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All Music Guide:
Taking their name from the Norewgian word for wolf, Ulver is a black metal band employing both noisy death-metal blasting and more relaxed, morose acoustic instrumentation, depending on the concept of their work. Led by vocalist Garm, Ulver recorded two concept albums beginning in 1995; Bergtatt detailed a Norse legend in which maidens are abducted by denizens of the underworld to live in their mountain halls, and the following year's Kveldssanger ("Twilight Songs") was an all-acoustic collection of melancholy dirges. Ulver made their international debut in 1997 with Nattens Madrigal (Madrigal of the Night), a concept album about wolves performed in the traditional Norwegian black metal style; it was recorded for Century Black with a lineup of Garm, lead/acoustic guitarist Haavard, rhythm guitarist Aismal, bassist Skoll, and drummer AiwarikiaR.
Wikipedia:
Ulver (Norwegian for “wolves”) is a musical group from Norway. Since their first, folklore-influenced black metal release entitled Bergtatt – Et eeventyr i 5 capitler (1994), Ulver’s musical style has been fluid and increasingly eclectic, blending genres such as rock, electronica, symphonic and chamber traditions, noise and experimental music into their oeuvre, but with a heavy reliance on electronic recording techniques.
Musical overview [edit]
Black Metal Trilogy [edit]
Although Ulver's first three albums are often called their “Black Metal Trilogie”, they are quite different in style, with only two of them belonging at all to the black metal genre. The archaic Dano-Norwegian lyrics were inspired by Baroque poets such as Ludvig Holberg and the hymn-writer Thomas Kingo. The themes of the lyrics were greatly influenced by Scandinavian folktales.
The album Bergtatt – Et eeventyr i 5 capitler is placed in the folk-themed black metal genre for its occasionally fast tempo, distorted electric guitars and croaky screaming vocals intermitted with melodious acoustic passages with singing, and for having a fantasy storyline. The title Bergtatt translates as "taken by the mountains"; in Norwegian folklore the word refers to people who wander off into mountains, lured by trolls or other mythic creatures. The narrative of the album's lyrics follows a maiden as she becomes so mountain-taken. The subtitle translates as "A Tale in 5 Chapters". Bergtatt features a melancholic, fully acoustic song "Een stemme locker" ("A Voice Beckons").
Kveldssanger, Ulver's second album, contrasts with Bergtatt as it uses classical guitars, cello and chamber chants, completely eschewing the metal elements of Bergtatt, while still having a folk theme. Garm has since remarked that Kveldssanger was an "immature attempt at making a classical album", later adding that the performance was immature, yet the content is strong when their youth at the time is taken into account.
The third album, Nattens madrigal ("Madrigal of the Night"), saw the band returning to a black metal style similar to Bergtatt. Unlike on Bergtatt, however, the only acoustic instruments appear in a brief interlude in the first track. The album is intentionally underproduced, akin to Darkthrone's Transilvanian Hunger, with buzzing guitars and rather muffled drums. There are rumors surrounding this album and its recording, the most famous being that the band recorded this album in a forest, something which Garm has repeatedly denied. A lesser-known rumor is that the band purposely recorded the album on a four-track cassette recorder and used the money that Century Media gave them for other things, like Armani suits, haircuts, cocaine, beer, or a new car, or all of the above. When questioned on this matter, Garm only affirmed that the band has expensive tastes.
The Blake album [edit]
Themes from William Blake's The Marriage of Heaven and Hell, released in 1998, was different from what Ulver had made before. Tore Ylwizaker, a new composer and sound architect, added to Garm's expanding artistic visions, and together they stepped over the boundaries of black metal aesthetics, creating a genre-defying work. In this album, the musicians blended electronics, industrial music elements, progressive metal and avant-garde rock, adding ambient passages. Lyrically, the album incorporates the entire text of William Blake's The Marriage of Heaven and Hell, and relies on guest vocals. Despite confounding and perhaps alienating many fans of the band’s first three albums, the album received widespread acclaim from critics within both the rock/metal and alternative music press. For instance, it was reviewed as album of the month in several high-profile magazines such as Terrorizer, Metal Hammer, and Rock Hard. It also ranked very high at many year's best polls that same year.
