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Poland's preeminent contemporary film composer, Zbigniew Preisner was born May 20, 1955 in Bielsko-Biala; while studying history and philosophy at the University of Cracow he began writing music, and in 1981 scored his first picture, Antoni Krauze's Prognoza pogody. Krauze introduced Preisner to filmmaker Krzystof Kieslowski, with whom he enjoyed his most fruitful collaboration; beginning with 1985's Bez konca, the two worked together on a series of projects including the 1987 television miniseries Dekalog and the 1991 feature La Double vie de Véronique which brought them both international acclaim. The latter picture introduced Preisner's musical alter ego Van den Budenmayer, a fictitious Dutch composer whose "work" surfaced in subsequent projects. 1991 also saw Preisner step outside Eastern Europe to work with Brazil's Hector Babenco on At Play in the Fields of the Lord; he subsequently worked with filmmakers including Louis Malle (Damage) and Agnieszka Holland (Olivier, Olivier and The Secret Garden. In 1993 he reunited with Kieslowski for Bleu, the first chapter in the director's celebrated "Trois Coleurs" trilogy; Preisner's score for the concluding chapter, 1994's Rouge, earned a Cesar, the French equivalent of an Academy Award. He and Kieslowski were scheduled to begin work on a trilogy exploring themes of Heaven, Hell and Purgatory when the director died on March 13, 1996; Preisner later celebrated Kieslowski's life and work with the release of Requiem for My Friend.
Zbigniew Preisner (Polish: [ˈzbiɡɲɛf ˈpɾajsnɛɾ]; born 20 May 1955 in Bielsko-Biała as Zbigniew Antoni Kowalski) is a Polish film score composer, best known for his work with film director Krzysztof Kieślowski.
Zbigniew Preisner studied history and philosophy in Kraków. Never having received formal music lessons, he taught himself music by listening and transcribing parts from records. His compositional style represents a distinctively spare form of tonal neo-Romanticism. Paganini and Jean Sibelius are acknowledged influences.
Preisner is best known for the music composed for the films directed by fellow Pole Krzysztof Kieślowski. His Song for the Unification of Europe, based on the Greek text of 1 Corinthians 13, is attributed to a character in Kieślowski's Three Colors: Blue and plays a dominating role in the story. His music for Three Colors: Red includes a setting of Polish and French versions of a poem by Wisława Szymborska, a Polish Nobel Prize-winning poet.
After working with Kieślowski on Three Colors: Blue, Preisner was hired by the producer Francis Ford Coppola to write the score for The Secret Garden, directed by Polish director Agnieszka Holland. Although Preisner is most closely associated with Kieślowski, he has collaborated with several other directors, winning a César in 1996 for his work on Jean Becker's Élisa. He has won a number of other awards, including another César in 1994 for Three Colors: Red, and the Silver Bear from the 47th Berlin International Film Festival 1997 for The Island on Bird Street.
In 1998, Requiem for My Friend, Preisner's first large scale work not written for film, premiered. It was originally intended as a narrative work to be written by Krzysztof Piesiewicz and directed by Kieślowski, but it became a memorial to Kieślowski after the director's death. The Lacrimosa from it appears in Terrence Malick's The Tree of Life. He composed the theme music for the People's Century, a monumental twenty-six part documentary made jointly in 1994 by the BBC television network in United Kingdom and the PBS television network in the United States. He has also worked with director Thomas Vinterberg on the 2003 film It's All About Love. He provided orchestration for David Gilmour's 2006 album On An Island as well as additional orchestrations for the show at Gdańsk shipyards at which he also conducted the Baltic Philharmonic Orchestra, this was documented on the album Live in Gdańsk (2008). Silence, Night and Dreams is Zbigniew Preisner's new recording project, a large-scale work for orchestra, choir and soloists, based on texts from the Book of Job. The premier recording, was released in 2007 with the lead singer of Madredeus, Teresa Salgueiro and boy soprano Thomas Cully from Libera.
Van den Budenmayer 
Van den Budenmayer is a fictitious 18th-century Dutch composer created by Preisner and director Krzysztof Kieślowski for attributions in screenplays. Preisner said Van den Budenmayer is a pseudonym he and Kieślowski invented "because we both loved the Netherlands". Music "by" the Dutch composer plays a role in three Kieślowski films. The first is The Decalogue (1988). The second is Three Colours: Blue (1993) in which a theme from his musique funebres is quoted in the Song for the Unification of Europe. Its E minor soprano solo is prefigured in the earlier film The Double Life of Veronique (1991), where circumstances in the story prevent the solo from finishing. The third is Three Colours: Red (1994).