Sammy Cahn

All Music Guide:

One of the more diverse American lyricists of the 20th century, Sammy Cahn wrote his first hit by the age of 21 and followed it with over five decades of successful and award-winning compositions. Working most frequently with Jule Styne during the '40s and Jimmy Van Heusen during the '50s (though he also composed with Axel Stordahl and Paul Weston), Cahn had a way with lovesick ballads ("I'll Walk Alone," "Only the Lonely") as well as bouncy uptempo songs ("Let It Snow! Let It Snow! Let It Snow!," "Saturday Night Is the Loneliest Night of the Week").

Born on New York's Lower East Side in June 1913, Samuel Cohen was the son of Jewish immigrants from Poland. His mother encouraged him to take up the violin, which Cahn used to join a small orchestra which played at bar mitzvahs and other Jewish gatherings. At the age of 16, he began writing songs and later convinced orchestra-mate Saul Chaplin to join him in a partnership. The duo wrote for bands as well as vaudeville, gaining their first hit in 1935 when Jimmie Lunceford's Orchestra recorded "Rhythm Is Our Business." During the next two years, the Cahn and Chaplin team wrote three more big hits, including "Until the Real Thing Comes Along" (sung by Andy Kirk); the Yiddish novelty "Beir Mir Bist Du Schöen" (which became the Andrews Sisters' first million-selling hit); and "Please Be Kind" (popularized by Benny Goodman and Bob Crosby).

When Sammy Cahn and Saul Chaplin's writing contract with Warner Bros. expired in the early '40s, they decided to split up. Cahn soon found another partner, Jule Styne, the man with whom he wrote his most celebrated hits. Writing film and album songs for Frank Sinatra -- who had gotten to know Cahn during his tenure in the Tommy Dorsey Orchestra -- during the mid-'40s, Cahn and Styne were one of the most successful teams in the business, as a variety of stars gained the upper reaches of the Hit Parade with "Saturday Night (Is the Loneliest Night of the Week)" (Sinatra, Sammy Kaye, Frankie Carle), "I've Heard That Song Before" (Harry James), "I'll Walk Alone" (Doris Day), "It's Been a Long, Long Time" (Bing Crosby, Harry James, Charlie Spivak), "Things We Did Last Summer" (Sinatra), "Five Minutes More" (Sinatra, Tex Beneke, the Three Suns, Bob Crosby), and "Let It Snow! Let It Snow! Let It Snow!" (Vaughn Monroe, Woody Herman, Connee Boswell, Bob Crosby). As well, Cahn and Styne wrote scores for several movies plus the 1947 Broadway musical High Button Shoes.

Though successful, High Button Shoes was Sammy Cahn and Jule Styne's last collaboration for almost a decade. While Styne stayed in New York, Cahn journeyed to Hollywood, recruiting Nicholas Brodszky as his new partner and writing half-a-dozen film songs for Mario Lanza plus "I'll Never Stop Loving You" for Doris Day. Cahn and Styne began working together again in 1954, and though they were together for only a year, the pair won an Oscar for Sinatra's rendition of the title song from Three Coins in the Fountain as well as writing music for Marilyn Monroe's The Seven Year Itch.

His relationship with Styne was somewhat soured by the mid-'50s, so Sammy Cahn turned to another old friend, Frank Sinatra, to rejuvenate his career. With Jimmy Van Heusen as his songwriting partner, Cahn charted a course for Sinatra with several hits from movies, like "The Tender Trap and two more Oscar winners for Best Song from a Film, "All the Way" and "High Hopes." There were many other Sinatra favorites during the late '50s to early '60s, many used as the title songs to his albums: "Come Fly with Me," "Come Dance with Me," "Only the Lonely," "No One Cares" and "September of My Years." By no means restricted to status as Sinatra's muses, Cahn and Van Heusen also collaborated on Cahn's fourth Oscar award-winning song, "Call Me Irresponsible," plus the score for a TV adaptation of Thornton Wilder's Our Town (whence came another perennial favorite, "Love and Marriage") and scores for two Broadway musicals, Skyscraper and Walking Happy.

By the end of the '60s, with enormous success connected to his name, Sammy Cahn returned to work with old partner Styne on a musical score named Look to the Lilies. Cahn entered the '70 with a new direction: performance. He wrote and starred in a one-man show named Words and Music, which gained him an award not devoid of irony -- Best New Talent on Broadway from the Outer Circle Critics. A year later, he brought the show to England, and remounted the entire spectacle in the '80s as well. Inducted into the Songwriters Hall of Fame, Sammy Cahn died in Los Angeles on January 15, 1993.

Wikipedia:

Sammy Cahn (June 18, 1913 – January 15, 1993) was an American lyricist, songwriter and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin. He won the Academy Award four times for his songs, including the popular song "Three Coins in the Fountain".

Biography

Cahn was born as Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, Austria. His sisters, Sadye, Pearl, Florence, and Evelyn, all studied the piano. His mother did not approve of Sammy studying it though, for she thought the piano was a woman's instrument, so he took violin lessons. After three lessons and following his bar mitzvah, he joined a small dixieland band called Pals of Harmony, that would tour the Catskill Mountains in the summer and also did private parties. This new dream of Cahn's destroyed any hopes his parents had for him to be a professional man.

