 rpm record in 1943 for the Star Talent label in Texas, "I'll Be a Good Boy", backed with "I'm So Worried."

He also became a long-standing on-air personality with WDIA, one of the first radio stations in the US to feature an all-black staff and programming geared toward blacks. His celebrity was such that in 1953 he recorded an "answer record" to Big Mama Thornton's hit, "Hound Dog" called "Bear Cat" released on Sun Records. Although the song was the label's first hit, a copyright-infringement suit ensued and nearly bankrupted Sam Phillips' record label. Later, Rufus was one of the African American artists released by Sam Phillips as he oriented his label more toward white audiences and signed the likes of Elvis Presley.

The prime of Rufus' recording career came in the 1960s and early 1970s, when he was on the roster of Memphis label, Stax, having one of the first hit sides at the historic soul and blues label, "Walking the Dog", (#5 R&B, #10 Pop) in 1963. Rufus is thus the first, and still the only, father to debut in the Hot 100's top 10 after his daughter debuted there. Rufus' daughter Carla also reached #10, with "Gee Whiz (Look At His Eyes)" on 27 March 1961.

At Stax, Rufus recorded songs when he had something to record. He was often backed by Booker T. and the MG's or the Bar-Kays.

The early 1970s brought him three major hits, including "(Do The) Push and Pull" in 1970, his only number one R&B hit (#25 Pop). Earlier that year, "Do the Funky Chicken" had reached #5 R&B and #28 Pop. A third dance-oriented release in 1971, "The Breakdown" climbed to #2 R&B and #31 Pop. He had several more less successful hits until Stax closed its doors in the mid-70s.

Late in his career, for years, Rufus performed at the Porretta Soul Festival in Porretta Terme, Italy. The outdoor amphitheater in which he performed has been renamed "Rufus Thomas Park." Highlights of his career included calming an unruly crowd at the Wattstax Festival in 1972 and performing with James Brown's band.

He played an important part in the Stax reunion of 1988, and had a small role in the 1989 Jim Jarmusch film Mystery Train. Rufus released an album of straight-ahead blues, That Woman is Poison!, with Alligator Records in 1990. In 1996, Rufus and William Bell headlined at the Olympics in Atlanta. In 1997, Rufus released an album, "Rufus Live!," with Ecko Records.

Thomas was inducted into the Blues Hall of Fame in 2001. He was interviewed by the public radio program American Routes (aired in February 2002). His last appearance was in the D.A. Pennebaker-directed documentary Only the Strong Survive (2003) in which he co-stars with his daughter Carla.

Death

He died of heart failure in 2001, at the age of 84, at St. Francis Hospital in Memphis. A street is named in his honor, just off Beale Street in Memphis. He is buried next to his wife at the New Park Cemetery in Memphis.

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