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Famed for his work with Peter Gabriel and King Crimson, bass virtuoso Tony Levin was born in Boston on June 6, 1946. At age ten, he began studying upright bass, also playing tuba in his high-school marching band and even forming his own barbershop quartet; as a member of a local youth orchestra, Levin additionally performed at the White House for President John F. Kennedy. After attending the Eastman School of Music, he appeared with the Rochester Philharmonic, but over time turned away from classical music to play rock and jazz, relocating to New York City in 1970 to join Aha!, ex-Mothers of Invention keyboardist Don Preston's band.
A busy session career followed, with fluid, expressive work on classic LPs, including Lou Reed's Berlin, Kate & Anna McGarrigle's self-titled debut, and Paul Simon's Still Crazy After All These Years. After collaborating with Peter Gabriel on his eponymous 1977 debut, Levin joined the ex-Genesis frontman's touring unit, during which time he honed his skills on the Chapman Stick, a unique 10-stringed instrument in which the strings are not plucked but tapped, a process allowing the individual to play notes with both hands and create complete multi-part arrangements.
In 1978, Levin settled in Woodstock, NY, serving in the short-lived L'Image; a year later, he played on Robert Fripp's solo effort Exposure, soon thereafter agreeing to join the guitarist in new a incarnation of his groundbreaking progressive unit King Crimson, and remaining a member of the group for over two decades. (His tour experiences subsequently yielded a 1984 book of photographs, Road Photos.) While working on Gabriel's 1986 smash So, Levin developed Funk Fingers, essentially chopped-off drumsticks designed to hammer on the bass strings; he later sold Funk Fingers through his own Papa Bear Records label as well. Sessions with everyone from Robbie Robertson (his 1987 self-titled solo debut) to Laurie Anderson (1989's Strange Angels) to Yes (1991's Union) followed, and in 1996, Levin finally made his solo debut with World Diary. From the Caves of the Iron Mountain, recorded with bamboo flute master Steve Gorn and drummer Jerry Marotta, appeared a year later and in 1998, he formed Bruford Levin Upper Extremities (B.L.U.E.) with longtime King Crimson drummer Bill Bruford, guitarist David Torn, and trumpeter Chris Botti.
Waters of Eden, Levin's Narada label debut, followed in the spring of 2000. Pieces of the Sun was released in 2001 (an expanded edition came out a year later on Pony Canyon), with many of the same tracks also included on his 2002 record, Double Espresso. Prime Cuts, a compilation of his work on sessions led by other artists on the Magna Carta label during the '90s, was issued in 2005. A bona fide new solo effort, Resonator, followed the next year, for the first time featuring Levin as a singer/songwriter as well as a bassist.
Wikipedia:For the jazz drummer, see Tony Levin (drummer) .
Anthony Frederick "Tony" Levin (born June 6, 1946) is an American musician and composer, specializing in electric bass, Chapman Stick and upright bass. He also sings and plays synthesizer.
Levin is best known for his work with progressive rock pioneers King Crimson and Peter Gabriel. He was also a member of instrumental-prog rock/jazz fusion group Liquid Tension Experiment; the King Crimson-related bands Bruford Levin Upper Extremities, ProjeKct One and ProjeKct Four; and currently leads his own band, Stick Men.
A prolific session musician since the 1970s, Levin has played on 500 albums, including those of Cher, Alice Cooper, John Lennon, Sarah McLachlan, Stevie Nicks, Pink Floyd, Dire Straits, Lou Reed, Tom Waits, Buddy Rich, The Roches, Todd Rundgren, Seal, Anderson Bruford Wakeman Howe, Warren Zevon, Kevin Parent, Laurie Anderson, Kate and Anna McGarrigle, Gibonni, and Jean-Pierre Ferland. Additionally, he has toured with artists including Paul Simon (with whom Levin appeared in Simon's 1980 film One Trick Pony), Gary Burton, James Taylor, Herbie Mann, Judy Collins, Carly Simon, Peter Frampton, Tim Finn, Richie Sambora, and Claudio Baglioni.
Levin helped to popularize the Chapman Stick and the NS upright bass. He also created "funk fingers", modified drumsticks attached to fingers used to hit the bass strings (which sounds similar to slap style bass).