Some of the side jobs he had were playing violin in a theater-pit orchestra, working at a meat-packing plant, serving as a movie-house usher, tinsmith, freight-elevator operator, restaurant cashier, and porter at a bindery. At age 16, he was watching vaudeville, of which he had been a fan since the age of 10, and he witnessed Jack Osterman singing a song he, Sammy, had written. After this, he wrote his first lyric "Like Niagara Falls, I'm Falling for You." Years later he would say "I think a sense of vaudeville is very strong in anything I do, anything I write. They even call it 'a vaudeville finish,' and it comes through in many of my songs. Just sing the end of 'All the Way' or 'Three Coins in the Fountain'--'Make it mine, make it mine, MAKE IT MINE!' If you let people know they should applaud, they will applaud."

Much of Cahn's early work was written in partnership with Saul Chaplin. They first met when Cahn invited Chaplin to audition for him at the Henry Street Settlement. Cahn said "I'd learned a few chords on the piano, maybe two, so I'd already tried to write a song. Something I called 'Shake Your Head from Side to Side.'" Billed simply as "Cahn and Chaplin" (in the manner of "Rodgers and Hart"), they composed witty special material for Warner Brothers' musical short subjects, filmed at Warners' Vitaphone studio in Brooklyn, New York.

"There was a legendary outfit on West 46th Street, Beckman and Prasky . . . they were the MCA, the William Morris of the Borscht Belt.I got a room in their offices, and we started writing special material. For anybody who'd have us--at whatever price." They did not make much money, but they did work with up-and-comers Milton Berle, Danny Kaye, Phil Silvers, and Bob Hope.

One of his childhood friends, Lou Levy, who had gone from neighborhood bum to blackface dancer with the Jimmie Lunceford Orchestra.

Lyric writing has always been a thrilling adventure for me, and something I've done with the kind of ease that only comes with joy! From the beginning the fates have conspired to help my career. Lou Levy, the eminent music publisher, lived around the corner and we met the day I was leaving my first music publisher's office. This led to a partnership that has lasted many years. Lou and I wrote "Rhythm is Our Business," material for Jimmie Lunceford's orchestra, which became my first ASCAP copyright. I'd been churning out "special lyrics" for special occasions for years and this helped facilitate my tremendous speed with lyric writing. Many might have written these lyrics better—but none faster! Glen Gray and Tommy Dorsey became regular customers and through Tommy came the enduring and perhaps most satisfying relationship of my lyric writing career – Frank Sinatra.

The song became the Orchestra's signature song. The duo then worked for Glen Gray's Casa Loma Orchestra and their premiere at Paramount Theatre. They also worked for Andy Kirk and his Clouds of Joy and they wrote Until the Real Thing Comes Along.

Cahn wrote the lyrics to "Love and Marriage," which was used as the theme song for the FOX TV show Married... with Children. The song originally debuted in a 1955 television production of Our Town, and won an Emmy Award in 1956. This was only one of many songs that Cahn and Jimmy Van Heusen wrote for Frank Sinatra. They were "almost considered to be his personal songwriters."

Cahn contributed lyrics for two otherwise unrelated films about the Land of Oz, Journey Back to Oz (1971) and The Wizard of Oz (1982). The former were composed with James Van Heusen, the latter with Allen Byrns, Joe Hisaishi, and Yuichiro Oda.

Cahn became a member of the Songwriters Hall of Fame in 1972. He later took over the presidency of that organization from his friend Johnny Mercer when Mercer became ill.

Personal life

Sammy Cahn died on January 15, 1993 at the age of 79 in Los Angeles, California. His remains were interred in the Westwood Village Memorial Park Cemetery.

He was married twice: first to vocalist and former Goldwyn girl Gloria Delson in 1945, with whom he had two children, and later to Virginia "Tita" Basile in 1970. He changed his last name from Cohen to Kahn to avoid confusion with comic and MGM actor Sammy Cohen and again from Kahn to Cahn to avoid confusion with lyricist Gus Kahn.

His second wife was Virginia (Tita) Curtis, a former fashion coordinator for the clothes designer Donald Brooks. He was the father of Laurie Cahn and jazz/fusion guitarist Steve Khan who, early in his career, changed the spelling of his last name to Khan in order to "create a separate identity from [his] famous father" and because he was "so hurt and angry with him for so many childhood things."[1]

Composer Garrison Hintz exchanged numerous letters with Sammy Cahn regarding musical composition and credits Mr. Cahn with teaching him the craft of lyric writing.

Honors, awards and legacy

Over the course of his career, he was nominated for 23 Academy Awards, five Golden Globe Awards, and an Emmy Award. He also received a Grammy Award nomination, with Van Heusen, for Best Original Score Written for a Motion Picture or Television Show for the film Robin and the 7 Hoods.

In 1988, the Sammy Awards, an annual award for movie songs and scores, was started in his honor. When notified by Roger Hall, Cahn said he was "flattered and honored" that these awards were named after him. He was chosen because he had received more Academy Award nominations than any other songwriter, and also because he received four Oscars for his song lyrics.

In 1993, taking up the sentiments expressed in the song, "High Hopes," the Cahn estate established the "High Hopes Fund" at the Joslin Diabetes Center in Boston. The former Joslin patient and songwriter's goal was to provide hope and encouragement to kids with diabetes while supporting research into the causes of the disease.

The lyrics he wrote for Sinatra is the subject of a chapter in Gilbert Gigliotti's A Storied Singer: Frank Sinatra as Literary Conceit, "Come [Fly, Dance, and Waltz with] Us on Equal Terms": The Whitmanesque Sinatra of Sammy Cahn," published by Greenwood Press in 2002.

Music

Cahn wrote lyrics for many songs, including:

Stage

Cahn wrote the lyrics for the following Broadway musicals: