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Tim Hecker

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  • Recent Activity: 09.30.13 Kind of troll bait but also earnest moments
  • Tim Hecker

Albums

Biography All Music GuideWikipedia

All Music Guide:

Montreal producer Tim Hecker made his initial breakthrough as Jetone, but followed with ambient music attributed to his born name. This experimental ambient work, released by Alien8 sublabel Substractif beginning in late 2001 with Haunt Me Haunt Me, Do It Again, won much acclaim. It also familiarized listeners with the producer himself, and not just because it featured his real name rather than a moniker: Hecker's self-titled work was much more personal than his Jetone recordings, its ideological characteristics reflecting his interests and its experimental slant reflecting his ambitions. For his self-titled recordings, Hecker drew inspiration from pop culture and showcased his ideas within dense collages of found sounds and computer-generated noise. Critics loved the experimentation and also the ideological richness. It also didn't hurt, of course, that Hecker's more techno-oriented work as Jetone attracted a large following of curious listeners who otherwise probably wouldn't seek out such ambient music. The producer also extensively performed live, another means of connecting with his continually growing audience.

As a graduate student studying digital acoustics and software, Hecker spent years dabbling with electronic music before finally debuting as Jetone in 2000 with Autumnumonia for Pitchcadet. The release interested Force Inc., which released Hecker's next album as Jetone, Ultramarin, a year later. Following this popular release, he aligned himself with Alien8, an experimental label based in Montreal. He recorded Haunt Me Haunt Me, Do It Again for the label's ambient sublabel, Substractif, and watched it inspire critical praise upon its release in late 2001. The album proved so successful that Substractif released a follow-up EP, My Love Is Rotten to the Core, less than a year later in hopes of building upon the lingering critical buzz surrounding Haunt Me. Hecker then recorded Radio Amor for Mille Plateaux, Force Inc.'s experimental ambient sublabel, which released the album in April 2003. Inspired by a 1996 journey to Central America, where he experienced a memorable boat ride off the coast of Honduras, Radio Amor consolidated the various aspects of Hecker's previous two efforts into his most accessible ambient work to date and accordingly won him yet more acclaim. In 2004 Mirages came out, followed by his contribution to Staalplaat's Mort aux Vaches series, a 41-minute live radio set that was released in 2005. The next year, Harmony in Ultraviolet hit shelves. The 2008 release Fantasma Parastasie was a collaboration with Nadja’s Aidan Baker, while 2011 saw the release of the solo album Ravedeath, 1972.

Wikipedia:

Tim Hecker is an electronic musician and sound artist based in Montreal, Canada. Hecker previously recorded under the moniker Jetone, but has become better known internationally for his ambient recordings released through Kranky, Mille Plateaux, Alien8, Force Inc, Staalplaat, and Fat Cat under his own name.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Background[edit]

Hecker is a producer of electronica, touring and producing under the name Jetone. He has performed extensively including festivals such as Sónar (Barcelona), MUTEK (Montreal), Impakt Festival (Utrecht), Victoriaville in (Quebec), IDEAL (Nantes), Vancouver New Music Festival (Vancouver), and club transmediale (Berlin).

In addition to touring with Godspeed You! Black Emperor and recording with the likes of Fly Pan Am, Hecker has also collaborated with Christof Migone, Martin Tétreault, Daniel Lopatin (Oneohtrix Point Never) and Aidan Baker. He has also contributed remixes to other artists, including Isis.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Art[edit]

Hecker occasionally makes sound installations and has collaborated with visual artists such as Stan Douglas and Charles Stankievech.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Interviews[edit]

Hampson, Simon. “Tim Hecker Interview.” Cyclic Defrost, 3 March 2007.Henderson, Lee. “Tim Hecker: Resisting the Technophilia.” Splendid eZine, 2003.Schepper, Ron. “An Interview with Tim Hecker.” Junkmedia, 27 September 2004.Nguyen, Mac. “Interview: Tim Hecker.” The Silent Ballet, 28 March 2010.Unknown author. “Two and a Half Questions with Tim Hecker.” Headphone Commute, 28 April 2010.Unknown author. “Interview with Tim Hecker.” Headphone Commute, 18 February 2011.
Further reading[edit]
Bergmann, Brett. “Global Movement, Local Detail: The Music of Tim Hecker.” eContact! 11.2 — Figures canadiennes (2) / Canadian Figures (2) (July 2009). Montréal: CEC.Hecker, Tim. “Guest List Top 10.” Pitchfork. 27 October 2006.Richardson, Mark. “Tim Hecker: Harmony in Ultraviolet.” Pitchfork. CD Review. 16 October 2006.

Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
12.14.13 Constellation Chicago, IL US

eMusic Features

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