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Terence Blanchard

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  • Born: New Orleans, LA
  • Years Active: 1980s, 1990s, 2000s

Albums

Biography All Music GuideWikipedia

All Music Guide:

In the post-Wynton Marsalis era, jazz trumpeter Terence Blanchard has become a most prominent brass player, bandleader, recording artist, orchestrator of film scores, and leader in the mainstream post-bop community. Born on March 13, 1962 in New Orleans, Louisiana, Terence Oliver Blanchard was an only child to parents Wilhelmina and Joseph Oliver Blanchard. He began playing piano by the age of five, switched to trumpet three years later, and played alongside childhood friend Marsalis in summer band camps. While in high school, he took extracurricular classes at the New Orleans Center for Creative Arts with Roger Dickerson and Ellis Marsalis. From 1980 to 1982, Blanchard studied under Paul Jeffrey and Bill Fielder at Rutgers University in New Jersey while touring with Lionel Hampton's orchestra. In 1982 Blanchard replaced Wynton Marsalis under his recommendation in Art Blakey's Jazz Messengers, working in that band up to 1986 as lead soloist and musical director. He then co-led a prominent quintet with saxophonist Donald Harrison, recording seven albums for the Concord, Columbia, and Evidence record labels in five years, including a stirring in-concert tribute to the Eric Dolphy/Booker Little ensemble.

In the '90s, Blanchard became a leader in his own right, recording for the Columbia label, performing on the soundtracks to Spike Lee's Do the Right Thing and Mo' Better Blues, and composing the music for Lee's film Jungle Fever. In fact, Blanchard has written the score for every Spike Lee film since 1991, including Malcolm X, Clockers, Summer of Sam, 25th Hour, Inside Man, and the Hurricane Katrina documentary When the Levees Broke for HBO. With over 40 scores to his credit, Blanchard and Mark Isham are the most sought-after jazz musicians to ever compose for film. In the fall of 2000, Blanchard was named artistic director of the Thelonious Monk Institute of Jazz at the University of Southern California in Los Angeles. Keeping up with his love of live performance and touring, Blanchard also maintains a regular studio presence, recording his own original music for the Columbia, Sony Classical, and Blue Note labels. Albums include The Billie Holiday Songbook (1994), Romantic Defiance (1995), The Heart Speaks (1996), the acclaimed Wandering Moon (2000), Let's Get Lost (2001), Bounce (2003), and especially Flow (2005), which was produced by pianist Herbie Hancock and received two Grammy nominations. Blanchard has been nominated for 11 Grammys and has won four in total, including awards for New York Scene with Blakey (1984) and the soundtrack A Tale of God's Will in 2007. In 2005, Blanchard was part of McCoy Tyner's ensemble that won the Grammy in the Best Jazz Instrumental Album category for Illuminations.

A quintessential sideman as well as leader, he has worked with prominent jazz players including Cedar Walton, Abbey Lincoln, Joanne Brackeen, Jay McShann, Ralph Peterson, Ed Thigpen, J.J. Johnson, Toots Thielemans, the Olympia Brass Band, Stevie Wonder, Bill Lee, Ray Brown, Poncho Sanchez, Dr. Billy Taylor, Dr. John, Lionel Loueke, Jeff Watts, and many others. Scarecrow Press published his autobiography, Contemporary Cat. By April of 2007, the Monk Institute announced its Commitment to New Orleans initiative, which included the relocation of the program to the campus of Loyola University in New Orleans, spearheaded by Blanchard. During 2007, the Monterey Jazz Festival named Blanchard Artist-in-Residence, and the festival formed a 50th Anniversary All-Stars ensemble featuring trumpeter James Moody, Benny Green, Derrick Hodge, Kendrick Scott, and Nnenna Freelon. In 2008, Blanchard helped scored the hit film Cadillac Records. Signing with Concord Jazz in 2009, he released Choices -- recorded at the Ogden Museum of Art in Blanchard's hometown of New Orleans -- at the end of that summer. In 2011, he paid tribute to the innovative Afro-Cuban recordings of Dizzy Gillespie and Chano Pozo by teaming up with Latin jazz percussionist Poncho Sanchez for the studio album Chano y Dizzy! In 2012, Blanchard returned to his film work by scoring the soundtrack to director George Lucas' WWII action/drama Red Tails. The trumpeter returned to the Don Was-helmed Blue Note in 2012. His first offering for the label was Magnetic, an album which showcased a new quintet and guest appearances by Ron Carter and labelmates Lionel Loueke and Ravi Coltrane.

Wikipedia:

Terence Oliver Blanchard (born March 13, 1962) is an American jazz trumpeter, bandleader, composer, arranger, and film score composer.

Since Blanchard emerged on the scene in 1980 with the Lionel Hampton Orchestra and then shortly thereafter with Art Blakey and the Jazz Messengers, he has been a leading artist in jazz. He was an integral figure in the 1980s jazz resurgence, having recorded several award-winning albums and having performed with the jazz elite.

