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Group Members: Abiodun Oyenwole, Umar Bin Hassan
All Music Guide:
With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop. The group arose out of the prison experiences of Jalal Mansur Nuriddin, a U.S. Army paratrooper who chose jail as an alternative to fighting in Vietnam; while incarcerated, he converted to Islam, learned to "spiel" (an early form of rapping), and befriended fellow inmates Omar Ben Hassan and Abiodun Oyewole.
Upon the trio's release from prison, they returned to the impoverished ghettos of Harlem, where they joined the East Wind poetry workshop and began performing their fusion of spiels and musical backing on neighborhood street corners. On May 16, 1969 -- Malcolm X's birthday -- they officially formed the Last Poets, adopting the name from the work of South African Little Willie Copaseely, who declared the era to be the last age of poets before the complete takeover of guns. After a performance on a local television program, the group was signed by jazz producer Alan Douglas, who helmed their eye-opening eponymous debut LP in 1970. A collection condemning both white oppression ("White Man's Got a God Complex") and black stasis ("Niggas Are Scared of Revolution"), The Last Poets reached the U.S. Top Ten album charts, but before the group could mount a tour, Oyewole was sentenced to 14 years in prison after being found guilty of robbery and was replaced by percussionist Nilaja.
After the 1971 follow-up This Is Madness (which landed them on President Richard Nixon's Counter-Intelligence Programming lists), Hassan joined a Southern-based religious sect; Jalal recruited former jazz drummer Suliaman El Hadi for 1972's Chastisement, which incorporated jazz-funk structures to create a sound the group dubbed "jazzoetry." Following the 1973 Jalal solo concept album Hustler's Convention (recorded under the alias Lightnin' Rod), the Last Poets issued 1974's At Last, a foray into free-form jazz; after its release, Nilaja exited, and with the exception of 1977's Delights of the Garden, the group kept a conspicuously low profile for the remainder of the decade.
By the 1980s, however, the proliferation of rap -- and the form's acknowledged debt to the Last Poets -- made their early records sought-after collectors' items; finally, in 1984 the group resurfaced with the LP Oh, My People, followed in 1988 by Freedom Express. Another layoff ensued, during which time Hassan issued a solo LP, 1993's Be Bop or Be Dead, and Jalal mentored the British acid jazz unit Galliano. In 1995, two splinter groups simultaneously reclaimed the Last Poets name; while Jalal and El Hadi teamed for the single "Scatterrap," Hassan and Oyewole issued the LP Holy Terror.
Wikipedia:
The Last Poets is the name for several groups of poets and musicians who arose from the late 1960s African-American civil rights movement's black nationalist movement. The name is taken from a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed he was in the last era of poetry before guns would take over. The original users of that name were the trio of Felipe Luciano, Gylan Kain, and David Nelson.
However, it is the versions of the group led by Jalaluddin Masur Nuriddin and/or Umar Bin Hassan that have penetrated mass culture to a legendary degree. The Last Poets have been cited as one of the earliest influences on hip-hop music. Critic Jason Ankeny wrote: "With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop." The British music magazine NME stated, "Serious spokesmen like Gil Scott-Heron, The Last Poets, and later Gary Byrd, paved the way for the many socially committed Black [emcees] a decade later."Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).
History[edit]
The Original Last Poets were formed on May 19, 1968 (Malcolm X's birthday), at Marcus Garvey Park in East Harlem.
Luciano, Kain, and Nelson recorded separately as The Original Last Poets, gaining some renown as the soundtrack artists of the 1971 film Right On!
Alafia Puddim joined that first version of The Last Poets, with members Gylan Kain, David Nelson, and Felipe Luciano, but left before the trio recorded and released their only album Right On in 1967, the soundtrack to a documentary movie of the same name that finally saw release in 1971. (See also Performance (1970 film) soundtrack song "Wake Up, Niggers".) As he informed them upon leaving of the intention to form his own group called The Last Poets, the Right On album was released under the group name The Original Last Poets to simultaneously establish their primacy and distance themselves from the coming other group of the same name.
