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Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions. Becker and Fagen never truly enjoyed rock -- with their ironic humor and cryptic lyrics, their eclectic body of work shows some debt to Bob Dylan -- preferring jazz, traditional pop, blues, and R&B. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. With producer Gary Katz, Becker and Fagen gradually changed Steely Dan from a performing band to a studio project, hiring professional musicians to record their compositions. Though the band didn't perform live after 1974, Steely Dan's popularity continued to grow throughout the decade, as their albums became critical favorites and their singles became staples of AOR and pop radio stations. Even after the group disbanded in the early '80s, their records retained a cult following, as proven by the massive success of their unlikely return to the stage in the early '90s.
Walter Becker (bass) and Donald Fagen (vocals, keyboards) were the core members of Steely Dan throughout its variety of incarnations. The two met at Bard College in New York in 1967 and began playing in bands together shortly afterward. The duo played in a number of groups -- including the Bad Rock Group, which featured future comedic actor Chevy Chase on drums -- which ranged from jazz to progressive rock. Eventually, Becker and Fagen began composing songs together, hoping to become professional songwriters in the tradition of the Brill Building. In 1970, the pair joined Jay & the Americans' backing band, performing under pseudonyms; Becker chose Gustav Mahler, while Fagen used Tristan Fabriani. They stayed with Jay & the Americans until halfway through 1971, when they recorded the soundtrack for the low-budget film You Gotta Walk It Like You Talk It, which was produced by the Americans' Kenny Vance. Following the recording of the soundtrack, Becker and Fagen attempted to start a band with Denny Dias, but the venture was unsuccessful. Barbra Streisand recorded the Fagen/Becker composition I Mean to Shine on her album Barbra Joan Streisand, released in August 1971, and the duo met producer Gary Katz, who hired them as staff songwriters for ABC/Dunhill in Los Angeles, where he had just become a staff producer. Katz suggested that Becker and Fagen form a band as a way to record their songs, and Steely Dan -- who took their name from a dildo in William Burroughs' Naked Lunch -- was formed shortly afterward.
Recruiting guitarists Denny Dias and Skunk Baxter, drummer Jim Hodder, and keyboardist/vocalist David Palmer, Becker and Fagen officially formed Steely Dan in 1972, releasing their debut, Can't Buy a Thrill, shortly afterward. Palmer and Fagen shared lead vocals on the album, but the record's two hit singles -- the Top Ten "Do It Again" and "Reeling in the Years" -- were sung by Fagen. Can't Buy a Thrill was a critical and commercial success, but its supporting tour was a disaster, hampered by an under-rehearsed band and unappreciative audiences. Palmer left the band following the tour. Countdown to Ecstasy, released in 1973, was a critical hit, but it failed to generate a hit single, even though the band supported it with a tour.
Steely Dan replaced Hodder with Jeff Porcaro and added keyboardist/backup vocalist Michael McDonald prior to recording their third album, Pretzel Logic. Released in the spring of 1974, Pretzel Logic returned Steely Dan to the Top Ten on the strength of the single "Rikki Don't Lose That Number." After completing the supporting tour for Pretzel Logic, Becker and Fagen decided to retire from live performances and make Steely Dan a studio-based band. For their next album, 1975's Katy Lied, the duo hired a variety of studio musicians -- including Dias, Porcaro, guitarist Elliot Randall, saxophonists Phil Woods, bassist Wilton Felder, percussionist Victor Feldman, keyboardist Michael Omartian, and guitarist Larry Carlton -- as supporting musicians. Katy Lied was another hit, as was 1976's The Royal Scam, which continued in the vein of its predecessor. On 1977's Aja, Steely Dan's sound became more polished and jazzy, as they hired jazz fusion artists like Wayne Shorter, Lee Ritenour, and the Crusaders as support. Aja became their biggest hit, reaching the Top Five within three weeks of release and becoming one of the first albums to be certified platinum. Aja also gained the respect of many jazz musicians, as evidenced by Woody Herman recording an album of Becker/Fagen songs in 1978.
