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All Music Guide:
The definitive arranger/composer of the bop era, Tadd Dameron wrote such standards as "Good Bait," "Our Delight," "Hot House," "Lady Bird," and "If You Could See Me Now." Not only did he write melody lines, but full arrangements, and he was an influential force from the mid-'40s on even though he never financially prospered. Dameron started out in the swing era touring with the Zack Whyte and Blanche Calloway bands, he wrote for Vido Musso in New York and most importantly, contributed arrangements for Harlan Leonard's Kansas City Orchestra, some of which were recorded. Soon Dameron was writing charts for such bands as Jimmie Lunceford, Count Basie, Billy Eckstine, and Dizzy Gillespie (1945-1947) in addition to Sarah Vaughan. Dameron was always very modest about his own piano playing but he did gig with Babs Gonzales' Three Bips & a Bop in 1947 and led a sextet featuring Fats Navarro (and later Miles Davis) at the Royal Roost during 1948-1949. Dameron co-led a group with Davis at the 1949 Paris Jazz Festival, stayed in Europe for a few months (writing for Ted Heath), and then returned to New York. He wrote for Artie Shaw's last orchestra that year, played and arranged R&B for Bull Moose Jackson (1951-1952) and in 1953 led a nonet featuring Clifford Brown and Philly Joe Jones. Drug problems, however, started to get in the way of his music. After recording a couple of albums (including 1958's Mating Call with John Coltrane) he spent much of 1959-1961 in jail. After he was released, Dameron wrote for Sonny Stitt, Blue Mitchell, Milt Jackson, Benny Goodman and his last record but was less active in the years before his death from cancer. Tadd Dameron's classic Blue Note recordings of 1947-48, his 1949 Capitol sides and Prestige/Riverside sets of 1953, 1956, 1958, and 1962 are all currently in print on CD.
Wikipedia:
Tadley Ewing Peake "Tadd" Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger and pianist. Saxophonist Dexter Gordon called Dameron the "romanticist" of the bop movement, while reviewer Scott Yanow writes that Dameron was the "definitive arranger/composer of the bop era".
Biography
Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. He and lyricist Carl Sigman wrote "If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.
In the late 1940s, Dameron wrote arrangements for the big band of Dizzy Gillespie, who gave the première of his large-scale orchestral piece Soulphony at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included Fats Navarro; the following year he was at the Paris Jazz Fair with Miles Davis. From 1961 he scored for recordings by Milt Jackson, Sonny Stitt, and Blue Mitchell.
He also arranged and played for rhythm and blues musician Bull Moose Jackson. Also playing for Jackson at the time was Benny Golson, who also was to become a jazz composer; Golson has said Dameron was the most important influence on his writing. Dameron composed several bop standards, including "Hot House", "Our Delight", "Good Bait" (composed for Count Basie), and "Lady Bird". His bands featured leading players such as Fats Navarro, Miles Davis, Dexter Gordon, Sonny Rollins, and Wardell Gray.
After forming another group of his own with Clifford Brown in 1953, Dameron developed an addiction to narcotics toward the end of his career. He served time (1959–1961) in federal prison in Lexington, KY. Dameron suffered from cancer and had several heart attacks before he died at the age of 48 of cancer in 1965.
Legacy
Dameron has been the subject of many tributes since his death:
In the 1980s, Philly Joe Jones, drummer for the Miles Davis Quintet, and trumpeter Don Sickler founded Dameronia, a tribute band to Dameron.
Continuum : Mad About Tadd: The Music of Tadd Dameron is an album released in 1982 by a group consisting of Slide Hampton, Jimmy Heath, Ron Carter, Art Taylor, Kenny Barron. The LP has since been reissued on CD.
In 1975, jazz pianist Barry Harris recorded Barry Harris Plays Tadd Dameron for Xanadu Records.
In 2007, pianist Richard "Tardo" Hammer recorded "Look Stop and Listen: The Music of Tadd Dameron" for Sharp Nine Records.