The Jalal-led group coalesced via a 1969 Harlem writers' workshop known as East Wind. Jalal Mansur Nuriddin aka Alafia Pudim, Umar Bin Hassan, and Abiodun Oyewole, along with poet Sulieman El-Hadi and percussionist Nilaja Obabi, are generally considered the best-known members of the various lineups. Jalal, Umar, and Nilaja appeared on the group's 1970 self-titled debut LP and follow-up This Is Madness. Nilija then left, and a third poet Sulieman was added. This Jalal-Umar version of the group made six albums through 1977, then lapsed into inactivity.
Having reached US Top 10 chart success with its debut album, the Last Poets went on to release the follow-up, This Is Madness, without then-incarcerated Abiodun Oyewole. The album featured more politically charged poetry that resulted in the group being listed under the counter-intelligence program COINTELPRO during the Richard Nixon administration. Hassan left the group following This Is Madness to be replaced by Suliaman El-Hadi (now deceased) in time for Chastisment (1972). The album introduced a sound the group called "jazzoetry", leaving behind the spare percussion of the previous albums in favor of a blending of jazz and funk instrumentation with poetry. The music further developed into free-jazz–poetry with Hassan's brief return on 1974's At Last, as yet the only Last Poets release still unavailable on CD.
The remainder of the 1970s saw a decline in the group's popularity. In the 1980s and beyond, however, the group gained renown with the rise of hip-hop music, often being name-checked as grandfathers and founders of the new movement, and themselves collaborating with Bristol-based British post-punk band the Pop Group, among others. Nuriddin and El-Hadi worked on several projects under the Last Poets name, working with bassist and producer Bill Laswell, including 1984's Oh My People and 1988's Freedom Express, and recording the final El Hadi-Nuriddin collaboration Scatterrap/Home in 1994.
Suliaman El-Hadi died in October 1995. Oyewole and Hassan began recording separately under the same name, releasing Holy Terror in 1995 (re-released on Innerhythmic in 2004) and Time Has Come in 1997.
Their lyrics often dealt with social issues facing African-American people. In the song "Rain of Terror", the group criticized the American government and voiced support for the Black Panthers.
More recently, the Last Poets found fame again refreshed through a collaboration where the trio (Umar Bin Hassan) was featured with hip-hop artist Common on the Kanye West-produced song "The Corner," as well as (Abiodun Oyewole) with the Wu-Tang Clan-affiliated political hip-hop group Black Market Militia on the song "The Final Call," stretching overseas to the UK on songs "Organic Liquorice (Natural Woman)", "Voodoocore", and "A Name" with Shaka Amazulu the 7th. The group is also featured on the Nas album Untitled, on the songs "You Can't Stop Us Now" and "Project Roach."
Jalal Mansur Nuriddin, aka Lightning Rod (The Hustlers Convention 1973), recently collaborated with the UK-based poet Mark T. Watson (aka Malik Al Nasir) writing the foreword to Watson's debut poetry collection, Ordinary Guy, published in December 2004 by the Liverpool-based publisher Fore-Word Press. Jalal's foreword was written in rhyme, and was recorded for release in 2008 in a collaborative album by Mark T. Watson's band, Malik & The OG's, featuring Gil Scott-Heron, percussionist Larry McDonald, drummers Rod Youngs and Swiss Chris, New York dub poet Ras Tesfa, and a host of young rappers from New York and Washington, D.C. Produced by Malik Al Nasir, Lloyd Masset, Larry McDonald, and Swiss Chris, the albums Rhythms of the Diaspora; Vol. 1 & 2 are the first of their kind to unite these pioneers of poetry and hip hop with each other.
In 2010, Abiodun Oyowele was among the artists featured on the Welfare Poets' produced Cruel And Unusual Punishment, a CD compilation that was made in protest of the death penalty, which also featured some several current positive hip hop artists.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).
