The McGuire Sisters

All Music Guide:

The mere mention of the name the McGuire Sisters evokes images of '50s America and comfortable white, middle-class life and aspirations. Their work was the perfect musical embodiment of the popular culture of the period, of a piece with Snooky Lanson and Gisele MacKenzie on Your Hit Parade, and Dwight Eisenhower's America. They even came from a place called Middletown. Christine (b. 1929), Dorothy (b. 1928, d. 2012), and Phyllis (b. 1931) were from Middletown, Ohio, the daughters of Asa and Lillie McGuire. Lillie McGuire was an ordained minister, and the girls' first singing experiences were in church -- indeed, secular music was frowned upon in the household -- and they had to sneak the Andrews Sisters and other popular acts into their regular listening. They sang at weddings, funerals, and revival meetings, revealing a special knack for close harmony.

In 1949, they were recruited to tour veterans hospitals and military bases, and it was during this period that they took the opportunity to learn material other than the hymns and inspirational songs they'd been doing. "Mona Lisa" came first, and then "Undecided" and "Pretty-Eyed Baby." By the time the tour was over, they'd come to the attention of a local bandleader, Karl Taylor, who got them a series of appearances on radio, broadcasting from the Van Cleef Hotel in Dayton, Ohio. It was suggested to them, during a break in one of these broadcasts, that they should try out for the Arthur Godfrey Talent Scouts program in New York. The trio pooled their resources and borrowed enough money to make the trip and, in their innocence about the ways of the entertainment industry, simply went to the CBS studio where the Godfrey show was broadcast. Their manner was so unaffectedly beguiling that they got an audition from the program's producer, which resulted in a promise to get them on the air, once he had presented the whole matter to Arthur Godfrey, who was away on vacation.

It was going to be a month before Godfrey returned, however, and in the meantime, just like that, as long as they were in New York anyway, they decided to try their luck with the record business. A chance encounter at RCA with Kate Smith's manager resulted in their being booked for eight weeks on Kate Smith's morning show, which went out on radio and television -- those appearances, in turn, brought the sisters to the attention of Murray Kane, a former member of Glenn Miller's singing group the Crew Chiefs, who agreed to become their vocal arranger. The Smith show also led to an audition at Decca Records before bandleader Gordon Jenkins -- he brought them to Decca A&R chief Milt Gabler, who offered them a contract. All of this had happened in the space of less than 60 days, and the McGuires barely understood how extraordinary their luck had been.

Finally, in the midst of the Kate Smith gig, the Decca audition, and the overture from Kane, and two months after they'd come to New York to audition for him, Arthur Godfrey contacted the McGuire Sisters and signed them up for his Talent Scouts show, which he followed by booking them, in place of the Chordettes ("Zorro," etc.), on his morning program. It was the start of a seven-year gig that made the McGuire Sisters one of the most well known vocal groups in the country. At Decca Records, they were put on the Coral Records imprint, after an initial short series of recordings with Jenkins, the trio came under the wing of producer Bob Thiele, who got them the best instrumental talent in the business to work with, among them arranger Neal Hefti (who was then also writing arrangements for Count Basie) and bandleader Dick Jacobs.

It was still more than a year before their breakthrough, but in that year, because of their ongoing engagement on Godfrey's show, they were already the best-known female vocal group in the country. At the time, Godfrey was probably the most powerful on-air figure in American broadcasting, radio, or television. Apart from his sheer popularity, which defies comparison on any modern scale, he filled several hours of the top-rated radio and television time and had sponsors lining up to pay top-dollar just to be seen on his show -- the only comparable phenomenon in the late 20th century is the Superbowl. Thus, being a regular on Godfrey's show in 1951 or 1952 was the equivalent, in terms of exposure, of hundreds of record plays in dozens of top markets each week, or hundreds of thousands of record sales. Without even scraping the Top Ten in their first year on Coral, the McGuire Sisters graced the cover of Cosmopolitan magazine.

Finally, in the spring of 1954, two years after they started recording for Coral, they had a number seven charting single with "Goodnight, Sweetheart, Goodnight," which was a cover of an R&B single by the Spaniels. The trio hit number 11 with their version of Ivory Joe Hunter's "It May Sound Silly" and number ten with "He," a cover of an Al Hibbler single. This was the stuff of Your Hit Parade, light pop music, and this series of pop-style covers of R&B singles was a conscious strategy by Thiele that put the McGuires in as strong a position as a recording act as they were as a broadcasting outfit. It also marked the McGuires, in the eyes of many R&B enthusiasts and rock & roll historians, as part of the movement resisting rock & roll.