The metamorphosis [edit]
In 1999 the group declared:
Ulver’s next two releases, the EP Metamorphosis and full-length album Perdition City, were even more experimental and pensive than the Blake album. The band moved further away from rock and metal and into a more ethereal style, much like that of Coil. The use of programmed sound and atmospheric arrangement is dominant here, unlike the previous albums.
Teachings in Silence and soundtracks [edit]
The band followed up these two releases with two minimalist/ambient/glitch works Silence Teaches You How to Sing and Silencing the Singing. These works featured minimal melodies and often had subtle, weird and unnatural noises within the song structures. Due to their individual rarity, they were later amalgamated as Teachings in Silence.
Having proved their proficiency at making atmospheric music, Ulver were hired to make music for cinema films like Lyckantropen (see Lyckantropen Themes), Svidd neger (see Svidd neger (soundtrack)), and Uno. Ulver's Silence Teaches You How to Sing was used in the 2012 supernatural horror film Sinister.
Second decade in the machines [edit]
Since 2003, Ulver graduated into a more symphonic style. They released the EP A Quick Fix of Melancholy, which kept the minimalist, sparse styles of their previous albums, albeit adding more dramatic and symphonic elements, with various string sounds and operatic vocal styles.
In July 2004, the band had recorded their sixth album, Blood Inside, which was released on June 6, 2005. Bringing back more traditional rock instruments like guitar and acoustic drums, combining them with classical instruments, brass horns, and their rich electronic inventory.
Ulver later joined the drone band Sunn O))) on a fifteen-minute track which appears on Sunn O)))'s WHITEbox box set, released in July 2006. Additionally, the trio had announced back in 2002 that they had been working on a string remake of Nattens madrigal, but Garm later stated on the message board of his alternative rock band, Head Control System, that the project "is in a state of total dormancy."
The band's seventh album Shadows of the Sun was released on October 1, 2007. Garm described it as "our most personal record to date."
Changes in line-up [edit]
At 2009, on the official Ulver website it was announced that the core three members of Ulver have become four with the addition of British composer and multi-instrumentalist Daniel O'Sullivan. With this line-up a new album album consisting of cover versions of psychedelic music from the '60s was recorded and later released in 2012 under the name Childhood's End.
Wars of the Roses and Childhood's End [edit]
On November 24, 2010 the band posted on its official website a note that read: "2011 is the future, a Critical Geography, the new album of Ulver. The anthological presentation we've been hiding behind since Lillehammer is history after Warsaw". However, on February 12, 2011 the band presented the song "February MMX" on their Facebook page, from the forthcoming album which was now renamed Wars of the Roses. The album was made available in Norwegian stores on Friday April 15, 2011, followed by a U.K. release on April 25 and a U.S. release on May 3, 2011.
Ulver released Childhood's End, a collection of '60s cover songs, on May 28, 2012.
Live appearances [edit]
At the Norwegian Festival of Literature [edit]
On May 30, 2009 Ulver performed live for the first time in 15 years, at Maihaugsalen (part of Maihaugen) in Lillehammer, Norway. The concert was a part of the Norwegian Festival of Literature. The three band members were accompanied by guest musicians: Lars Pedersen (aka When) on drums, Daniel O’Sullivan (also in Æthenor, Guapo, Mothlite) on guitar and bass, Pamelia Kurstin playing Theremin and Ole Aleksander Halstensgård (from Paperboys).
Subsequent performances [edit]
Subsequently the only live appearances outside Norway were held at the Brutal Assault Festival in the Czech Republic on August 7 and at the Gagarin205 club in Athens,Greece (November 16). More festival appearances in Norway were announced: Øyafestivalen at Middelalderparken, Oslo (August 11), Møllafestivalen in Gjerstad (August 14), Pstereo'09 at Marinen, Trondheim (August 21) and London's Queen Elizabeth Hall (October 9).
Ulver at the Opera [edit]
On July 31, 2010 Ulver performed live at the Norwegian National Opera and Ballet with Christian Fennesz and the performance artist Ian Johnstone.
Wars of the Roses Tour [edit]
From March 22, 2011 to April 21, Ulver played in several European countries to support their 2011 album Wars of the Roses. On this tour they performed said album in its entirety, and also added some abstract/improvised passages. Zweizz acted as support artist.