He is known as a straight-ahead artist in the hard bop tradition but has recently developed an African-fusion style of playing that makes him unique from other trumpeters on the performance circuit. It is as a film composer that Blanchard reaches his widest audience. His trumpet can be heard on nearly fifty film scores; more than forty bear his compositional style.

Since 2000, Blanchard has served as Artistic Director at the Thelonious Monk Institute of Jazz. As of August 2011, he was named the Artistic Director of the Henry Mancini Institute at the University of Miami Frost School of Music. He lives in the Garden District of New Orleans with his wife and four children.

Life and career[edit]

Blanchard was born in New Orleans, Louisiana, the only child to parents Wilhelmina and Joseph Oliver Blanchard, a part-time opera singer and insurance company manager. Blanchard began playing piano at the age of five and then the trumpet at age eight upon hearing Alvin Alcorn play. Blanchard played trumpet recreationally alongside childhood friend Wynton Marsalis in summer music camps but showed no real proficiency on the instrument.

Then, while in high school, he began studying at the New Orleans Center for Creative Arts (NOCCA) under Roger Dickerson and Ellis Marsalis, Jr.. From 1980 to 1982, Blanchard studied under jazz saxophonist Paul Jeffrey and trumpeter Bill Fielder at Rutgers University, while touring with the Lionel Hampton Orchestra. In 1982, Wynton Marsalis recommended Blanchard to replace him in Art Blakey's Jazz Messengers and until 1986, Blanchard was the band's trumpeter and musical director. With Blakey and as co-leader of a quintet with saxophonist Donald Harrison and pianist Mulgrew Miller, Blanchard rose to prominence as a key figure in the 1980s Jazz Resurgence. The Harrison/Blanchard group recorded five albums from 1984-1988 until Blanchard left to pursue a solo career in 1990.

In the 1990s, after a laborious but successful embouchure change, Blanchard was as busy as ever. He recorded his self-titled debut for Columbia Records which reached third on the Billboard Jazz Charts. After performing on soundtracks for Spike Lee movies, including Do the Right Thing and Mo' Better Blues, Lee wanted Blanchard to compose the scores for his films beginning with "Jungle Fever" (1991). Blanchard has written the score for every Spike Lee film since including, Malcolm X, Clockers, Summer of Sam, 25th Hour, Inside Man. In 2006, he composed the score for Spike Lee's 4-hour Hurricane Katrina documentary for HBO entitled When the Levees Broke: A Requiem in Four Acts. Blanchard also appeared in front of the camera with his mother to share their emotional journey back to find her home completely destroyed.

Blanchard has also composed for other directors, including Leon Ichaso, Ron Shelton and Kasi Lemmons. With over forty scores to his credit, Blanchard is the most prolific jazz musician to ever compose for movies. Entertainment Weekly proclaimed Blanchard "central to a general resurgence of jazz composition for film." Yet in a 1994 interview for Down Beat, Blanchard was quoted as saying, "Writing for film is fun, but nothing can beat being a jazz musician, playing a club, playing a concert".

All the while, Blanchard has remained true to his jazz roots as a trumpeter and bandleader on the performance circuit. He has recorded several award-winning albums for Columbia, Sony Classical and Blue Note Records, including In My Solitude: The Billie Holiday Songbook (1994), Romantic Defiance (1995), The Heart Speaks (1996), Wandering Moon (2000), Let's Get Lost (2001) and Flow (2005), which was produced by pianist Herbie Hancock and received two Grammy Award nominations.

Terence Blanchard's 2001 CD Let's Get Lost was his most commercially successful album to date. It features new arrangements of classic songs written by Jimmy McHugh and performed by his own quintet along with the leading ladies of jazz vocals: Diana Krall, Jane Monheit, Dianne Reeves, and Cassandra Wilson.

In 2005, Blanchard was part of the ensemble that won a Grammy Award for Best Jazz Instrumental Album for his participation on McCoy Tyner’s Illuminations, an award he shared with Tyner, Gary Bartz, Christian McBride and Lewis Nash.

Blanchard was a judge for the 5th annual Independent Music Awards to support independent artists' careers. In 2009 in the Disney movie, The Princess and the Frog, Blanchard played all of the alligator Louis’ trumpet parts. He also voiced the role of Earl the bandleader in the riverboat band.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Print biography[edit]

In December 2002, Scarecrow Press published Contemporary Cat: Terence Blanchard with Special Guests, an authorized biography of Blanchard written by Anthony Magro. The book is the 42nd title in the publisher's well-regarded "Series In Jazz" headed by editors Dan Morgenstern and Edward Berger.