Following the release of Aja, ABC was bought out by MCA Records, resulting in a contractual dispute with the label that delayed until 1980 the release of their follow-up album. During the interim, the group had a hit with the theme song for the film FM in 1978. Steely Dan finally released Gaucho, the follow-up to Aja, in late 1980, and it became another Top Ten hit for the group. During the summer of 1981, Becker and Fagen announced that they were parting ways. The following year, Fagen released his solo debut, The Nightfly, which became a critical and commercial hit.
Fagen didn't record another album until 1993, when he reunited with Becker, who produced Kamakiriad. The album was promoted by the first Steely Dan tour in nearly 20 years, and while the record failed to sell, the concerts were very popular. In 1994, Becker released his solo debut, 11 Tracks of Whack, which was produced by Fagen. The following year, Steely Dan mounted another reunion tour, and in early 2000 the duo issued Two Against Nature, their first new studio album in two decades. It won the Grammy Award for Album of the Year. Steely Dan followed it in 2003 with Everything Must Go. Fagans solo album Morph the Cat was released in 2006, and Becker released Circus Money in 2008 as Steely Dan embarked on another tour.
Steely Dan is an American jazz rock/rock band founded by core members Walter Becker and Donald Fagen. The band's popularity peaked in the late 1970s, and their seven albums over that period of time blended elements of jazz, rock, funk, R&B, and pop. Rolling Stone has called them "the perfect musical antiheroes for the Seventies."
Recorded with a revolving cast of session musicians, such as Larry Carlton, Steely Dan's music is characterized by complex jazz-influenced structures and harmonies. Often sharply sarcastic lyricists, Becker and Fagen have written "cerebral, wry and eccentric" songs about drugs, love affairs, and crime. The pair are also very well known for their notorious, and near-obsessive perfectionism in the recording studio: Over the year they took to record Gaucho (1980), an album of just seven songs, Becker and Fagen hired at least 42 studio musicians and 11 engineers.
Steely Dan toured from 1972 to 1974 before retiring to the studio. The group disbanded for some years in 1981, and throughout most of the next decade Becker and Fagen were less active, though a cult following remained devoted to the group. In 1993 the two reunited and began playing concerts. Steely Dan has since released two albums of new material, the first of which earned a Grammy Award for Album of the Year. They have sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001."STEELY DAN biography". Great Rock Bible. Retrieved 2013-08-03. AllMusic Steely Dan: Biography. Rock and Roll Hall of Fame official Steely Dan biography. Allmusic song review: Hey Nineteen. Retrieved July 31, 2008. AllMusic song review: Kid Charlemagne AllMusic song review: Don't Take Me Alive Stylus Magazine: Top Ten Obscure Steely Dan Lyrics. Canada.com: Steely Dan still feeling the groove. MSN Inside Music – Re:Masters: Steely Dan Think Fast and Tour. AllMusic album credits: Gaucho. "Rock and Roll Hall of Fame Inductees". Archived from the original on December 4, 2006. Retrieved December 22, 2006. "Countdown to Infamy". Retrieved December 22, 2006. "The Modesto Bee: Reelin' in the years with Steely Dan's Walker Becker". Modbee.com. August 1, 2008. Retrieved 2011-10-15. "Official Steely Dan | Tour Dates 2013 | MOOD SWINGS '13 | RESOURCES". Steelydan.com. Retrieved 2013-08-03.
ContentsHistory1.1 Formative and early years (1967–1972)1.2 Can't Buy a Thrill and Countdown to Ecstasy (1972–1973)1.3 Pretzel Logic and Katy Lied (1974–1976)1.4 The Royal Scam and Aja (1976–1978)1.5 Gaucho and breakup (1978–1981)1.6 Time off (1981–1993)1.7 Reunion, Alive in America (1993–2000)1.8 Two Against Nature and Everything Must Go (2000–2003)1.9 Touring, solo activity (2003–present)
Formative and early years (1967–1972)
Walter Becker and Donald Fagen met in 1968 at Bard College in Annandale-on-Hudson, New York. As Fagen passed by a café, The Red Balloon, he heard Becker practicing the electric guitar. In an interview, Fagen recounted the experience: "I hear this guy practicing, and it sounded very professional and contemporary. It sounded like, you know, like a black person, really." He introduced himself to Becker and asked, "Do you want to be in a band?" Discovering that they enjoyed similar music — even listening to the same jazz radio stations — the two began writing songs together.