Levin is also one of the first bloggers, as he began sharing his tour experiences in a diary fashion as early as in 1996, one year before the terms "weblog" and "blog" were coined.
In 2011, Levin ranked second (behind John Paul Jones) in The "20 Most Underrated Bass Guitarists" in Paste magazine.Ankeny, Jason (1946-06-06). "Tony Levin". AllMusic. Retrieved 2011-07-16. http://www.hit-channel.com/tony-levin-stick-menking-crimsonpeter-gabrieljohn-lennon/34535 "Levin's blog". Tonylevin.com. Retrieved 2011-07-16. Barrett, John (2014-07-09). "The 20 Most Underrated Bass Guitarists :: Music :: Lists :: Paste". Pastemagazine.com. Retrieved 2014-07-16.
ContentsBiography1.1 Early life and education1.2 1970s-1980s1.3 1990s-2000s
Early life and education
Levin was born in Boston, Massachusetts and grew up in the suburb of Brookline. He began playing double bass at 10 years old, primarily studying classical music. In high school, he learned tuba, soloing with the concert band, and also started a barbershop quartet.
After high school, he attended the Eastman School of Music in Rochester, New York and played in the Rochester Philharmonic Orchestra. Also at Eastman, he studied with drummer Steve Gadd. He traded in his Ampeg electric upright "Baby Bass" for a Fender Precision Bass; his first bass amplifier on early days was an Ampeg Portaflex B-15.
In 1970, Levin moved to New York City, joining a band called Aha, the Attack of the Green Slime Beast, with Don Preston of The Mothers of Invention. Soon after, he began working as a session musician, and through the 1970s he played bass on many albums, including Buddy Rich's big band jazz album, The Roar of '74.
In 1976, Levin joined with Steve Gadd on drums to create the lush textures on Andy Pratt's Resolution album that included other studio musicians including Arif Mardin, Andy Newmark, Hugh McDonald, and Luther Vandross. Allmusic.com and Rolling Stone Magazine rated this album as one of the best singer/songwriter albums of the 1970s.
In the late 1970s, Levin joined Peter Gabriel's band. He had met Gabriel through producer Bob Ezrin (with whom Levin had recorded Alice Cooper's Welcome to My Nightmare and Lou Reed's Berlin). Levin has been Gabriel's bass player of choice ever since, both on the road and in the studio. On Gabriel's first solo album, Levin played tuba as well as bass, and directed a short barbershop quartet version of "Excuse Me".
In these early years with Gabriel, Levin developed his playing of the Chapman Stick. In 1986, the song "Big Time", from Gabriel's So album, inspired the development of funk fingers, which are chopped off drumsticks used to hammer on the bass strings. Levin credits Gabriel with the idea, and Andy Moore, his tech at the time, with actually making them workable.
In 1978, Levin moved to Woodstock, New York, to join the band L'Image, which included his old friend Steve Gadd as well as Mike Mainieri and Warren Bernhardt. The band broke up after a year, and Levin stayed in the area, he currently resides in Kingston, New York. While recording and touring Peter Gabriel's first album, Levin became acquainted with Robert Fripp, and in 1980, after having played on Fripp's solo album, Exposure, he became a member of the 1980s incarnation of King Crimson. In August 1980, he began recording sessions on Double Fantasy with John Lennon and a group of his contemporaries. He also played all of the bass guitar and Chapman Stick parts on Pink Floyd's 1987 album A Momentary Lapse of Reason as a session player.
In 1989 Bruford asked Levin to play in Anderson Bruford Wakeman Howe, a splinter group of the band Yes. Because of the obvious emphasis on this being a band of former Yes members, Levin was never invited to become an official member, but played on ABWH's eponymous album (as well as the accompanying tour), and also on Yes' 1991 album Union.
In 1984 Levin released Road Photos, a collection of black and white photos taken during his travels with Crimson, Gabriel, Simon, and others. Another book of photos focusing on King Crimson's travels in the 1980s, The Crimson Chronicles volume 1, was released in 2004. There has been no word yet on the release of volume 2, which will cover the 1990s and possibly 2000s versions of the band. Levin has also written a book of career anecdotes and road stories called Beyond the Bass Clef.