"Written in an intimate, conversational style, Contemporary Cat: Terence Blanchard with Special Guests begins in the birthplace of jazz, Blanchard's hometown, New Orleans. His family and famous musician teachers speak of a disciplined youngster who matured alongside the Marsalis brothers and saxophonist Donald Harrison to become a leader in the important 1980s jazz resurgence."Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Thelonious Monk Institute of Jazz[edit]

In the fall of 2000, Terence Blanchard was named artistic director of the Thelonious Monk Institute of Jazz at the University of Southern California. Herbie Hancock serves as chairman; Wayne Shorter, Clark Terry and Jimmy Heath sit on the board of trustees. The conservatory offers an intensive, tuition-free, two-year master's program to a limited number of students (only up to eight per every two years).

In his role as artistic director, Blanchard works with the students in the areas of artistic development, arranging, composition, and career counseling. He also participates in master classes and community outreach activities associated with the program. "Out of my desire to give something back to the jazz community, I wanted to get involved. In fact, I've always said that if I wasn't a musician, that I would like to be a teacher. So I was glad to get involved and to be a part of this unique program that fosters such an open and accessible environment."

In April 2007, the Institute announced its "Commitment to New Orleans" initiative which includes the relocation of the program to the campus of Loyola University New Orleans from Los Angeles. Blanchard had passionately lobbied the Institute to relocate saying, "After Hurricane Katrina, New Orleans was shaken and its musical roots were threatened. I grew up in this city and learned about jazz here at Loyola with other young jazz musicians like Wynton and Branford Marsalis and I know that the Institute will have a great impact on jazz and in our communities. We are going to work hard to help jazz and New Orleans flourish once again."Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Current news[edit]

On February 10, 2008, Blanchard won his first Grammy Award as a bandleader for A Tale of God's Will (A Requiem for Katrina) in the category of Best Large Jazz Ensemble Album. His two other Grammy Awards were as a sideman for Art Blakey (1984) and McCoy Tyner (2004).

In 2007, the Monterey Jazz Festival named Blanchard Artist-In-Residence, citing him as "one his generation’s most artistically mature and innovative artists and a committed supporter of jazz education." The Monterey Jazz Festival 50th Anniversary Band featuring Blanchard on trumpet will make a 54-date, 10-week tour of the United States from January 8, 2008 to March 16, 2008. Rounding out the band will be saxophonist James Moody, pianist Benny Green, bassist Derrick Hodge and drummer Kendrick Scott. The special ensemble will also feature jazz singer Nnenna Freelon.

In December 2007, the Terence Blanchard Quintet performed the movie music of Spike Lee and Terence Blanchard with an orchestra and singers Dee Dee Bridgewater, Kurt Elling, and Raul Midón at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

In November 2008 he was a guest on Private Passions, the biographical music discussion programme on BBC Radio 3.

Blanchard composed original music for Stephen Adly Guirgis's new Broadway play The Motherfucker With the Hat, which premiered at the Gerald Schoenfeld Theatre on April 11, 2011. The show is described as "a high-octane verbal cage match about love, fidelity and misplaced haberdashery."

On January 20, 2012, the film Red Tails was released nationwide in the United States. Blanchard served as the composer of the original score, marking the first time he has worked with executive producer George Lucas.

He composed incidental music for the 2012 Broadway revival of A Streetcar Named Desire. His latest album, MAGNETIC, was released on May 28, 2013 on Blue Note Records.

On June 15, 2013, Blanchard premiered his first opera, Champion, with the Opera Theatre of Saint Louis. It is about the life of prize fighting boxer Emile Griffith from St. Thomas, with a libretto is by Pulitzer Prize-winning Michael Cristofer. It stars Denyce Graves, Aubrey Allicock, Robert Orth, and Arthur Woodley.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Recognition[edit]

Grammy Awards[edit]
Career Wins: Career Nominations: 12
Awards[edit]

Selected film-related awards for Terence Blanchard.

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Filmography[edit]

A selected filmography of Terence Blanchard scores.

(*denotes score available on CD).

1991 Jungle Fever1992 Malcolm X*1994 Sugar Hill*1994 Trial By Jury1994 The Inkwell1994 Crooklyn1995 Clockers*1996 Get on the Bus1996 Primal Fear (film)*1997 Eve's Bayou*1997 'Til There Was You1997 4 Little Girls1998 Gia1999 Summer of Sam2000 Love & Basketball2000 Next Friday2000 Bamboozled2001 The Caveman's Valentine*2001 Original Sin*2001 Glitter2002 Barbershop2002 Dark Blue2002 25th Hour*2002 People I Know*2003 "Unchained Memories"*2004 She Hate Me*2006 Inside Man*2006 When the Levees Broke: A Requiem in Four Acts2007 Talk to Me2008 Miracle at St. Anna*2008 Cadillac Records2010 Bunraku2012 Red Tails

For further reading, including TV scores, see http://imdb.com/name/nm0005966/Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

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Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
02.27.14 Nighttown Cleveland, OH US
02.28.14 Nighttown Cleveland, OH US
03.01.14 Max M. Fisher Music Center Detroit, MI US

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