Becker and Fagen began playing in local groups. One such group, known as The Bad Rock Group and later as The Leather Canary, included future comedy star Chevy Chase on drums. They played covers of songs by The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), as well as some original compositions. Terence Boylan, another Bard musician, remembered that Fagen took readily to the Beatnik life while attending college: "They never came out of their room, they stayed up all night. They looked like ghosts — black turtlenecks and skin so white that it looked like yogurt. Absolutely no activity, chain-smoking Lucky Strikes and dope." Fagen himself would later remember it as "probably the only time in my life that I actually had friends."
After Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a production office in the building, took an interest in their music, which led to work on the soundtrack of the low-budget Richard Pryor film You've Got to Walk It Like You Talk It or You'll Lose That Beat. Becker later said bluntly: "We did it for the money." A series of demos from 1968 to 1971 are available in bootleg form. This collection features approximately 25 tracks and is notable for its sparse arrangements (Fagen plays solo piano on many songs) and lo-fi production, a contrast with Steely Dan's later work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, most were never officially released.
Becker and Fagen joined the touring band of Jay and the Americans for roughly a year and a half. They were at first paid $100 per show, but partway through their tenure the band's tour manager cut their salaries in half. The group's lead singer, Jay Black, dubbed Becker and Fagen "the Manson and Starkweather of rock 'n' roll", referring to cult leader Charles Manson and spree killer Charles Starkweather.
They had little success after moving to Brooklyn, although Barbra Streisand recorded their song "I Mean To Shine" on her 1971 Barbra Joan Streisand album. Their fortunes changed when one of Vance's cronies, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen as staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols, and Nichols would win six Grammy Awards for his work with the band from the 1970s to 2001.
After realizing that their songs were too complex for other ABC artists, at Katz's suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and singer David Palmer, and Katz signed them to ABC as recording artists. Fans of Beat Generation literature, Fagen and Becker named the band after "Steely Dan III from Yokohama", a strap-on dildo mentioned in the William S. Burroughs novel Naked Lunch. Palmer joined as a second lead vocalist because of Fagen's reluctance to sing in front of an audience and because the label believed that his voice was not "commercial" enough. Fagen then lacked confidence in his voice and occasionally suffered from stage fright.
In 1972, ABC distributed promotional copies of Steely Dan's first single, "Dallas", backed with "Sail the Waterway". It is unclear whether "stock" copies were ever released to the general public; the single sold so poorly that promotional copies are more abundant. The two songs were re-released on vinyl several times as b-sides and on EPs throughout the 1970s and 1980s. As of 2012, "Dallas" and "Sail the Waterway" are the only officially released Steely Dan tracks that have not been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen called the songs "stinko."
Can't Buy a Thrill and Countdown to Ecstasy (1972–1973)
Can't Buy a Thrill, Steely Dan's debut album, was released in 1972. Its hit singles "Do It Again" and "Reelin' In the Years" reached No. 6 and No. 11 respectively on the Billboard singles chart. Along with "Dirty Work" (sung by David Palmer), the songs became staples on classic rock radio.
Because of Fagen's reluctance to sing live, Palmer handled most of the vocal duties on stage. During the first tour, however, Katz and Becker decided that they preferred Fagen's interpretations of the band's songs, persuading him to take over. Palmer quietly left the group while it recorded its second album. He wrote the No. 2 hit "Jazzman" (1974) with Carole King.
Released in 1973, Countdown to Ecstasy was not as commercially successful as Steely Dan's first album. Becker and Fagen were unhappy with some of the performances on the record and believed that it sold poorly because it had been recorded hastily on tour. The album's singles were "Show Biz Kids" and "My Old School", both of which stayed in the lower half of the Billboard charts (though "My Old School" and — to a lesser extent — "Bodhisattva" became minor FM Rock staples in time).
Pretzel Logic and Katy Lied (1974–1976)
Pretzel Logic was released in early 1974. A diverse set, it includes "Rikki Don't Lose That Number" (No. 4) and a note-for-note rendition of Duke Ellington and James "Bubber" Miley's "East St. Louis Toodle-Oo".
