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The Staple Singers

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  • The Staple Singers

  • The Staple Singers

  • The Staple Singers

  • The Staple Singers

Albums

Biography All Music GuideWikipedia

Group Members: Mavis Staples, Pops Staples

All Music Guide:

The Staples' story goes all the way back to 1915 in Winona, Mississippi, when patriarch Roebuck "Pops" Staples entered the world. A contemporary and familiar of Charley Patton's, Roebuck quickly became adept as a solo blues guitarist, entertaining at local dances and picnics. He was also drawn to the church, and by 1937 he was singing and playing guitar with the Golden Trumpets, a spiritual group based out of Drew, Mississippi. Moving to Chicago four years later, he continued playing gospel music with the Windy City's Trumpet Jubilees. A decade later Pops Staples (as he had become known) presented two of his daughters, Cleotha and Mavis, and his one son, Pervis, in front of a church audience, and the Staple Singers were born.

The Staples recorded in an older, slightly archaic, deeply Southern spiritual style first for United and then for Vee-Jay. Pops and Mavis Staples shared lead vocal chores, with most records underpinned by Pops' heavily reverbed Mississippi cotton-patch guitar. In 1960 the Staples signed with Riverside, a label that specialized in jazz and folk. With Riverside and later Epic, the Staples attempted to move into the then-burgeoning white folk boom. Two Epic releases, "Why (Am I Treated So Bad)" and a cover of Stephen Stills' "For What It's Worth," briefly graced the pop charts in 1967.

In 1968 the Staples signed with Memphis-based Stax. The first two albums, Soul Folk in Action and We'll Get Over, were produced by Steve Cropper and backed by Booker T. & the MG's. The Staples were now singing entirely contemporary "message" songs such as "Long Walk to D.C." and "When Will We Be Paid." In 1970 Pervis Staples left and was replaced by sister Yvonne Staples. Even more significantly, Al Bell took over production chores. Bell took them down the road to Muscle Shoals, and things got decidedly funky.

Starting with "Heavy Makes You Happy (Sha-Na-Boom Boom)" and "I'll Take You There," the Staples counted 12 chart hits at Stax. When Stax encountered financial problems, Curtis Mayfield signed the Staples to his Curtom label and produced a number one hit in "Let's Do It Again." The Staples went on to continued chart success, albeit less spectacularly, with Warner, through 1979. One more album followed on 20th Century Fox in 1981. After a three-year hiatus, they signed a two-album deal with Private I and hit the R&B charts five more times, once with an unlikely cover of Talking Heads' "Slippery People."

The Staple Singers found a new audience in 1994 when they teamed with Marty Stuart to perform "The Weight" on the Rhythm, Country & Blues LP for MCA. Sadly, Pops passed away on December 19, 2000, shortly after suffering a concussion due to a fall in his home. Cleotha died in February 2013 after a decade with Alzheimer's disease. Throughout the 2000s and early 2010s, Mavis released excellent solo material for the Alligator and Anti labels.

Wikipedia:

The Staple Singers were an American gospel, soul and R&B singing group. Roebuck "Pops" Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), and Mavis (b. 1939). Yvonne (b.1936) replaced her brother when he was drafted into the U.S. Army. They are best known for their 1970s hits "Respect Yourself", "I'll Take You There", "If You're Ready (Come Go with Me)", and "Let's Do It Again", all of which (except "I'll Take You There") peaked on the Hot 100 within a week from Christmas Day.

While the family surname is "Staples", the group used the singular form for its name, "The Staple Singers".

History[edit]

Roebuck moved from Mississipi to Chicago after his marriage, and worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion church, Chicago, where Roebuck's brother, the Rev. Chester Staples, was pastor. They signed their first professional contract in 1952. During their early career they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their "Uncloudy Day" and "Will The Circle Be Unbroken" were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. "Uncloudy Day" was an early influence on Bob Dylan, who said of it in 2015, "It was the most mysterious thing I'd ever heard... I'd think about them even at my school desk...Mavis looked to be about the same age as me in her picture (on the cover of "Uncloudy Day")...Her singing just knocked me out...And Mavis was a great singer - deep and mysterious. And even at the young age, I felt that life itself was a mystery"

It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with "Why (Am I Treated So Bad)" and "For What It's Worth" (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper and Booker T & the MG's — Soul Folk in Action and We'll Get Over. After Booker T. Jones and Steve Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself at Memphis' Ardent Studios, moving in a more funk and soul direction.

The first Stax hit was "Heavy Makes You Happy (Sha-Na-Boom Boom)" in early 1971. Their late 1971 recording of "Respect Yourself", written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B charts and No. 12 on the Billboard Hot 100. The song's theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972 "I'll Take You There" topped both Billboard charts. In 1973 "If You're Ready (Come Go With Me)" reached No. 9 Hot 100 and No. 1 on the R&B chart.

After Stax's 1975 bankruptcy, the foursome signed to Curtis Mayfield's label, Curtom Records, and released "Let's Do It Again", produced by Mayfield; the song became their second No. 1 pop hit in the US and the album was also successful. In 1976, they collaborated with The Band for their film The Last Waltz, performing on the song "The Weight" (which The Staple Singers had previously covered on their first Stax album). However, they were not able to regain their momentum, releasing only occasional minor hits. Their 1984 album Turning Point featured their final Top 40 hit, a cover of Talking Heads' "Slippery People" (which also reached the Top 5 on the Dance chart). In 1994, they again performed the song "The Weight" with Country music artist Marty Stuart for MCA Nashville's Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song "Respect Yourself" was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994.

In 1999, the group was inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award. Mavis Staples has continued to carry on the family tradition and continues to add her vocal talents to both the projects of other artists and her own solo ventures. Cleotha Staples died in Chicago on February 21, 2013, after suffering from Alzheimer's disease for over a decade.

^ Gary Kramer, Liner notes to Riverside l.p. 'Hammer and Nails' 1962^ H.R.R. Liner notes to original Vee Jay l.p. "Uncloudy Day" 1959^ Preiser, David (2002). Uncloudy Day [CD liner notes]. New York:Koch Jazz.^ Interview with Bob Dylan."i" newspaper (London) Feb 3rd 2015^ Rob Bowman Stax: 50th Anniversary Celebration (Beverly Hills) 2007, and see also Rob Bowman Soulsville USA: The Story of Stax Records there cited^ Billboard Publications Inc. Billboard R&B/Soul and Billboard Hot 100 charts, 10.9.1971 and 4.1.1972, cited by Rob Bowman, above^ Obituaries, New York Times 24th Feb 2013, Guardian newspaper,(London) 24th Feb 2013
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