Sleepy LaBeef

All Music Guide:

Sleepy LaBeef became the ultimate rockabilly survivor, his live performances retaining the same raw power as he approached his eighth decade that they had in the years when he was among the music's pioneers. He was born Thomas Paulsley LaBeff in Smackover, AR. The 6'7" singer has heavily lidded eyes which make him appear half-asleep, hence his nickname. He was raised on a melon farm and grew up hearing both country and blues music. LaBeef moved to Houston at age 18, working at several odd jobs before beginning to sing gospel music on local radio shows. Soon he was working with a band of his own at local bars, and he appeared on the Houston Jamboree and Louisiana Hayride radio programs. The new rockabilly style fit his blazing voice perfectly, and in the late '50s he recorded about a dozen sides in that style for various labels. His first single, "I'm Through," was released in 1957 on Starday. Sometimes he was billed as Tommy LaBeff or Sleepy LaBeff.

LaBeef moved to Nashville in 1964 and soon was signed to Columbia. In the 1960s he recorded mostly straight country music. His sixth single for the label, "Every Day," provided LaBeef with his chart debut in 1968, and after moving to Shelby Singleton's Plantation label in 1969, he hit the Top 20 with his version of "Blackland Farmer," Frankie Miller's heartfelt ode to the soil. The late '60s also saw the towering baritone's film debut in the bizarre Southern drive-in horror musical The Exotic Ones; LaBeef played a swamp monster.

LaBeef moved to Sun Records in the mid-'70s after Singleton acquired that original institution of rockabilly, and there he reconnected with his rockabilly roots. Singles such as "Thunder Road," "There Ain't Much After Taxes," and "Boogie Woogie Country Girl" saw little chart action but helped form the beginnings of the LaBeef legend as his indefatigable touring exposed audiences to his wildman energy. LaBeef remains more popular in Europe than in the U.S. and appeared at England's Wembley Festival twice. Among his U.S. fans was soul-music historian Peter Guralnick, who saw LaBeef perform in Massachusetts in 1977 and praised his performances in a widely read article.

That plus the general revival of rockabilly around 1980 at the hands of such groups as the Stray Cats paved the way for the emergence of Sleepy LaBeef, rockabilly revivalist.

He signed to Rounder in 1981 and released It Ain't What You Eat (It's the Way How You Chew It) in the U.S. and in Europe. The live album Nothin' but the Truth gave CD buyers a taste of the booming vocals and slashing guitar that had made LaBeef a prime club attraction. LaBeef returned to regular recording in the mid-'90s, releasing several more albums on Rounder: Strange Things Happening (1994) and I'll Never Lay My Guitar Down (1996) contained a variety of country and blues tunes and revealed the depth of LaBeef's musical experiences. Four years later, he issued Tomorrow Never Comes, which featured guest vocals from Maria Muldaur. Compilations of the numerous unissued tracks from earlier in LaBeef's career began to surface in the early 2000s, and by that time Sleepy was nothing less than a rockabilly legend.

Wikipedia:

Sleepy LaBeef (born Thomas Paulsley LaBeff, July 20, 1935, Smackover, Arkansas) is an American rockabilly musician.

LaBeef stands 6' 7" tall and was given the nickname "Sleepy" from the appearance of his eyes. Born in Arkansas, he was raised on a melon farm and moved to Houston when he was 18. There, he sang gospel music on local radio and put together a bar band to play venues as well as radio programs such as the Houston Jamboree and Louisiana Hayride.

In the 1950s, as the rockabilly component of rock-n-roll became evident, LaBeef began recording singles in the genre; his first, "I'm Through", was issued on Starday Records in 1957. In 1964, he moved to Nashville and moved to a more solidly country style, recording singles for Columbia Records. His first genuine hit was 1968's "Every Day", which peaked at #73 on the U.S. Billboard Country charts. After moving to Plantation Records in 1969, he scored a second hit in 1971 with "Blackland Farmer", which charted at #67. Around this time LaBeef also starred in the horror movie The Exotic Ones. LaBeef transferred to Sun Records in the 1970s and continued releasing albums and touring widely; his popularity flagged in America but rose in Europe. The 1980s saw him sign to Rounder Records, where he released albums into the 1990s.