During the previous album's tour, the band had added vocalist-percussionist Royce Jones, vocalist-keyboardist Michael McDonald, and session drummer Jeff Porcaro (of Sonny & Cher). Porcaro and McDonald contributed significantly to Pretzel Logic (as they would to future Steely Dan recordings), reflecting Steely Dan's increasing reliance on session musicians (including Dean Parks and Rick Derringer). Drummer Jeff Porcaro and Katy Lied pianist David Paich would go on to form Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many as forty takes of each track.
Pretzel Logic was the first Steely Dan album to feature Walter Becker on guitar. "Once I met (session musician) Chuck Rainey", he explained, "I felt there really was no need for me to be bringing my bass guitar to the studio anymore".
A rift began growing between Becker-Fagen and Steely Dan's other members (particularly Baxter and Hodder), who wanted to tour. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the band, discouraged by this and by their diminishing roles in the studio, although Dias and McDonald contributed until 1977 (Aja) and 1980 (Gaucho), respectively. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan's last tour performance was on July 4, 1974, a concert at the Santa Monica Civic Auditorium in California. A recording of the show's opening track, "Bodhisattva", was released as a B-side.
Becker and Fagen recruited a diverse group of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, as well as guitarist Elliott Randall, jazz saxophonist Phil Woods, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later producer) Michael Omartian, and guitarist Larry Carlton—Dias, Becker, and Fagen being Steely Dan's only original members. The album went gold on the strength of "Black Friday" and "Bad Sneakers", but Becker and Fagen were so dissatisfied with the album's sound (compromised by a faulty DBX noise reduction system) that they publicly apologized for it (on the album's back cover) and for years refused to listen to it in its final form. Katy Lied also included "Doctor Wu" and "Chain Lightning".
The Royal Scam and Aja (1976–1978)
The Royal Scam was released in May 1976. Partly because of Carlton's prominent contributions, it is the band's most guitar-oriented album. It also features performances by session drummer Bernard Purdie. Though the album sold well in the U.S.A. without the strength of a hit single, "Haitian Divorce" (Top 20) drove sales in the UK, becoming Steely Dan's first major hit in that country.
Steely Dan's sixth album, the jazz-influenced Aja, reached the Top Five in the U.S. charts within three weeks, winning the Grammy award for "Engineer – Best Engineered Recording – Non-Classical" and becoming one of the first American LPs to be certified 'platinum' for sales of over 1 million albums. Featuring Michael McDonald's backing vocals, "Peg" (No. 11) was the album's first single, followed by "Josie" (No. 26) and "Deacon Blues" (No. 19). Aja solidified Becker's and Fagen's reputations as songwriters and studio perfectionists. It features such jazz and fusion luminaries as guitarists Larry Carlton and Lee Ritenour; bassist Chuck Rainey; saxophonists Wayne Shorter, Pete Christlieb, and Tom Scott; drummers Steve Gadd, Rick Marotta and Bernard Purdie; ex-Miles Davis pianist/vibraphonist Victor Feldman and Grammy award-winning producer/arranger Michael Omartian (piano).
"Roger [Nichols] made those records sound like they did. He was extraordinary in his willingness and desire to make records sound better."
"The records we did could not have been done without Roger. He was just maniacal about making the sound of the records be what we liked... He always thought there was a better way to do it, and he would find a way to do what we needed to in ways that other people hadn't done yet."~ Steely Dan producer Gary Katz regarding Roger Nichols' role in the band's recording legacy.
Planning to tour in support of Aja, Steely Dan assembled a live band. Rehearsal ended and the tour was canceled when backing musicians began comparing pay. The album's history was documented in an episode of the TV and DVD series Classic Albums.
After Aja's success, Becker and Fagen were asked to write the title track for the movie FM. The movie was a box-office disaster, but the song was a hit, earning Steely Dan another engineering Grammy award. It was a minor hit in the UK and barely missed the Top 20 in the U.S.A.
Gaucho and breakup (1978–1981)
Becker and Fagen took a break from songwriting for most of 1978 before starting work on Gaucho. The project would not go smoothly: technical, legal, and personal setbacks delayed the album's release and led Becker and Fagen to subsequently suspend their partnership for over a decade.
