Tony Sheridan

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  • Born: Norwich, Norfolk, England
  • Years Active: 1960s

Albums

Biography All Music Guide Wikipedia

All Music Guide:

With his 1961 recording of "My Bonnie," Tony Sheridan forever secured rock & roll immortality; while the song was certainly a respectable hit during its heyday, its place in music history is instead assured as the first studio session to feature the Beatles. Anthony Sheridan McGinnity was born in Norwich, England on May 21, 1940; he formed his first band, the Saints, at the age of 15 before relocating to London a few years later. In 1959, he joined Vince Taylor & the Playboys, one of the most popular of the many British groups which rose to fame on the decadent Hamburg, Germany club scene; over time, the band evolved into a new unit called the Beat Brothers, originally featuring Sheridan on vocals and guitar backed by guitarists Ken Packwood and Rick Richards, bassist Colin Melander, keyboardist Ian Hines, and drummer Jimmy Doyle.

The Beat Brothers' lineup was notoriously nebulous, and among the various musicians which briefly passed through their ranks were John Lennon, Paul McCartney, George Harrison, and Pete Best; it was this early incarnation of the Beatles which backed Sheridan in mid-1961 on at least three tracks -- "My Bonnie," "The Saints," and "Why (Can't You Love Me Again)." (Much of the information about the sessions remain murky, based on memory and conjecture; the true circumstances will likely never be definitively determined, although it is also widely agreed that the same date generated "Ain't She Sweet," sung by Lennon, as well as the instrumental "Cry for a Shadow.") "My Bonnie" sold some 100,000 copies and reached the West German Top Five; it was credited to Tony Sheridan & the Beat Brothers as a result of label fears that "Beatles" bore too much similarity to the German word "peedles" -- slang for the male organ.

In April 1962, the Beatles also joined Sheridan for a performance at the Hamburg Star Club; two more tracks, "Sweet Georgia Brown" and "Swanee River," are believed to have been recorded at that time. (Again, conclusive proof is lacking.) By this time, Sheridan was fronting a new group called the Tony Sheridan Quartet; at one point, their ranks included drummer (and future Beatle) Ringo Starr. By 1964, Sheridan had joined the Bobb Patrick Big Six, but by now the Hamburg beat craze was dying; at that juncture he journeyed to Vietnam to play U.S. army bases. When he returned to Hamburg in 1968, he remained a cult hero, and played a number of triumphant live dates before gradually retiring from show business. Years later Sheridan converted to the Sannyasin religion, rechristening himself Swami Probhu Sharan and settling in Germany -- a footnote in rock history, to be sure, but an important and enduring one.

Wikipedia:

Tony Sheridan (born Anthony Esmond Sheridan McGinnity on 21 May 1940 in Norwich, Norfolk), is an English rock and roll singer-songwriter and guitarist. He is best known as an early collaborator of The Beatles, (though the record was labelled as being with "The Beat Brothers"), one of two non-Beatles (the other being Billy Preston) to receive label performance credit on a record with the group, and the only non-Beatle to appear as lead singer on a Beatles recording which charted as a single.

Biography

In his early life, Sheridan was influenced by his parents' interest in classical music, and by age seven, he had learned to play the violin. He eventually came to play guitar, and in 1956, formed his first band. He showed enough talent that he soon found himself playing in London's "Two I's" club for some six months straight, but at the same time he also found himself reduced to sleeping in doorways. In 1958, at 18, he began appearing on the BBC's Oh Boy, playing electric guitar on such early Rock classics as "Blue Suede Shoes", "Glad All Over", "Mighty Mighty Man" and "Oh Boy!". Sheridan was soon viewed as a very promising guitarist and as such was employed backing a number of singers, reportedly including Gene Vincent and Conway Twitty while they were in England. Early in 1960, Sheridan performed in a package tour of the United Kingdom which also included Gene Vincent and Eddie Cochran. On April 17, Vincent and Cochran rebuffed his request to ride along with them to the next venue, but he thereby escaped the road accident which would leave Cochran dead and Vincent badly injured. He also played guitar for Cherry Wainer on her recording of "Happy Organ".

Despite these successes, his penchant for being late, showing up without his guitar etc., soon got him a reputation for having gone a bit "haywire", and cost him much of his professional standing in England. Providentially his little band was offered a gig in Bruno Koschmider's "Kaiserkeller" club in Hamburg, Germany. As fate would have it, his bandmates soon packed up and left Germany, but Sheridan remained behind. In a bizarre twist a young Liverpool rock group was then booked by Liverpool club-owner/manager Allan Williams to play in Koschmieder's second club "The Indra", and thus the young, raw Beatles came face to face with "professional" musician Tony Sheridan and his now makeshift band. This face to face contact rapidly grew into mutual great admiration, particularly on the part of young George Harrison, who, as lead guitarist for the Beatles, never missed a chance to corner fellow lead guitarist Sheridan and practice with him endlessly.