Levin was part of King Crimson until the mid-1990s breakup of the "Double Trio" line-up of the band which consisted of Levin, Robert Fripp, Adrian Belew, Trey Gunn, Pat Mastelotto, and Bill Bruford. Fripp then reformed King Crimson as a quartet, without Levin and Bruford. Levin also took part in two of the post-breakup experimental sub-groups, ProjeKct One (1997) and ProjeKct Four (1998). Levin played bass on "Watcher of the Skies" from Steve Hackett's Genesis Revisited album (1996). In 2008, Levin rejoined for King Crimson's short 40th Anniversary Tour, the lineup including Fripp, Belew, and drummers Mastelotto and Gavin Harrison (Porcupine Tree)
In 1998, Levin and Bruford formed Bruford Levin Upper Extremities with trumpeter Chris Botti and guitarist David Torn; the group released albums in 1998 and 2000. Torn, Levin, and Bruford had previously been a quartet, along with trumpeter Mark Isham, for Torn's 1987 studio album Cloud About Mercury ( bassist Mick Karn replaced Levin for the tour). Levin also continued producing albums with his own band, the Tony Levin Band. This band consists of Jerry Marotta, Jesse Gress, Larry Fast, and Tony Levin's brother, Pete Levin. He also regularly plays live and occasionally records with the California Guitar Trio when schedules permit.
In 1997, Levin teamed up with Mike Portnoy and John Petrucci, members of Dream Theater, as well as future Dream Theater keyboardist Jordan Rudess, for a project called Liquid Tension Experiment. The combo released two albums, Liquid Tension Experiment and Liquid Tension Experiment 2 in 1998 and 1999 respectively, as well as playing short tours in 1998 and 2008. There have also been two CDs of material released under the name Liquid Trio Experiment; the first composed of studio jams from the LTE2 sessions without Petrucci (Spontaneous Combustion), released for the band's tenth anniversary, and a live recording from a 2008 Chicago gig where Rudess's rig crashed and the other three covered for it with a nearly hour-long improvisation (When the Keyboard Breaks).
At the end of 2003 Trey Gunn left King Crimson and Levin rejoined as the bassist, although the band was only active for a handful of rehearsals at that time and a short tour in the summer of 2008.
In 2006, Levin released Resonator, an album which features long time band mates Jerry Marotta, Jesse Gress, Larry Fast, with the addition of his brother Pete Levin. The album is the first to feature Levin as a lead vocalist. 2007 saw the release of Stick Man, an album of pieces recorded on the Chapman Stick.
In 2009 Levin reunited with his band from 1973, L'Image, featuring Mike Mainieri, Warren Bernhardt, David Spinozza, and Steve Gadd. The group performed at the Iridium Jazz Club in New York City, toured Japan, and released the album L'Image 2.0. In 2010 Tony toured with HoBoLeMa, a group consisting of Allan Holdsworth on guitar, Levin on bass, and Pat Mastelotto and Terry Bozzio on drums. All their shows were completely improvised with no written music.
Following on from the Stick Man album, Levin joined up with fellow player Michael Bernier and King Crimson drummer Pat Mastelotto to form the group Stick Men. The band released its first album Soup in 2010. Bernier left the group shortly after the release of Soup and was replaced by touch guitarist Markus Reuter in 2010. This lineup has continued with a busy touring and recording schedule, releasing the EP Absalom in 2011 and the full albums Open (June 2012), and Deep (Sept 2012).
Tony Levin's brother, Pete Levin, is a New York keyboardist and writer who is best known for his work with Gil Evans. In the 1970s, Tony and Pete collaborated with Steve Gadd in the comedy band The Clams. Levin has stated that some of the Clams' material may eventually be released. He also played on Jean-Pierre Ferland's Jaune album, which included hits "Le petit roi" and "Le chat du café des artistes".
On September 24, 2013, Tony Levin was officially announced as a member of the 8th incarnation of King Crimson, alongside band founder Robert Fripp, guitarist Jakko Jakszyk, the returning Mel Collins on saxophone, and drummers Pat Mastelotto, Gavin Harrison and new member Bill Rieflin. The group toured the United States in the autumn of 2014."Pat Mastelotto 2013 interview on Outsight Radio Hours". Archive.org. Retrieved 5 May 2013. "Tonylevin.Com". Tonylevin.Com. Retrieved 2011-07-16. "News". Dgmlive.com. Retrieved 2014-07-16.