Misfortune struck early when an assistant engineer accidentally deleted "The Second Arrangement", a favorite track of Katz and Nichols, which was never recovered. More trouble — this time legal — followed. In March 1979, MCA Records bought ABC, and for much of the next two years Steely Dan could not release an album. Becker and Fagen had planned on leaving ABC for Warner Bros. Records, but MCA claimed ownership of their music, preventing them from changing labels.
Turmoil in Becker's personal life also interfered. His girlfriend died of a drug overdose in their Upper West Side apartment, and he was sued for $17 million. Becker settled out of court, but he was shocked by the accusations and by the tabloid press coverage that followed. Soon after, Becker was struck by a taxi while crossing a Manhattan street, shattering his right leg in several places and forcing him to use crutches.
Still more legal trouble was to come. Jazz composer Keith Jarrett sued Steely Dan for copyright infringement, claiming that they had based Gaucho's title track on one of his compositions, "Long As You Know You're Living Yours" (Fagen later admitted that he'd loved the song and that it had been a strong influence.)
Gaucho was finally released in November 1980. Despite its tortured history, it was another major success. The album's first single, "Hey Nineteen", reached No. 10 on the pop chart in early 1981, and "Time Out of Mind" (featuring guitarist Mark Knopfler of Dire Straits) was a moderate hit in the spring. "My Rival" was featured in John Huston's 1980 film Phobia. Roger Nichols won a third engineering Grammy award for his work on the album.
Time off (1981–1993)
Steely Dan disbanded in June 1981. Becker and his family moved to Maui, where he became an "avocado rancher and self-styled critic of the contemporary scene." He stopped using drugs, which had impaired him throughout most of his career. Meanwhile, Fagen released a solo album, The Nightfly (1982), which went platinum in both the U.S. and the U.K. and yielded the Top Twenty hit "I.G.Y. (What a Beautiful World)." In 1988 Fagen wrote the score of Bright Lights, Big City and a song for its soundtrack, but otherwise recorded little. He occasionally did production work for other artists, as did Becker: one credit was British group China Crisis, who were strongly influenced by Steely Dan.
In 1986 Becker and Fagen performed on Zazu, an album by former model Rosie Vela produced by Gary Katz. The two rekindled their friendship and held songwriting sessions between 1986 and 1987, leaving the results unfinished. On October 25, 1991, Becker attended a concert by New York Rock and Soul Revue, co-founded by Fagen and producer/singer Libby Titus (who was for many years the partner of Levon Helm of The Band and would later become Fagen's wife), and spontaneously performed with the group.
Becker produced Fagen's second solo album, Kamakiriad, in 1993. Fagen called it the most satisfying recording experience of his career.
Reunion, Alive in America (1993–2000)
Becker and Fagen reunited for an American tour to support Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year. With Becker playing lead and rhythm guitar, the pair assembled a band that included a second keyboard player, a second lead guitarist, a bassist, three female backing singers, and a four-piece saxophone section. During this tour, Fagen introduced himself as "Rick Strauss" and Becker as "Frank Poulenc".
The next year, MCA released Citizen Steely Dan, a boxed set featuring their entire catalog (except their debut single "Dallas"/"Sail The Waterway") on four CDs, plus four extra tracks: "Here at the Western World" (originally released on 1978's "Greatest Hits"), "FM" (1978 single), a 1971 demo of "Everyone's Gone to the Movies" and "Bodhisattva (live)", the latter recorded on a cassette in 1974 and released as a B-side in 1980. That year Becker released his debut solo album, 11 Tracks of Whack, which Fagen co-produced.
Steely Dan toured again in support of the boxed set and Tracks. In 1995 they released a live CD, Alive in America, compiled from recordings of several 1993 and 1994 concerts. The Art Crimes Tour followed: Steely Dan performed across the U.S.A. before playing in Europe for the first time in 22 years and touring Japan in October. After this flurry of activity, Becker and Fagen returned to the studio to begin work on a new album.
