Valery Abisalovich Gergiev (PAR) (Russian: Валерий Абисалович Гергиев; Russian pronunciation: [vɐˈlʲerʲɪj ɐbʲɪˈsaləvʲɪtɕ ˈɡʲɛrɡʲɪɪf]; Ossetian: Гергиты Абисалы фырт Валери, Gergity Abisaly Fyrt Valeri; born 2 May 1953) is a Russian conductor and opera company director. He is general director and artistic director of the Mariinsky Theatre, principal conductor of the London Symphony Orchestra and artistic director of the White Nights Festival in St. Petersburg.
Gergiev, born in Moscow, is the son of Tamara Tatarkanovna and Abisal Zaurbekovich. He and his siblings were raised in Vladikavkaz in their native North Ossetia in the Caucasus. He had his first piano lessons in secondary school before going on to study at the Leningrad Conservatory from 1972 to 1977. His principal conducting teacher was Ilya Musin (Илья Мусин), one of the greatest conductor-makers in Russian musical history. His sister, Larissa Gergieva, is a pianist and director of the Mariinsky's singers' academy.John O'Mahony (1999-09-18). "Demon king of the pit". The Guardian. Retrieved 2007-04-18. Jessica Duchen (19 January 2007). "Valery Gergiev: Light the red touchpaper, stand back". London: The Independent. Retrieved 2007-04-18.
In 1978, he became assistant conductor at the Kirov Opera, now the Mariinsky Opera, under Yuri Temirkanov, where he made his debut conducting Sergei Prokofiev's War and Peace. He was chief conductor of the Armenian Philharmonic Orchestra from 1981 to 1985 – the year he made his debut in the United Kingdom, along with pianist Evgeny Kissin and violinists Maxim Vengerov and Vadim Repin at the Lichfield Festival.
In 1991, for the first time, Gergiev conducted a western European opera company with the Bavarian State Opera in a performance of Modest Mussorgsky's Boris Godunov in Munich. In the same year, he made his American début, performing War and Peace with the San Francisco Opera. Since then, he has conducted both operatic and orchestral repertoire across the world. He also participates in numerous music festivals, including the White Nights in St. Petersburg.
He became chief conductor and artistic director of the Mariinsky in 1988, and overall director of the company, appointed by the Russian government, in 1996. In addition to his artistic work with the Mariinsky, Gergiev has worked in fundraising for such projects as the recently built 1100-seat Mariinsky Hall, and intends to renovate the Mariinsky Theatre completely by 2010.
From 1995 to 2008, Gergiev was principal conductor of the Rotterdam Philharmonic Orchestra. In 1997, he became principal guest conductor of the Metropolitan Opera in New York City. His contract there ran until the 2007–2008 season, and his premieres included a new version of Mussorgsky's Boris Godunov, revised and reorchestrated by Igor Buketoff in a manner faithful to Mussorgsky's intentions (unlike the Rimsky-Korsakov revision mostly used for many years until the 1960s or 1970s). In 2002, he was featured in one scene in the film Russian Ark, directed by Alexander Sokurov and filmed at the Hermitage Museum in Saint Petersburg, Russia.
In 2003, he initiated and conducted at the Mariinsky Theatre the first complete cycle of Wagner's The Ring of the Nibelung to be staged in Russia for over 90 years. The production's design and concept reflects many aspects of Ossetian culture. Gergiev conducted this production in Cardiff in 2006 at the Wales Millennium Centre, in Costa Mesa, California in October 2006 in the Orange County Performing Arts Center, and in July 2007 in Lincoln Center, New York City to great acclaim and completely sold-out houses.
In 1988, Gergiev guest-conducted the London Symphony Orchestra for the first time. In his next appearance with the LSO in 2004, he conducted the seven symphonies of Sergei Prokofiev. This engagement led to his appointment in 2005 as the Orchestra's fifteenth principal conductor, succeeding Sir Colin Davis effective 1 January 2007. Gergiev's initial contract with the LSO was for 3 years. His first official concert as principal conductor of the LSO was on 23 January 2007; this was originally scheduled for 13 January, but was postponed due to Gergiev's illness. Gergiev is scheduled to stand down from the LSO principal conductorship in 2015.
In June 2011, Gergiev joined the International Tchaikovsky Competition and introduced reforms to the organisation, which included replacing academic judges with notable performers and introduced an openness to the process, arranging for all performances to be streamed live and free on the internet and for the judges to speak their minds in public as and whenever they wished.
Gergiev is scheduled to become chief conductor of the Munich Philharmonic in 2015.Geoffrey Norris (18 January 2007). "A Russian energy import". London: Telegraph. Retrieved 2007-04-18. Tom Service (10 May 2004). "LSO/Gergiev". London: The Guardian. Retrieved 2007-04-18. Richard Morrison (24 May 2005). "Lightning conductor". London: The Times. Retrieved 2007-04-18. Charlotte Higgins (14 April 2006). "Russian maestro reveals his plans for the LSO". London: The Guardian. Retrieved 2007-04-18. Tim Ashley (16 January 2007). "Gubaidulina". London: The Guardian. Retrieved 2007-04-18. Tom Service (2011-09-20). "Everything to play for at the Tchaikovsky competition". The Guardian. Retrieved 2015-03-14. "Valery Gergiev Chefdirigent der Münchner Philharmoniker ab 2015" (Press release). Landeshauptstadt München Kulturreferat. 2014. Retrieved 2015-03-14.
Social and political involvement
In April 2007, Gergiev was one of eight conductors of British orchestras to endorse the 10-year classical music outreach manifesto, "Building on Excellence: Orchestras for the 21st century", to increase the presence of classical music in the UK, including giving free entry to all British schoolchildren to a classical music concert.
After the 2004 Beslan school massacre, Gergiev appealed on television for calm and against revenge. He conducted concerts to commemorate the victims of the massacre.
During the 2008 South Ossetia war, Gergiev accused the Georgian government of massacring ethnic Ossetians, triggering the conflict with Russia. He came to Tskhinvali and conducted a concert near the ruined building of the South Ossetian Parliament as tribute to the victims of the war.
Gergiev has been, according to Alex Ross in The New Yorker, "a prominent supporter of the current Russian regime. Last year, in a television ad for Putin's third Presidential campaign, he said, 'One needs to be able to hold oneself presidentially, so that people reckon with the country. I don't know if it's fear? Respect? Reckoning.'"
In December 2012, Gergiev sided with the Putin administration against the members of Russian band Pussy Riot and suggested that their motivation was commercial. He told the British newspaper The Independent, "I don't think this is anything to do with artistic freedom....Why go to the Cathedral of Christ to make a political statement? Why with screaming and dancing? You don’t need to go to a place that is considered sacred by many people." He also said, "I am told by too many people that those girls are potentially a very good business proposition. Suppose that someone created all this in order to produce another touring group earning millions and millions? Anna Netrebko (acclaimed Russian soprano) didn't need to do something like this." In The New Yorker, Alex Ross decried Gergiev's allegation by noting that "One member [of Pussy Riot] has been on a hunger strike in a prison camp."
In New York City in 2013, the LGBT activist group Queer Nation interrupted performances by orchestras conducted by Gergiev at the Metropolitan Opera and Carnegie Hall. The activists cited Gergiev's support for Vladimir Putin, whose government had recently enacted a law that bans the distribution of "propaganda of non-traditional sexual relations" to minors, as the reason for their actions. In London, the veteran activist, Peter Tatchell, led anti-Gergiev demonstrations.
In a public statement Gergiev replied, "It is wrong to suggest that I have ever supported anti-gay legislation and in all my work I have upheld equal rights for all people. I am an artist and have for over three decades worked with tens of thousands of people and many of them are indeed my friends." This did not mollify all his critics; the novelist Philip Hensher tweeted: "Gergiev summarised: 'Some of my best friends are gay. I don't support institutional homophobia. I leave that up to my friend Putin.'"
Writing in The Guardian, Mark Brown wrote, "Gergiev's case was not helped by comments he made to the Dutch newspaper Volkskrant on 10 September : 'In Russia we do everything we can to protect children from paedophiles. This law is not about homosexuality, it targets paedophilia. But I have too busy a schedule to explore this matter in detail.'"
