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Charles Farrell

eMusic Contributor

Articles: 218

Since returning to active playing in 2004 after a career as a boxing manager, pianist Charles Farrell has released eleven CDs, played with Ornette Coleman, and received a composers grant from The Hillsborough County (Florida) Arts Council (resulting in the CD Cass Street Bridge, Tampa, Florida 2007). He is a Boxing Writers Association of America prize winner. His most recent CDs, “Cats & Dogs” and “Live in Cambridge,” featuring his collective trio with saxophonist Evan Parker and drummer Jim Schapperoew, were recorded in September, 2011. Two solo piano albums “Weather” and “8029 North Nebraska” were also released in 2011.

Charles Farrell Archive

1-24 of 218

Bruce Barth, Live at the Vill…

One good thing about jazz is that it can be made persuasively without rei… more »

Mike Wofford, It’s Pers…

Occasionally I’ll play Wofford for friends, savvy listeners who, ne… more »

Rashied Ali, At the Vision Fe…

Time has revealed drummer Rashied Ali as one of the key figures during a … more »

Henri Texier, Respect…

Bassist Henri Texier’s Respect resonates with a quiet strength … more »

Kris Davis, Capricorn Climber…

Pianist/composer Kris Davis is a patient musician. And she expects her co… more »

Mark Dresser and Mark Helias,…

Duet acoustic bass albums aren’t without precedent in jazz, but the… more »

The Bruce Gertz Quintet, Open…

In jazz, as in many things, how one achieves a high profile is determined… more »

Alan Silva, Unity

I can’t say whether the American and U.S.-based jazz musicians who … more »

Marcus Ryan, Walk to the Ligh…

Marcus Ryan is a songwriter from Texas who wound up traveling to New Orle… more »

The Byron Allen Trio, The Byr…

During the 1960s, Bernard Stollman’s ESP label worked a side of the… more »

Duke Ellington, Complete Colu…

Any significant band leader who stays in the public eye long enough will … more »

Steve Lacy, Barry Wedgle …

Despite being one of the most singular voices to come out of jazz, and on… more »

Stan Getz Quartet, Live at Bi…

Tenor saxophonist Stan Getz gained commercial success early in his career… more »

Pierre Favre, Drums and Dream…

Pierre Favre’s massive, definitive statement on drumming, Drums and… more »

Trio 3, Open Ideas

It would be easy to overlook Trio 3′s Open Ideas, since there… more »

Stanley Cowell, Brilliant Cir…

It’s hard to figure out why pianist Stanley Cowell never became a r… more »

Paul Lytton and Nate Wooley, …

European avant-garde drumming is much different than its US idiomatic cou… more »

Don Carter, Music for Swingin…

During the 1950s, in a cultural era nearly impossible to explain, profess… more »

Randy Weston, Saga

The pianist Randy Weston is an enormous man with an equally enormous pian… more »

Dan Weiss Trio, Now Yes When…

Drummer Dan Weiss, pianist Jacob Sacks and bassist Thomas Morgan all shar… more »

Paul Plimley, Barry Guy, Luca…

If you can imagine a discussion among three people, each of whom thinks a… more »

Devin Gray, Dirigo Rataplan…

It’s something of a jazz convention that piano-less quartets consis… more »

Bob Degen, Catability…

In his singular yet unassuming way, pianist Bob Degen has been putting ou… more »

Frank Wright Quartet, Blues f…

In describing his music, the late tenor saxophonist Albert Ayler said, … more »

1-24 of 218

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6

Kicking at the Boundaries of Metal

By Jon Wiederhorn, eMusic Contributor

As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »

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