Two Against Nature and Everything Must Go (2000–2003)
In 2000 Steely Dan released their first studio album in 20 years: Two Against Nature. It won four Grammy Awards: Best Engineered Album – Non-Classical, Best Pop Vocal Album, Best Pop Performance by Duo or Group with Vocal ("Cousin Dupree"), and Album of the Year (despite competition in this category from Eminem's The Marshall Mathers LP and Radiohead's Kid A). In the summer of 2000, they began another American tour, followed by an international tour later that year. They released the Plush TV Jazz-Rock Party DVD, documenting a live-in-the-studio concert performance of popular songs from throughout Steely Dan's career. In March 2001, Steely Dan was inducted into the Rock and Roll Hall of Fame.
In 2003 Steely Dan released Everything Must Go and began a new tour. In contrast to their earlier work, they had tried to write music that captured a live feel. Becker sang lead vocals on a Steely Dan studio album for the first time ("Slang of Ages" — he had sung lead on his own "Book of Liars" on Alive in America). Fewer session musicians played on Everything Must Go than had become typical of Steely Dan albums: Becker played bass on every track and lead guitar on five tracks; Fagen added piano, electric piano, organ, synthesizers, and percussion on top of his vocals.
Touring, solo activity (2003–present)
After Everything Must Go, Steely Dan devoted themselves to performing and touring. During a break from live music, Fagen released Morph the Cat: so began the "Sugartooth" McDan and The Fab-Originees.com Tour of 2006. Former collaborator Michael McDonald played with Steely Dan during their encore. The Heavy Rollers Tour followed in 2007, including dates in North America, Europe, Japan, Australia, and New Zealand, making it the largest and most geographically diverse Steely Dan tour.
The 2008 Think Fast Tour was smaller, and shows were predominantly limited to the United States and Canada. Steely Dan performed at the Montreal Jazz Festival in July. That year Becker released a second solo album, Circus Money, produced by Larry Klein. In 2009 Steely Dan toured Europe and America extensively for their Left Bank Holiday and Rent Party Tour, alternating between standard one-date concerts at large venues and multi-night theater shows that featured, on given nights, performances of The Royal Scam, Aja, or Gaucho in their entirety. The following year, Fagen formed the touring supergroup Dukes of September Rhythm Revue with McDonald, Boz Scaggs, and members of Steely Dan's live band, whose repertoire included songs by all three songwriters. The 2011 Shuffle Diplomacy Tour included an expanded set list, and Steely Dan toured Australia and New Zealand, their longtime studio engineer Roger Nichols dying of pancreatic cancer before the tour started. Fagen released a fourth solo album, Sunken Condos, in 2012.
A 2013 American tour, Mood Swings: 8 Miles to Pancake Day, began in July, featuring one show in Toronto and an 8 night run at the Beacon Theater in New York City.
The group announced a 2014 American tour, the Jamalot Ever After tour, starting July 2 in Portland, Oregon, and ending September 20 in Port Chester, New York.Brunner, Rob (March 17, 2006). "Back to Annadale: The origins of Steely Dan". EW.com. Retrieved March 22, 2012. EW.com article: Back to Annadale: The origins of Steely Dan (page 3). Metal Leg Issue #2. Walter Becker, For a Change, SteelyDan.com, January 19, 2000. Retrieved January 17, 2007 Metal Leg: Issue #1. "Roger Nichols". Retrieved September 3, 2010. "The Return of Steely Dan". Mojo Magazine. October 1995. Retrieved December 15, 2006. "Official Steely Dan FAQ". Retrieved January 18, 2007. "Steely Dan interview with CompuServe members". Granatino.com. October 20, 1995. Retrieved 2011-10-15. "Timeline Bio | Official Steely Dan". Steelydan.com. October 11, 2006. Retrieved 2011-10-15. Q Magazine, No 103 April 1995. "Hasn't he grown", written by Andy Gill, pages 41–3 published by EMAP Metro "Steely Dan official FAQ: The Later Steely Dan Years". Retrieved March 22, 2012. Denny Dias, "Katy and The Gremlin", SteelyDan.com. Retrieved January 18, 2007 Steely Dan UK chart history, The Official Charts Company. Retrieved