On 26 December 2013, the city of Munich made public a letter from Gergiev assuring them that he fully supports the city's anti-discrimination law and adding, "In my entire professional career as an artist, I have always and everywhere adhered to these principles and will do so in the future...All other allegations hurt me very much."
In March 2014 he voiced support for Russia's military intervention in Ukraine.Charlotte Higgins (26 April 2007). "Orchestras urge free concerts for children". London: The Guardian. Retrieved 2007-05-06. Tom Service (10 November 2004). "Orchestra of the Mariinsky Theatre/ Gergiev". London: The Guardian. Retrieved 2007-05-20. Tim Cornwell (16 August 2008). "'How many of my people were burned?'". Edinburgh: The Scotsman. Retrieved 2008-08-17. The Times, LSO conductor Valery Gergiev leads defiant South Ossetia concert, 22.08.2008 Alex Ross, "Imperious: The problem with Valery Gergiev", The New Yorker, 4 November 2013 Adam Sherwin, "London Symphony Orchestra director takes sides with Putin against Pussy Riot", The Independent, 12 December 2012 Cooper, Michael (23 September 2013). "Gay Rights Protest Greets Opening Night at the Met". The New York Times. Cooper, Michael (10 October 2013). "Gay Rights Protests Follow Gergiev to Carnegie Hall". The New York Times. Mark Brown (2013-11-07). "Valery Gergiev concert picketed by gay rights supporters". The Guardian. Retrieved 2015-03-14. Melissa Eddy, "Gergiev, With Eye on Munich Job, Responds to Antigay Accusations", New York Times, 27 December 2013 "Николай Зятьков. 2014. "Валерий Гергиев: 'Если внутреннее зло побеждено, то и внешнее не страшно.'" Interview. Аргументы и факты (5 March)". Aif.ru. Retrieved 21 September 2014. "Ng, David. 2014. "Putin policy in Crimea backed by Valery Gergiev, other arts figures." Los Angeles Times (12 March).". latimes.com. 12 March 2014. Retrieved 21 September 2014.
In 1999, Gergiev married the musician Natalya Dzebisova, who is 27 years his junior and also a native Ossetian. They have three children, two boys and a girl. From time to time he has been reported to be a friend of Vladimir Putin, and they have been said to be godfathers to each other's children. But in a letter to The Daily Telegraph, he rejected the notion that he and Putin were each other's children's godfathers. From his past relationship with the language teacher Lena Ostovich, he has a daughter, Natasha.Susan Mansfield (15 August 2008). "Reaping the Russian whirlwind – Valery Gergiev". Edinburgh: The Scotsman. Retrieved 2008-08-18. Valery Gergiev (August 2008). "Letters to the Telegraph". The Daily Telegraph (London). Retrieved 2008-12-15. Cite error: The named reference OMahony was invoked but never defined (see the help page).
ContentsRecordings1.1 Discography1.1.1 Ballets1.1.2 Operas1.1.3 Orchestral works1.1.4 Orchestral works with soloists1.1.5 Vocal works1.2 Videos1.2.1 DVD1.2.2 VHS
Gergiev has focused on recording Russian composers' works, both operatic and symphonic, including Mikhail Glinka, Pyotr Ilyich Tchaikovsky, Alexander Borodin, Nikolai Rimsky-Korsakov, Sergei Prokofiev, Dmitri Shostakovich, Igor Stravinsky and Rodion Shchedrin. Most of his recordings, on the Philips label, are with the Kirov Orchestra, but he has also recorded with the Vienna Philharmonic. A recent undertaking, the complete Prokofiev symphonies, is with the London Symphony Orchestra. He is also in the process of recording the complete symphonies of Gustav Mahler with the London Symphony Orchestra; all are being recorded live in concert and will be issued on the London Symphony Orchestra Live label. In 2009, Gergiev and the Mariinsky launched a Mariinsky Live record label (being distributed by London Symphony Orchestra Live), with the first two recordings featuring music by Dmitri Shostakovich.
Gergiev's recording of Prokofiev's Romeo and Juliet with London Symphony Orchestra on LSO live in 2010 was the winner of the Orchestral category and the Disc of the Year of the 2011 BBC Music Magazine Awards.