Whether such a "movement" ever existed outside of a few counties in the deep south and a handful of municipalities up north is questionable. The truth was that the music business in the '20s, '30s, and '40s had always relied on cover versions of songs -- sometimes generated from within the same record companies -- to reach different audiences. In the mid-'50s, this was still a perfectly legitimate strategy, and reflected no social agenda on anyone's part. Their most successful cover was "Sincerely," a song that had been recorded by the Moonglows on Chess, which the McGuire Sisters brought to number one with their version late in 1954 and early 1955.

At this time in their history, even when they were a new act, the McGuire Sisters were associated with "oldies" in the minds of their own audience -- in late 1955, they recorded an album of songs from the '30s entitled Do You Remember When? featuring songs like "S' Wonderful," "Mississippi Mud" (which was then charting anew in Teresa Brewer's hands, but had been cut by Bing Crosby more than 20 years earlier), and other hits of a previous generation.

The trio's music continued selling right into the late '50s, to audiences who were impervious to rock & roll. Among their specialties during this period were their recordings of movie-related songs, such as Johnny Mercer's "Something's Gotta Give" from the film Daddy Long Legs.

Strangely enough, it was out of a rock & roll involvement of Bob Thiele's that the McGuire's found the song that they would be most closely associated with. In 1957, they came upon "Sugartime," a quasi-novelty tune brought back by Thiele from Norman Petty's Texas studio, where Thiele had been working with Buddy Holly (who was also on Coral). "Sugartime" was difficult to record and difficult to finish, but the resulting single went to number one and stayed there for weeks, quickly earning a gold record award.

The trio charted a few more times in the early '60s, but "Sugartime" represented a peak that they never achieved, or got anywhere near, again. Phyllis McGuire began a solo career that attracted relatively little interest, and the trio recorded one album for ABC-Paramount in 1965, but they were consider passé by then. In 1968, after nearly 20 years of performing professionally, they put the trio on hiatus following a performance on The Ed Sullivan Show (Arthur Godfrey having long since left the air). They'd outlasted Godfrey, Kate Smith, and almost every other pop culture icon who'd been around at the time when they'd started out. Eighteen years later, the three sister re-emerged in a series of popular, well-reviewed engagements in Las Vegas. In the years following, they made periodic appearances together, and saw their hits from the '50s revived in numerous compilations devoted to the pre-rock & roll era. Like the King Sisters, Vaughn Monroe, and Frankie Laine, and those grainy films of Your Hit Parade, the McGuire Sisters embodied an innocent and relatively sweet time in America's history and the country's image of itself. Dorothy McGuire died on September 7, 2012 in Paradise Valley, Arizona at the age of 84.

Wikipedia:

The McGuire Sisters were a singing trio in American popular music. The group was composed of three sisters: Christine McGuire (born July 30, 1926); Dorothy McGuire (February 13, 1928 – September 7, 2012); and Phyllis McGuire (born February 14, 1931). Among their most popular songs are "Sincerely" and "Sugartime", both number one hits.

History [edit]

The McGuire sisters were born in Middletown, Ohio and grew up in Miamisburg. Their mother, Lillie, was a minister of the Miamisburg First Church of God (Anderson, Indiana), where, as young girls, they sang in the church at weddings, funerals and church revivals. When they started singing in 1935, the youngest sister, Phyllis, was four years old. Eventually, they sang at occasions outside church and, by 1949, were singing at military bases and veterans' hospitals. They incorporated a more diverse repertoire for those events. Christine has two children, Herold and Asa; Dorothy had two, Rex and David. Phyllis has no children.

Career [edit]

They signed with Coral Records in 1952. That same year they appeared on Arthur Godfrey's Talent Scouts, and Godfrey hired them for his other shows, where they remained for seven years. Cosmopolitan's November 1953 issue called them "Godfrey's Merry McGuires". The sisters often were compared to The Andrews Sisters. Maxene Andrews once said during an interview with Joe Franklin on WOR (AM) Radio in 1979, "The McGuire Sisters were fine once they stopped imitating The Andrews Sisters" .