May 29, 2012. "The Rolling Stone 500 Greatest Albums of All Time". Rolling Stone. Retrieved December 21, 2006. "145. Aja, Steely Dan" "Grammy Award Winners". Retrieved December 21, 2006. Sisario, Ben (April 17, 2011). "Roger Nichols, 66, Artist Among Sound Engineers". New York Times. Retrieved April 18, 2011. Cromelin, Richard (April 13, 2011). "Roger Nichols dies at 66; engineer gave Steely Dan its distinctive sound". Los Angeles Times. Retrieved April 18, 2011. YouTube video: "Steely Dan - Robert Klein Interview 12/15/1980 - Part 2" Steely Dan: Reelin in the Years by Brian Sweet – page 137 Breskin, David (c. 1980). "Steely Dan (Interview)". Musician Magazine. Retrieved December 21, 2006. Anderson, Stacey (June 21, 2011). "When Jimmy Page Debuted With the Yardbirds and Steely Dan Broke Up". Rolling Stone. Retrieved October 25, 2011. Steely Dan's official website Timeline Bio: 1980. "Salon.com: Sophisticated skank". Retrieved June 19, 2008. "LA Times Interview with Steely Dan: Return of the Nightfly". Retrieved June 19, 2008. "Stylus Magazine review: Steely Dan – Gaucho – On Second Though". Retrieved June 19, 2008. "Rosie Vela: Facing The Music". Metal Leg – The Steely Dan Magazine (24). May 1994. Retrieved March 22, 2012. John Sakamoto (February 29, 2000). "The Steely Dan Q & A". Jam!. Retrieved May 27, 2012. Cite error: The named reference rockhall.com was invoked but never defined (see the help page). Cite error: The named reference Countdown_to_Infamy was invoked but never defined (see the help page). "Steely Dan Announce Summer U.S. Tour with Michael McDonald". Retrieved December 22, 2006. "Official Steely Dan | Heavy Rollers Tour 2007". Steelydan.com. Retrieved 2011-10-15. Morris, Christopher (April 10, 2011). "Roger Nichols, music engineer, dies". Variety. Retrieved April 10, 2011. "Official Steely Dan | Tour Dates 2013 | Mood Swings '13". Steelydan.com. 2013-07-29. Retrieved 2013-08-03. Steely Dan announces North American tour, 14 April 2014
ContentsMusical and lyrical style1.1 Music1.1.1 Overall sound1.1.2 Backing vocals1.1.3 Horns1.1.4 Composition and chord use1.2 Lyrics
Musical and lyrical style
Special attention is given to the individual sound of each instrument. Recording is done with the utmost fidelity and attention to sonic detail, and mixed so that all the instruments are heard and none are given undue priority (a deft and accomplished use of the multi-tracking process). For example, in the song "Parker's Band", two drum kits are used, which gives the song an unexpected drive, without overpowering the sound; it is not even immediately apparent that there are two drum kits on the track. Their albums are also notable for the characteristically 'warm' and 'dry' production sound, and the sparing use of echo and reverberation. Long known as perfectionists, they often recorded take after take before selecting the player or performance that made the final cut on their albums.
Becker and Fagen favor a distinctly soul-influenced style of backing vocals, which after the first few albums were almost always performed by a female chorus (although Michael McDonald features prominently on several tracks, including the 1975 song "Black Friday" and the 1977 song "Peg"). Venetta Fields, Sherlie Matthews and Clydie King were the preferred trio for backing vocals on the group's late 1970s albums. Other backing vocalists include Tawatha Agee, Brenda White-King, Carolyn Leonhart, Janice Pendarvis, Catherine Russell, Cynthia Calhoun, Victoria Cave, Cindy Mizelle, and Jeff Young. The band also featured singers like Patti Austin and Valerie Simpson on later projects such as Gaucho.
Horn arrangements have been used on songs from all Steely Dan albums. They are usually jazz-oriented, and typically feature instruments such as trumpets, trombones and saxophones, although they have also used other instruments such as flutes and clarinets. The horn parts occasionally integrate simple synth lines to alter the tone quality of individual horn lines; for example in "Deacon Blues" this was done to "thicken" one of the saxophone lines. On their earlier albums Steely Dan featured guest arrangers and on their later albums the arrangement work is credited to Fagen.