While performing in Hamburg between 1960 and 1963, Sheridan employed various backup bands, most of which were really "pickup bands", or simply an amalgamam of various musicians, rather than a group proper. However, in 1961, the young Beatles (with their line-up at the time of John Lennon, Paul McCartney, George Harrison and Pete Best) who had met and admired Sheridan during their first visit to Hamburg in 1960, and who openly worked with him on their second visit, became even closer. The relationship was largely symbiotic, with the Beatles sometimes backing Sheridan, but with Sheridan often joining the Beatles during their own sets back them playing guitar. When German Polydor producer/A and R man Bert Kaempfert saw the pairing on stage, he suggested that Sheridan and the Beatles make some recordings together. Kaempfert viewed Sheridan as the one with "star" potential, and though they signed the Beatles to play on Sheridan's records their contract with them stipulated that the four Beatles (Lennon, McCartney, Harrison and Best) only had to play on a minimum of two songs. Of the seven songs recorded during Sheridan's two day-long sessions for Polydor in June 1961, it should be pointed out that at times the band behind Sheridan would be down to only two Beatles, and that conversely only on their two solo songs do all four Beatles play (minus Sheridan), while Sheridan plays on all of his tracks. These sessions produced Sheridan's "My Bonnie" and "The Saints", and the Beatles' "Ain't She Sweet" and "Cry for a Shadow" (formerly titled "Beatle Bop"), plus three other songs. Polydor's beliefs in Sheridan's coming stardom were so strong that they buried the two solo Beatle tracks until much later. And additionally both John Lennon and Tony Sheridan swore that there were several other Beatle tracks that were recorded during the two-day session, but that either they were not preserved OR something else happened to them.

In 1962, after a series of singles (the first of which, "My Bonnie"/"The Saints" made it to #5 in the Hit Parade), the record was released in America on Decca with a black label and also in a pink label for demo play. The record has the distinction of being one of the most expensive collectible 45 rpm with the black label in mint condition selling for $15,000 in 2007 and the pink label selling for $3000. Ringo Starr also very briefly played in Sheridan's backing band during very early 1962, before returning to Rory Storm and the Hurricanes. Starr was reportedly unhappy with Sheridan performing songs he had not rehearsed with his band. Ringo thus narrowly missed playing on Sheridan's album debut.

Also in 1962, Polydor released the album My Bonnie across Germany. The word Beatles was judged to sound too similar to the Hamburgisch Pidels (pronounced peedles), the plural of a slang term for penis, hence the album was credited to Tony Sheridan and The Beat Brothers. After the Beatles had gained fame, the album was re-released in the United Kingdom, with the credit altered to "Tony Sheridan and The Beatles". The Beatles' Hamburg studio recordings, as well as some live recordings from the same period, have been reissued several times over the decades.

At a point in the mid-Sixties Sheridan's whole musical style underwent an abrupt transformation, away from his rock and roll roots and towards a more blues and jazz oriented sound. Though these recordings were praised by some, many fans of his earlier work felt disappointed. This change was presaged by liner notes from his 1964 album Just a Little Bit of Tony Sheridan where his musical preferences are listed as "jazz and classical" rather than rock. The same 1964 liner notes mention his wanting to go to the southern US "to hear at first hand the original negro music and experience the atmosphere that has been instrumental in creating negro jazz and the spiritual, for which he has a great liking".

Tony Sheridan went on very successfully singing and playing in Hamburg at the same club for quite a number of years, but eventually lost his recording contract with Polydor.

By 1967, Sheridan had become disillusioned with his Beatle-brought fame. As he was more concerned by the Vietnam War, Sheridan agreed to perform for the Allied troops. While in Vietnam however, the band that he had assembled was fired upon and one of the members was killed. Reuters reported that Sheridan himself had died. For his work entertaining the Allies, Sheridan was made an honorary Captain of the United States army.

In the early 1970s, Sheridan managed a West German radio programme of blues music, which was well-received. In 1978, the Star Club was reopened, and Sheridan performed there along with Elvis Presley's TCB Band.

On 13 August 2002, Sheridan released Vagabond, a collection largely of his own material, but also including a new cover version of "Skinny Minnie", a song he had years earlier recorded for his first album. Tony played guitar and sang for the Argentinean rock musician Charly Garcia. The album was called Influencia and it was released in 2002.

Today, Tony Sheridan lives in Seestermühe, a village north of Hamburg. In addition to music, he is interested in heraldry and designs coats of arms.

Reference-Books

Cross, Craig (2004). Day-By-Day Song-By-Song Record-By-Record. iUniverse. ISBN 978-0-595-31487-4. Thorsten Knublauch und Axel Korinth: Komm, Gib Mir Deine Hand – Die Beatles in Deutschland 1960–1970. Books on Demand Gmbh: 2008. ISBN 978-3-8334-8530-5Eric Krasker, The Beatles - Fact and Fiction 1960-1962, Paris, Séguier, 2009. ISBN 978-2-84049-523-9
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