In early McGuire recordings Phyllis' voice almost can be mistaken for that of Patty Andrews'. The McGuires and Andrewses met several times throughout their careers. Phyllis credited Patty, Maxene, and LaVerne during a television interview with Maxene in the 1990s, hosted by Sally Jessy Raphael, saying that she and her sisters met the Andrews Sisters in New York in the early 1950s and received important advice. Much like The Andrews Sisters, the McGuires moved when they sang, often executing dance routines during lavish production numbers on countless television specials (something The Andrews Sisters had originated in films during the 1940s, really becoming the first female vocal group to move when they sang, rather than just standing at a microphone). Phyllis and her sisters mimicked the singing style of The Andrews Sisters, as well as The Mills Brothers and The Dinning Sisters. From very young ages when they would perform short shows for family and friends in their parents' living room. While Phyllis is fond of saying in interviews that she and her sisters did not know any popular songs when they became famous (only the church hymns taught them by their minister mother), the trio often imitated other singing groups long before their success.

They performed for five Presidents of the United States (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan and George H. W. Bush) and for Queen Elizabeth II. In 1958, their mother appeared as a guest challenger on the television game show To Tell the Truth. The sisters maintained a busy television schedule, making frequent appearances on popular variety hours hosted by Ed Sullivan, Dean Martin, Danny Kaye, Milton Berle, Andy Williams, Perry Como and Red Skelton. The trio was dressed and coiffed identically and performed their synchronized body movements and hand gestures with military precision. Their recordings of "Sincerely," "Picnic," and 1958's "Sugartime" all sold more than one million copies.

They retired from public appearances in 1968, giving their last performance that year on The Ed Sullivan Show. Phyllis McGuire continued to perform solo for a time. The demise of the group is often attributed to Phyllis' long-standing personal relationship with mobster, Sam Giancana (although she has always claimed that their friendship was strictly platonic), which reportedly blacklisted the group. During one of his 1960s court appearances for which Phyllis was subpoenaed, Giancana told reporters outside the courthouse that "Phyllis knows everything" about the rumored, unethical behaviors of John F. Kennedy and his brother, Robert. Phyllis has resided in a famously showcased mansion in Las Vegas for decades, boasting its own beauty parlor, a swan moat, and a replica of the Eiffel Tower which actually rose through the home's roof. When asked by Barbara Walters during a 1980s ABC-TV "20/20" interview from within the mansion if any of the money to build the lavish home came from Giancana, Phyllis denied the innuendo, claiming that she invested heavily in oil when the sisters were at the height of their popularity.

The sisters reunited in 1986, performing at Toronto's Royal York Hotel for the first time since their retirement. Numerous nightclub engagements followed in Las Vegas, Atlantic City, and New York City's Rainbow & Stars, showcasing the group and Phyllis' impersonations of Peggy Lee, Judy Garland, Pearl Bailey, Ethel Merman and even Louis Armstrong. Singing their greatest hits as part of their act, they were also featured performing specialty numbers like the frantic "I Love a Violin," the a cappella "Danny Boy," and a segment during which Phyllis retired backstage as Christine and Dorothy shared the spotlight playing a concert arrangement of "The Way We Were" on twin pianos. Other highlights in the act were a comical Trinidad-flavored tune, a soft rendering of "Memory" from Broadway's "Cats," and a "Money Medley," which they also performed live on the Jerry Lewis MDA Telethon in 1994. Since then, the sisters have made occasional public appearances together, including in 2004, when they reunited to perform in a PBS special Magic Moments: Best of '50s Pop. It was plain to see on this 2004 program that at least Phyllis underwent some type of plastic surgery (most notably on her lips, which appeared much larger than ever before, even changing her speech), and the sisters' command of their vocal cords and harmonious blend had significantly diminished.

They were inducted into the National Broadcasting Hall of Fame in 1994, and in 2001 they were inducted into the Vocal Group Hall of Fame. They also have been inducted into the Coca-Cola Hall of Fame and the Headliners' Hall of Fame. They were inducted into the Hit Parade Hall of Fame in 2009.

After their careers wound down, they opened a restaurant in Bradenton, Florida, calling it McGuire's Pub.

On September 7, 2012, Dorothy McGuire died at her son's home in Paradise Valley, Arizona, after suffering from Parkinson's disease and age-related dementia; she was 84.

In popular culture [edit]

The McGuire Sisters, and most especially Phyllis McGuire, who lives in Las Vegas, were the subjects of the 1995 HBO movie Sugartime, which depicted a romantic relationship between Phyllis and mobster Sam Giancana. Giancana was played by actor John Turturro, and Phyllis was played by actress Mary-Louise Parker.