Composition and chord use
Steely Dan are famous for their use of chord sequences and harmonies that explore the area of musical tension between traditional pop sounds and jazz. In particular, they are known for their use of the add 2 chord, a type of added tone chord, which they nicknamed the mu major. Other common chords used by Steely Dan include slash chords for example B/C or E-7/A. This notation shows a chord (shown to the left of the slash) with a note other than the tonic (shown to the right of the slash) as the lowest pitched note.
Steely Dan's lyrical subjects are diverse, but in their basic approach they often create fictional personae that narrate the experience. The duo have said that in retrospect, most of their albums have a 'feel' of either Los Angeles or New York City, the two main cities where Becker and Fagen lived and worked (see below). Characters appear in their songs that evoke these cities. Themes of sex, drugs, and rock 'n' roll appear, but never in a straightforward manner, neither encouraging nor discouraging, and many (if not all) of their songs are tinged with an ironic edge.
Additionally, many would argue that Steely Dan never wrote a real love song. However, some of the demo-era recordings show Fagen and Becker at their most romantic. Such songs include "This Seat's Been Taken", "Oh, Wow, It's You" and "Come Back Baby". Other themes are also present, such as prejudice, aging, failure, poverty and middle-class ennui, but these are typically seen from an ironic and detached perspective. Many of their songs concern love, but none can be classed as straightforward love songs, since there is inevitably an ironic or disturbing twist in the lyrics. One may think the song is about love on first inspection; however, upon deeper analysis the listener realizes that the real story is about prostitution (Pearl of the Quarter), incest ("Cousin Dupree"), underage sex (Everyone's Gone to the Movies), or some other socially unacceptable subject.
Steely Dan's lyrics contain subtle and encoded references, unusual (and sometimes original) slang expressions, a wide variety of "word games" and intriguing lyrical choices and constructions of considerable depth. The obscure and sometimes teasing lyrics have given rise to considerable efforts by fans to explain the "inner meaning" of certain songs. Jazz is a recurring theme, with references abounding in their songs, and there are numerous other film, television and literary references and allusions, such as "Home at Last" (from Aja), which was inspired by Homer's Odyssey.
Some of their lyrics are notable for their unusual meter patterns; a prime example of this is their 1972 hit "Reelin' In the Years", which crams an unusually large number of words into each line, giving it a highly syncopated quality.
"Name dropping" is another Steely Dan lyrical device; references to real places and people abound in their songs. The song "My Old School" is a major example, referring to Annandale (Annandale-on-Hudson, New York is home to Bard College, which both attended and where they met), and the Two Against Nature album (2000) contains numerous references to the duo's original region, the New York metro area, including the district of Gramercy Park, the Strand Bookstore, and the upscale food store Dean & DeLuca. In the song "Glamour Profession" the conclusion of a drug deal is celebrated with dumplings at Mr. Chow, a Chinese restaurant in Beverly Hills.
The band also often name-checks drinks, typically alcoholic, in their songs: rum and cokes ("Daddy Don't Live in That New York City No More"), piña coladas ("Bad Sneakers"), zombies ("Haitian Divorce"), black cows ("Black Cow"), Scotch whisky ("Deacon Blues"), retsina ("Home at Last"), grapefruit wine ("FM"), cherry wine ("Time Out of Mind"), Cuervo Gold ("Hey Nineteen") and kirschwasser ("Babylon Sisters") are all mentioned in Steely Dan lyrics.Steely Dan Session Players, Under the Banyan Trees with Steely Dan (archives). Retrieved January 18, 2007 "Intro to the Steely Dan Song Book". Retrieved February 10, 2010. "Explanation of the Steely Dan Mu Major Chord". Retrieved February 10, 2010. "Steely Dan Chords". Retrieved January 20, 2010. Reed, Bobby (October 8, 2003). "Steely Dan goes back in time to 1979". Chicago Sun-Times. Retrieved December 21, 2006. Rolls, Chris (March 2, 2006). "Interview with Donald Fagen". MP3.com. Retrieved December 21, 2006. "The Steely Dan Dictionary". Retrieved December 21, 2006. "Fever Dreams" – Steely Dan lyric interpretations / shared delusions Breithaupt, Don (May 17, 2007). Steely Dan's Aja. 33 1/3 46 (1st ed.). New York: Continuum Books. p. 130pp. ISBN 978-0-8264-2783-0. Retrieved 2011-10-29.